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Nigger of the ‘Narcissus’

 
dc.contributor Oxford Text Archive
dc.contributor.author Conrad, Joseph, 1857-1924
dc.date.accessioned 2018-06-14
dc.date.accessioned 2022-08-21T09:50:27Z
dc.date.available 2022-08-21T09:50:27Z
dc.date.created 1897
dc.identifier ota:3037
dc.identifier.uri http://hdl.handle.net/20.500.14106/3037
dc.description.abstract Resource deposited with the Oxford Text Archive.
dc.format.medium Digital bitstream
dc.format.mimetype text/xml
dc.language English
dc.language.iso eng
dc.publisher University of Oxford
dc.relation.ispartof Oxford Text Archive Core Collection
dc.relation.replaces https://hdl.handle.net/20.500.14106/1780
dc.rights Distributed by the University of Oxford under a Creative Commons Attribution-ShareAlike 3.0 Unported License
dc.rights.uri http://creativecommons.org/licenses/by-sa/3.0/
dc.rights.label PUB
dc.title Nigger of the ‘Narcissus’
dc.type Text
has.files yes
branding Oxford Text Archive
files.size 1836290
files.count 5
otaterms.date.range 1800-1899

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The Nigger of the ‘Narcissus’
by
Joseph Conrad
Conrad's ‘Preface’
A work that aspires, however humbly, to the condition of art should carry its justification in every line. And art itself may be defined as a single-minded attempt to render the highest kind of justice to the visible universe, by bringing to light the truth, manifold and one, underlying its every aspect. It is an attempt to find in its forms, in its colours, in its light, in its shadows, in the aspects of matter and in the facts of life, what of each is fundamental, what is enduring and essential—their one illuminating and convincing quality—the very truth of their existence. The artist, then, like the thinker or the scientist, seeks the truth and makes his appeal. Impressed by the aspect of the world the thinker plunges into ideas, the scientist into facts—whence, presently, emerging they make their appeal to those qualities of our being that fit us best for the hazardous enterprise of living. They speak authoritatively . . .
										
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