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The art of painting according to the theory and practise of the best Italian, French, and Germane masters Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent.

 
dc.contributor Text Creation Partnership,
dc.contributor.author [Smith, Marshall, fl. 1693].
dc.coverage.placeName London
dc.date.accessioned 2020-06-30
dc.date.accessioned 2022-08-26T21:11:20Z
dc.date.available 2022-08-26T21:11:20Z
dc.date.created 1693
dc.date.issued 2012-10
dc.identifier ota:A60499
dc.identifier.uri http://hdl.handle.net/20.500.14106/A60499
dc.description.abstract M.S. = Marshall Smtih. The words "the antiquity .. passion." and "The effects .. Ordonnance." are joined with brackets in title. Reproduction of the original in the British Library.
dc.format.extent Approx. 238 KB of XML-encoded text transcribed from 52 1-bit group-IV TIFF page images.
dc.format.medium Digital bitstream
dc.format.mimetype text/xml
dc.language English
dc.language.iso eng
dc.publisher University of Oxford
dc.relation.isformatof https://data.historicaltexts.jisc.ac.uk/view?pubId=eebo-99830632e
dc.relation.ispartof EEBO-TCP
dc.rights To the extent possible under law, the Text Creation Partnership has waived all copyright and related or neighboring rights to this keyboarded and encoded edition of the work described above, according to the terms of the CC0 1.0 Public Domain Dedication Creative Commons 0 1.0 Universal. This waiver does not extend to any page images or other supplementary files associated with this work, which may be protected by copyright or other license restrictions. Please go to http://www.textcreationpartnership.org/ for more information.
dc.rights.uri http://creativecommons.org/publicdomain/zero/1.0/
dc.rights.label PUB
dc.subject.lcsh Painting -- Technique -- Early works to 1800.
dc.title The art of painting according to the theory and practise of the best Italian, French, and Germane masters Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent.
dc.type Text
has.files yes
branding Oxford Text Archive
files.size 736670
files.count 4
identifier.stc Wing S4129A
identifier.stc ESTC R219107
otaterms.date.range 1600-1699

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