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The acceptance world : a novel / Anthony Powell

 
dc.contributor Gilliver, Peter Oxford Dictionaries Oxford University Press Oxford
dc.contributor.author Powell, Anthony, 1905-
dc.coverage.placeName London
dc.date.accessioned 2018-07-27
dc.date.accessioned 2022-08-21T16:19:19Z
dc.date.available 2022-08-21T16:19:19Z
dc.date.created 1955
dc.identifier ota:0508
dc.identifier.uri http://hdl.handle.net/20.500.14106/0508
dc.description.abstract Resource deposited with the Oxford Text Archive.
dc.format.extent Text data (3 files : ca. 244, 70, 56 KB)
dc.format.medium Digital bitstream
dc.language English
dc.language.iso eng
dc.publisher University of Oxford
dc.relation.ispartof Oxford Text Archive Legacy Collection
dc.rights Use of this resource is restricted in some manner. Usually this means that it is available for non-commercial use only with prior permission of the depositor and on condition that this header is included in its entirety with any copy distributed.
dc.rights.uri https://hdl.handle.net/20.500.14106/licence-ota
dc.rights.label ACA
dc.subject.lcsh English fiction -- 20th century
dc.subject.other Novels
dc.title The acceptance world : a novel / Anthony Powell
dc.type Text
has.files yes
branding Oxford Text Archive
files.size 377018
files.count 3
otaterms.date.range 1900-1999

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<31.>3

<1ONCE>1 in a way, perhaps as often as every eighteen months,

an invitation to Sunday afternoon tea at the Ufford would

arrive on a postcard addressed in Uncle Giles's neat, con-

stricted handwriting. This private hotel in Bayswater,

where he stayed during comparatively rare visits to London,

occupied two corner houses in a latent, almost impenetrable

region west of the Queen's Road. Not only the battleship-

grey colour, but also something at once angular and top-

heavy about the block's configuration as a whole, suggested

a large vessel moored in the street.  Even within, at least on

the ground floor, the Ufford conveyed some reminder of life

at sea, though certainly of no luxuriously equipped liner;

at best one of those superannuated schooners of Conrad's

novels, perhaps decorated years before as a rich man's yacht,

now tarnished by the years and reduced to ignoble uses like

traffic in tourists, pilgrims, or even illegal immigrants; per-

vaded--to borrow an a . . .
										
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change of direction is for some reason often foreshadowed

by such colourless patches of time.

@Along Piccadilly a north wind was blowing down the

side streets, roaring hoarsely for a minute or two at a

time, then dropping suddenly into silence; then again,

after a brief pause, beginning to roar once more, as if

perpetually raging against the inconsistency of human

conduct. The arches of the portico gave some shelter from

this hurricane, at the same time forming a sort of ante-

chamber leading on one side, through lighted glass, into

another, milder country, where struggle against the forces

of nature was at least less explicit than on the pavements.

Outside was the northern winter; here among the palms

the climate was almost tropical.

@Although a Saturday evening, the place was crowded. A

suggestion of life in warmer cities, far away from London,

was increased by the presence of a large party of South

Americans camped out not far from where I found a seat

at one of th . . .
										
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newspapers, envelopes and bottles that littered the table;

coming at last to a large portfolio from which he took a

pencil drawing. The picture was of a girl's head. She

looked about twenty. The features, suggested rather than

outlined, made her seem uncertain of herself, perhaps on the

defensive. Her hair was untidy. There was an air of self-

conscious rebellion. Something about the portrait struck me

as familiar.

@'What is her name?'

@'I don't know.'

@'Why not?'

@'She won't tell me.'

@'How very secretive.'

@'That's what I think.'

@'How often has she been here?'

@'Two or three times.'

@I examined the drawing again.

@'I've met her.'

@'Who is she?'

@'I'm trying to remember.'

@'Have a good think,' said Barnby, sighing. 'I like to clear

these matters up.'

@But for the moment I was unable to recall the girl's name.

I had the impression our acquaintance had been slight, and

was of a year or two earlier. There had been something

absurd, or laughable, in the backgroun . . .
										

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