THE ECHO: OR, FEDERAL SONGSTER. BEING A LARGE COLLECTION OF THE MOST CELEBRATED, MODERN POETICAL WRITINGS, OF DIFFERENT AUTHORS.
FIRST EDITON.
BROOKFIELD: (MASSACHUSETTS,) FROM THE PRESS OF E. MERRIAM & CO. SOLD BY THEM IN BROOKFIELD, AND BY G. MERRIAM IN WORCESTER.
ADVERTISEMENT.
THE favorable reception which works of a poetic nature have m [...] with in PUBLIC; the salutary effect they have had in softening the brow of care, exciting hilarity around the festive board and dispersing that unwelcome visitant melancholy, which so often assails those who confine themselves entirely to logical studies, has induced the EDITORS to undertake the subjoined work, which, to render more interesting and instructive, they have selected with the greatest precaution, from different authors, such pieces as may without exaggeration, be termed Pernassian Flowers.
THE ECHO.
SONG I. A FEDERAL ODE.
SONG. II. THE BOSTON PATRIOTIC SONG.
SONG III.
SONG IV.
SONG V.
SONG VI.
SONG VII. THE FARMER's PATRIOTIC ODE.
Tune—
Vicar of Bray.
SONG VIII.
SONG IX.
Tune—
Lass of Richmond Hill.
SONG X.
SONG XI.
SONG XII.
SONG XIII. DESCRIPTION OF A WOMAN.
SONG XIV. DESCRIPTION OF A MAN.
SONG XV.
Tune—
Rule Britania.
SONG XVI.
SONG XVII.
SONG XVIII.
SONG XIX.
SONG XX.
SONG XXI.
SONG XXII.
SONG XXIII.
SONG XXIV.
SONG XXV.
SONG XXVI.
SONG XXVII.
SONG XXVIII.
SONG XXIX.
SONG XXX.
SONG XXXI.
SONG XXXI.
SONG XXXII.
SONG XXXIII.
SONG XXXIV. The Tempest.
SONG XXXV.
SONG XXXVI.
SONG XXXVII.
SONG XXXVIII.
SONG XXXIX.
SONG XL.
SONG XLI.
SONG XLII.
SONG XLIII.
SONG XLIV.
SONG XLV. The Old Maid's last prayer.
SONG XLVI.
SONG XLVII.
SONG XLVIII.
SONG XLIX.
SONG L.
SONG LI.
SONG LII.
SONG LIII. PARODY ON THE ABOVE.
SONG LIV.
SONG LV.
SONG LVI.
SONG LVII.
SONG LVIII. FLY YE TRAITORS▪
SONG LIX.
SONG LX.
SONG LXI.
SONG LXII.
SONG LXIII.
SONG LXIV.
SONG LXV.
SONG LXVI.
SONG LXVII.
SONG LXVIII.
SONG LXIX.
SONG LXX.
SONG LXXI.
SONG LXXII.
SONG LXXIII.
SONG LXXIV.
SONG LXXV.
SONG LXXVI.
SONG LXXVII.
SONG LXXVIII.
SONG LXXIX.
SONG LXXX.
SONG LXXXI.
SONG LXXXII. THE FRENCH [...]AFT.
SONG LXXXIII.
SONG LXXXIV.
SONG LXXXV.
SONG LXXXVI.
SONG LXXXVII.
SONG LXXXVIII.
SONG LXXXIX.
SONG XC.
SONG XCI.
SONG XCII.
SONG XCIII.
SONG XCIV.
SONG XCV.
SONG XCVI.
SONG XCVII.
SONG XCVIII.
SONG XCIX.
SONG C.
SONG CI.
SONG CII.
SONG CIII.
SONG CIV.
SONG CV.
SONG CVI.
SONG CVII.
SONG CVIII.
SONG CIX.
SONG CX.
SONG CXI.
SONG CXII.
SONG CXIII.
SONG CXIV.
SONG CXV.
SONG CXVI.
SONG CXVII.
SONG CXVIII.
SONG CXIX.
SONG CXX.
SONG CXXI. ON THE BIRTH OF GEORGE WASHINGTON.
SONG CXXII.
SONG CXXIII.
SONG CXXIV.
SONG CXXV.
SONG CXXVI. THE NEW-YORK PATRIOTIC SONG.
Tune—
Washington's March and Yankee Doodle.
SONG CXXVII.
SONG CXXVIII.
SONG CXXIX.
SONG CXXX.
SONG CXXXI.
SONG CXXXII.
SONG CXXXIII.
SONG CXXXIV.
SONG CXXXV.
SONG CXXXVI.
SONG CXXXVII.
SONG CXXXVIII.
SONG CXXXIX.
SONG CXL.
SONG CXLI.
SONG CXLII.
SONG CXLIII.
SONG CXLIV.
SONG CXLV.
APPENDIX: CONTAINING A VARIETY OF MASONIC SONGS.
SONG I.
SONG II.
SONG III.
SONG IV.
SONG V.
SONG VI.
SONG VII.
SONG VIII.
SONG IX.
SONG X.
SONG XI.
SONG XII.
SONG XIII.
SONG XIV.
MONSIEUR TONSON.— A Tale
SONG XV.
SONG XVI.
SONG XVII.
SONG XVIII.
SONG XIX.
SONG XX.
SONG XXI.
SONG XXII.
SONG XXIII.
SONG XXIV.
SONG XXV.
A COLLECTION OF THE MOST CELEBRATED COTILLIONS AND COUNTRY DANCES.
COTILLIONS.
LE PANTALOON.
ALL round, 1st and 2d couples (opposite) right and left quite round, turn your partners qu [...]te round, then balance all four in the middle, chasse 4, back again, take your partner with both hands, go [...]ound to the opposi [...]e couple the opposite couples do the same, so every one come to their former places, then all 8 chasse, back again, every gentlemen balance with his partner, and turn he [...] qu [...]te round.— Third and fourth couples do the same figures.
THE COQUETTE.
All round, first couple set to the left couple, then the other couples, chasse all 4, back again, [Page 232] face to the last couple, and right and left quite round, face to your p [...]rtner, chasse only five steps, back again, turn your partner to her former place; The second couple to the left perform the same figures, and so the third and fourth couples.
THE CONVENTION. [May be danced with the tune of York Fufiliers.]
All round, first and opposite couples, balance in the middle, set, and turn contrary partners, and retreat to your places, the other two couples do the same, chasse all eight and turn the lady to your right quite round, chasse back to your places and turn the lady to your left, then form two lines long ways four each side balance, cross hands four, each corners, balance again, and cross hands back, and come to your former places.
[...]ERMAN SPA.
All round, the two opposite couples take your partner's hands, and change places; chasse 4 only five steps, so back again, balance in the middle, set, half cross hands that you may be in your places▪ the same couple turn contrary partners opposite, then turn your own with your right hand half way, balance with your partner, set, half right and left with the opposite couples, which brings you to your former places;—the other two couples do the same.
MISS CHANDLER'S COTILLION.
All round, right and left all eight half round until you meet your partners, then allemand with your partners until to your former places, chasse all eight, turn the lady to your right quite round, chasse back again and turn the lady to your left, then bal [...]nce with your partner and turn her quite round.
COUNTRY DANCES.
LA BELLE CATHERINE.
BALANCE four, then half right and left— the same back again, lead down the middle, up again, and cast off one couple, then six hands round, back again.
THE NEW POMP ROOM.
Cast off two couples, up again, four hands half round at the top, back again, lead down the middle, up again and cast off one couple, right and left at top.
GRIFFITH'S FANCY.
The first gentleman cross between the second and third ladies, his partner do the same between the second and third gentlemen, balance six, and set, then turn your partner half [Page 234] way, four hands cross half round at bottom, back again, right and left at top.
CONSTANCY.
Cross hands half round at top, back again, lead down the middle, up again, and cast off one couple, balance six, set and turn your partner quite round, a [...]ght and left at top.
LADY BUCKLEY'S WHIM.
Cast off two couples, up again, lead down the middle, up again, the gentleman stands between the top couple, and his partner between the third couple, balance all six in the m [...]ddle, and turn your partner, right and left at top.
THE YOUNG WIDOW.
Four hands across half round at top, back again, lead down the middle, and turn your partner half way, then up again, and cast off one couple, the first gentleman stand between the second and third la [...]ies, so h [...]s partner between the second and third gentleman, balance all six▪ then a [...]l half way round, first couple stand st [...]ll, when the second and third couples bala [...]ce in the m [...]ddle, and half right and left, so every one come to their former places.
THE IMPERIAL.
Balance three couples, change places, back again lead down the m [...]ddle, up again, and cast [...] one couple, right and left at top.
ALLEMAND SWISS. [With a new figure.]
Cross four hands at top, half round, back again, cast [...]ff one coup [...]e, set, balance six, and set, then four hands round at the bottom, back again, right and left at top.
WHITE COCKADE.
Cast off two couples, up again, lead dow [...] the m [...]d [...]le, up again, cast off one couple, cross hands at bottom, half round, back again, right and left at top.
THE GRACES. [With a new and easy Figure for the dancer.]
First and second couples balance at top, the two ladies give both hands and cross between the first and second gentlemen, changing sides, balance again as before, and all go to your former places, four hands half round at top, turn your partner with your right hand, cross hands back again, lead down one couple, up at top, and cast off and stand between the second and third couples, then balance [...] six, fi [...]st couple ple turn partner quite round, right and left.
FISHER'S MORNPIPE.
Cast off two couples, up aga [...]n▪ lead down the mid [...]le, up again, and cast off one couple, cross hands at the bottom, right and left at top.
WASHINGTON FOREVER.
Turn your partner with your right hand, [Page 236] set, back again with the left hand, lead down the middle, up again, cast off one couple, turn corners, chasse with your partner, back again.
CHARLOTTE M'CARTY.
Cast off one couple, set, the second couple do the same, lead down the middle, up again, and cast off one couple, six hands round.
THE HUMOR OF BOSTON.
Cast off two couples, back again, four hands round at top, lead down the middle, up again, and cast off one couple, six hands round.
ALL GOES RIGHT.
Balance six, and change places, so back aga [...]n, lead down the middle, up again, cast off one couple, right and left at top.
SEA FLOWER.
Cross four hands, half round, back again, chasse only the first couple, first gentleman set with second lady, and his partner with the second gentleman, chasse back again, then turn the second couple, that you may be between the second and third couples.
BOSTON ASSEMBLY.
Four hands across half round, back again, the same allemand, lead down in the middle, up again, cast off, six hand half round, back again, right and left.
CONTENTS.
- A WOMAN is like to—but stay Page. 23
- A man he is like to—but stay Page. 25
- At the sound of the horn Page. 28
- Awake from delusion, ye sons of the brave Page. 31
- A slaxen-headed cow-boy, as simple as may be Page. 43
- Ah! Delia, see the fatal hour farewell my soul's delight Page. 44
- A rose tree in full bearing Page. 58
- Any one who reads the scripture Page. 64
- A beau [...]ious sterling late I saw Page. 70
- A sailor's life's a life of woe Page. 85
- Attention pray give while of hobbies I sing Page. 87
- As passing by a shady grove Page. 92
- As Neptune in has coral bower Page. 107
- Amo, amas Page. 121
- At the close of the day when the Hamlet is still Page. 129
- Adieu, ye streams that gently flowing Page. 139
- As in a grot reclin'd Page. 15 [...]
- A few year ago in the days of my grannam Page. [...]74
- A song, a song, is the cry of mankind Page. 1 [...]7
- As musing I [...]ang'd in the meeds all alone Page. 180
- A plague of th [...]se musty old lubbe [...]s Page. 187
- Assist my m [...]se, [...]y influence b [...]ng Page. 204
- Adieu, a heart fond, warm ad [...]eu Page. 20 [...]
- A Masons' daughter fair and young Page. 207
- Banish sorrow, grief, and folly Page. 48
- [Page 238]Both sexes gives ear to my fancy Page. 62
- Behold this fair goblet—'twas carv'd from the tree Page. 145
- Bachus open all thy treasue Page. 208
- Come, hail the day, ye sons of mirth Page. 12
- Come all Grenadiers, let us join hand in hand Page. 21
- Cease rude Boreas, blust'ring railer Page. 46
- Come all you pretty maidens, some older, some younger Page. 61
- Celia that I once was blest Page. 94
- Come, care curing mirth Page. 105
- Cease a while, ye winds to blow Page. 118
- Come now all ye social Powers Page. 1 [...]2
- Columbia's bald Eagle displays in his claws Page. 164
- Columbian's sons attend a while Page. 209
- Come, let us prepare Page. 221
- Come come my brethren dear Page. 2 [...]5
- Come ye Masons, hither bring Page. 226
- Dear Cathleen, you no doubt Page. 34
- D [...]stress me with those teers no more Page. 36
- D [...]ogenes surly and proud Page. 178
- Dear Tom, this brown jug which foams with wild ale Page. 188
- Dear brothers of fraternal minds Page. 199
- Ere God the universe began Page. 224
- From the so [...]l our fathers dearly bo't Page. 17
- Fair l [...]berty whom heaven gave Page. 29
- Friendship to every willing mind Page. 55
- [Page 239]Fly ye traitors from our land Page. 76
- For various purpose serves the fan Page. 83
- From night till morn I take my glass Page. 124
- Fair Kate of Portsmouth lov'd a tar Page. 183
- Free Masons all Page. 218
- God save the United States Page. 13
- Guardian of our nation stand firm in your station Page. 176
- Hail! Columbia, happy land Page. 10
- Hail Victorious freedom hail Page. 20
- Hark, hark from the woodlands the loud swelling horn Page. 31
- How bright are the joys of the table ibid
- How happy the woman whose charms Page. 38
- Hope treach'rous meteor lucid vapor Page. 42
- Hail, patriots all! this day combine Page. 54
- How stands the glass around Page. 60
- How imperfect is expression Page. 82
- How blest is the bachelor's life Page. 100
- How happy is the man Page. 104
- Hail! Godlike Washington Page. 114
- Hark! Echo! sweet echo repearts the loud strain Page. 134
- Hail! Indepe [...]ce hail Page. 162
- Her mouth with a smile Page. 192
- How b [...]imfull of Nothing's the life of a beau Page. 189
- How happy's a Mason whose bosom still flows Page. 1 [...]8
- Here social love serenely smiles Page. 280
- Hail! Masonry divine Page. 230
- [Page 240]I Delias beauties would disclose Page. 49
- In storms, when clouds obscure the sky Page. 53
- I dreamt I saw a piteous sight Page. 74
- I sigh and lament me in vain Page. 75
- I that once was a ploughman a sailor am now Page. 80
- I heard much talk of Oxford town Page. 109
- I am a blade both free and easy Page. 113
- In infancy our days were blest Page. 119
- I've found my fair, a true love knot Page. 173
- In Hist'ry were told how the Lodges of old Page. 222
- Jolly mortals fill your glasses Page. 84
- King Solomon, that wise projector Page. 205
- Lord, what care I for mam or dad Page. 38
- Let a set of sober Asses Page. 152
- Let drunkards boast the power of wine Page. 227
- My mother says I'm now sixteen Page. 42
- Music, how powerful are thy charms Page. 84
- Minerva in heaven disconsolate mourn'd Page. 136
- My name's Tippy Bob Page. 181
- No pastime no spor can with hunting compare Page. 135
- Not the fiction of Greece, nor the dreams of old Rome Page. 193
- On the green sedgy banks of the sweet winding tay. Page. 2 [...]
- [Page 241]Of damask cheeks and snowy neck Page. 78
- Our immortal poets page Page. 89
- Oh, Cupid forever Page. 123
- On that lone bank where Lubin died Page. 137
- Pounds, shillings, pence and farthings Page. 141
- Push about the bowl, boys Page. 150
- Poets may sing of their Helicon streams Page. 169
- Returning home across the plain Page. 173
- Sing Yankee Doodle, that fine tune Page. 15
- Shepherds I have lost my love Page. 23
- Simplicity! thou fav'rite child Page. 35
- Sir Solomon Simons when he did wed Page. 39
- Says Plato, why should man be vain Page. 56
- Some women take delight in dress Page. 72
- Sweet Nightingale best poet of the grove Page. 9 [...]
- Say, have you seen my Arabelle Page. 131
- Songs of Shepherds in rustical roundelays Page. 170
- Spanking Jack was so comely, so pleasant, so jolly Page. 190
- To the standard repair Page. 18
- The rose had been wash'd, just wash'd in a shower Page. 30
- The wealthy fool with gold in store Page. 36
- Tho prudence may press me Page. 37
- To hear a goldfinch's sonnet Page. 41
- The lark was up, the morn was gay Page. 51
- The bright God of day drew westward away Page. 57
- There was once, it was said, when, is out of my head Page. 64
- [Page 242]Twas on the morn of sweet May day Page. [...]
- Trust not man, for he'll deceive you Page. 71
- Trust not woman, she'll beguile you ibid
- Time has not thin'd my flowing hair Page. 96
- This world is a stage ibid
- Twas in the flow'ry month of May Page. 9 [...]
- The sun sets at night, and the stars shun the day Page. 102
- The sails unsurl'd the ship u [...]moor'd Page. 10 [...]
- The women all tell me I'm false to my lass Page. 124
- Twas at the break of day we spy'd Page. 127
- To my mu [...]e give attention, and deem it not a mystery Page. 132
- This hot [...] Page. 157
- To banish life's troubles, the G [...]e [...]ian old sage Page. 142
- Twas near a thickets calm re [...]eat Page. 143
- The British Lyon is my sign Page. 144
- Thursday in the morn, the n [...]neteenth of May Page. 148
- To Columbia who gladly recli [...]'d at her [...] Page. 165
- There liv'd as fame reports in days of y [...]re Page. 210
- Unite, unite, your voices raise Page. 229
- When B [...]ita [...]n with [...] sway Page. 27
- When [...] on the plain [...] Page. [...]
- Why should our [...] transform to pain Page. 7 [...]
- Were I [...] choose the greatest bl [...]s Page. 9 [...]
- When [...] [...]own Page. 119
- What [...]? you Sir? no Sir Page. [...]6
- [...] Page. 1 [...]
- [Page 243]When up to London first I came Page. 141
- Whilst happy in my native land Page. 147
- Welcome, welcome, brother debtor Page. 148
- When our great Sires this land explor'd Page. 156
- When love was resolv'd to create the round Earth Page. 158
- While discord's bloody flag unfurl'd Page. 167
- Well me [...], joll fellows, well met Page. 174
- When beating rains and pinching winds Page. 185
- What joys do the Craft on eacn Mason bestow Page. 197
- When my divine Althea's charms Page. 195
- When orient wisdom beam'd serene Page. 208
- We have no idle prating Page. 219
- Ye sons of Columbia, unite in the cause Page. 5
- Ye sons of Columbia who bravely have fought Page. 7
- Ye virgins attend Page. 73
- You say Sir▪ once a wit allow'd Page. 95
- Ye fair possess'd of ev'ry charm Page. 128
- Ye chieftains of Columbia, your forces marshal out Page. 158
- You ask why I thus droop my head Page. 184
- Ye sons of fair science, impatient to learn Page. 195
- Ye dull stupid mortals, give o'er your conjectures Page. 217
TOASTS AND SENTIMENTS.
LIEUTENANT General WASHINGTON—the pride, the boast, the father, the protector of his country. In peace a Senate and in arms a Host.
The President of the United States—whose Spirit animates his Country—whose Wisdom foils the intrigues of Corruption, and whose Fortitude leads Anarchy in triumph.
The American Flag—may every nation respect its bearers—may the radiance of its stars shed a lustie over its friends, but its stripes lacerate the backs of its enemies.
The American Eagle—May the plots of disorganiz [...]s b [...] pierced by his eye, and their [...] fa [...]l under his [...]allons.
The of [...]cers of the Army and Navy of the United States—May they prove themselves the [...] descendants of Mars, and may [...] of his estate, be future fame.
[Page 246]Old times—old principles, and none of the gipsey jargon of France.
The American Eagle. Under the protecting influence of its fostering wing, we trust our fate to Heaven—but, when its offered olive branch is spurned by the haughty mandate of imperious villains, quickly may the thunderbolts of its vengeance, be hurled on their devoted heads.
The Congress of the United States—while genius, eloquence and judgment preside, as they have done over our national councils, we may with justice sneer at the bombastic threats of our enemies.
The patriots of America, whose blood was shed at the altar of Liberty. May the sons never lose the sire of their fathers to preserve those blessings transmitted to them.
The soldiers of the United States—may they never want spirit to resent the injuries done, or insults offered their country, ardor to pursue to victory, nor mercy to ado [...] their conquests.
The ga [...]lant Youth of America.—may they justly appreciate the fair inheritance transmitted to them by their ancestors.
[Page]The Fair Sex—may their arms prove our sweetest refuge in adversity, and their smiles the truest antidote to care.
The sentiments of the day—"Millions for defence, but not a cent for tribute."
May the volume of beauty never be stained by contaminating fingers.
May the cheerful heart never want agreeable companions.
May virtue shine when every other light is out,
May the smiles of the fair reward the efforts of the brave.
The voyage of life, may it end in the heaven of happiness.
Reason in our actions, religion in our thoughts, and reflection in our expressions.
Serenity to every breast that beats with philanthropy.
Absalom's end to the fomenters of public mischief.
Community of goods, unity of hearts, nobility of sentimen [...]s, and truth of feelings, to the real lovers of the [...].
[Page 248] [...] an air-pump without a passage to breathe through.
[...]odness in our thoughts, gentleness in our words, and generosity in our actions.
All we wish and all we want.
The sweets of sensibility without the bitters.
The pleasure of imagenation realised.
Taste to our pleasure, and pleasure to our taste.