Sappho and Phaon : in a series of legitimate sonnets, with thoughts on poetical subjects, and anecdotes of the Grecian poetess
| dc.contributor | Price-Wilkin, John |
| dc.contributor.author | Robinson, Mary, 1758-1800 |
| dc.contributor.editor | Nagle, Chris |
| dc.coverage.placeName | London |
| dc.date.accessioned | 2018-07-27 |
| dc.date.accessioned | 2022-08-19T15:18:29Z |
| dc.date.available | 2022-08-19T15:18:29Z |
| dc.date.created | 1796 |
| dc.date.issued | 1994-03-09 |
| dc.identifier | ota:2049 |
| dc.identifier.uri | http://hdl.handle.net/20.500.14106/2049 |
| dc.description.abstract | Contents: File 1. readme.2049 [contains details about the creation of the text] ; File 2. Preface, The subject of each sonnet [i.e. contents]. Sappho and Phaon. Notes This document also contains notes on the text created by members of Professor McGann's course at the University of Virginia Transcribed with American spelling |
| dc.format.extent | Text data (2 files : ca. 1.43, 71 KB) |
| dc.format.medium | Digital bitstream |
| dc.language | English |
| dc.language.iso | eng |
| dc.publisher | University of Oxford |
| dc.relation.ispartof | Oxford Text Archive Core Collection |
| dc.relation.isreplacedby | https://hdl.handle.net/20.500.14106/3250 |
| dc.rights | Distributed by the University of Oxford under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/3.0/ |
| dc.rights.label | PUB |
| dc.subject.lcsh | Poems -- Great Britain -- 18th century |
| dc.subject.other | Poems |
| dc.title | Sappho and Phaon : in a series of legitimate sonnets, with thoughts on poetical subjects, and anecdotes of the Grecian poetess |
| dc.type | Text |
| has.files | yes |
| branding | Oxford Text Archive |
| branding | Oxford Text Archive |
| files.size | 74231 |
| files.count | 2 |
| otaterms.date.range | 1700-1799 |
This item is
Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0)
Publicly Available
and licensed under:Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0)
Files for this item
Download all local files for this item (72.49 KB)
- Name
- readme-2049.txt
- Size
- 1.43 KB
- Format
- Text file
- Description
- Version of the work in plain text format
========================================= SAPPHO AND PHAON: in a Series of Legitimate Sonnets, with Thoughts On poetical Subjects, and Anecdotes of the Grecian Poetess. ========================================= By Mary Robinson. Author of Poems, &c. &c. &c. &c. ========================================= LONDON: Printed by S. Gosnell for the author, and Sold by Hookham and Carpenter, Bond Street, 1796. ========================================== This hypertext document was prepared at the University of Virginia as a class project during Jerome McGann's graduate seminar ENNC 981: The Poetry of Sensibility (Fall 1993). This document comprises of a transcription of the 1796 edition of "Sappho and Phaon," together with notes created by members of Professor McGann's course, and images created at the Electronic Text Center. Text: RobSapp: a copy of Robinson's Sappho and Phaon marked up according to the Text Encoding Initiative Guidelines. An HTML copy, with hypertext link . . .
- Name
- robsapp-2049.txt
- Size
- 71.06 KB
- Format
- Text file
- Description
- Version of the work in plain text format
<text id=RobSapp> <front> <!-- <page> --> <tPage> <dTitle>SAPPHO AND PHAON IN A <hi>SERIES </hi>OF Legitimate Sonnets, WITH THOUGHTS ON POETICAL SUBJECTS, AND ANECDOTES OF THE GRECIAN POETESS.</dTitle> <dAuthor>BY MARY ROBINSON, <hi>Author of Poems, &c. &c. &c. &c.</hi></dAuthor> <dImprint>LONDON: Printed by S. GOSNELL, For the AUTHOR, and Sold by HOOKHAM and CARPENTER, Bond Street. 1796.</dImprint> <!-- </page> --> </tpage> <div type="preface"> <pb n=5> <!-- <page n=5> --><!-- <ID>RobSapp5</ID> --> <head>Sappho and Phaon -- Preface.</head> <p>IT must strike every admirer of poetical compositions, that the modern sonnet, concluding with two lines, winding up the sentiment of the whole, confines the poet's fancy, and frequently occasions an abrupt termination of a beautiful and interesting picture; and that the ancient, or what is generally denominated, the LEGITIMATE SONNET, may be carried on in a series of sketches, composing, in parts, . . .
