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THE BOTANIC GARDEN. A POEM.

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THE BOTANIC GARDEN. A POEM, IN TWO PARTS.

  • PART I. CONTAINING THE ECONOMY OF VEGETATION.
  • PART II. THE LOVES OF THE PLANTS.

WITH PHILOSOPHICAL NOTES.

The first American Edition.

NEW-YORK: Printed by T. & J. SWORDS, Printers to the Faculty of Physic of Columbia College, No. 99 Pearl-street. 1798.

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ADVERTISEMENT TO THE AMERICAN EDITION.

THE success of "THE BOTANIC GARDEN" has been so great in Europe, and its reputation is so well established in America, that it would betray a culpa­ble vanity in the Publishers, were they to attempt, by any thing that they could offer in this place, to recommend the Poem to the further patronage of their fellow-citizens. They may be indulged, how­ever, in a few remarks on the advantages of the pre­sent edition.

The London copy, in quarto, sells for twelve dol­lars and upwards in America; a price which readers of Poetry, and even students of Nature, in this coun­try, can seldom conveniently pay. It is, beside, more adapted for a library than for daily use.

The Dublin edition, in octavo, which has princi­pally circulated in the United States, is deficient both in correctness and in many plates, essential to the thorough comprehension of several parts of the work. It is in two separate volumes; and bears a price dis­proportionate to its value as a book.

In the present edition, the Publishers have endea­voured to reconcile the two extremes; and to attain [Page] convenience and cheapness, without any censurable sacrifice of correctness and elegance. In their edition, the Poem is comprized in a single volume of commo­dious form; the type and paper are superior to those of the Irish, and, perhaps, not inferior to those of the English copies; no plates, but such as are merely or­namental, and of these only four out of twenty-one plates in all, have been omitted; those which are in­serted are executed in the best manner the state of the arts in this city will admit: and there is reason to believe that few errors are discoverable in the letter­press.

On the whole, the Publishers venture to believe that they shall be found to have fulfilled every expec­tation which they raised by their proposals; and that they shall have acquitted themselves, in this under­taking, to general satisfaction.

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EPISTLE TO THE AUTHOR OF THE BOTANIC GARDEN.

FOR unknown ages, 'mid his wild abode,
Speechless and rude, the human savage trode;
By slow degrees expressive sounds acquired,
And simple thoughts in words uncouth attired.
As growing wants and varying climes arise,
Excite desire and animate surprize,
Gradual his mind a wider circuit ranged,
His manners soften'd, and his language changed;
And grey experience, wiser than of yore,
Bequeath'd its strange traditionary lore.
Again long ages mark the flight of time,
And lingering toil evolves the Art divine,
Coarse drawings, first, the imperfect thought reveal'd;
Next, barbarous forms the mystic sense conceal'd;
Capricious signs the meaning, then, disclose;
And, last, the infant alphabet arose:
From Nilus' banks adventurous CADMUS errs,
And on his Thebes the peerless boon confers.
Slow spread the sacred art, its use was slow:
Whate'er the improvements later times bestow,
Still how restrain'd, how circumscrib'd its power!
Years raise the fruit an instant may devour.
Fond SCIENCE wept; the uncertain toil she view'd
And, in the evil, half forgot the good.
What tho' the sage, and tho' the bard inspired,
By truth illumined, and by genius fired,
In high discourse the theme divine prolong,
And pour the glowing tide of lofty song;
To princes limited, to Plutus' sons,
Tyrants of mines and heritors of thrones,
[Page] The theme, the song, scarce toucht the general mind;
Lost, or secluded from opprest mankind.
Fond SCIENCE wept; how vain her cares she saw,
Subject to Fortune's ever-varying law.
Month after month a single transcript claim'd,
The style perchance, perchance the story, maim'd;—
* The guides to truth corrupted, or destroy'd,
A passage foisted, or a painful void,
The work of ignorance, or of fraud more bold,
To blast a rival, or a scheme uphold;—
Or, in the progress of the long review,
The original perisht as the copy grew;
Or, perfect both, while pilgrim bands admire,
The instant prey of accidental fire,
Fond SCIENCE wept; whate'er of costliest use,
The gist and glory of each favouring Muse;
From every land what genius might select;
What wealth might purchase, and what power protect;
The guides of youth, the comforters of age;
Swept by the besom of barbaric rage,—
Scarce a few fragments scatter'd o'er the field,—
Frantic, in one sad moment, she beheld.
"Nor shall such toil my generous sons subdue;
"Nor waste like this again distress the view!"
She cries:—where Harlem's classic groves
Embowering rise, with silent flight she moves;
She marks LAURENTIUS carve the beechen rind.
And darts a new creation on his mind:
A sudden rapture thrills the conscious shades;
The gift remains, the bounteous vision fades.
Homeward, entranced, the Belgic Sire returns;
New hope inspires him, and new ardor burns;
Secret, he meditates his art by day;
By night fair phantoms o'er his fancy stray;
With opening morn they rush upon his soul,
Nor cares, nor duties, banish nor control;
Haunt his sequestered path, his social scene,
And, in his prayers, seductive, intervene;
[Page] Till, shaped to method, simple, and complete;
The filial ear the joyful tidings greet. *
—First, their nice hands the temper'd letter frame,
Alike in height, in width, in depth, the same;
Deep in the matrices secure infold,
And fix within, and justify, the mould;
The red amalgam from the cauldron take,
And flaming pour, and, as they pour it, shake;
On the hard table spread the type congeal'd,
And smooth and polish on its marble field;
While, as his busy fingers either plies,
The embrion parts of future volumes rise.
—Next, with wise care, the slender plate they choose,
Of shining steel, and fit, with harden'd screws,
The shifting sliders, which the varying line
Break into parts, or yet as one confine;
Whence, firmly bound, and fitted for the chase,
Imposed, it rests upon the stony base;
Till, hardly driven, the many-figured quoins
Convert to forms the accumulated lines.
—Then, with new toil, the upright frame they shape,
And strict connect it by the solid cap;
The moving head still more the frame combines;
The guiding shelf its humbler tribute joins;
While the stout winter erring change restrains,
And bears the carriage, and the press sustains:
The platten these, and spindle well connect,
Four slender bars support it, and direct,
As the high handle, urging from above,
Downwards and forceful bids its pressure move:
Beneath, with plank the patient carriage spread,
Lifts the smooth marble on its novel bed,
Rides on its wheeled spit in rapid state,
Nor fears to meet the quick-descending weight,
—Last, the wise Sire the ready form supplies,
With cautious hands and scrutinizing eyes;
[Page] Fits the moist tympan,—(while the Youth, intent,
With patting balls, applies the sable paint,)
Then lowers the frisket, turns the flying rounce,
And pulls amain the forceful bar at once;
A second turn, a second pressure, gives,
And on the sheet the fair impression lives.
Raptured, the Youth and reverend Sire behold,
Press to their lips and to their bosoms fold;
Mingle their sighs, ecstatic tears descend,
And, face to face, in silent union blend:
Fond SCIENCE triumphs, and rejoicing Fame,
From pole to pole, resounds LAURENTIUS' name.
Hence, doom'd no more to barbarous zeal a prey,
Genius and Taste their treasured stores display;
Nor lords, nor monks, alone, the sweets procure,
But old and young, the humble and the poor.
Hence, wide diffused, increasing knowlege flies,
And error's shades forsake the jaundiced eyes;
Man knows himself for man, and sees, elate,
The kinder promise of his future fate;
Nations, ashamed, their ancient hate forego,
And find a brother, where they found a foe.
Hence, o'er the world,—(what else perchance conceal'd
Supprest for ages, or fore'er withheld,
To one small town, or shire, or state, confined,
In merit's spite to long neglect consign'd,
The sport or victim of some envious flame,
Whence care nor art might rescue nor reclaim,)—
Flies the BOTANIC SONG; around
Successive nations catch the enchanting sound,
Glow as they listen, wonder as they gaze,
And pay the instructive page with boundless praise:
For not to Britain's parent isle alone,
Or what the East encircles with her zone,
The bounty flows; but spreads to neighbouring realms,
And a new hemisphere with joy o'er whelms.
[Page] Here, read with rapture, studied with delight,
Long shall it charm the taste, the thought excite;
And youths and maids, the parent and the child,
Their minds illumined, and their griefs beguiled,
By all of fancy, all of reason, moved,
Rise from the WORK invigor'd and improved.
Nor only here, nor only now, enjoy'd:—:
Where opes the interior desolate and void;
Where Mississippi's turbid waters glide,
And white Missouri pours its rapid tide;
Where vast Superior spreads its inland sea,
And the pale tribes near icy confines stray;
"Where now Alaska lifts its forests rude,
"And Nootka rolls her solitary flood;" *
Where, the fierce sun with ray severer rains
His floods of light o'er Amazonian plains;
Where, land of horrors! roam the giant brood,
On the bleak margin of the antarctic flood;
In future years, in ages long to come,—
When redient Justice finds again her home;—
Known, honour'd, studied, graced with nobler fame,
Its charms unfaded, and its worth the same,
To vaster schemes shall light the kindling view,
And lift to heights no earlier era knew.
Some ardent youth, some Fair whose beauties shine,
In mind, as person, only not divine,—
In halls where Montezuma erst sat throned,
Whom thirty princes as their sovereign own'd;—
In bowers where Manco labour'd for Peru,
While the white thread his blest Oëlla drew,—
Where Ataliba met a tyrant's rage,—
Entranced, shall ponder o'er the various page;
Or, where Oregon foams along the West,
And seeks the fond Pacific's tranquil breast,
[Page] With kindred spirit strike the sacred lyre,
And bid the nations listen and admire.
Hence keep incitement prompt the prying mind,
By treacherous fears nor palsied nor confined,
Its curious search embrace the sea, and shore,
And mine and ocean, earth and air, explore.
Thus shall the years proceed,—till growing time
Unsold the treasures of each differing clime;
Till one vast brotherhood mankind unite
In equal bands of knowledge and of right:
Then, the proud column, to the smiling skies,
In simple majesty sublime shall rise,
O'er Ignorance foil'd, their triumph loud proclaim,
And bear inscribed, immortal, DARWIN's name.
E. H. SMITH.
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ADVERTISEMENT TO THE LONDON EDITION.

THE general design of the following sheets is to inlist Imagination under the banner of Science; and to lead her votaries from the looser analogies, which dress out the imagery of poetry, to the stricter ones, which form the ratiocination of philosophy. While their particular design is to induce the ingenious to [...] the knowledge of Botany, by introducing them to the vestibule of that delightful science, and recommending to their attention the immortal works of the celebrated Swedish Naturalist, LINNAEUS.

In the first Poem, or Economy of Vegetation, the physiology of Plants is delivered, and the operation of the Elements, as far as they may be supposed to affect the growth of Vegetables. In the second Poem, or Loves of the Plants, the Sexual System of Linnaeus is explained, with the remarkable properties of many particular plants.

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TO THE AUTHOR OF THE POEM ON THE LOVES OF THE PLANTS.

OFT tho' thy genius, DARWIN! amply fraught
With native wealth, explore new worlds of mind;
Whence the bright ores of drossless wisdom brought,
Stampt by the Muse's hand, enrich mankind;
Tho' willing Nature to thy curious eye,
Involved in night, her mazy depths betray;
Till at their source thy piercing search descry
The streams, that bathe with Life our mortal clay;
Tho', boldly soaring in sublimer mood
Through trackless skies, on metaphysic wings,
Thou darest to scan the approachless Cause of Good,
And weigh, with stedfast hand, the sum of Things;
Yet wilt thou, charm'd amid his whispering bowers,
Oft with lone step by glittering Derwent stray,
Mark his green foliage, count his musky flowers,
That blush or tremble to the rising ray;
While FANCY, seated in her rock-roof'd dell,
Listening the secrets of the vernal grove,
Breathes sweetest strains to thy symphonious shell,
And "gives new echoes to the throne of Love."
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TO DR. DARWIN.

WHILE Sargent winds, with fond and curious eyes,
Thro's every mazy region of "the mine—"
While, as entrancing forms around him rise,
With magic light the mineral kingdoms shine;
Behold! amid the vegetable bloom,
O DARWIN, thy ambrosial rivers flow,
And suns more pure the fragrant earth illume,
As all the vivid plants with passion glow.
Yes!—and, where'er with life creation teems,
I trace thy spirit thro' the kindling whole;
As with new radiance to the genial beams
Of Science, isles emerge, or oceans roll,
And Nature, in primordial beauty, seems
To breathe, inspir'd by Thee, the PHILOSOPHIC SOUL!
R. POLWHELE.

TO DR. DARWIN.

TWO, Poets, (poets, by report,
Not oft so well agree)
Sweet harmonist of Flora's court!
Conspire to honour Thee.
They best can judge a poet's worth,
Who oft themselves have known
The pangs of a poetic birth,
By labours of their own.
[Page ix]
We, therefore, pleas'd, extol thy song,
Though various yet complete,
Rich in embellishment, as strong
And learn'd as it is sweet,
No envy mingles with our praise,
Though could our hearts repine
At any Poet's happier lays,
They would, they must, at thine,
But we in mutual bondage knit
Of Friendship's closest tie,
Can gaze on even DARWIN'S wit
With an unjaundic'd eye;
And deem the bard, whoe'er he be,
And howsoever known,
Who would not twine a wreath for Thee,
Unworthy of his own.
WM. COWPER.

TO DR. DARWIN.

AS Nature lovely Science led
Thro' all her flow'ry maze,
The volume she before her spread
Of DARWIN's radiant lays.
Coy Science starts—so started Eve
At beauties yet unknown:
"The figure that you there perceive
(Said Nature) is your own."
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" My own? It is:—but half so fair
" I never seem'd till now:
" And here, too, with a soften'd air,
" Sweet Nature! here art Thou."
" Yes—in this mirrour of the Bard
" We both embellish'd shine
" And grateful will unite to guard
" An artist so divine."—
Thus Nature and thus Science spake
In Flora's friendly bower;
While DARWIN's glory seem'd to wake
New life in every flower.
This with delight two Poets heard;
Time verifies it daily;
Trust it, dear DARWIN, on the word
Of COWPER and of HAYLEY!—
W. HAYLEY.

Address to the River Derwent, on whose Banks the Author of the Botanic Garden resides.

DERWENT, like thee thy Poet's splendid song
With sweet vicissitudes of ease and force
Now with enchanting smothness glides along,
Now pours impetuous its resounding course;
While Science marches down thy wond'ring dells,
And all the Muses round her banners crowd,
Pleas'd to assemble in thy sparry cells,
And chant her lessons to thy echoes proud;
[Page xi]
While here Philosophy and Truth display
The shining robes those heaven-born sisters wove,
While Fays and Graces beck'ning smooth their way,
And hand in hand with Flora follows Love.
Well may such radiant state increase thy pride,
Delighted stream! tho' rich in native charms,
Tho' inborn worth and honour still reside,
Where thy chill banks the glow of Chatsworth warms.
Tho' here her new-found art, as that of yore,
The spinster Goddess to thy rule assigns;
Tho', where her temples crowd thy peopled shore,
Wealth gilds thy urn, and Fame thy chaplet twines.
Ah, while thy nymphs in Derby's towered vale
Lead their sad Quires around MILCENA's bier,
What soothing sweetness breathes along the gale,
Comes o'er the consort's heart, and balms a brother's tear!

Her new-found art, &c. Alluding to the numerous cotton mills on and near the river Derwent.

Milcena's bier. Mrs. French, sister to Mrs. Mundy. Part I. Canto III. l. 308.

THE BOTANIC GARDEN. …
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THE BOTANIC GARDEN. PART I. CONTAINING THE ECONOMY OF VEGETATION. A POEM. WITH PHILOSOPHICAL NOTES.

It Ver, et Venus; et Veneris praenuncius ante
Pennatus graditur Zephyrus vestigia propter;
Flora quibus mater, praespergens ante viai
Cuncta, coloribus egregiis et odoribus opplet.
LUCRET.

The first American, from the third London Edition.

NEW-YORK: Printed by T. & J. SWORDS, Printers to the Faculty of Physic of Columbia College, No. 99 Pearl-street. 1798.

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APOLOGY.

IT may be proper here to apologize for many of the subsequent conjectures on some articles of natural philosophy, as not being supported by accurate investigation or conclusive experiments. Extravagant theories, however, in those parts of philosophy where our knowledge is yet imperfect, are not without their use; as they encourage the execution of laborious experiments, or the investi­gation of ingenious deductions, to confirm or refute them. And, since natural objects are allied to each other by many affinities, every kind of theoretic distribution of them adds to our knowledge by developing some of their analogies.

The Rosicrucian doctrine of Gnomes, Sylphs, Nymphs, and Salamanders, was thought to afford a proper machinery for a Botanic poem; as it is probable, that they were originally the names of hieroglyphic figures representing the elements.

Many of the important operations of Nature were shadowed or allegorized in the heathen mythology, as the first Cupid spring­ing from the Egg of Night, the marriage of Cupid and Psyche, the Rape of Proserpine, the Congress of Jupiter and Juno, the Death and Resuscitation of Adonis, &c. many of which are in­geniously explained in the works of Bacon, vol. v. p. 47. 4th edit. London, 1778. The Egyptians were possessed of many discoveries in philosophy and chemistry, before the invention of letters; these were then expressed in hieroglyphic paintings of men and animals; which, after the discovery of the alphabet, were de­scribed and animated by the poets, and became first the deities of Egypt, and afterwards of Greece and Rome. Allusions to those fables were therefore thought proper ornaments to a philosophical poem, and are occasionally introduced either as represented by the poets, or preserved on the numerous gems and medallions of an­tiquity.

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ARGUMENT OF THE FIRST CANTO.

THE Genius of the place invites the Goddess of Botany, 1. She descends; is received by Spring, and the Elements, 59. Addresses the Nymphs of Fire. Star-light Night seen in the Camera Obscura, 81. I. Love created the Universe. Chaos explodes. All the Stars revolve, God, 97. II. Shoot­ing Stars. Lightning. Rainbow. Colours of the Morning and Evening Skies. Exterior Atmosphere of inflammable Air. Twilight. Fire-balls. Aurora Borealis. Planets. Comets. Fixed Stars. Sun's Orb, 115. III. l. Fires at the Earth's Centre. Animal Incubation, 137. 2. Volcanic Mountains. Venus visits the Cyclops, 149. IV. Heat confined on the Earth by the Air. Phosphoric lights in the Evening. Bolognian Stone. Calcined Shells. Memnon's Harp, 173. Ignis Fatuus. Luminous Flow­ers. Glow-worm. Fire-fly. Luminous Sea-insects. Electric Eel. Eagle armed with Lightning, 189. V. 1. Discovery of Fire. Medusa, 209. 2. The chemical Properties of Fire. Phosphorus. Lady in Love, 223. 3. Gun-powder, 237. VI. Steam-engine applied to Pumps, Bellows, Water­engines, Corn-mills, Coining, Barges, Waggons, Flying-chariots, 253. La­bours of Hercules. Abyla and Calpè, 297. VII. l. Electric Machine. Hesperian Dragon. Electric Kiss. Halo round the Heads of Saints. Elec­tric Shock. Fairy-rings, 335. 2. Death of Professor Richman, 371. 3. Franklin draws Lightning from the Clouds. Cupid snatches the Thunder­bolt from Jupiter, 383. VIII. Phosphoric Acid and Vital Heat produced in the Blood. The great Egg of Night, 399. IX. Western Wind unfet­tered. Naiad released. Frost assailed, Whale attacked, 421. X. Buds and Flowers expanded by Warmth, Electricity, and Light. Drawings with colourless sympathetic Inks; which appear when warmed by the Fire, 457. XI. Sirius. Jupiter and Semele. Northern Constellations. Ice-Islands navigated into the Tropic Seas. Rainy Monsoons, 497. XII. Points erected to procure Rain. Elijah on Mount Carmel, 549. Departure of the Nymphs of Fire like sparks from artificial Fireworks, 587.

[Page] THE BOTANIC GARDEN. ECONOMY OF VEGETATION. CANTO I.

"STAY your rude steps! whose throbbing breasts infold
The legion-fiends of Glory, or of Gold!
Stay! whose false lips seductive simpers part,
While Cunning nestles in the harlot-heart!—
For you no Dryads dress the roseate bower,
For you no Nymphs their sparkling vases pour;
Unmark'd by you, light Graces swim the green,
And hovering Cupids aim their shafts, unseen.
"But THOU! whose mind the well-attemper'd ray
Of Taste and Virtue lights with purer day;
Whose finer sense each soft vibration owns
With sweet responsive sympathy of tones;
So the fair flower 1 expands its lucid form
To meet the sun, and shuts it to the storm;—
For thee my borders nurse the fragrant wreath,
My fountains murmur, and my zephyrs breathe;
Slow slides the painted snail, the gilded fly
Smoothes his fine down, to charm thy curious eye;
On twinkling fins my pearly nations play,
Or win with sinuous train their trackless way;
[Page 2] My plumy pairs, in gay embroidery dress'd,
Form, with ingenious bill, the pensile nest;
To Love's sweet notes attune the listening dell,
And Echo sounds her soft symphonious shell.
"And, if with Thee some hapless Maid should stray,
Disasterous Love 2 companion of her way,
Oh, lead her timid steps to yonder glade,
Whose arching cliffs depending alders shade;
There, as meek Evening wakes her temperate breeze,
And moon-beams glimmer through the trembling trees,
The rills, that gurgle round, shall soothe her ear,
The weeping rocks shall number tear for tear;
There, as sad Philomel, alike forlorn,
Sings to the Night from her accustomed thorn;
While at sweet intervals each falling note
Sighs in the gale, and whispers round the grot;
The sister-woe shall calm her aching breast,
And softer slumbers steal her cares to rest.—
"Winds of the North! restrain your icy gales,
Nor chill the bosom of these happy vales!
Hence in dark heaps, ye gathering Clouds, revolve!
Disperse, ye Lightnings! and, ye Mists, dissolve!
—Hither, emerging from you orient skies,
BOTANIC GODDESS! bend thy radiant eyes;
O'er these soft scenes assume thy gentle reign,
Pomona, Ceres, Flora in thy train;
O'er the still dawn thy placid smile effuse,
And with thy silver sandals print the dews;
In noon's bright blaze thy vermil vest unfold,
And wave thy emerald banner scarr'd with gold."
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Thus spoke the GENIUS, as he stept along,
And bade these lawns to Peace and Truth belong;
Down the steep slopes He led, with modest skill,
The willing pathway, and the truant rill,
Stretch'd o'er the marshy vale yon willowy mound,
Where shines the lake amid the tufted ground,
Rais'd the young woodland, smooth'd the wavy green,
And gave to Beauty all the quiet scene.—
She comes!—the GODDESS!—through the whispering air,
Bright as the morn, descends her blushing car;
Each circling wheel a wreath of flowers entwines,
And gem'd with flowers the silken harness shines;
The golden bits with flowery studs are deck'd,
And knots of flowers the crimson reins connect.—
And now on earth the silver axle rings,
And the shell sinks upon its slender springs;
Light from her airy seat the Goddess bounds,
And steps celestial press the pansied grounds.
Fair Spring advancing calls her feather'd quire,
And tunes to softer notes her laughing lyre;
Bids her gay hours on purple pinions move,
And arms her Zephyrs with the shafts of Love.
Pleas'd GNOMES, 3 ascending from their earthy beds,
Play round her graceful footsteps, as she treads;
Gay SYLPHS attendant beat the fragrant air
On winnowing wings, and waft her golden hair;
Blue Nymphs emerging leave their sparkling streams,
And Fiery Forms alight from orient beams;
[Page 4] Musk'd in the rose's lap fresh dews they shed,
Or breathe celestial lustres round her head.
First the fine Forms her dulcet voice requires,
Which bathe or bask in elemental fires;
From each bright gem of Day's refulgent car,
From the pale sphere of every twinkling star,
From each nice pore of ocean, earth, and air,
With eye of flame the sparkling hosts repair,
Mix their gay hues, in changeful circles play,
Like motes, that tenant the meridian ray.—
So the clear Lens collects, with magic power,
The countless, glories of the midnight hour;
Stars after stars, with quivering lustre fall,
And twinkling glide along the whiten'd wall.—
Pleased, as they pass, she counts the glittering bands,
And stills their murmur with her waving hands;
Each listening tribe with fond expectance burns,
And now to these, and now to those, she turns.
I "Nymphs of primeval Fire! 4 your vestal train
Hung with gold tresses o'er the vast inane,
[Page 5] Pierc'd with your silver shafts the throne of Night,
And charm'd young Nature's opening eyes with light;
When Love Divine, 5 with brooding wings unfurl'd,
Call'd from the rude abyss the living world.
"— Let there be Light! proclaim'd the Almighty LORD,
Astonish'd Chaos heard the potent word;—
Through all his realms 6 the kindling Ether runs,
And the mass starts into a million suns;
[Page 6] Earths round each sun with quick explosions burst,
And second planets issue from the first;
Bend, as they journey with projectile force,
In bright ellipses their reluctant course;
Orbs wheel in orbs, round centres centres roll,
And form, self-balanced, one revolving Whole.
—Onward they move amid their bright abode,
Space without bound, the bosom of their GOD!
II "Ethereal powers! you chase the shooting stars, 7
Or yoke the vollied lightnings to your cars,
Cling round the aërial 8 bow with prisms bright,
And, pleased, untwist the sevenfold threads of light;
Eve's silken couch 9 with gorgeous tints adorn,
And fire the arrowy throne of rising Morn.
Or, plum'd with flame, in gay battalions spring,
To brighter regions borne on broader wing;
[Page 7] Where lighter gases, 10 circumfus'd on high,
Form the vast concave of exterior sky;
With airy lens the scatter'd rays assault,
And bend the twilight 11 round the dusky vault;
Ride, with broad eye and scintillating hair,
The rapid Fire-ball through the midnight air;
[Page 8] Dart from the North on pale electric streams,
Fringing Night's sable robe with transient beams.
—Or rein the Planets in their swift careers,
Gilding with borrow'd light their twinkling spheres;
Alarm with comet-blaze 12 the sapphire plain,
The wan stars glimmering through its silver train:
Gem the bright Zodiac, stud the glowing pole,
Or give the Sun's phlogistic 13 orb to roll.
III Nymphs! your fine forms with steps impassive mock
Earth's vaulted roofs of adamantine rock;
Round her still centre 14 tread the burning soil,
And watch the billowy Lavas as they boil;
Where, in basaltic caves imprison'd deep,
Reluctant fires in dread suspension sleep;
Or sphere on sphere 15 in winding waves expand,
And glad with genial warmth the incumbent land.
So when the Mother-bird selects their food
With curious bill, and feeds her callow brood;
Warmth from her tender heart eternal springs,
And, pleas'd, she clasps them with extended wings.
" You from deep cauldrons and unmeasur'd caves
Blow flaming airs, or pour vitrescent waves;
O'er shining oceans ray volcanic light,
Or hurl innocuous embers to the night.—
[Page 9] While with loud shouts to Etna Hecla calls,
And Andes answers from his beacon'd walls;
Sea-wilder'd crews the mountain-stars admire,
And beauty beams amid tremendous fire.
"Thus, when of old, as mystic bards presume,
Huge CYCLOPS dwelt in Etna's rocky womb,
On thundering anvils rung their loud alarms,
And leagu'd with VUCLAN forged immortal arms;
Descending VENUS sought the dark abode,
And sooth'd the labours of the grisly God.
While frowning Loves the threatening falchion wield,
And tittering Graces peep behind the shield,
With jointed mail their fairy limbs o'er whelm,
Or nod with pausing step the plumed helm;
With radiant eye she view'd the boiling ore,
Heard undismay'd the breathing bellows roar,
Admired their sinewy arms, and shoulders bare,
And ponderous hammers lifted high in air,
With smiles celestial bless'd their dazzled sight,
And Beauty blazed amid infernal night.
IV Effulgent Maids! you round deciduous day,
Tressed with soft beams, your glittering bands array;
On Earth's cold bosom, as the Sun retires,
Confine with folds 16 of air the lingering fires;
[Page 10] O'er Eve's pale forms diffuse phosphoric light, 17
And deck with lambent flames the shrine of Night.
So, warm'd and kindled by meridian skies,
And view'd in darkness with dilated eyes,
BOLOGNA's chalks with saint ignition blaze,
BECCARI's shells 18 emit prismatic rays.
[Page 11] So to the sacred Sun in MEMNON's fane, 19
Spontaneous concords quired the matin strain;
—Touch'd by his orient beam, responsive rings
The living lyre, and vibrates all its strings;
Accordant ailes the tender tones prolong,
And holy echoes swell the adoring song.
" You with light Gas the lamps nocturnal 20 feed,
Which dance and glimmer o'er the marshy mead;
Shine round Calendula 21 at twilight hours,
And tip with silver all her saffron flowers;
Warm on her mossy couch the radiant Worm, 22
Guard from cold dews her love-illumin'd form,
[Page 12] From leaf to leaf conduct the virgin light,
Star of the earth, and diamond of the night.
You bid in air the tropic Beetle burn,
And fill with golden flame his winged urn:
Or gild the surge with insect-sparks, that swarm
Round the bright oar, the kindling prow alarm;
Or arm in waves, electric in his ire,
The dread Gymnotus 23 with ethereal fire.—
[Page 13] Onward his course with waving tail he helms,
And mimic lightnings scare the watery realms;
So, when with bristling plumes the bird of JOVE
Vindictive leaves the argent fields above,
Borne on broad wings the guilty world he awes,
And grasps the lightning in his shining claws. 24
V. 1. "Nymphs! your soft smiles uncultur'd man subdued,
And charm'd the Savage from his native wood;
You, while amazed his hurrying Hords retire
From the fell havoc of devouring Fire, 25
Taught the first Art! with piny rods to raise,
By quick attrition the domestic blaze,
Fan with soft breath, with kindling leaves provide,
And lift the dread destroyer on his side.
[Page 14] So, with bright wreath of serpent-tresses crown'd,
Severe in beauty, young MEDUSA frown'd: 26
Erewhile subdued, round Wisdom's AEgis roll'd
Hiss'd the dread snakes, and slam'd in burnish'd gold;
Flash'd on her brandish'd arm the immortal shield,
And terror lighten'd o'er the dazzled field.
2 Nymphs! you disjoin, unite, condense, expand,
And give new wonders to the Chemist's hand;
On tepid clouds of rising steam aspire,
Or fix in sulphur 27 all its solid fire;
With boundless spring elastic airs unfold,
Or fill the fine vacuities of gold;
[Page 15] With sudden flash vitrescent sparks 28 reveal,
By fierce collision from the flint and steel;
Or mark with shining letters KUNKEL's name
In the pale Phosphor's 29 self-consuming flame.
So the chaste heart of some enchanted Maid
Shines with insidious light, by Love betrayed;
Round her pale bosom plays the young Desire,
And slow she wastes by self-consuming fire.
3 "You taught mysterious BACON to explore
Metallic veins, and part the dross from ore;
With sylvan coal in whirling mills combine
The crystal'd nitre, and the sulphurous mine;
Through wiry nets the black diffusion strain,
And close an airy ocean 30 in a grain.—
[Page 16] Pent in dark chambers of cylindric brass,
Slumbers in grim repose the sooty mass;
Lit by the brilliant spark, from grain to grain
Runs the quick fire along the kindling train;
On the pain'd ear-drum bursts the sudden crash,
Starts the red flame, and Death pursues the flash.—
Fear's feeble hand directs the fiery darts,
And strength and courage yield to chemic arts;
Guilt with pale brow the mimic thunder owns,
And Tyrants tremble on their blood-stain'd thrones.
VI Nymphs! you erewhile on simmering cauldrons play'd,
And call'd delighted Savery 31 to your aid;
[Page 17] Bade round the youth explosive Steam aspire
In gathering clouds, and wing'd the wave with fire;
Bade with cold streams the quick expansion stop,
And sunk the immense of vapour to a drop.—
Press'd by the ponderous air the Piston falls
Resistless, sliding through its iron walls;
Quick moves the balanced beam of giant-birth,
Wields his large limbs, and, nodding, shakes the earth.
"The Giant-Power from earth's remotest caves
Lifts with strong arm her dark reluctant waves;
Each cavern'd rock, and hidden den explores,
Drags her dark coals, and digs her shining ores.—
Next, in close cells of ribbed oak confin'd
Gale after gale, He crouds the struggling wind;
The imprison'd storms through brazen nostrils roar,
Fan the white flame, and fuse the sparkling ore.
Here high in air the rising stream He pours
To clay-built cisterns, or to lead-lined towers;
Fresh through a thousand pipes the wave distils,
And thirsty cities drink the exuberant rills.—
There the vast mill-stone, with inebriate whirl,
On trembling floors his forceful fingers twirl.
Whose flinty teeth the golden harvests grind,
Feast without blood! 32 and nourish human-kind.
[Page 18]
" Now his hard hands on Mona's rifted crest, 33
Bosom'd in rock, her azure ores arrest;
With iron lips 34 his rapid rollers seize
The lengthening bars, in thin expansion squeeze;
Descending screws with ponderous fly-wheels wound
The tawny plates, the new medallions round;
Hard dyes of steel the cupreous circles cramp,
And with quick fall his massy hammers stamp.
The Harp, the Lily and the Lion join,
And GEORGE and BRITAIN guard the sterling coin.
"Soon shall thy arm, Unconquer'd Steam! afar
Drag the slow barge, or drive the rapid car;
Or on wide-waving wings expanded bear
The flying-chariot through the fields of air.
—Fair crews triumphant, leaning from above,
Shall wave their fluttering kerchiefs as they move;
Or warrior-bands alarm the gaping croud,
And armies shrink beneath the shadowy cloud.
35 "So mighty HERCULES o'er many a clime
Waved his vast mace in Virtue's cause sublime,
[Page 19] Unmeasured strength with early art combined,
Awed, served, protected, and amazed mankind.—
First two dread Snakes, at JUNO's vengeful nod,
Climb'd round the cradle of the sleeping God;
Waked by the shrilling hiss and rustling sound,
And shrieks of fair attendants trembling round,
Their gasping throats with clenching hands he holds;
And Death untwists their convoluted folds.
Next in red torrents from her sevenfold heads
Fell HYDRA's blood on Lerna's lake he sheds;
Grasps ACHELOUS with resistless sorce,
And drags the roaring River to his course;
Binds with loud bellowing and with hideous yell,
The monster Bull, and threefold Dog of Hell.
"Then where Nemea's howling forests wave,
He drives the Lion to his dusky cave;
[Page 20] Seized by the throat, the growling fiend disarms,
And tears his gaping jaws with sinewy arms;
Lifts proud ANTAEUS from his mother-plains,
And with strong grasp the struggling Giant strains;
Back falls his fainting head, and clammy hair,
Writhe his weak limbs, and flits his life in air;—
By steps reverted, o'er the blood-drop'd fen
He tracks huge CACUS to his murderous den;
Where breathing flames through brazen lips he fled,
And shakes the rock-roof'd cavern o'er his head.
"Last with wide arms the solid earth He tears,
Piles rock on rock, on mountain mountain rears;
Heaves up huge Abyla on Afric's sand,
Crowns with high Calpè Europe's salient strand;
Crests with opposing towers the splendid scene,
And pours from urns immense the sea between.—
—Loud o'er her whirling flood Charybdis roars,
Affrighted Scylla bellows round his shores;
Vesuvio groans through all his echoing caves,
And Etna thunders o'er the insurgent waves.
VII.1. Nymphs! your fine hands ethereal floods amass 36
From the warm cushion, and the whirling glass;
Beard the bright cylinder with golden wire,
And circumfuse the gravitating fire.
Cold from each point 37 cerulean lustres gleam,
Or shoot in air the scintillating stream.
[Page 21] So, borne on brazen talons, watch'd of old
The sleepless dragon o'er his fruits of gold;
Bright beam'd his scales, his eye-balls blazed with ire,
And his wide nostrils breath'd inchanted fire.
"You bid gold-leaves, 38 in crystal lantherns held,
Approach attracted, and recede repell'd;
While paper-nymphs instinct with motion rise,
And dancing fauns the admiring Sage surprize.
Or, if on wax some fearless Beauty stand,
And touch the sparkling rod with graceful hand;
Through her fine limbs the mimic lightnings dart,
And flames innocuous eddy round her heart;
O'er her fair brow the kindling lustres glare,
Blue rays diverging from the bristling hair;
While some fond youth the kiss ethereal sips,
And soft fires issue from their meeting lips.
So round the virgin Saint in silver streams
The holy Halo 39 shoots its arrowy beams.
"You croud in coated jars the denser fire,
Pierce the thin glass, and fuse the blazing wire;
[Page 22] Or dart the red flash through the circling band
Of youths and timorous damsels, hand in hand.
—Starts the quick Ether through the fibre-trains
Of dancing arteries, and of tingling veins,
Goads each fine nerve, with new sensation thrill'd, 40
Bends the reluctant limbs with power unwill'd;
Palsy's cold hands 41 the fierce concussion own,
And Life clings trembling on her tottering throne.—
So from dark clouds the playful lightning springs,
Rives the firm oak, or prints the Fairy-rings. 42
2 Nymphs! on that day Ye shed from lucid eyes
Celestial tears, and breathed ethereal sighs!
When RICHMAN rear'd, 43 by fearless haste betray'd,
The wiry rod in Nieva's fatal shade;mdash;
[Page 23] Clouds o'er the Sage, with fringed skirts succeed,
Flash follows flash, the warning corks recede;
Near and more near He ey'd, with fond amaze,
The silver streams, and watch'd the sapphire blaze;
Then bursts the steel, the dart electric sped,
And the bold Sage lay number'd with the dead!
Nymphs! on that day Ye shed from lucid eyes
Celestial tears, and breathed ethereal sighs!
3 "You led your FRANKLIN 44 to your glaz'd retreats,
Your air-built castles, and your silken seats;
Bade his bold arm invade the lowering sky,
And seize the tip-toe lightnings ere they fly;
O'er the young Sage your mystic mantle spread,
And wreath'd the crown electric round his head.—
Thus, when on wanton wing intrepid Love 45
Snatch'd the rais'd lightning from the arm of JOVE;
[Page 24] Quick o'er his knee the triple bolt He bent,
The cluster'd darts and forky arrows rent.
Snapt with illumin'd hands each flaming shaft,
His tingling fingers shook, and stamp'd, and laugh'd;
Bright o'er the floor the scattered fragments blaz'd,
And Gods, retreating, trembled as they gaz'd;
The immortal Sire, indulgent to his child,
Bow'd his ambrosial locks, and Heaven, relenting, smiled.
VIII "When Air's pure essence joins the vital flood,
And with phosphoric Acid dyes the blood,
Your Virgin trains the transient heat dispart, 46
And lead the soft combustion round the heart;
Life's holy lamp with fires successive feed,
From the crown'd forehead to the prostrate weed,
From Earth's proud realms to all that swim or sweep
The yielding ether or tumultuous deep.
You swell the bulb beneath the heaving lawn,
Brood the live seed, unfold the bursting spawn;
[Page 25] Nurse with soft lap, and warm with fragrant breath
The embryon panting in the arms of Death;
Youth's vivid eye with living light adorn,
And fire the rising blush of Beauty's golden morn.
"Thus when the Egg of Night, 47 on Chaos hurl'd,
Burst, and disclosed the cradle of the world;
First from the gaping shell refulgent sprung
Immortal Love, his bow celestial strung;—
O'er the wide waste his gaudy wings unfold,
Beam his soft smiles, and wave his curls of gold;
With silver darts He pierced the kindling frame,
And lit with torch divine the ever-living flame."
IX The Goddess paused, admired with conscious pride
The effulgent legions marshal'd by her side,
Forms, sphered in fire, with trembling light array'd,
Ens without weight, and substance without shade;
And while tumultuous joy her bosom warms,
Waves her white hand, and calls her hosts to arms.
"Unite, illustrious Nymphs! your radiant powers,
Call from their long repose the Vernal Hours.
Wake with soft touch, with rosy hands unbind
The struggling pinions of the western Wind: 48
[Page 26] Chafe his wan cheeks, his ruffled plumes repair,
And wring the rain-drops from his tangled hair.
Blaze round each frosted rill, or stagnant wave,
And charm the NAIAD from her silent cave;
Where, shrined in ice, like NIOBE she mourns,
And clasps with hoary arms her empty urns.
Call your bright myriads, trooping from afar,
With beamy helms, and glittering shafts of war;
In phalanx firm, the Fiend of Frost assail, 49
Break his white towers, and pierce his crystal mail;
[Page 27] To Zembla's moon-bright coasts the Tyrant bear,
And chain him, howling, to the Northern Bear.
" So when enormous GRAMPUS, issuing forth
From the pale regions of the icy North,
Waves his broad tail, and opes his ribbed mouth,
And seeks on winnowing fin the breezy South;
From towns deserted rush the breathless hosts,
Swarm round the hills, and darken all the coasts;
Boats follow boats along the shouting tides,
And spears and javelins pierce his blubbery sides;
Now the bold Sailor, raised on pointed toe,
Whirls the wing'd harpoon on the slimy foe;
Quick sinks the monster in his oozy bed,
The blood-stain'd surges circling o'er his head,
Steers to the frozen pole his wonted track,
And bears the iron tempest on his back.
X " On wings of flame ethereal Virgins! sweep
O'er Earth's fair bosom, and complacent deep;
Where dwell my vegetative realms benumb'd,
In buds imprison'd 50 or in bulbs intomb'd.
[Page 28] Pervade, pellucid Forms! their cold retreat,
Ray from bright urns your viewless floods of heat; 51
From Earth's deep wastes electric torrents pour, 52
Or shed from heaven the scintillating shower;
[Page 29] Pierce the dull root, relax its fibre-trains,
Thaw the thick blood, which lingers in its veins;
Melt with warm breath the fragrant gums, that bind
The expanding foliage in its scaly rind;
And as in air the laughing leaflets play,
And turn their shining bosoms to the ray,
NYMPHS! with sweet smile, each opening flower invite,
And on its damask eyelids pour the light.
" So shall my pines, Canadian wilds that shade,
Where no bold step has pierc'd the tangled glade,
High-towering palms, that part the Southern flood,
With shadowy isles, and continents of wood,
Oaks, whose broad antlers crest Britannia's plain,
Or bear her thunders o'er the conquer'd main,
Shout, as you pass, inhale the genial skies,
And bask and brighten in your beamy eyes;
Bow their white heads, admire the changing clime;
Shake from their candied trunks the tinkling rime;
With bursting buds their wrinkled barks adorn,
And wed the timorous floret to her thorn;
Deep strike their roots, their lengthening tops revive,
And all my world of foliage wave, alive.
"Thus, with Hermetic art, 53 the ADEPT combines
The royal acid with cobaltic mines;
[Page 30] Marks, with quick pen, in lines unseen portrayed,
The blushing mead, green dell, and dusky glade;
Shades, with pellucid clouds, the tintless field,
And all the future Group exists conceal'd;
Till, waked by fire, the dawning tablet glows.
Green springs the herb, the purple floret blows;
Hills, vales, and woods, in bright succession rise,
And all the living landscape charms his eyes.
XI "With crest of gold should sultry SIRIUS glare,
And with his kindling tresses scorch the air;
With points of flame the shafts of Summer arm,
And burn the beauties he designs to warm:—
So erst when JOVE his oath extorted mourn'd,
And, clad in glory, to the Fair return'd;
While Loves at forky bolts their torches light,
And resting lightnings gild the car of Night;
His blazing form the dazzled Maid admir'd,
Met with fond lips, and in his arms expir'd;—
Nymphs! on light pinion lead your banner'd hosts
High o'er the cliffs of ORKNEY's gulphy coasts;
Leave on your left the red volcanic light,
Which HECLA lifts amid the dusky night;
Mark, on the right, the Dosrine's snow-capt brow,
Where whirling Maelstrome roars and foams below;
Watch, with unmoving eye, where CEPHEUS bends
His triple crown, his scepter'd hand extends;
[Page 31] Where studs CASSIOPE, with stars unknown, 54
Her golden chair, and gems her sapphire zone;
Where with vast convolution DRACO holds
The ecliptic axis in his scaly folds,
O'er half the skies his neck enormous rears,
And with immense meanders parts the BEARS;
Onward the kindred BEARS, with footstep rude,
Dance round the pole, pursuing and pursued.
"There in her azure coif and starry stole,
Grey Twilight sits, and rules the slumbering Pole;
Bends the pale moon-beams round the sparkling coast,
And strews, with livid hands, eternal frost.
There, Nymphs! alight, array your dazzling powers,
With sudden march alarm the torpid Hours;
On ice-built isles 55 expand a thousand sails,
Hinge the strong helms, and catch the frozen gales;
[Page 32] The winged rocks to feverish climates guide,
Where fainting Zephyrs pant upon the tide;
Pass, where to CEUTA CALPE's thunder roars,
And answering echoes shake the kindred shores;
Pass, where with palmy plumes CANARY smiles,
And in her silver girdle binds her isles;
Onward, where Niger's dusky Naiad laves
A thousand kingdoms with prolific waves,
Or leads o'er golden sands her threefold train 56
In steamy channels to the fervid main,
While swarthy nations croud the sultry coast,
Drink the fresh breeze, and hail the floating Frost,
Nymphs! veil'd in mist, the melting treasures steer,
And cool, with arctic snows, the tropic year.
So from the burning Line, by Monsoons driven,
Clouds sail in squadrons o'er the darkened heaven;
[Page 33] Wide wastes of sand 57 the gelid gales pervade,
And Ocean cools beneath the moving shade.
XII Should SOLSTICE, stalking through the sickening bowers,
Suck the warm dew-drops, lap the falling showers;
Kneel, with parch'd lip, and bending from its brink,
From dripping palm the scanty river drink;
Nymphs! o'er the soil ten thousand points erect, 58
And high in air the electric flame collect.
Soon shall dark mists, with self-attraction, shroud
The blazing day, and sail in wilds of cloud;
Each silvery Flower the streams aërial quaff,
Bow her sweet head, and infant Harvest laugh.
" Thus when ELIJA mark'd from Carmel's brow
In bright expanse the briny flood below;
Roll'd his red eyes amid the scorching air,
Smote his firm breast, and breath'd his ardent prayer;
[Page 34] High in the midst a massy altar stood,
And slaughter'd offerings press'd the piles of wood;
While ISRAEL's chiefs the sacred hill surround,
And famish'd armies croud the dusty ground;
While proud Idolatry was leagu'd with dearth,
And wither'd Famine swept the desert earth.—
" Oh, mighty LORD! thy woe-worn servant hear,
" Who calls thy name in agony of prayer;
" Thy fanes dishonour'd, and thy prophets slain,
" Lo! I alone survive of all thy train!—
"Oh, send from heaven thy sacred fire—and pour
" O'er the parch'd land the salutary shower,—
" So shall thy Priest thy erring flock recal,—
" And speak in thunder, Thou art Lord of all."
He cried, and kneeling on the mountain-sands,
Stretch'd high in air his supplicating hands.
—Descending flames the dusky shrine illume;
Fire the wet wood, the sacred bull consume;
Wing'd from the sea the gathering mists arise,
And floating waters darken all the skies;
The King, with shifted reins, his chariot bends,
And wide o'er earth the airy flood descends;
With mingling cries dispersing hosts applaud,
And shouting nations own THE LIVING GOD."
The Goddess ceased—the exulting tribes obey,
Start from the soil, and win their airy way;
The vaulted skies, with streams of transient rays,
Shine, as they pass, and earth and ocean blaze.
So from fierce wars, when lawless Monarchs cease,
Or Liberty returns with laurel'd Peace,
Bright fly the sparks, the colour'd lustres burn,
Flash follows flash, and flame-wing'd circles turn;
Blue serpents sweep along the dusky air,
Imp'd by long trains of scintillating hair;
Red rockets rise, loud cracks are heard on high,
And showers of stars rush headlong from the sky,
Burst, as in silver lines they hiss along,
And the quick flash unfolds the gazing throng.
[Page]
ARGUMENT OF THE SECOND CANTO.

ADDRESS to the Gnomes. I. The Earth thrown from a volcano of the Sun; its atmosphere and ocean; its journey through the zodiac; vicissitude of day-light, and of seasons, II. II. Primeval Islands. Paradise, or the golden age. Venus rising from the sea, 33. III. The first great earthquakes; continents raised from the sea; the Moon thrown from a volcano, has no atmosphere, and is frozen; the earth's diurnal motion retarded; its axis more inclined; whirls with the moon round a new centre, 67. IV. Forma­tion of lime-stone by aqueous solution; calcareous spar; white marble; an­cient statue of Hercules resting from his labours. Antinous. Apollo of Belvidere. Venus de Medici. Lady Elizabeth Foster, and Lady Melbourn, by Mrs. Damer, 93. V. I. Of morasses. Whence the production of salt by elutriation. Salt-mines at Cracow, 115. 2. Production of nitre. Mars and Venus caught by Vulcan, 143. 3. Production of iron. Mr. Michel's improvement of artificial magnets. Uses of steel in agriculture, navigation, war, 183. 4. Production of acids, whence Flint, Sea-sand, Selenite, As­bestus, Fluor, Onyx, Agate, Mocho, Opal, Sapphire, Ruby, Diamond. Jupiter and Europa, 215. VI. I. New subterraneous fires from fermenta­tion. Production of Clays; manufacture of Porcelain in China; in Italy; in England. Mr. Wedgwood's works at Etruria. in Staffordshire. Ca­meo of a Slave in Chains; of Hope. Figures on the Portland or Barberini vase explained, 271. 2. Coal; Pyrite; Naptha; Jet; Amber. Dr. Frank­lin's discovery of disarming the Tempest of its lightning. Liberty of Ame­rica; of Ireland; of France, 349. VII. Ancient central subterraneous fires. Production of Tin, Copper, Zink, Lead, Mercury, Platina, Gold, and Sil­ver. Destruction of Mexico. Slavery of Africa, 395. VIII. Destruction of the armies of Cambyses, 431. IX. Gnomes like stars of an Orrery. Inroads of the sea stopped. Rocks cultivated. Hannibal passes the Alps, 499. X. Matter circulates. Manures to Vegetables like Chyle to Animals. Plants rising from the Earth. St. Peter delivered from Prison, 537. Transmi­gration of matter, 575. Death and resuscitation of Adonis, 585. Depar­ture of the Gnomes, 611.

[Page] THE BOTANIC GARDEN. ECONOMY OF VEGETATION. CANTO II.

AND now the Goddess, with attention sweet,
Turns to the Gnomes that circle round her feet;
Orb within orb approach the marshal'd trains,
And pigmy legions darken all the plains;
Thrice shout, with silver tones, the applauding bands,
Bow, ere She speaks, and clap their fairy hands.
So the tall gras [...], when noon-tide zephyr blows,
Bends its green blades in undulating rows;
Wide o'er the fields the billowy tumult spreads,
And rustling harvests bow their golden heads.
I "Gnomes! your bright forms, presiding at her birth,
Clung in fond squadrons round the new-born Earth;
When high in ether, with explosion dire,
From the deep craters 59 of his realms of fire,
The whirling Sun this ponderous planet hurl'd,
And gave the astonish'd void another world.
When from its vaporous air, 60 condensed by cold,
Descending torrents into oceans roll'd;
[Page 38] And fierce attraction, with relentless force,
Bent the reluctant wanderer to its course.
" Where yet the Bull, with diamond-eye, adorns
The Spring's fair forehead, and with golden horns;
Where yet the Lion climbs the ethereal plain,
And shakes the Summer from his radiant mane;
Where Libra lifts her airy arm, and weighs,
Poised in her silver balance, nights and days;
With paler lustres where Aquarius burns,
And showers the still snow from his hoary urns;
Your ardent troops pursued the flying sphere,
Circling the starry girdle of the year;
While sweet vicissitudes of day and clime
Mark'd the new annals of enascent Time.
II "You trod, with printless step, Earth's tender globe,
While Ocean wrap'd 61 it in his azure robe;
Beneath his waves her hardening strata spread, 62
Raised her Primeval Islands 63 from his bed,
[Page 39] Stretch'd her wide lawns, and sunk her winding dells,
And deck'd her shores with corals, pearls, and shells.
" O'er those blest isles no ice-crown'd mountains tower'd,
No lightnings darted, and no tempests lower'd;
Soft fell the vesper-drops, condensed below,
Or bent in air the rain-refracted bow;
Sweet breathed the zephyrs, just perceiv'd and lost;
And brineless billows only kiss'd the coast;
Round the bright zodiac danc'd the vernal hours,
And Peace, the Cherub, dwelt in mortal bowers!
"So young DIONE, 64 nursed beneath the waves,
And rock'd by Nereids in their coral caves,
Charm'd the blue sisterhood with playful wiles,
Lisp'd her sweet tones, and tried her tender smiles.
[Page 40] Then, on her beryl throne, by Tritons borne,
Bright rose the Goddess like the Star of morn;
When with soft fires the milky dawn He leads,
And wakes to life and love the laughing meads;—
With rosy fingers, as uncurl'd they hung
Round her fair brow, her golden locks she wrung;
O'er the smooth surge on silver sandals stood,
And look'd enchantment on the dazzled flood.—
The bright drops rolling from her lifted arms,
In slow meanders wander o'er her charms,
Seek round her snowy neck their lucid track,
Pearl her white shoulders, gem her ivory back,
Round her fine waist and swelling bosom swim,
And star with glittering brine each crystal limb.—
—The immortal form enamour'd Nature hail'd,
And Beauty blazed to heaven and earth, unveil'd.
III " You! who then, kindling after many an age,
Saw, with new fires, the first volcano 65 rage,
[Page 41] O'er smouldering heaps of livid sulphur swell
At Earth's firm centre, and distend her shell,
Saw, at each opening cleft, the furnace glow,
And seas rush headlong on the gulphs below.
Gnomes! how you shriek'd, when through the troubled air
Roar'd the fierce din of elemental war;
When rose the continents, and sunk the main,
And Earth's huge sphere, exploding, burst in twain.
Gnomes! how you gazed, when from her wounded side,
Where now the South-Sea heaves its waste of tide,
Rose on swift wheels the MOON's refulgent car, 66
Circling the solar orb, a sister star,
Dimpled with vales, with shining hills emboss'd,
And roll'd round earth her airless realms of frost. 67
"Gnomes! how you trembled, with the dreadful force,
When Earth, recoiling, 68 stagger'd from her course;
[Page 42] When, as her Line in slower circles spun,
And her shock'd axis nodded from the sun,
With dreadful march the accumulated main
Swept her vast wrecks of mountain, vale, and plain;
And, while new tides their shouting floods unite,
And hail their Queen, fair Regent of the night,
Chain'd to one centre, whirl'd the kindred spheres,
And mark'd with lunar cycles solar years.
IV "Gnomes! you then bade dissolving Shells distil 69
From the loose summits of each shatter'd hill,
To each fine pore and dark interstice flow,
And fill with liquid chalk the mass below.
Whence sparry forms in dusky caverns gleam
With borrow'd light, and twice refract the beam;
While in white beds congealing rocks beneath
Court the nice chissel, and desire to breathe.—
[Page 43]
"Hence wearied HERCULES 70 in marble rears
His languid limbs, and rests a thousand years;
Still, as he leans shall young ANTINOUS please
With careless grace, and unaffected ease;
Onward, with loftier step, APOLLO spring,
And launch the unerring arrow from the string;
In Beauty's bashful form, the veil unfurl'd,
Ideal VENUS win the gazing world.
Hence, on ROUBILIAC's tomb shall Fame sublime
Wave her triumphant wings, and conquer Time;
Long with soft touch shall DAMER's chissel charm,
With grace delight us, and with beauty warm;
FOSTER's fine form 71 shall hearts unborn engage,
And MELBOURN's smile enchant another age.
V "Gnomes! you then taught transuding dews to pass
Through time-fall'n woods, and root-inwove morass 72
Age after age; and with filtration fine
Dispart, from earths and sulphurs, the saline.
[Page 44]
1 "Hence, with diffusive Salt 73 old Ocean steeps
His emerald shallows, and his sapphire deeps.
Oft in wide lakes, around their warmer brim,
In hollow pyramids the crystals swim;
Or, fused by earth-born fires, in cubic blocks
Shoot their white forms, and harden into rocks.
" Thus, cavern'd round in CRACOW's mighty mines,
With crystal walls a gorgeous city shines;
Scoop'd in the briny rock long streets extend
Their hoary course, and glittering domes ascend;
[Page 45] Down the bright steeps, emerging into day,
Impetuous fountains burst their headlong way,
O'er milk-white vales in ivory channels spread,
And wandering, seek their subterraneous bed.
Form'd in pellucid salt, with chissel nice,
The pale lamp glimmering through the sculptured ice,
With wild reverted eyes fair LOTTA stands,
And spreads to Heaven, in vain, her glassy hands;
Cold dews condense upon her pearly breast,
And the big tear rolls lucid down her vest.
Far gleaming o'er the town transparent fanes
Rear their white towers, and wave their golden vanes;
Long lines of lustres pour their trembling rays,
And the bright vault returns the mingled blaze.
2 "Hence orient Nitre 74 owes its sparkling birth,
And with prismatic crystals gems the earth,
[Page 46] O'er tottering domes in filmy foliage crawls,
Or frosts with branching plumes the mouldering walls.
As woos Azotic Gas the virgin Air,
And veils in crimson clouds the yielding Fair;
Indignant Fire the treacherous courtship flies,
Waves his light wing, and mingles with the skies.
"So Beauty's Goddess, warm with new desire,
Left, on her silver wheels, the GOD of Fire;
Her faithless charms to fiercer MARS resign'd,
Met with fond lips, with wanton arms intwin'd.
—Indignant VULCAN eyed the parting Fair,
And watch'd, with jealous step, the guilty pair;
O'er his broad neck a wiry net he flung.
Quick as he strode, the tinkling meshes rung;
Fine as the spider's flimsy thread He wove
The immortal toil to lime illicit love;
Steel were the knots, and steel the twisted thong,
Ring link'd in ring, indissolubly strong;
On viewless hooks, along the fretted roof,
He hung, unseen, the inextricable woof.—
—Quick start the springs, the webs pellucid spread,
And lock the embracing Lovers on their bed;
Fierce with loud taunts vindictive VULCAN springs,
Tries all the bolts, and tightens all the strings,
Shakes, with incessant shouts the bright abodes,
Claps his rude hands, and calls the festive Gods.—
—With spreading palms the alarmed Goddess tries
To veil her beauties from celestial eyes,
Writhes her fair limbs, the slender ringlets strains,
And bids her Loves untie the obdurate chains;
Soft swells her panting bosom, as she turns,
And her flush'd cheek with brighter blushes burns.
Majestic grief the Queen of Heaven avows,
And chaste Minerva hides her helmed brows;
[Page 47] Attendant Nymphs, with bashful eyes askance,
Steal of intangled MARS a transient glance;
Surrounding Gods the circling nectar quaff,
Gaze on the Fair, and envy as they laugh.
3 "Hence dusky Iron 75 sleeps in dark abodes,
And ferny foliage nestles in the nodes;
Till with wide lungs the panting bellows blow,
And waked by fire the glittering torrents flow;
—Quick whirls the wheel, the ponderous hammer falls,
Loud anvils ring amid the trembling walls,
Strokes follow strokes, the sparkling ingot shines,
Flows the red slag, the lengthening bar refines;
Cold waves, immersed, the glowing mass congeal,
And turn to adamant 76 the hissing Steel.
[Page 48]
"Last MICHEL's hands, 77 with touch of potent charm,
The polish'd rods with powers magnetic arm;
With points directed to the polar stars,
In one long line extend the temper'd bars;
[Page 49] Then thrice and thrice with steady eye he guides,
And o'er the adhesive train the magnet slides;
The obedient Steel with living instinct moves,
And veers for ever to the pole it loves.
"Hail, adamantine Steel! magnetic Lord!
King of the prow, the plowshare, and the sword!
True to the pole, by thee the pilot guides
His steady helm amid the struggling tides,
Braves with broad sail the immeasurable sea,
Cleaves the dark air, and asks no star but Thee.—
By thee the plowshare rends the matted plain,
Inhumes in level rows the living grain;
Intrusive forests quit the cultured ground,
And Ceres laughs with golden fillets crown'd.—
O'er restless realms when scowling Discord flings
Her snakes, and loud the din of battle rings;
Expiring Strength, and vanquish'd Courage feel
Thy arm resistless, adamantine Steel!
4 "Hence in fine streams diffusive Acids flow, 78
Or wing'd with fire o'er Earth's fair bosom blow;
[Page 50] Transmute to glittering Flints her chalky lands,
Or sink on Ocean's bed in countless Sands.
Hence silvery Selenite her crystal moulds,
And soft Asbestus smooths his silky folds;
His cubic forms phosphoric Fluor prints,
Or rays in spheres his amethystine tints.
Soft cobweb clouds transparent Onyx spreads,
And playful Agates weave their colour'd threads;
Gay pictured Mochoes glow with landscape-dyes,
And changeful Opals roll their lucid eyes;
Blue lambent light around the Sapphire plays,
Bright Rubies blush, and living Diamonds blaze. 79
[Page 51]
"Thus, for attractive earth, inconstant JOVE, 80
Mask'd in new shapes, forsook his realms above.—
First her sweet eyes his Eagle-form beguiles,
And HEBE feeds him with ambrosial smiles;
Next the chang'd God a Cygnet's down assumes,
And playful LEDA smooths his glossy plumes;
Then glides a silver serpent, treacherous guest!
And fair OLYMPIA folds him in her breast;
Now lows a milk-white Bull on Afric's strand,
And crops with dancing head the daisy'd land.—
With rosy wreathes EUROPA's hand adorns
His fringed forehead, and his pearly horns;
Light on his back the sportive Damsel bounds,
And pleased he moves along the flowery grounds;
Bears with slow step his beauteous prize aloof,
Dips in the lucid flood his ivory hoof;
Then wets his velvet knees, and wading laves
His silky sides amid the dimpling waves.
While her fond train with beckoning hands deplore,
Strain their blue eyes, and shriek along the shore;
Beneath her robe she draws her snowy feet,
And, half-reclining on her ermine seat,
Round his raised neck her radiant arms she throws,
And rests her fair cheek on his curled brows;
Her yellow tresses wave on wanton gales,
And bent in air her azure mantle sails.
[Page 52] —Onward He moves, applauding Cupids guide,
And skim on shooting wing the shining tide;
Emerging Tritons leave their coral caves,
Sound their loud conchs, and smooth the circling waves,
Surround the timorous Beauty, as she swims,
And gaze enamour'd on her silver limbs.
Now Europe's shadowy shores, with loud acclaim,
Hail the fair fugitive, and shout her name;
Soft echoes warble, whispering forests nod,
And conscious Nature owns the present God.
Changed from the Bull, the rapturous God assumes
Immortal youth, with glow celestial blooms,
With lenient words her virgin fears disarms,
And clasps the yielding Beauty in his arms;
Whence Kings and Heroes own illustrious birth,
Guards of mankind, and demigods on earth.
VI "Gnomes! as you pass'd beneath the labouring soil,
The guards and guides of Nature's chemic toil,
You saw, deep-sepulchred in dusky realms,
Which Earth's rock-ribbed ponderous vault o'erwhelms,
With self-born fires 81 the mass fermenting glow,
And flame-wing'd sulphurs quit the earths below.
1 "Hence ductile Clays 82 in wide expansion spread,
Soft as the Cygnet's down, their snow-white bed;
With yielding slakes successive forms reveal,
And change obedient to the whirling wheel.
First CHINA's sons, with early art elate,
Form'd the gay tea-pot, and the pictured plate;
[Page 53] Saw with illumin'd brow 83 and dazzled eyes
In the red stove vitrescent colours rise;
Speck'd her tall beakers with enamel'd stars,
Her monster-josses, and gigantic jars;
Smear'd her huge dragons with metallic hues,
With golden purples, 84 and cobaltic blues;
Bade on wide hills her porcelain castles glare,
And glazed Pagodas tremble in the air.
"ETRURIA! next 85 beneath thy magic hands
Glides the quick wheel, the plastic clay expands,
Nerved with fine touch, thy fingers (as it turns)
Mark the nice bounds of vases, ewers, and urns;
Round each fair form in lines immortal trace
Uncopied Beauty, and ideal Grace.
"Gnomes! as you now dissect with hammers fine
The granite-rock, the nodul'd flint calcine;
Grind with strong arm, the circling chertz betwixt,
Your pure Ka-o-lins and Pe-tun-tses mixt;
[Page 54] O'er each red saggar's burning cave preside,
The keen-eyed Fire-Nymphs blazing by your side;
And pleased on WEDGWOOD ray your partial smile,
A new Etruria decks Britannia's isle.—
Charm'd by your touch, the flint liquescent pours
Through finer sieves, and falls in whiter showers;
Charm'd by your touch, the kneaded clay refines,
The biscuit hardens, the enamel shines;
Each nicer mould a softer feature drinks,
The bold Cameo speaks, the soft Intaglio thinks.
"To call the pearly drops from Pity's eye,
Or stay Despair's disanimating sigh,
Whether, O Friend of Art! the gem you mould
Rich with now taste, with ancient virtue bold;
Form the poor fetter'd 86 Slave, on bended knee,
From Britain's sons imploring to be free;
Or with fair HOPE the brightening scenes improve,
And cheer the dreary wastes at Sydney-Cove;
Or bid Mortality rejoice and mourn
O'er the fine forms on PORTLAND's mystic 87 urn.—
"Here, by fall'n columns and disjoin'd arcades,
On mouldering stones, beneath deciduous shades,
Sits HUMANKIND in hieroglyphic state,
Serious, and pondering on their changeful state;
While with inverted torch, and swimming eyes,
Sinks the fair shade of Mortal Life, and dies.
There the pale Ghost through Death's wide portal bends
His timid feet, the dusky steep descends;

[Page]

Copied from Capt Phillips [...] to Botany Bay
[Page 55]
With smiles assuasive Love Divine invites,
Guides on broad wing, with torch uplifted lights:
Immortal Life, her hand extending, courts
The lingering form, his tottering step supports;
Leads on to Pluto's realms the dreary way,
And gives him trembling to Elysian day.
Beneath, in sacred robes the PRIESTESS dress'd,
The co [...]f close-hooded, and the fluttering vest,
With pointing finger guides the initiate youth,
Unweaves the many-colour'd veil of Truth,
Drives the profane from Mystery's bolted door,
And Silence guards the Elcasinian lore.—
"Whether, O Friend of Art! your gems derive
Fine forms from Greece, 88 and fabled Gods revive;
Or bid from modern life the Portrait breathe,
And bind round Honour's brow the laurel wreath;
Buoyant shall sail, with Fame's historic page,
Each fair medallion o'er the wrecks of age;
Nor Time shall mar; nor Stee [...], nor Fire, nor Rust
Touch the hard polish of the immortal bust.
2 "Hence sable COAL 89 his massy couch extends,
And stars of gold the sparkling Pyrite blends;
Hence dull-eyed Naphtha pours his pitchy streams,
And Jet uncolour'd drinks the solar beams,
Bright Amber shines 90 on his electric throne,
And adds ethereal lustres to his own.
[Page 56] —Led by the phosphor-light, with daring tread
Immortal FRANKLIN sought the fiery bed;
Where, nursed in night, incumbent Tempest shrouds
His embryon Thunders in circumfluent clouds,
Besieged with iron points their airy cell,
And pierced the monsters slumbering in the shell.
"So, borne on sounding pinions to the West,
When Tyrant-Power had built his eagle nest;
While from his eyry shriek'd the famish'd brood,
Clenched their sharp claws, and champ'd their beaks for blood,
Immortal FRANKLIN 91 watch'd the callow crew,
And stabb'd the struggling Vampires, ere they flew.
—The patriot-flame with quick contagion ran,
Hill lighted [...]ill, and man electrised man;
Her heroes slain, awhile COLUMBIA mourn'd,
And, crown'd with laurels, LIBERTY return'd.
"The Warrior, LIBERTY, with bending sails,
Helm'd his bold course to fair HIBERNIA's vales;—
Firm as he steps along the shouting lands,
Lo! Truth and Virtue range their radiant bands;
Sad Superstition wails her empire torn,
Art plies his oar, and Commerce pours her horn.
"Long had the Giant-form, on GALLIA's plains,
Inglorious slept, unconscious of his chains;
Round his large limbs were wound a thousand strings
By the weak hands of Confessors and Kings;
O'er his closed eyes a triple veil was bound,
And steely rivets look'd him to the ground;
[Page 57] While stern Bastile 92 with iron cage inthralls
His folded limbs, and hems in marble walls.
—Touch'd by the patriot-flame, [...]e rent, amazed,
The flimsy bonds, and round and round him gazed;
Starts up from earth, above the admiring throng
Lifts his Colossal form, and towers along;
High o'er his foes his hundred arms He rears,
Plowshares his swords, and pruning-hooks his spears;
Calls to the Good and Brave with voice, that rolls
Like Heaven's own thunder round the echoing poles;
Gives to the winds his banner broad unfurl'd,
And gathers in its shade the living world!
VII "Gnomes! you then taught volcanic airs to force
Through bubbling Lavas their resistless course,
O'er the broad walls of rifted Granite climb,
And pierce the rent roof 93 of incumbent Lime;
[Page 58] Round sparry caves metallic lustres fling,
And bear Phlogiston on their tepid wing.
"Hence glow, refulgent Tin! thy crystal grains,
And tawny Copper shoots her azure veins;
Zink lines his fretted vault with sable ore,
And dull Galena tassellates the floor;
On vermil beds in Idria's mighty caves
The living Silver rolls its ponderous waves;
With gay refractions bright Platina shines,
And studs with squander'd stars his dusky mines;
[Page 59] Long threads of netted gold, and silvery darts,
Inlay the Lazuli, and pierce the Quartz;—
—Whence roof'd with silver beam'd PERU, of old,
And hapless MEXICO was paved with gold.
"Heavens! on my sight what sanguine colours blaze!
Spain's deathless shame! the crimes of modern days!
When Avarice, shrouded in Religion's robe,
Sail'd to the West, and slaughter'd half the globe;
While Superstition, stalking by his side,
Mock'd the loud groan, and lap'd the bloody tide;
For sacred truths announced her frenzied dreams,
And turn'd to night the sun's meridian beams.—
Hear, Oh BRITANNIA! potent Queen of isles,
On whom fair Art, and meek Religion smiles,
Now AFRIC's coasts thy craftier sons invade,
And Theft and Murder take the garb of Trade!
—The Slave, in chains, on supplicating knee,
Spreads his wide arms, and lifts his eyes to Thee;
With hunger pale, with wounds and toil oppress'd,
"Are we not Brethren?" sorrow choaks the rest;
Air! bear to heaven upon thy azure flood
Their innocent cries!— Earth! cover not their blood!
VIII "When Heaven's dread justice smites in crimes o'er­grown
The blood-nursed Tyrant on his purple throne,
Gnomes! your bold forms unnumber'd arms outstretch,
And urge the vengeance o'er the guilty wretch.—
Thus when CAMBYSES 94 led his barbarous hosts
From Persia's rocks to Egypt's trembling coasts,
Defiled each hallowed fane, and sacred wood,
And, drunk with fury, swell'd the Nile with blood;
[Page 60] Waved his proud banner o'er the Theban states,
And pour'd destruction through her hundred gates;
In dread divisions march'd the marshal'd bands,
And swarming armies blacken'd all the lands,
By Memphis these to ETHIOP's sultry plains,
And those to HAMMON's sand-incircled fanes.—
Slow as they pass'd, the indignant temples frown'd,
Low curses muttering from the vaulted ground;
Long ailes of Cypress waved their deepen'd glooms,
And quivering spectres grinn'd amid the tombs,
Prophetic whispers breathed from SPHINX's tongue,
And MEMNON's lyre with hollow murmurs rung;
Burst from each pyramid expiring groans, 95
And darker shadows stretch'd their lengthen'd cones.
Day after day their dreadful rout They steer,
Lust in the van, and Rapine in the rear.
"Gnomes! as they march'd, You hid the gather'd fruits,
The bladed grass, sweet grains, and mealy roots;
Scared the tired quails, that journey'd o'er their heads,
Retain'd the locusts in their earthy beds;
Bade on your sands no night-born dews distil,
Stay'd with vindictive hands the scanty rill.—
Loud o'er the camp the Fiend of Famine shrieks,
Calls all her brood, and champs her hundred beaks;
O'er ten square leagues her pennons broad expand,
And twilight swims upon the shuddering sand;
Perch'd on her crest the Griffin Discord clings,
And Giant Murder rides between her wings;
Blood from each clotted hair, and horny quill,
And showers of tears in blended streams distil;
[Page 61] High-poised in air her spiry neck she bends,
Rolls her keen eye, her dragon-claws extends,
Darts from above, and tears at each fell swoop
With iron fangs the decimated troop.
"Now o'er their heads the whizzing whirlwinds breathe,
And the live desert pants, and heaves beneath;
Tinged by the crimson sun, vast columns rise
Of eddying sands, and war amid the skies,
In red arcades the billowy plain surround,
And whirling turrets 96 stalk along the ground.
[Page 62] —Long ranks in vain their shining blades extend,
To Demon-Gods their knees unhallow'd bend,
Wheel in wide circle, form in hollow square,
And now they front, and now they fly the war,
Pierce the deaf tempest with lamenting cries,
Press their parch'd lips, and close their blood-shot eyes.
Gnomes! o'er the waste you led your myriad powers,
Climb'd on the whirls, and aim'd the flinty showers!—
Onward resistless rolls the infuriate surge,
Clouds follow clouds, and mountains mountains urge;
Wave over wave the driving desert swims,
Bursts o'er their heads, inhumes their struggling limbs;
Man mounts on man, on camels camels rush,
Hosts march o'er hosts, and nations nations crush,—
Wheeling in air the winged islands fall,
And one great earthy Ocean covers all!—
Then ceased the storm,— Night bow'd his Ethiop brow
To earth, and listen'd to the groans below,—
Grim HORROR shook,—awhile the living hill
Heaved with convulsive throes,—and all was still!
IX "Gnomes! whose fine forms, impassive as the air,
Shrink with soft sympathy for human care;
Who glide unseen, on printless slippers borne,
Beneath the waving grass, and nodding corn;
Or lay your tiny limbs, when noon-tide warms,
Where shadowy cowslips stretch their golden arms,—
So mark'd on orreries 97 in lucid signs,
Star'd with bright points the mimic zodiac shines;
Borne on fine wires amid the pictured skies
With ivory orbs the planets set and rise:
Round the dwarf earth the pearly moon is roll'd,
And the sun twinkling whirls his rays of gold.—
Call your bright myriads, march your mailed hosts,
With spears and helmets glittering round the coasts;
[Page 63] Thick as the hairs, which rear the Lion's mane,
Or fringe the Boar, that bays the hunter-train;
Watch, where proud Surges break their treacherous mounds,
And sweep resistless o'er the cultur'd grounds;
Such as erewhile, impell'd o'er Belgia's plain,
Roll'd her rich ruins to the insatiate Main,
With piles and piers the ruffian Waves engage,
And [...] indignant Ocean stay his rage.
"Where, girt with clouds, the rifted Mountain yawns,
And chills with length of shade the gelid lawns,
Climb the rude steeps, the granite-cliffs 98 surround,
Pierce with steel points, with wooden wedges wound; 99
Break into clays the soft volcanic slaggs,
Or melt with acid airs the marble craggs;
Crown the green summits with adventurous flocks,
And charm with novel flowers the wondering Rocks.
—So when proud Rome the Afric Warrior braved,
And high on Alps his crimson banner waved;
While Rocks on Rocks their beetling brows oppose
With piny forests, and unfathom'd snows;
Onward he march'd, to Latium's velvet ground,
With fires and acids 100 burst the obdurate bound,
[Page 64] Wide o'er the weeping Vales destruction hurl'd,
And shook the rising empire of the world.
X Go, gentle Gnomes! resume your vernal toil,
Seek my chill tribes, which sleep beneath the soil;
On grey-moss banks, green meads, or furrow'd lands,
Spread the dark mould, white lime, and crumbling sands;
Each bursting bud with healthier juices feed,
Emerging scion, or awaken'd seed.
So, in descending streams, the silver Chyle
Streaks with white clouds the golden floods of Bile;
Through each nice valve the mingling currents glide,
Join their fine rills, and swell the sanguine tide;
Each countless cell, and viewless fibre seek,
Nerve the strong arm, and tinge the blushing cheek.
"Oh, watch, where bosom'd in the teeming earth,
Green swells the germ, impatient for its birth;
Guard from rapacious worms its tender shoots,
And drive the mining beetle from its roots;
With ceaseless efforts rend the obdurate clay,
And give my vegetable babes to day!
—Thus when an Angel-form, in light array'd,
Like HOWARD pierced the prison's noisome shade;
Where chain'd to earth, with eyes to heaven upturn'd,
The kneeling Saint in holy anguish mourn'd;—
Ray'd from his lucid vest, and halo'd brow,
O'er the dark roof celestial lustres glow,
"PETER, arise!" with cheering voice He calls,
And sounds seraphic echo round the walls;
Locks, bolts, and chains his potent touch obey,
And pleased he leads the exulting Sage to day.
[Page 65]
XI "You! whose fine fingers fill the organic cells
With virgin earth, of woods, and bones, and shells;
Mould with retractile glue 101 their spongy beds,
And stretch and strengthen all their fibre- [...]reads.—
Late when the mass obeys its changeful doom,
And sinks to earth, its cradle and its tomb,
Gnomes! with nice eye the slow solution watch,
With fostering hand the parting atoms catch,
Join in new forms, combine with life and sense,
And guide and guard the transmigrating Ens. 102
[Page 66]
"So when on Lebanon's sequester'd height
The fair ADONIS 103 left the realms of light,
Bow'd his bright locks, and, fated from his birth
To change eternal, mingled with the earth;—
With darker horror shook the conscious wood,
Groan'd the sad gales, and rivers blush'd with blood;
On cypress boughs the Loves their quivers hung,
Their arrows scatter'd, and their bows unstrung;
And Beauty's Goddess, bending o'er his bier,
Breathed the soft sigh, and pour'd the tender tear.—
Admiring Proserpine through dusky glades
Led the fair phantom to Elysian shades,
Clad with new form, with finer sense combined,
And lit with purer flame the ethereal mind.
—Erewhile, emerging from infernal night,
The bright Assurgent rises into light,
Leaves the drear chambers of the insatiate tomb,
And shines and charms with renovated bloom.—
While wondering Loves the bursting grave surround,
And edge with meeting wings the yawning ground,
Stretch their fair necks, and leaning o'er the brink,
View the pale regions of the dead, and shrink;
Long with broad eyes ecstatic Beauty stands,
Heaves her white bosom, spreads her waxen hands;
[Page 67] Then with loud shriek the panting Youth alarms,
"My Life! my Love!" and springs into his arms."
The Goddess ceased,—the delegated throng
O'er the wide plains delighted rush along;
In dusky squadrons, and in shining groups,
Hosts follow hosts, and troops succeed to troops;
Scarce bears the bending grass the moving freight,
And nodding florets bow beneath their weight.
So when light clouds on airy pinions sail,
Flit the soft shadows o'er the waving vale;
Shade follows shade, as laughing Zephyrs drive, 104
And all the chequer'd landscape seems alive.
[Page]
ARGUMENT OF THE THIRD CANTO.

ADDRESS to the Nymphs. 1. Steam rises from the ocean, floats in clouds, descends in rain and dew, or is condensed on hills, produces springs, and ri­vers, and returns to the sea. So the blood circulates through the body and returns to the heart, II. II. 1. Tides, 57. 2. Echinus, nautilus, pinna, cancer. Grotto of a mermaid, 65. 3. Oil stills the waves. Coral rocks, Ship-worm, or Teredo. Maelstrome, a whirlpool on the coast of Norway, 85. III. Rivers from beneath the snows on the Alps. The Tiber, 103. IV. Overflowing of the Nile from African Monsoons, 129. V. 1. Giesar, a boiling fountain in Iceland, destroyed by inundation, and consequent earth­quake, 145. 2. Warm medicinal springs. Buxton. Duke and Duchess of Devonshire, 157. VI. Combination of vital air and inflammable gas produces water. Which is another source of springs and rivers. Allegorical loves of Jupiter and Juno productive of vernal showers, 201. VII. Aquatic Taste. Distant murmur of the sea by night. Sea-horse. Nereid singing, 261. VIII. The Nymphs of the river Derwent lament the death of Mrs. French, 297. IX. Inland navigation. Monument for Mr. Brindley, 341. X. Pumps explained. Child sucking. Mothers exhorted to nurse their children. Cherub sleeping, 365. XI. Engines for extinguishing fire. Story of two lovers perishing in the flames, 397. XII. Charities of Miss Jones, 447. XIII. Marshes drained. [...] conquers Achelous. The horn of plenty, 483. XIV. Showers. Dews. Floating lands with water. Lacteal system in animals Caravan drinking, 529. Departure of the Nymphs like water­spiders; like northern nations skaiting on the ice, 569.

[Page] THE BOTANIC GARDEN. ECONOMY OF VEGETATION. CANTO III.

AGAIN the Goddess speaks! glad Echo swells
The tuneful tones along her shadowy dells,
Her wrinkling founts with soft vibration shakes,
Curls her deep wells, and rimples all her lakes,
Thrills each wide stream, Britannia's isle that laves,
Her headlong cataracts, and circumfluent waves.
—Thick as the dews, which deck the morning flowers,
Or rain-drops twinkling in the sun-bright showers,
Fair Nymphs, emerging in pellucid bands,
Rise, as she turns, and whiten all the lands.
I "Your buoyant troops on dimpling ocean tread,
Wafting the moist air from his oozy bed,
Aquatic Nymphs!—you lead with viewless march
The winged Vapours 105 up the aerial arch,
On each broad cloud 106 a thousand sails expand,
And steer the shadowy treasure o'er the land;
[Page 70] Through vernal skies the gathering drops diffuse,
Plunge in soft rains, or sink in silver dews.— 107
Your lucid bands condense with fingers chill
The blue mist 108 hovering round the gelid hill;
[Page 71] In clay-form'd beds the trickling streams collect,
Strain through white sands, through pebbly veins direct;
Or point in rifted rocks their dubious way,
And in each bubbling fountain rise to day.
"Nymphs! you then guide, attendant from their source,
The associate rills along their sinuous course;
Float in bright squadrons by the willowy brink,
Or circling slow in limpid eddies sink;
Call from her crystal cave the Naiad-Nymph,
Who hides her fine form in the passing lymph,
And, as below she braids her hyaline hair,
Eyes her soft smiles reflected in the air;
Or sport in groups with River-Boys, that lave
Their silken limbs amid the dashing wave;
Pluck the pale primrose bending from its edge,
Or tittering dance amid the whispering sedge.—
[Page 72]
"Onward you pass, the pine-capt hills divide,
Or feed the golden harvests on their side;
The wide-ribb'd arch with hurrying torrents fill,
Shove the flow barge, or whirl the foaming mill.
Or lead with beckoning hand the sparkling train
Of refluent water to its parent main,
And pleased revisit in their sea-moss vales
Blue Nereid-forms array'd in shining scales,
Shapes, whose broad oar the torpid wave impels,
And Tritons bellowing through their twisted shells.
"So from the heart the Sanguine Stream distils
O'er Beauty's radiant shrine in vermil rills,
Feeds each fine nerve, each slender hair pervades,
The skin's bright snow with living purple shades,
Each dimpling cheek with warmer blushes dyes,
Laughs on the lips, and lightens in the eyes.
—Erewhile absorb'd, the vagrant globules swim
From each fair feature, and proportion'd limb,
Join'd in one trunk with deeper tint return
To the warm concave of the vital urn.
II. 1. "Aquatic Maids! you sway the mighty realms
Of scale and shell, which Ocean overwhelms;
As Night's pale Queen her rising orb reveals,
And climbs the zenith with refulgent wheels,
Carr'd on the foam 109 your glimmering legion rides,
Your little tridents heave the dashing tides,
[Page 73] Urge on the sounding shores their crystal course,
Restrain their fury, or direct their force.
2 "Nymphs! you adorn, in glossy volutes roll'd,
The gaudy conch 110 with azure, green, and gold.
[Page 74] You round Echinus 111 ray his arrowy mail,
Give the keel'd Nautilus 112 his oar and sail;
Firm to his rock with silver cords suspend
The anchor'd Pinna, 113 and his Cancer-friend;
With worm-like beard 114 his toothless lips array,
And teach the unwieldy Sturgeon to betray.—
Ambush'd in weeds, or sepulchred in sands,
In dread repose He waits the scaly bands,
Waves in red spires the living lures, and draws
The unwary plunderers to his circling jaws,
Eyes with grim joy the twinkling shoals beset,
And clasps the quick inextricable net.
You chase the warrior Shark, and cumberous Whale,
And guard the Mermaid in her briny vale;
Feed the live petals 115 of her insect-flowers,
Her shell-wrack gardens, and her sea-fan bowers;
With ores and gems adorn her coral cell,
And drop a pearl 116 in every gaping shell.
[Page 75]
3 "Your myriad trains o'er stagnant oceans tow,
Harness'd with gossamer, the loitering prow;
Or with fine films, 117 suspended o'er the deep,
Of oil effusive lull the waves to sleep.
You stay the flying bark, conceal'd beneath,
Where living rocks of 118 worm-built coral breathe;
Meet fell TEREDO, 119 as he mines the keel
With beaked head, and break his lips of steel;
Turn the broad helm, 120 the fluttering canvas urge
From MAELSTROME's fierce innavigable surge.
—'Mid the lorn isles of Norway's stormy main,
As sweeps o'er many a league his eddying train,
Vast watery walls in rapid circles spin,
And deep-ingulph'd the Demon dwells within;
Springs o'er the fear-froze crew with harpy-claws,
Down his deep den the whirling vessel draws;
Churns with his bloody mouth the dread repast,
The booming waters murmuring o'er the mast.
III "Where with chill frown enormous Alps alarms
A thousand realms, horizon'd in his arms;
While cloudless suns meridian glories shed
From skies of silver round his hoary head,
[Page 76] Tall rocks of ice refract the coloured rays,
And Frost sits throned amid the lambent blaze;
Nymphs! your thin forms pervade his glittering piles,
His roofs of chrystal, and his glassy ailes;
Where in cold caves imprisoned Naiads sleep,
Or chain'd on mossy couches wake and weep;
Where round dark crags 121 indignant Waters bend
Through rifted ice, in ivory veins descend,
Seek through unfathom'd snows their devious track,
Heave the vast spars, 122 the ribbed granites crack,
Rush into day, in foamy torrents shine,
And swell the imperial Danube or the Rhine.—
[Page 77] —Or feed the murmuring TIBER, as he laves
His realms inglorious with diminish'd waves,
Hears his lorn Forum sound with Eunuch-strains,
Sees dancing slaves insult his martial plains;
Parts with chill stream the dim religious bower,
Time-mouldered bastion, and dismantled tower;
By alter'd fanes and nameless villas glides,
And classic domes, that tremble on his sides;
Sighs o'er each broken urn, and yawning tomb,
And mourns the fall of LIBERTY and ROME.
IV "Sailing in air, when dark Monsoon inshrouds 123
His tropic mountains in a night of clouds;
Or drawn by whirlwinds from the Line returns,
And showers o'er Afric all his thousand urns;
High o'er his head the beams of SIRIUS glow,
And, Dog of Nile, ANUBIS, barks below.
Nymphs! you from cliff to cliff attendant guide,
In headlong cataracts the impetuous tide;
Or lead o'er wastes of Abyssinian sands
The bright expanse to EGYPT's shower-less lands. 124
[Page 78] —Her long [...]anals the sacred waters fill,
And edge with silver every peopled hill;
Gigantic SPHINX in circling waves admire,
And MEMNON bending o'er his broken lyre;
O'er surrow'd glebes and green savannas sweep,
And towns and temples laugh amid the deep.
V. 1. "High in the frozen North where HECLA glows,
And melts in torrents his coeval snows;
O'er isles and oceans sheds a sanguine light,
Or shoots red stars amid the ebon night;
When, at his base intomb'd, with bellowing sound
Fell GIESAR roar'd, 125 and, struggling, shook the ground;
Pour'd from red nostrils, with her scalding breath,
A boiling deluge o'er the blasted heath;
[Page 79] And, wide in air, in misty volumes hurl'd
Contagious atoms o'er the alarmed world;
Nymphs! your bold myriads broke the infernal spell,
And crush'd the Sorceress in her flinty cell.
2 "Where with soft fires in unextinguish'd urns,
Cauldron'd in rock, innocuous Lava burns;
On the bright lake your gelid hands distil
In pearly showers the parsimonious rill;
And, as aloft the curling vapours rise
Through the cleft roof, ambitious for the skies,
In vaulted hills condense the tepid steams,
And pour to Health the medicated streams.
—So in green vales amid her mountains bleak
BUXTONIA smiles, 126 the Goddess-Nymph of Peak;
Deep in warm waves, and pebbly baths she dwells,
And calls HYGEIA to her sainted wells.
"Hither in sportive bands bright DEVON leads
Graces and Loves from Chatsworth's flowery meads.
Charm'd round the Nymph, they climb the rifted rocks;
And steep in mountain-mist their golden locks;
On venturous step her sparry caves explore,
And light with radiant eyes her realms of ore:
—Oft by her bubbling founts, and shadowy domes,
In gay undress the fairy legion roams,
Their dripping palms in playful malice fill,
Or taste with ruby lip the sparkling rill;
Croud round her baths, and, bending o'er the side,
Unclasp'd their sandals, and their zones untied,
Dip with gay fear the shuddering foot undress'd,
And quick retract it to the fringed vest;
[Page 80] Or cleave with brandish'd arms the lucid stream,
And sob, their blue eyes 127 twinkling in the steam.
—High o'er the chequer'd vault with transient glow
Bright lustres dart, as dash the waves below;
And Echo's sweet responsive voice prolongs
The dulcet tumult of their silver tongues.—
O'er their flush'd cheeks uncurling tresses flow,
And dew-drops glitter on their necks of snow;
Round each fair Nymph her dropping mantle clings,
And Loves emerging shake their showery wings.
"Here oft her LORD 128 surveys the rude domain,
Fair arts of Greece triumphant in his train;
Lo! as he steps, the column'd pile ascends,
The blue roof closes, or the crescent bends;
New woods aspiring clothe their hills with green,
Smooth slope the lawns, the grey rock peeps between;
Relenting Nature gives her hand to Taste,
And Health and Beauty crown the laughing waste.
[Page 81]
VI "Nymphs! your bright squadrons watch with chemic eyes
The cold-elastic vapours, as they rise;
With playful force arrest them as they pass,
And to pure AIR 129 betroth the flaming GAS.
Round their translucent forms at once they fling
Their rapturous arms, with silver bosoms cling;
In fleecy clouds their fluttering wings extend,
Or from the skies in lucid showers descend;
Whence rills and rivers owe their secret birth,
And Ocean's hundred arms infold the earth.
"So, robed by Beauty's Queen, with softer charms
SATURNIA woo'd the Thunderer to her arms;
O'er her fair limbs a veil of light she spread,
And bound a starry diadem on her head;
Long braids of pearl her golden tresses grac'd,
And the charm'd CESTUS sparkled round her waist.
—Raised o'er the woof, by Beauty's hand inwrought,
Breathes the soft Sigh, and glows the enamour'd Thought;
Vows on light wings succeed, and quiver'd Wiles,
Assuasive Accents, and seductive Smiles.
[Page 82] —Slow rolls the Cyprian car in purple pride,
And, steer'd by LOVE, 130 ascends admiring Ide;
Climbs the green slopes, the nodding woods pervades,
Burns round the rocks, or gleams amid the shades.—
Glad ZEPHYR leads the van, and waves above
The barbed darts, and blazing torch of Love;
Reverts his smiling face, and pausing flings
Soft showers of roses from aurelian wings.
Delighted Fawns, in wreathes of flowers array'd,
With tiptoe Wood-Boys beat the chequer'd glade;
Alarmed Naiads, rising into air,
Lift o'er their silver urns their leafy hair;
Each to her oak the bashful Dryads shrink,
And azure eyes are seen at every chink.
—LOVE culls a flaming shaft of broadest wing,
And rests the fork upon the quivering string;
Points his arch eye aloft, with fingers strong
Draws to his curled ear the silken thong;
Loud twangs the steel, the golden arrow flies,
Trails a long line of lustre through the skies;
" 'Tis done!" he shouts, "the mighty Monarch feels!"
And with loud laughter shakes the silver wheels;
Bends o'er the car, and whirling, as it moves,
His loosen'd bowstring, drives the rising doves.
—Pierced on his throne the starting Thunderer turns,
Melts with soft sighs, with kindling rapture burns;
Clasps her fair hand, and eyes in fond amaze
The bright Intruder with enamour'd gaze.
"And leaves my Goddess, like a blooming bride,
"The fanes of Argos for the rocks of Ide?
"Her gorgeous palaces, and amaranth bowers,
"For cliff-top'd mountains, and aerial towers?"
He said; and, leading from her ivory seat
The blushing beauty to his lone retreat,
[Page 83] Curtain'd with night the couch imperial shrouds,
And rests the crimson cushions upon clouds.—
Earth feels the grateful influence from above,
Sighs the soft Air, and Ocean murmurs love;
Ethereal Warmth expands his brooding wing,
And in still showers 131 descends the genial Spring,
VII "Nymphs of aquatic Taste! whose placid smile
Breathes sweet enchantment o'er BRITANNIA's isle;
Whose sportive touch in showers resplendent flings
Her lucid cataracts, and her bubbling springs;
Through peopled vales the liquid silver guides,
And swells in bright expanse her freighted tides.
You with nice ear, in tiptoe trains, pervade
Dim walks of morn or evening's silent shade;
Join the lone Nightingale, her woods among,
And roll your rills symphonious to her song;
Through fount-full dells, and wave-worn valleys move,
And tune their echoing waterfalls to love;
Or catch, attentive to the distant roar,
The pausing murmurs of the dashing shore;
Or, as aloud she pours her liquid strain,
Pursue the NEREID on the twilight main.
—Her playful Sea-horse 132 woos her soft commands,
Turns his quick ears, his webbed claws expands,
[Page 84] His watery way with waving volutes wins,
Or listening librates on unmoving fins.
The Nymph emerging mounts her scaly seat,
Hangs o'er his glossy sides her silver feet,
With snow-white hands her arching veil detains,
Gives to his slimy lips the slacken'd reins,
Lifts to the star of Eve her eye serene,
And chaunts the birth Beauty's radiant Queen.—
O'er her fair brow her pearly comb unfurls
Her beryl locks, and parts the waving curls,
Each tangled braid with glistening teeth unbinds,
And with the floating treasure musks the winds.—
Thrill'd by the dulcet accents, as she sings,
The rippling wave in widening circles rings;
Night's shadowy forms along the margin gleam
With pointed cars, or dance upon the stream;
The Moon transported stays her bright career,
And maddening Stars shoot headlong from the sphere.
VIII " Nymphs! whose fair eyes with vivid lustres glow
For human weal, and melt at human woe;
Late us you floated on your silver shells,
Sorrowing and slow by DERWENT's willowy dells;
Where by tall groves his foamy flood he steers
Through ponderous arches o'er impetuous wears,
By DERBY's shadowy towers reflective sweeps,
And gothic grandeur chills his dusky deeps;
You pearl'd with Pity's drops his velvet sides,
Sigh'd in his gales, and murmur'd in his tides,
Waved o'er his fringed brink a deeper gloom,
And bow'd his alders o'er MILCENA'S tomb. 133
" Oft with sweet voice She led her infant-train,
Printing with graceful step his spangled plain,
Explored his twinkling swarms, that swim or fly,
And mark'd his florets with botanic eye.—
[Page 85] " Sweet bud of Spring! how frail thy transient bloom,
"Fine film," she cried, "of Nature's fairest loom!
" Soon Beauty fades upon its damask throne!"—
—Unconscious of the worm, that mined her own!—
—Pale are those lips, where soft caresses hung,
Wan the warm cheek, and mute the tender tongue,
Cold rests that feeling heart on DERWENT's shore,
And those love-lighted eye-balls roll no more!
" Here her sad Consort, stealing through the gloom
Of murmuring cloysters, gazes on her tomb;
Hangs in mute anguish o'er the scutcheon'd hearse,
Or graves with trembling style the votive verse.
" Sexton! oh, lay beneath this sacred shrine,
" When Time's cold hand shall close my aching eyes,
" Oh, gently lay this wearied earth of mine,
" Where wrap'd in night my loved MILCENA lies.
" So shall with purer joy my spirit move
" When the last trumpet thrills the caves of Death,
" Catch the first whispers of my waking love,
" And drink with holy kiss her kindling breath.
" The spotless Fair, with blush ethereal warm,
" Shall hail with sweeter smile returning day,
" Rise from her marble bed a brighter form,
" And win on buoyant step her airy way.
" Shall bend approved, where beckoning hosts invite,
" On clouds of silver, her adoring knee,
" Approach with Seraphim the throne of light,
"—And Beauty plead with angel-tongue for Me!"
IX " Your virgin trains on BRINDLEY's cradle smiled, 134
And nursed with fairy-love the unletter'd child,
[Page 86] Spread round his pillow all your secret spells,
Pierced all your springs, and open'd all your wells.—
As now on grass, with glossy folds reveal'd,
Glides the bright serpent, now in flowers conceal'd;
Far shine the scales, that gild his sinuous back,
And lucid undulations mark his track;
So with strong arm immortal BRINDLEY leads
His long canals, and parts the velvet meads;
Winding in lucid lines, the watery mass
Mines the firm rock, or loads the deep morass,
With rising locks a thousand hills alarms,
Flings o'er a thousand streams its silver arms,
Feeds the long vale, the nodding woodland laves,
And Plenty, Arts, and Commerce freight the waves.
Nymphs! who erewhile round BRINDLEY's early bier
On snow-white bosoms shower'd the incessant tear,
Adorn his tomb!—oh, raise the marble bust,
Proclaim his honours, and protect his dust!
With urns inverted, round the sacred shrine
Their ozier wreaths let weeping Naiads twine:
While on the top MECHANIC GENIUS stands,
Counts the fleet waves, and balances the lands.
X " Nymphs! you first taught to pierce the secret caves
Of humid earth, and lift her ponderous waves; 135
[Page 87] Bade with quick stroke the sliding piston bear
The viewless columns of incumbent air;—
Press'd by the incumbent air the floods below,
Through opening valves in foaming torrents flow,
Foot after foot with lessen'd impulse move,
And rising seek the vacancy above.—
So when the Mother, bending o'er his charms,
Clasps her fair nurseling in delighted arms;
Throws the thin kerchief from her neck of snow,
And half unveils the pearly orbs below;
With sparkling eye the blameless Plunderer owns
Her soft embraces, and endearing tones,
Seeks the salubrious fount with opening lips,
Spreads his inquiring hands, and smiles, and sips.
" Connubial Fair! whom no fond transport warms
To lull your infant in maternal arms;
Who, bless'd in vain with tumid bosoms, hear
His tender wailings with unfeeling ear;
The soothing kiss and milky rill deny,
To the sweet pouting lip, and glistening eye!—
Ah! what avails 136 the cradle's damask roof,
The eider bolster, and embroider'd woof!—
Oft hears the gilded couch unpity'd plains,
And many a tear the tassel'd cushion stains!
No voice so sweet attunes his cares to rest,
So soft no pillow as his Mother's breast!—
—Thus charm'd to sweet repose, when twilight hours
Shed their soft influence on celestial bowers,
The Cherub, Innocence, with smile divine
Shuts his white wings, and sleeps on Beauty's shrine.
XI " From dome to dome when flames infuriate climb,
Sweep the long street, invest the tower sublime;
Gild the tall vanes amid the astonish'd night,
And reddening heaven returns the sanguine light;
[Page 88] While with vast strides and bristling hair aloof
Pale Danger glides along the falling roof;
And Giant Terror, howling in amaze,
Moves his dark limbs across the lurid blaze.
Nymphs! you first taught the gelid wave to rise,
Hurl'd in resplendent arches 137 to the skies;
In iron cells condensed the airy spring,
And imp'd the torrent with unfailing wing;
—On the fierce flames the shower impetuous falls,
And sudden darkness shrouds the shatter'd walls;
Steam, smoke, and dust, in blended volumes roll,
And Night and Silence repossess the Pole.—
" Where were ye, Nymphs! in those disasterous hours,
Which wrap'd in flames AUGUSTA'S sinking towers?
Why did ye linger in your wells and groves,
When sad WOODMASON 138 mourn'd her infant loves?
When thy fair Daughters with unheeded screams,
Ill-fated MOLESWORTH! 139 call'd the loitering streams!—
The trembling Nymph, on bloodless fingers hung,
Eyes from the tottering wall the distant throng,
With ceaseless shrieks her sleeping friends alarms,
Drops with singed hair into her lover's arms.—
[Page 89] The illumin'd Mother seeks with footsteps fleet,
Where hangs the safe balcony o'er the street;
Wrap'd in her sheet her youngest hope suspends,
And panting lowers it to her tiptoe friends;
Again she hurries on Affection's wings,
And now a third, and now a fourth, she brings;
Safe all her babes, she smooths her horrent brow,
And bursts through bickering flames, unscorch'd below.
So, by her Son arraigned, with feet unshod
O'er burning bars indignant Emma trod.
" E'en on the day when Youth with Beauty wed,
The flames surprised them in their nuptial bed;—
Seen at the opening sash with bosom bare,
With wringing hands, and dark dishevel'd hair,
The blushing Bride, with wild disorder'd charms,
Round her fond lover winds her ivory arms;
Beat, as they clasp, their throbbing hearts with fear,
And many a kiss is mix'd with many a tear;—
Ah me! in vain the labouring engines pour
Round their pale limbs the ineffectual shower!—
—Then crash'd the floor, while shrinking crouds retire,
And Love and Virtue sunk amid the fire!—
With piercing screams afflicted strangers mourn,
And their white ashes mingle in their urn.
XII " Pellucid Forms! whose crystal bosoms show
The shine of welfare, or the shade of woe;
Who with soft lips salute returning Spring,
And hail the Zephyr quivering on his wing;
Or watch, untired, the wintery clouds, and share
With streaming eyes my vegetable care;
Go, shove the dim mist 140 from the mountain's brow,
Chase the white fog, which floods the vale below;
Melt the thick snows, that linger on the lands,
And catch the hail-stones 141 in your little hands;
[Page 90] Guard the coy blossom from the pelting shower,
And dash the rimy spangles from the bower;
From each chill leaf 142 the silvery drops repel,
And close the timorous floret's golden bell. 143
" So should young Sympathy, in female form,
Climb the tall rock, spectatress of the storm;
Life's sinking wrecks with secret sighs deplore,
And bleed for others' woes, Herself on shore;
[Page 91] To friendless Virtue, gasping on the strand,
Bare her warm heart, her virgin arms expand,
Charm with kind looks, with tender accents cheer,
And pour the sweet consolatory tear;
Grief's cureless wounds with lenient balms asswage,
Or prop with firmer staff the steps of Age;
The lifted arm of mute Despair arrest,
And snatch the dagger pointed at his breast;
Or lull to slumber Envy's haggard mien,
And rob her quiver'd shafts with hand unseen.
—Sound, Nymphs of HELICON! the trump of Fame,
And teach Hibernian echoes JONES'S name; 144
Bind round her polish'd brow the civic bay,
And drag the fair Philanthropist to day.—
So from secluded springs, and secret caves,
Her Liffy pours his bright meandering waves,
Cools the parch'd vale, the sultry mead divides,
And towns and temples star his shadowy sides.
XIII " Call your light legions, tread the swampy heath,
Pierce with sharp spades the tremulous peat beneath;
With colters bright the rushy sward bisect,
And in new veins the gushing rills direct;—
So flowers shall rise in purple light array'd,
And blossom'd orchards stretch their silver shade;
Admiring glebes their amber ears unfold,
And Labour sleep amid the waving gold.
" Thus when young HERCULES, with firm disdain,
Braved the soft smiles of Pleasure's harlot train;
To valiant toils his forceful limbs assign'd,
And gave to Virtue all his mighty mind;
Fierce ACHELOUS 145 rush'd from mountain-caves,
O'er sad Etolia pour'd his wasteful waves,
[Page 92] O'er lowing vales and bleating pastures roll'd,
Swept her red vineyards, and her glebes of gold,
Mined all her towns, uptore her rooted woods,
And Famine danced upon the shining floods.
The youthful Hero seized his curled crest,
And dash'd with lifted club the watery Pest;
With waving arm the billowy tumult quell'd,
And to his course the bellowing Fiend repell'd.
" Then to a Snake the finny Demon turn'd,
His lengthen'd form with scales of silver burn'd;
Lash'd with resistless sweep his dragon-train,
And shot meandering o'er the affrighted plain.
The Hero-God, with giant fingers clasp'd
Firm round his neck, the hissing monster grasp'd;
With starting eyes, wide throat, and gaping teeth,
Curl his redundant folds, and writhe in death.
" And now a Bull, amid the flying throng
The grisly Demon foam'd, and roar'd along;
With silver hoofs the flowery meadows spurn'd,
Roll'd his red eye, his threatening antlers turn'd;
Dragg'd down to earth 146 the Warrior's victor-hands,
Press'd his deep dewlap on the imprinted sands;
Then with quick bound his bended knee he fix'd
High on his neck, the branching horns betwixt,
Strain'd his strong arms, his sinewy shoulders bent,
And from his curled brow the twisted terror rent.
—Pleased Fawns and Nymphs with dancing step applaud,
And hang their chaplets round the resting God;
Link their soft hands, and rear, with pausing toil,
The golden trophy on the furrow'd soil;
[Page 93] Fill with ripe fruits, with wreathed flowers adorn,
And give to Plenty her prolific horn.
XIV " On Spring's fair lip, cerulean Sisters! pour
From airy urns the sun-illumin'd shower,
Feed with the dulcet drops my tender broods,
Mellifluous flowers, and aromatic buds;
Hang from each bending grass and horrent thorn
The tremulous pearl, that glitters to the morn;
Or where cold dews their secret channels lave,
And Earth's dark chambers hide the stagnant wave,
Oh pierce, ye Nymphs! her marble veins, and lead
Her gushing fountains to the thirsty mead;
Wide o'er the shining vales, and trickling hills
Spread the bright treasure 147 in a thousand rills.
So shall my peopled realms of Leaf and Flower
Exult, inebriate with the genial shower;
Dip their long tresses from the mossy brink,
With tufted roots the glassy currents drink;
[Page 94] Shade your cool mansions from meridian beams,
And view their waving honours in your streams.
" Thus where the veins their confluent branches bend,
And milky eddies with the purple blend;
The Chyle's white trunk, diverging from its source,
Seeks through the vital mass its shining course;
O'er each red cell, and tissued membrane spreads,
In living net-work, all its branching threads;
Maze within maze its tortuous path pursues,
Winds into glands, inextricable clues;
Steals through the stomach's velvet sides, and sips
The silver surges with a thousand lips;
Fills each fine pore, pervades each slender hair,
And drinks salubrious dew-drops from the air.
" Thus when to kneel in Mecca's awful gloom,
Or press with pious kiss MEDINA'S tomb,
League after league, through many a lingering day,
Steer the swart Caravans their sultry way;
O'er sandy wastes on gasping camels toil,
Or print with pilgrim-steps the burning soil;
If from lone rocks a sparkling rill descend,
O'er the green brink the kneeling nations bend,
Bathe the parch'd lip, and cool the feverish tongue,
And the clear lake reflects the mingled throng."
The Goddess paused,—the listening bands awhile
Still seem to hear, and dwell upon her smile;
Then with soft murmur sweep in lucid trains
Down the green slopes, and o'er the pebbly plains,
To each bright stream on silver sandals glide,
Reflective fountain, and tumultuous tide.
So shoot the Spider-broods at breezy dawn,
Their glittering net-work o'er the autumnal lawn;
From blade to blade connect with cordage fine
The unbending grass, and live along the line;
[Page 95] Or bathe unwet their oily forms, and dwell
With feet repulsive on the dimpling well.
So when the North congeals his watery mass,
Piles high his snows, and floors his seas with glass;
While many a Month, unknown to warmer rays,
Marks its slow chronicle by lunar days;
Stout youths and ruddy damsels, sportive train,
Leave the white soil, and rush upon the main;
From isle to isle the moon-bright squadrons stray,
And win in easy curves their graceful way;
On step alternate borne, with balance nice,
Hang o'er the gliding steel, and hiss along the ice.
[Page]
ARGUMENT OF THE FOURTH CANTO.

ADDRESS to the Sylphs. 1. Trade-winds. Monsoons. N. E. and S. W. winds. Land and sea breezes. Irregular winds, 9. II. Production of vital air from oxygene and light. The marriage of Cupid and Psyche, 25. III. 1. Syroc. Simoom. Tornado, 63. 2. Fog. Contagion. Story of Thyrsis and Aegle. Love and Death, 79. IV. 1. Barometer. Air-pump, 127. 2. Air-balloon of Mongulfier. Death of Rozier. Icarus, 143. V. Discoveries of Dr. Priestley. Evolutions and combinations of pure air. Rape of Proserpine, 165, VI. Sea-balloons, or houses constructed to move under the sea. Death of Mr. Day; of Mr. Spalding; of Captain Pierce and his Daughters, 195. VII. Sylphs of music. Cecilia singing. Cupid, with a lyre, riding upon a lion, 233. VIII. Destruction of Senacherib's army by a pestilential wind. Shadow of Death, 263. IX. 1. Wish to pos­sess the secret of changing the course of the winds, 305. 2. Monster de­vouring air subdued by Mr. Kirwan, 321. X. 1. Seeds suspended in their pods. Stars discovered by Mr. Herschel. Destruction and resuscitation of all things, 351. 2. Seeds within seeds, and bulbs within bulbs. Picture on the retina of the eye. Concentric strata of the earth. The great seed, 381. 3. The root, pith, lobes, plume, calyx, corol, sap, blood, leaves respire and absorb light. The Crocodile in its egg, 409. XI. Opening of the flower. The petals, style, anthers, prolific dust, honey-cup. Transmutation of the silk-worm, 441. XII. 1. Leaf-buds changed into flower-buds by wounding the bark, or strangulating a part of the branch. Cintra, 465. 2. Ingrafting. Aaron's rod pullulates, 495. XIII. 1. Insects on trees. Humming-bird alarmed by the spider-like appearance of Cyprepedia, 509. 2. Diseases of vegetables. Scratch on unnealed glass, 529. XIV. 1. Tender flowers. Amaryllis, [...]ritillary, crythrina, mimosa, cerea, 541. 2. Vines. Oranges. Diana's trees. Kew garden. The royal family, 559. XV. Offering to Hygeia, 605. Departure of the Goddess, 647.

[Page] THE BOTANIC GARDEN. ECONOMY OF VEGETATION. CANTO IV.

AS when at noon in Hybla's fragrant bowers
CACALIA opens 148 all her honey'd flowers;
Contending swarms on bending branches cling,
And nations hover on aurelian wing;
So round the Goddess, ere she speaks, on high
Impatient Sylphs in gaudy circlets fly;
Quivering in air their painted plumes expand,
And coloured shadows dance upon the land.
I "Sylphs! your light troops the tropic Winds 149 confine,
And guide their streaming arrows to the Line;
While in warm floods ecliptic Breezes rise,
And sink with wings benumb'd in colder skies.
[Page 98] You bid Monsoons on Indian seas reside,
And veer, as moves the sun, their airy tide;
While southern Gales o'er western oceans roll,
And Eurus steals his ice-winds from the Pole.
Your playful trains, on sultry islands born,
Turn on fantastic toe at eve and morn;
With soft susurrant voice alternate sweep
Earth's green pavilions and encircling deep.
Or in itinerant cohorts, borne sublime
On tides of ether, float from clime to clime;
O'er waving Autumn bend your airy ring,
Or waft the fragrant bosom of the Spring.
II "When Morn, escorted by the dancing Hours,
O'er the bright plains her dewy lustre showers;
Till from her sable chariot Eve serene
Drops the dark curtain o'er the brilliant scene;
You form with chemic hands the airy surge,
Mix with broad vans, with shadowy tridents urge.
Sylphs! from each sun-bright leaf, that twinkling shakes
O'er Earth's green lap, or shoots amid her lakes,
Your playful bands with simpering lips invite,
And wed the enamour'd OXYGENE 150 to LIGHT.—
[Page 99] Round their white necks with fingers interwove,
Cling the fond Pair with unabating love;
Hand link'd in hand on buoyant step they rise,
And soar and glisten in unclouded skies.
Whence in bright floods the Vital Air expands,
And with concentric spheres involves the lands;
Pervades the swarming seas, and heaving earths,
Where teeming Nature broods her myriad births;
Fills the fine lungs of all that breathe or bud,
Warms the new heart, and dyes the gushing blood;
With Life's first spark inspires the organic frame,
And, as it wastes, renews the subtile flame.
"So pure, so soft, with sweet attraction shone
Fair PSYCHE, 151 kneeling at the ethereal throne;
Won with coy smiles the admiring court of Jove,
And warm'd the bosom of unconquer'd Love.
Beneath a moving shade of fruits and flowers
Onward they march to Hymen's sacred bowers;
With lifted torch he lights the festive train,
Sublime, and leads them in his golden chain;
Joins the fond pair, indulgent to their vows,
And hides with mystic veil their blushing brows.
Round their fair forms their mingling arms they fling,
Meet with warm lip, and clasp with rustling wing.—
—Hence plastic Nature, as Oblivion whelms
Her fading forms, re-peoples all her realms; 152
[Page 100] Soft Joys disport on purple plumes unsurl'd,
And Love and Beauty rule the willing world.
III. 1. " Sylphs! your bold myriads on the withering heath
Stay the fell SYROC'S suffocative breath;
Arrest SIMOOM 153 in his realms of sand,
The poisoned javelin balanced in his hand;—
Fierce on blue streams he rides the tainted air,
Points his keen eye, and waves his whistling hair;
[Page 101] While, as he turns, the undulating soil
Rolls in red waves, and billowy deserts boil.
You seize TORNADO 154 by his locks of mist,
Burst his dense clouds, his wheeling spires untwist;
Wide o'er the West, when borne on headlong gales,
Dark as meridian night, the Monster sails,
Howls high in air, and shakes his curled brow,
Lashing with serpent train the waves below,
Whirls his black arm, the forked lightning flings,
And showers a deluge from his demon-wings.
2 " Sylphs! with light shafts you pierce the drowsy FOG,
That lingering slumbers on the sedge-wove bog,
With webbed feet o'er midnight meadows creeps,
Or flings his hairy limbs on stagnant deeps. 155
You meet Contagion issuing from afar,
And dash the baleful conqueror from his car;
When, Guest of Death! from charnel vaults he steals,
And bathes in human gore his armed wheels.
"Thus when the Plague, upborne on Belgian air,
Look'd through the mist, and shook his clotted hair;
O'er shrinking nations steer'd malignant clouds,
And rain'd destruction on the gasping crouds.
The beauteous AEGLE 156 felt the venom'd dart,
Slow roll'd her eye, and feebly throbb'd her heart;
Each fervid sigh seem'd shorter than the last,
And starting Friendship shunn'd her, as she pass'd.
[Page 102]
—With weak unsteady step the fainting Maid
Seeks the cold garden's solitary shade,
Sinks on the pillowy moss her drooping head,
And prints with lifeless limbs her leafy bed.
—On wings of Love her plighted Swain pursues,
Shades her from winds, and shelters her from dews,
Extends on tapering poles the canvas roof,
Spreads o'er the straw-wove matt, the flaxen woof,
Sweet buds and blossoms on her bolster strows,
And binds his kerchief round her aching brows;
Sooths with soft kiss, with tender accents charms,
And clasps the bright infection in his arms.—
With pale and languid smiles the grateful Fair
Applauds his virtues, and rewards his care;
Mourns with wet cheek her fair companions fled
On timorous step, or number'd with the dead;
Calls to her bosom all its scatter'd rays,
And pours on THYRSIS the collected blaze;
Braves the chill night, caressing and caress'd,
And folds her Hero-lover to her breast.—
Less bold, LEANDER at the dusky hour
Eyed, as he swam, the far love-lighted tower;
Breasted with struggling arms the tossing wave,
And sunk benighted in the watery grave.
Less bold, TOBIAS claim'd the nuptial bed
Where seven fond Lovers by a Fiend had bled;
And drove, instructed by his Angel-Guide,
The enamour'd Demon from the fatal bride.—
Sylphs! while your winnowing pinions fann'd the air,
And shed gay visions o'er the sleeping pair;
Love round their couch effused his rosy breath,
And with his keener arrows conquer'd Death.
IV. 1. "You charm'd, indulgent Sylphs! their learned toil,
And crown'd with fame your TORRICELL and BOYLE; 157
[Page 103]
Taught with sweet smiles, responsive to their prayer,
The spring and pressure of the viewless air.
—How up exhausted tubes bright currents flow
[...]f liquid silver from the lake below,
[...]eigh the long column of the incumbent skies,
And with the changeful moment fall and rise.
—How, as in brazen pumps the pistons move,
The membrane-valve sustains the weight above;
Stroke follows stroke, the gelid vapour falls,
And misty dew-drops dim the crystal walls;
Rare and more rare expands the fluid thin,
And Silence dwells with Vacancy within.—
So in the mighty Void with grim delight
Primeval Silence reign'd with ancient Night.
2 "Sylps! your soft voices, whispering from the skies,
Bade from low earth the bold MONGOLFIER rise;
[Page 104] Outstretch'd his buoyant ball with airy spring,
And bore the Sage on levity of wing;—
Where were ye, Sylphs! when on the ethereal main
Young ROSIERE launch'd, 158 and call'd your aid in vain?
Fair mounts the light balloon, by Zephyr driven,
Parts the thin clouds, and sails along the heaven;
Higher and yet higher the expanding bubble flies,
Lights with quick flash, and bursts amid the skies.—
Headlong He rushes through the affrighted Air
With limbs distorted, and dishevel'd hair.
Whirls round and round, the flying croud alarms.
And Death receives him in his sable arms!
—Betrothed Beauty, bending o'er his bier,
Breathes the loud sob, and sheds the incessant tear;
Pursues the sad procession, as it moves
Through winding avenues and waving groves;
Hears the slow dirge amid the echoing ailes,
And mingles with her sighs discordant smiles.
Then with quick step advancing through the gloom,
"I come!" she cries, and leaps into his tomb.
" Oh, scay! I follow thee to realms above!—
" Oh, wait a moment for thy dying love!—
" Thus, thus I clasp thee to my bursting heart!—
"Close o'er us, holy Earth!—We will not part!" *
So erst with melting wax and loosen'd strings
Sunk hapless ICARUS on unfaithful wings;
His scatter'd plumage danced upon the wave,
And sorrowing Mermaids deck'd his watery grave;
[Page 105]
O'er his pale corse their pearly sea-flowers shed,
And strew'd with crimson moss his marble bed;
Struck in their coral towers the pausing bell,
And wide in ocean 160 toll'd his echoing knell.
V " Sylphs! you, retiring to sequester'd bowers,
Where oft your PRIESTLEY 161 woos your airy powers,
[Page 106] On noiseless step or quivering pinion glide,
As sits the Sage with Science by his side;
To his charm'd eye in gay undress appear,
Or pour your secrets on his raptured ear.
How nitrous Gas from iron ingots driven
Drinks with red lips the purest breath of heaven;
How, while Conferva, from its tender hair,
Gives in bright bubbles empyrean air,
The crystal floods phlogistic ores calcine,
And the pure ETHER marries with the MINE.
" So in Sicilia's ever-blooming shade,
When playful PROSERPINE 162 from CERES stray'd,
Led with unwary step her virgin trains
O'er Etna's steeps, and Enna's golden plains;
Pluck'd with fair hand the silver-blossom'd bower,
And purpled mead,—herself a fairer flower;
Sudden, unseen amid the twilight glade,
Rush'd gloomy DIS, and seized the trembling maid.—
Her starting damsels sprung from mossy seats,
Dropp'd from their gauzy laps the gather'd sweets,
Clung round the struggling Nymph, with piercing cries,
Pursued the chariot, and invok'd the skies;—
[Page 107] Pleased as he grasps her in his iron arms,
Frights with soft sighs, with tender words alarms,
The wheels descending roll'd in smoky rings,
Infernal Cupids flapp'd their demon wings;
Earth with deep yawn received the Fair, amaz'd,
And far in Night celestial Beauty blaz'd.
VI " Led by the Sage, 163 lo! Britain's sons shall guide
Huge Sea-Balloons beneath the tossing tide;
The diving castles, roof'd with spheric glass,
Ribb'd with strong oak, and barr'd with bolts of brass,
Buoy'd with pure air shall endless tracks pursue,
And PRIESTLEY'S hand the vital flood renew.—
Then shall BRITANNIA rule the wealthy realms,
Which Ocean's wide insatiate wave o'erwhelms;
Confine in netted bowers his scaly flocks,
Part his blue plains, and people all his rocks.
Deep in warm waves beneath the Line that roll,
Beneath the shadowy ice-isles of the Pole,
Onward, through bright meandering vales, afar,
Obedient Sharks shall trail her sceptred car,
With harness'd necks the pearly flood disturb,
Stretch the silk rein, and champ the silver curb;
[Page 108] Pleased round her triumph wondering Tritons play,
And Sea-maids hail her on the watery way.
—Oft shall she weep beneath the crystal waves
O'er shipwreck'd lovers weltering in their graves;
Mingling in death the Brave and Good behold
With slaves to glory, and with slaves to gold;
Shrin'd in the deep shall DAY and SPALDING mourn, 164
Each in his treacherous bell, sepulchral urn!—
Oft o'er thy lovely daughters, hapless PIERCE! 165
Her sighs shall breathe, her sorrows dew their hearse.—
With brow upturn'd to Heaven, "We will not part!"
He cried, and clasp'd them to his aching heart.—
—Dash'd in dread conflict on the rocky grounds,
Crash the shock'd masts, the staggering wreck rebounds;
Through gaping seams the rushing deluge swims,
Chills their pale bosoms, bathes their shuddering limbs,
Climbs their white shoulders, buoys their streaming hair,
And the last sea-shriek bellows in the air.—
[Page 109] Each with loud sobs her tender sire caress'd,
And gasping strain'd him closer to her breast!—
—Stretch'd on one bier they sleep beneath the brine,
And their white bones with ivory arms intwine!
VII " Sylphs of nice ear! with beating wings you guide
The fine vibrations of the aerial tide;
Join in sweet cadences the measured words,
Or stretch and modulate the trembling cords.
You strung to melody the Grecian lyre,
Breathed the rapt song, and fan'd the thought of fire,
Or brought in combinations, deep and clear,
Immortal harmony to HANDEL's ear.—
You with soft breath attune the vernal gale,
When breezy evening broods the listening vale;
Or wake the loud tumultuous sounds, that dwell
In Echo's many-toned diurnal shell.
You melt in dulcet chords, when Zephyr rings
The Eolian Harp, and mingle all its strings;
Or trill in air the soft symphonious chime,
When rapt CECILIA lifts her eye sublime,
Swell, as she breathes, her bosom's rising snow,
O'er her white teeth in tuneful accents flow,
Through her fair lips on whispering pinions move,
And form the tender sighs, that kindle love!
" So playful Love on Ida's flowery sides
With ribbon-rein the indignant Lion guides; 166
Pleased on his brinded back the lyre he rings,
And shakes delirious rapture from the strings;
Slow as the pausing Monarch stalks along,
Sheaths his retractile claws, and drinks the song;
Soft Nymphs on timid step the triumph view,
And listening Fawns with beating hoofs pursue;
With pointed ears the alarmed forest starts,
And Love and Music soften savage hearts.
[Page 110]
VIII " Sylphs! your bold hosts, when Heaven with justice dread
Calls the red tempest round the guilty head,
Fierce at his nod assume vindictive forms,
And launch from airy cars the vollied storms.—
From Ashur's vales when proud SENACHERIB trod,
Pour'd his swoln heart, defied the living GOD,
Urg'd with incessant shouts his glittering powers,
And JUDAH shook through all her massy towers;
Round her sad altars press'd the prostrate crowd,
Hosts beat their breasts, and suppliant chieftains bow'd;
Loud shrieks of matrons thrill'd the troubled air,
And trembling virgins rent their scatter'd hair;
High in the midst the kneeling King adored,
Spread the blaspheming scroll before the Lord,
Raised his pale hands, and breathed his pausing sighs,
And fixed on Heaven his dim imploring eyes,—
" Oh! MIGHTY GOD! amidst thy Seraph-throng
" Who fit'st sublime, the Judge of Right and Wrong;
" Thine the wide earth, bright sun, and starry zone,
" That twinkling journey round thy golden throne;
" Thine is the crystal source of life and light,
" And thine the realms of Death's eternal night.
" Oh! bend thine ear, thy gracious eye incline,
" Lo! Ashur's King blasphemes thy holy shrine,
" Insults our offerings, and derides our vows,—
" Oh! strike the diadem from his impious brows,
" Tear from his murderous hand the bloody rod,
" And teach the trembling nations, Thou art GOD!"
Sylphs! in what dread array with pennons broad
Onward ye floated o'er the ethereal road,
Call'd each dank steam the reeking marsh exhales,
Contagious vapours, and volcanic gales, 167
[Page 111] Gave the soft South with poisonous breath to blow,
And roll'd the dreadful whirlwind on the foe!
Hark! o'er the camp the venom'd tempest sings,
Man falls on Man, on buckler buckler rings;
Groan answers groan, to anguish anguish yields,
And DEATH'S loud accents shake the tented fields!
—High rears the Fiend his grinning jaws, and wide
Spans the pale nations with colossal stride,
Waves his broad falchion with uplifted hand,
And his vast shadow darkens all the land.
IX. 1. " Ethereal Cohorts! Essences of Air!
Make the green children of the Spring your care!
Oh, Sylphs! disclose in the inquiring age
One golden secret 168 to some favour'd sage;
Grant the charm'd talisman, the chain, that binds,
Or guides the changeful pinions of the winds!
[Page 112] —No more shall hoary Boreas, issuing forth
With Eurus, lead the tempests of the North;
Rime the pale Dawn, or veil'd in flaky showers
Chill the sweet bosoms of the smiling Hours.
By whispering Auster waked shall Zephyr rise,
Meet with soft kiss, and mingle in the skies,
Fan the gay floret, bend the yellow ear,
And rock the uncurtain'd cradle of the year;
Autumn and Spring in lively union blend,
And from the skies the golden Age descend.
2 " Castled on ice, beneath the circling Bear,
A vast CAMELION 169 drinks and vomits air;
O'er twelve degrees his ribs gigantic bend,
And many a league his gasping jaws extend;
Half-fish, beneath, his scaly volutes spread,
And vegetable plumage crests his head;
Huge fields of air his wrinkled skin receives,
From panting gills, wide lungs, and waving leaves;
Then with dread throes subsides his bloated form,
His shriek the thunder, and his sigh the storm.
Oft high in heaven the hissing Demon wins
His towering course, upborne on winnowing fins;
Steers with expanded eye and gaping mouth,
His mass enormous to the affrighted South;
Spreads o'er the shuddering Line his shadowy limbs,
And Frost and Famine follow as he swims.—
Sylphs! round his cloud-built couch your bands array,
And mould [...]he Monster to your gentle sway;
Charm with [...]oft tones, with tender touches check,
Bend to your golden yoke his willing neck,
With silver curb his yielding teeth restrain,
And give to KIRWAN'S hand 170 the silken rein.
[Page 113] —Pleased shall the Sage, the dragon-wings between,
Bend [...] discordant climes his eye serene,
With Lapland breezes cool Arabian vales,
And call to Hindostan antarctic gales,
Adorn with wreathed ears Kampschatca's brows,
And scatter roses on Zealandic snows,
Earth's wondering Zones the genial seasons share,
And nations hail him "Monarch of the Air."
X. 1. " Sylphs! as you hover on ethereal wing,
Brood the green children of parturient Spring!—
Where in their bursting cells my Embryons rest,
I charge you, guard the vegetable nest;
Count with nice eye the myriad Seeds, 171 that swell
Each vaulted womb of husk, or pod, or shell;
Feed with sweet juices, clothe with downy hair,
Or hang, inshrined, their little orbs in air.
" So, late descry'd by HERSCHEL'S piercing sight,
Hang the bright squadrons of the twinkling Night;
Ten thousand marshal'd stars, a silver zone,
Effuse their blended lustres round her throne;
Suns call to suns, in lucid clouds conspire,
And light exterior 172 skies with golden fire;
[Page 114] Resistless rolls the illimitable sphere,
And one great circle forms the unmeasured year.
—Roll on, ye Stars! exult in youthful prime,
Mark with bright curves the printless steps of Time;
Near and more near 173 your beamy cars approach,
And lessening orbs on lessening orbs encroach;—
Flowers of the sky! ye too to age must yield,
Frail as your silken sisters of the field!
Star after star from Heaven's high arch shall rush,
Suns sink on suns, and systems systems crush,
Headlong, extinct, to one dark centre fall,
And Death, and Night, and Chaos mingle all!
174 —Till o'er the wreck, emerging from the storm,
Immortal NATURE lifts her changeful form,
Mounts from her funeral pyre on wings of flame,
And soars and shines, another and the same.
2 " Lo! on each Seed within its slender rind
Life's golden threads in endless circles wind;
Maze within maze 175 the lucid webs are roll'd,
And, as they burst, the living flame unfold.
[Page 115] The pulpy acorn, ere it swells, contains
The Oak's vast branches in its milky viens:
Each ravel'd bud, fine film, and fibre-line
Traced with nice pencil on the small design.
The young Narcissus, in its bulb compress'd,
Cradles a second nestling on its breast;
In whose fine arms a younger embryon lies,
Folds its thin leaves, and shuts its floret-eyes;
Grain within grain successive harvests dwell,
And boundless forests slumber, in a shell.
—So you grey precipice, and ivy'd towers,
Long winding meads, and intermingled bowers,
Green files of poplars, o'er the lake that bow
And glimmering wheel, which rolls and foams below,
In one bright point with nice distinction lie
Plann'd on the moving tablet of the eye.
—So, fold, Earth's wavy plains extend,
And, sphere in sphere, its hidden strata bend;—
Incumbent Spring her beamy plumes expands
O'er restless oceans, and impatient lands,
With genial lustres warms the mighty ball,
And the GREAT SEED 176 evolves, disclosing All;
LIFE buds or breathes from Indus to the Poles,
And the vast surface 177 kindles as it rolls!
[Page 116]
" Come, ye soft Sylphs! who sport on Latian land,
Come, sweet-lip'd Zephyr, and Favonius bland!
Teach the fine Seed, 178 instinct with life, to shoot
On Earth's cold bosom its descending root;
With Pith elastic stretch its rising stem,
Part the twin Lobes, expand the throbbing Gem,
Clasp in your airy arms the aspiring Plume,
Fan with your balmy breath its kindling bloom,
Each widening scale and bursting film unsold,
Swell the green cup, and tint the flower with gold;
While in bright veins the silvery Sap 179 ascends,
And refluent blood 180 in milky eddies bends;
While, spread in air, the leaves respiring play, 181
Or drink the golden 182 quintessence of day.
[Page 117] —So from his shell on Delta's shower-less isle
Bursts into life the Monster of the Nile;
First in translucent lymph with cobweb-threads
The Brain's fine floating tissue swells, and spreads;
Nerve after nerve the glistening spine descends,
The red Heart dances, the Aorta bends;
Through each new gland the purple current glides,
New Veins meandering drink the refluent tides;
Edge o'er edge expands the hardening scale,
And sheaths his slimy skin in silver mail.
—Erewhile, emerging from the brooding sand,
With Tyger-paw He prints the brineless strand,
High on the flood with speckled bosom swims,
Helm'd with broad tail, and oar'd with giant limbs;
Rolls his fierce eye-balls, clasps his iron claws,
And champs with gnashing teeth his massy jaws;
Old Nilus sighs along his cane-crown'd shores,
And swarthy Memphis trembles and adores.
XI " Come, ye soft Sylphs! who fan the Paphian groves,
And bear on sportive wings the callow Loves;
Call with sweet whisper, in each gale that blows,
The slumbering Snow-drop from her long repose;
Charm the pale Primrose from her clay-cold bed,
Unveil the bashful Violet's tremulous head;
While from her bud the playful Tulip breaks,
And young Carnations peep with blushing cheeks;
Bid the closed Corol from nocturnal cold
Curtain'd with silk the virgin Stigma fold,
Shake into viewless air the morning dews,
And wave in light its iridescent hues.
So shall from high the bursting Anther trust
To the mild breezes the prolific dust;
Or bow his waxen head with graceful pride,
Watch the first blushes of his waking bride,
Give to her hand the honey'd cup, 183 or sip
Celestial nectar from her sweeter lip;
[Page 118] Hang in soft rapture o'er the yielding Fair,
Love out his hour, 184 and leave his life in air.
So in his silken sepulchre the Worm,
Warm'd with new life, unfolds his larva-form; 185
Erewhile aloft in wanton circles moves,
And woos on Hymen-wings his velvet loves.
XII. 1. " If prouder branches with exuberance rude
Point their green gems, their barren shoots protrude;
Wound them, ye Sylphs! 186 with little knives, or bind
A wiry ringlet round the swelling rind;
[Page 119] Bisect with chissel fine the root below,
Or bend to earth 187 the inhospitable bough.
So shall each Germ with new prolific power 188
Delay the leaf-bud, and expand the flower;
[Page 120] Closed in the Style 189 the tender Pith shall end,
The lengthening Wood in circling Stamens bend;
The smoother Rind its soft embroidery spread
In vaulted Petals o'er the gorgeous bed;
The wrinkled bark, in filmy mazes roll'd,
Form the green Calyx, sold including sold;
Each widening Bracte expand its foliage hard,
And hem the bright pavillion, Floral Guard.
—So the cold rill from CINTRA's 190 steepy sides,
Headlong, abrupt, in barren channels glides;
Round the rent cliffs the bark-bound Suber spreads,
And lazy monks recline on corky beds;
Till, led by art, the wondering water move
Through vine-hung avenues, and citron groves;
Green slopes the velvet round its silver source,
And flowers, and fruits, and foliage mark its course.
At breezy eve, along the irriguous plain
The fair Beckfordia leads her virgin train;
Seeks the cool grot, the shadowy rocks among,
And tunes the mountain-echoes to her song;
Or prints with graceful steps the margin green,
And brighter glories gild the enchanted scene.
[Page 121]
2 " Where cruder juices swell the leafy vein,
Stint the young germ, the tender blossom stain;
On each lopp'd shoot a softer scion bind,
Pith press'd to pith, and rind applied to rind;
So shall the trunk with loftier crest ascend,
And wide in air its happier arms extend;
Nurse the new buds, 191 admire the leaves unknown,
And blushing bend with fruitage not its own.
" Thus when in holy triumph Aaron trod,
And offer'd on the shrine his mystic rod;
First a new bark its silken tissue weaves,
New buds emerging widen into leaves;
Fair fruits protrude, enascent flowers expand,
And blush and tremble round the living wand.
XIII. 1. " Sylphs! on each Oak-bud wound the wormy galls
With pigmy spears, or crush the venom'd balls;
Fright the green Locust from his foamy bed,
Unweave the Caterpillar's gluey thread;
Chase the fierce Earwig, scare the bloated Toad,
Arrest the Snail upon his slimy road;
Arm with sharp thorns the Sweet-briar's tender wood,
And dash the Cynips from her damask bud;
[Page 122] Steep in ambrosial dews the Woodbine's bells,
And drive the Night-moth from her honey'd cells.
So where the Humming-bird in Chili's bowers
On murmuring pinions robs the pendent flowers;
Seeks, where fine pores their dulcet balm distil, 192
And sucks the treasure with proboscis-bill;
Fair CYPREPEDIA, 193 with successful guile,
Knits her smooth brow, extinguishes her smile;
A Spider's bloated paunch and jointed arms
Hide her fine form, and mask her blushing charms;
In ambush sly the mimic warrior lies
And on quick wing the panting plunderer flies.
2 " Shield the young Harvest 194 from devouring blight,
The Smut's dark poison, and the Mildew white;

[Page]

Cypripedium
[Page 123] Deep-rooted Mould, and Ergot's horn 195 uncouth,
And break the Canker's desolating tooth.
First in one point the festering wound confined
Mines unperceived beneath the shrivel'd rind;
Then climbs the branches with increasing strength,
Spreads as they spread, and lengthens with their length.
—Thus the slight wound, ingraved on glass unneal'd, 196
Runs in white lines along the lucid field;
Crack follows crack, to laws elastic just,
And the frail fabric shivers into dust.
[Page 124]
XIV. 1. " Sylphs! if with morn destructive Eurus springs,
O, clasp the Harebel with your velvet wings;
Screen with thick leaves the Jasmine as it blows,
And shake the white rime from the shuddering Rose;
Whilst Amarylli [...] turns with graceful ease
Her blushing beauties, and eludes the breeze.—
Sylphs! if at noon the Fritillary droops,
With drops nectareous hang her nodding cups;
Thin clouds of gossamer in air display,
And hide the vale's chaste Lily from the ray;
Whilst Erythrina o'er her tender flower
Bends all her leaves, and braves the sultry hour;—
Shield, when cold Hesper sheds his dewy light,
Mimosa's soft sensations from the night;
Fold her thin foliage, close her timid flowers,
And with ambrosial slumbers 197 guard her bowers;
O'er each warm wall while Cerea flings her arms,
And wastes on night's dull eye a blaze of charms.
2 " Round her tall Elm with dewy fingers twine
The gadding tendrils of the adventurous Vine;
From arm to arm in gay festoons suspend
Her fragrant flowers, her graceful foliage bend;
Swell with sweet juice her vermil orbs, and feed
Shrined in transparent pulp her pearly seed;
Hang round the Orange all her silver bells,
And guard her fragrance with Hesperian spells;

[Page]

Erythrina Corallodendron
Tanner sc
[Page 125] Bud after bud her polish'd leaves unsold,
And load her branches with successive gold.
So the learn'd Alchemist exulting sees
Rise in his bright matrass DIANA's trees; 198
Drop after drop, with just delay he pours
The red-sumed acid on Potosi's ores;
With sudden flash the fierce bullitions rise,
And wide in air the gas phlogistic flies;
Slow shoot, at length, in many a brilliant mass
Metallic roots across the netted glass;
Branch after branch extend their silver stems,
Bud into gold, and blossom into gems.
" So sits enthron'd in vegetable pride
Imperial KEW by Thames's glittering side;
Obedient sails from realms unfurrow'd bring
For her the unnam'd progeny of spring;
[Page 126] Attendant Nymphs her dulcet mandates hear,
And nurse in fostering arms the tender year,
Plant the young bulb, inhume the living seed,
Prop the weak stem, the erring tendril lead;
Or fan in glass-built fanes the stranger flowers
With milder gales, and steep with warmer showers.
Delighted Thames through tropic umbrage glides,
And flowers antarctic, bending o'er his tides;
Drinks the new tints, the sweets unknown inhales,
And calls the sons of science to his vales.
In one bright point admiring Nature eyes
The fruits and foliage of discordant skies,
Twines the gay floret with the fragrant bough,
And bends the wreath round GEORGE"s royal brow.
—Sometimes retiring from the public weal,
One tranquil hour the Royal Partners steal;
Through glades exotic pass with step sublime
Or mark the growths of Britain's happier clime;
With beauty blossom'd, and with virtue blaz'd,
Mark the fair Scions, that themselves have rais'd;
Sweet blooms the Rose, the towering Oak expands,
The Grace and Guard of Britain's golden lands.
XV " Sylphs! who, round earth on purple pinions borne,
Attend the radiant chariot of the morn;
Lead the gay hours along the ethereal hight,
And on each dun meridian shower the light;
Sylphs! who from realms of equatorial day
To climes, that shudder in the polar ray,
From zone to zone pursue on shifting wing,
The bright perennial journey of the spring;
Bring my rich Balms from Mecca's hallow'd glades,
Sweet flowers, that glitter in Arabia's shades;
Fruits, whose fair forms in bright succession glow,
Gilding the banks of Arno, or of Po;
Each leaf, whose fragrant steam with ruby lip
Gay China's nymphs from pictur'd vases sip;
[Page 127] Each spicy rind, which sultry India boasts,
Scenting the night-air round her breezy coasts;
Roots, whose bold stems in bleak Siberia blow,
And gem with many a tint the eternal snow;
Barks, whose broad umbrage high in ether waves
O'er Andes' steeps, and hides his golden caves;
—And, where yon oak extends his dusky shoots
Wide o'er the rill, that bubbles from his roots;
Beneath whose arms, protected from the storm,
A turf-built altar rears its rustic form;
Sylphs! with religious hands fresh garlands twine,
And deck with lavish pomp HYGEIA's shrine.
" Call with loud voice the Sisterhood, that dwell
On floating cloud, wide wave, or bubbling well;
Stamp with charm'd foot, convoke the alarmed Gnomes
From golden beds, and adamantine domes;
Each from her sphere with beckoning arm invite,
Curl'd with red flame, the Vestal Forms of light;
Close all your spotied wings, in lucid ranks
Press with your bending knees the crouded banks,
Cross your meek arms, incline your wreathed brows,
And win the Goddess with unwearied vows.
" Oh, wave, HYGEIA! o'er BRITANNIA's throne,
Thy serpent-wand, and mark it for thy own;
Lead round her breezy coasts thy guardian trains,
Her nodding forests, and her waving plains;
Shed o'er her peopled realms thy beamy smile,
And with thy airy temple crown her isle!
The Goddess ceased,—and, calling from afar
The wandering Zephyrs, joins them to her car;
Mouths with light bound, and, graceful, as she bends,
Whirls the long lash, the flexile rein extends;
On whispering wheels the silver axle slides,
Climbs into air, and cleaves the crystal tides;
[Page 128] Burst from its pearly chains, her amber hair
Streams o'er her ivory shoulders, buoy'd in air;
Swells her white veil, with ruby clasp confined
Round her fair brow, and undulates behind;
The lessening coursers rise in spiral rings,
Pierce the slow-sailing clouds, and stretch their shadowy wings.
[Page]

THE BOTANIC GARDEN CONTENTS OF THE NOTES.

CANTO I.
  • ROSICRUCIAN machinery 73
  • All bodies are immersed in the matter of heat. Particles of bo­dies do not touch each other 97
  • Gradual progress of the formation of the earth, and of Plants and animals, Monstrous births 101
  • Fixed stars approach towards each other, they were projected from chaos by explosion, and the pla­nets projected from them 105
  • An atmosphere of inflammable air above the common atmosphere principally about the poles 123
  • Twilight fifty miles high. Wants further observations 126
  • Immediate cause of volcanos from steam and other vapours. They prevent greater earthquakes 152
  • Conductors of heat. Cold on the tops of mountains 176
  • Phosphorescent light in the even­ing from all bodies 177
  • Phosphoric light from calcined shells. Bolognian stone. Expe­riments of Beccari and Wilson 182
  • lgnis satuus doubtful 189
  • Electric Eel. Its electric organs. Compared to the electric Ley­den phial 202
  • Discovery of fire. Tools of steel. Forests subdued. Quantity of food increased by cookery 212
  • Medusa originally an hierogly­phic of divine wisdom 218
  • Cause of explosions from com­bined hear. Heat given out from air in respiration. Oxy­gene loses less heat when con­verted into nitrous acid than in any other of its combinations 226
  • Sparks from the collision of flints are electric. From the collision of flint and steel are from the combustion of the steel 229
  • Gun-powder described by Bacon. Its power. Should be lighted in the centre. A new kind of it. Levels the weak and strong 242
  • Steam-engine invented by Save­ry. Improved by Newcomen. Perfected by Watt and Boulton 254
  • Divine benevolence. The parts of nature not of equal excellence 278
  • Mr. Boulton's steam-engine for the purpose of coining, would save many lives from the exe­cutioner 281
  • Labours of Hercules of great an­tiquity. Pillars of Hercules Surface of the Mediterranean lower than the Atlantic Aby­la and Calpe. Flood of Deu­calion 297
  • Accumulation of electricity not from friction 335
  • Mr. Bennet's sensible electrometer 345
  • Halo of saints is pictorial language 358
  • We have a sense adapted to per­ceive heat but not electricity 365
  • Paralytic limbs move by electric influence 367
  • Death of Prosessor Richman by electricity 373
  • [Page 130] Lightning drawn from the clouds. How to be safe in thunder­storms 383
  • Animal heat from air and respira­tion. Perpetual necessity of respiration. Spirit of anima­tion perpetually renewed 401
  • Cupid rises from the egg of night. Mrs. Cosway's painting of this subject 413
  • Western winds. Their origin. Warmer than south winds. Produce a thaw. 430
  • Water expands in freezing. De­stroys succulent plants, not re­sinous ones. Trees in valleys more liable to injury. Fig-trees bent to the ground in winter 439
  • Buds and bulbs are the winter cradle of the plant. Defended from frost and from insects. Tulip produces one flower-bulb and several leaf-bulbs, and pe­rishes 460
  • Matter of heat if different from light. Vegetables blanched by exclusion of light. Turn the upper surface of their leaves to the light. Water decomposed as it escapes from their pores. Hence vegetables purify air in the day time only 462
  • Electricity forwards the growth of plants. Silk-worms electriz­ed spin sooner. Water decom­posed in vegetables, and by electricity 463
  • Sympathetic inks which appear by heat, and disappear in the cold. Made from cobalt 487
  • Star in Cassiope's chair 515
  • Ice-islands 100 fathoms deep. Sea-ice more difficult of solu­tion. Ice evaporates, produc­ing great cold. Ice-islands in­crease. Should be navigated into southern climates. Some ice-island have floated south­wards 60 miles long. Steam attending them in warm climates 529
  • Monsoon cools the sand of Abyssinia 547
  • Ascending vapours are electrized plus, as appears from an expe­riment of Mr. Bennet. Elec­tricity supports vapour in clouds. Thunder-showers from combi­nation of inflammable and vi­tal air 553
CANTO II.
  • Solar volcanos analogous to ter­restrial and lunar ones. Spots of the sun are excavations 14
  • Spherical form of the earth. O­cean from condensed vapour. Character of Mr. Whitehurst 17
  • Granite the oldest part of the earth. Then limestone. And lastly, clay, iron, coal, sand­stone. Three great concentric divisions of the globe. 35
  • Formation of primeval islands be­fore the production of the moon. Paradise. The Golden Age. Rain-bow. Water of the sea ori­ginally fresh 36
  • Venus rising from the sea, an hie­roglyphic emblem of the pro­duction of the earth beneath the ocean 47
  • First great volcanos in the central parts of the earth. From steam, inflammable gas, and vital air. Present volcanos like mole-hills 68
  • Moon has little or no atmosphere. Its ocean is frozen. Is not yet inhabited, but may be in time 82
  • Earth's axis changed by the ascent of the moon. Its diurnal motion retarded. One great tide 84
  • Limestone produced from shells. Spars with double refractions. Marble. Chalk. 93
  • Ancient statues of Hercules. An­tinous. Apollo. Venus. De­signs of Roubiliac. Monument of General Wade 101
  • Statues of Mrs. Damer 113
  • Morasses rest on limestone. Of immense extent 116
  • [Page 131] Salts from animal and vegetable bodies decompose each other, except marine salt. Salt-mines in Poland. Timber does not de­cay in them. Rock-salt produc­ed by evaporation from sea-wa­ter. Fossil shells in salt-mines. Salt in hollow pyramids. In cubes. Sea-water contains a­bout one thirtieth of salt 119
  • Nitre, native in Bengal and Italy. Nitrous gas combined with vi­tal air produces red clouds, and the two airs occupy less space than one of them before, and give out heat. Oxygene and azote produce nitrous acid. 143
  • Iron from decomposed vegetables. Chalybeat springs. Fern-leaves in nodules of iron. Concentric spheres of iron nodules owing to polarity, like iron-filings ar­ranged by a magnet. Great strata of the earth owing to their polarity 183
  • Hardness of steel for tools. Gave superiority to the European na­tions. Welding of steel. Its magnetism. Uses of gold 192
  • Artificial magnets improved by Savery and Dr. Knight, per­fected by Mr. Michel. How produced. Polarity owing to the earth's rotatory motion. The electric fluid, and the mat­ter of heat, and magnetism, gravitate on each other. Mag­netism being the lightest, is sound nearest the axis of the motion. Electricity produces northern lights by its centrifu­gal motion 193
  • Acids from vegetable recrements. Flint has its acid from the new world. Its base in part from the old world, and in part from the new. Precious stones 215
  • Diamond. Its great refraction of light. Its volatility by heat. If an inflammable body 228
  • Fires of the new world from fer­mentation. Whence sulphur and bitumen by sublimation▪ the clay, coal, and flint, remaining 275
  • Colours not distinguishable in the enamel-kiln, till a bit of dry wood is introduced 283
  • Etrurian pottery prior to the foundation of Rome. Excelled in fine forms, and in a non-vi­treous encaustic painting, which was lost till restored by Mr. Wedgwood. Still influences the taste of the inhabitants 291
  • Mr. Wedgwood's cameo of a slave in chains, and of Hope 315
  • Basso-relievos of two or more co­lours not made by the ancients. Invented by Mr. Wedgwood 342
  • Petroleum and naptha have been sublimed. Whence jet and am­ber. They absorb air. Attract straws when rubbed. Electri­city from electron, the Greek name for amber 353
  • Clefts in granite rocks in which metals are found. Iron and manganese found in all ve­getables. Manganese in lime­stone. Warm springs from steam rising up the clefts of granite and limestone. Ponderous earth in limestone clefts and in gra­nite. Copper, lead, iron, from descending materials. High mountains of granite contain no ores near their summits. Transmutation of metals. Of lead into calamy. Into silver. 398
  • Armies of Cambyses destroyed by famine, and by sand-storms 435
  • Whirling turrets of sand describ­ed and explained 478
  • Granite shews iron as it decom­poses. Marble decomposes. Immense quantity of charcoal exists in limestone. Volcanic slags decompose, & become clay 523
  • Mill-stones raised by wooden pegs 524
  • Hannibal made a passage by fire over the Alps 534
  • Passed tense of many words two­fold, as driven or drove, spoken or spoke. A poetic licence. 609
CANTO III.
  • [Page 132]Clouds consist of aqueous spheres, which do not easily unite like globules of quick-silver, as may be seen in riding through water. Owing to electricity. Snow. Hailstones rounded by attrition and dissolution of their angles. Not from fro­zen drops of water 15
  • Dew on points and edges of grass, or hangs over cabbage-leaves, needle floats on water 18
  • Mists over rivers and on moun­tains. Halo round the moon. Shadow of a church-steeple upon a mist. Dry mist, or want of transparency of the air, a sign of fair weather 20
  • Tides on both sides of the earth. Moon's tides should be much greater than the earth's tides. The ocean of the moon is frozen 61
  • Spiral form of shells saves calca­reous matter. Serves them as an organ of hearing. Cal­careous matter produced from inflamed membranes. Colours of shells, Labradore-stone from mother-pearl. Fossil shells not now found recent 6 [...]
  • Sea-insects like flowers. Actinia 8 [...]
  • Production of pearls, not a disease of the fish. Crab's eyes. Re­servoirs of pearly matter. 8 [...]
  • Rocks of coral in the south-sea. Coralloid limestone at Linsel, and Coalbrook Dale 90
  • Rocks thrown from mountains, ice from glaciers, and portions of earth, or morasses, remov­ed by columns of water. Earth­motion in Shropshire. Water of wells rising above the level of the ground. St. All [...]mond's well near Derby might be rais­ed many yards, so as to serve the town. Well at Sheerness, and at Hartford in Connecticut 116
  • Monsoons attended with rain. Overflowing of the Nile. Ver­tex of ascending air Rising of the Dogstar announces the floods of the Nile. Anu [...]is hung out upon their temples 129
  • Situation exempt from rain. At the line in Lower Egypt. On the coast of Peru 138
  • Giesar, a boiling fountain in Ice­land. Water with great de­grees of heat dissolves siliceous matter. Earthquake from steam 150
  • Warm springs not from decom­posed pyrites. From steam rising up fissures from great depths 166
  • Buxton bath possesses 82 degrees of heat. Is improperly called a warm bath. A chill at im­mersion, and then a sensation of warmth, like the eye in an obscure room owing to increase­ed sensibility of the skin 184
  • Water compounded of pure air and inflammable air with as much matter of heat as preserves it fluid. Perpetually decompos­ed by vegetables in the sun's light, and recomposed in the atmosphere 204
  • Mythological interpretation of Jupiter and Juno designed as an emblem of the composition of water from two airs 260
  • Death of Mrs. French 308
  • Tomb of Mr. Brindley 341
  • Invention of the pump. The piston lifts the atmosphere a­bove it. The surrounding at­mosphere presses up the water into the vacuum. Manner in which a child sucks 366
  • Air-cell in engines for extinguish­ing fire. Water dispersed by the explosion of gun-powder. Houses preserved from fire by earth on the floors, by a second cieling of iron-plates or coarse mortar. Wood impregnated with alabaster or flint 406
  • Muscular actions and sensations of plants 460
  • River Ach [...]lous. Horn of Plenty 495
  • Hooding lands defends them from vernal frosts. Some springs deposit calcareous earth. Some contain azotic gas, which contributes to produce nitre. Snow water less serviceable 540
CANTO IV.
  • [Page 133]Cacalia produces much honey, that a part may be taken by insects without injury 2 [...]
  • Analysis of common air. Source of azote. Of oxygene. Water decomposed by vegetable pores and the sun's light. Blood gives out phlogiston and re­ceives vital air. Acquires heat and the vivifying principle 34
  • Cupid and Psyche 48
  • Simoom, a pestilential wind. De­scribed. Owing to volcanic electricity. Not a whirlwind 65
  • Contagion either animal or ve­getable 82
  • Thyrsis escapes the Plague 91
  • Barometer and air-pumps. Dew on exhausting the receiver, though the hygrometer points to dryness. Rare air will dis­solve, or acquire more heat, and more moisture, and more electricity 128
  • Sound propagated best by dense bodies, as wood, and water, and earth. Fish in spiral shells all ear 176
  • Discoveries of Dr. Priestley. Green vegetable matter. Pure air contained in the calc [...]s of metals, as minium, manganese, calamy, ochre 178
  • Fable of Proserpine, an ancient chemical emblem 190
  • Diving balloons supplied with pure air from minium. Account of one by Mr. Boyle 20 [...]
  • Mr. Day. Mr. Spalding 229
  • Capt. Pierce and his daughters 231
  • Pestilential winds of volcanic ori­gin. Jordan slows through a country of volcanos 306
  • Change of wind owing to small causes. If the wind could be governed, the products of the earth would be doubled, and its number of inhabitants in­creased 320
  • Mr. Kirwan's treatise on tem­perature of climates 354
  • Seeds of plants. Spawn of fish. Nutriment lodged in seeds. Their preservation in their seed­vessels 367
  • Fixed stars approach each other 381
  • Fable of the Phoenix 389
  • Plants visible within bulbs, and buds, and seeds 395
  • Great egg of night 418
  • Seeds shoot into the ground. Pith. Seed-lobes. Starch con­verted into sugar. Like ani­mal chyle 423
  • Light occasions the actions of ve­getable muscles. Keeps them awake 434
  • Vegetable love in Parnassia, Ni­gella. Vegetable adultery in Collinsonia 472
  • Strong vegetable shoots and roots bound with wire, in part de­barked, whence leas-buds con­verted into flower-buds. The­ory of this curious fact 479
  • Branches bent to the horizon bear more fruit 482
  • Ingrafting of a spotted passion­flower produced spots upon the stock. Apple soft on one side and hard on the other 513
  • Cyprepedium assumes the form of a large spider to affright the humming-bird. Fly-ophris. Willow-wren sucks the honey of the crown-imperial 535
  • Diseases of plants four kinds. Ho­ney-dew 541
  • [...]rgot, a disease of rye 543
  • Glass unannealed. Its cracks ow­ing to elasticity. One kind of lead-ore cracks into pieces. Prince Rupert's drops. Elastic balls 549
  • Sleep of plants. Their irritability, sensibility, and voluntary mo­tions 568
[Page]

THE BOTANIC GARDEN. ADDITIONAL NOTES.

NOTE I.—METEORS.

Ethereal Powers! you chase the shooting stars,
Or yoke the vollied lightnings to your cars.
CANTO I. l. 115.

THERE seem to be three concentric strata of our incumbent atmosphere; in which, or between them, are produced four kinds of meteors; lightning, shooting stars, fire-balls, and northern lights. First, the lower region of air, or that which is dense enough to resist, by the adhesion of its particles, the descent of condensed vapour, or clouds, which may extend from one to three or four miles high. In this region the common lightning is produced from the accumulation or defect of electric matter in those floating fields of vapour, either in respect to each other, or in respect to the earth beneath them, or the dissolved vapour above them, which is constantly varying both with the change of the form of the clouds, which thus evolve a greater or less surface; and also with their ever-changing degree of condensation. As the lightning is thus produced in dense air, it proceeds but a short course, on account of the greater resistance which it encounters, is attended with a loud explosion, and appears with a red light.

2. The second region of the atmosphere I suppose to be that which has too little tenacity to support condensed vapour, or clouds; but which yet contains invisible vapour, or water in aerial solution. This aerial solution of water differs from that dissolved in the matter of heat, as it is supported by its adhesion to the particles of air, and is not precipitated by cold. In this stratum it seems probable that the meteors called shooting stars are pro­duced; and that they consist of electric sparks, or lightning, passing from one region to another of these invisible fields of aero-aqueous solution. The height of these shooting stars has not yet been ascertained by sufficient ob­servation. Dr. Blagden thinks their situation is lower down in the atmos­phere than that of fire-balls, which he conjectures from their swift apparent motion, and ascribes their smallness to the more minute division of the elec­tric matter of which they are supposed to consist, owing to the greater re­sistance of the denser medium through which they pass, than that in which the fire-balls exist. Mr. Brydone observed that the shooting stars appeared [Page 136] to him to be as high in the atmosphere, when he was near the summit of Mount Etna, as they do when observed from the plain. Phil. Trans. vol. LXIII.

As the stratum of air in which shooting stars are supposed to exist, is much rarer than that in which lightning resides, and yet much denser than that in which fire-balls are produced, they will be attracted at a greater distance than the former, and at a less than the latter. From this rarity of the air, so small a sound will be produced by their explosion, as not to reach the lower parts of the atmosphere; their quantity of light, from their greater distance, being small, is never seen through dense air at all, and thence does not appear red, like lightning or fire-balls. There are no apparent clouds to emit or to attract them, because the constituent parts of these aero-aque­ous regions may possess an abundance or deficiency of electric matter, and yet be in perfect reciprocal solution. And, lastly, their apparent train of light is probably owing only to a continuance of their impression on the eye; as when a fire stick is whirled in the dark it gives the appearance of a complete circle of fire: for these white trains of shooting stars quickly va­nish, and do not seem to set any thing on fire in their passage, as seems to happen in the transit of fire-balls.

3. The second region or stratum of air terminates, I suppose, where the twilight ceases to be refracted, that is, where the air is 3000 times rarer than at the surface of the earth and where it seems probable that the com­mon air ends, and is surrounded by an atmosphere of inflammable gas ten­fold rarer than itself. In this region I believe fire-balls sometimes to pass, and at other times the northern lights to exist. One of these fire-balls, or draco volans, was observed by Dr. Pringle, and many others, on Nov. 26, 1758, which was afterwards estimated to have been a mile and a half in circum­ference, to have been about one hundred miles high, and to have moved towards the north with a velocity of near thirty miles in a second of time. This meteor had a real tail many miles long, which threw off sparks in its course, and the whole exploded, with a sound like distant thunder. Phil. Trans. vol. LI.

Dr. Blagden has related the history of another large meteor, or fire-ball, which was seen the 18th August, 1783, with many ingenious observa­tions and conjectures. This was estimated to be between 60 and 70 miles high, and to travel 1000 miles at the rate of about twenty miles in a second. This fire-ball had likewise a real train of light lest behind it in its passage, which varied in colour, and, in some part of its course, gave off sparks or explosions where it had been brightest; and a dusky red streak remained visible perhaps a minute. Phil. Trans. vol. LXXIV.

These fire-balls differ from lightning, and from shooting stars, in many re­markable circumstances; as their very great bulk, being a mile and a half in diameter; their travelling 1000 miles nearly horizontally; their throwing off sparks in their passage; and changing colours from bright blue to dusky red; and leaving a train of fire behind them, continuing about a minute. They differ from the northern lights in not being dissused, but passing from one point of the heavens to another in a defined line; and this in a region [Page 137] above the crepuscular atmosphere, where the air is 3000 times rarer than at the surface of the earth. There has not yet been even a conjecture which can account for these appearances!—One I shall therefore hazard; which, if it does not inform, may amuse the reader.

In the note on l. 123, it was shewn that there is probably a supernatant stratum of inflammable gas or hydrogene, over the common atmosphere; and whose density at the surface where they meet, must be at least ten times less than that upon which it swims; like chemical ether floating upon water, and perhaps without any real contact. 1. In this region, where the aerial atmosphere terminates, and the inflammable one begins, the quantity of tenacity or resistance must be almost inconceivable; in which a ball of elec­tricity might pass 1000 miles with greater ease than through a thousandth part of an inch of glass. 2. Such a ball of electricity passing between in­flammable and common air, would set fire to them in a line as it passed along; which would differ in colour according to the greater proportionate commixture of the two airs; and from the same cause there might occur greater degrees of inflammation, or branches of fire, in some parts of its course.

As these fire-balls travel in a defined line, it is pretty evident from the known laws of electricity, that they must be attracted; and as they are a mile or more in diameter, they must be emitted from a large surface of electric matter; because large nobs give larger sparks, less diffused, and more brightly luminous, than less ones or points, and resist more forcibly the emission of the electric matter. What is there in nature can attract them at so great a distance as 1000 miles, and so forceibly as to detach an electric spark of a mile diameter? Can volcanos, at the time of their eruptions, have this effect, as they are generally attended with lightning? Future observa­tions must discover these secret operations of nature! As a stream of com­mon air is carried along with the passage of electric aura from one body to another, it is easy to conceive, that the common air and the inflamma­ble air between which the fire-ball is supposed to pass, will be partially in­termixed by being thus agitated, and so far as it becomes intermixed it will take fire, and produce the linear flame and branching sparks above described. In this circumstance of their being attracted, and thence passing in a defined line, the fire-balls seem to differ from the coruscations of the aurora borealis, or northern lights, which probably take place in the same region of the at­mosphere; where the common air exists in extreme tenuity, and is covered by a still rarer sphere of inflammable gas, ten times lighter than itself.

As the electric streams, which constitute these northern lights, seem to be repelled or radiated from an accumulation of that fluid in the north, and not attracted like the fire-balls; this accounts for the diffusion of their light, as well as the silence of their passage; while their variety of colours, and the permanency of them, and even the breadth of them in different places, may depend on their sitting on fire the mixture of inflammable and common air through which they pass; as seems to happen in the transit of the fire-balls.

It was observed by Dr. Priestley, that the electric shock taken through in­flammable air was red, in common air it is blueish; to these circumstances [Page 138] perhaps some of the colours of the northern lights may bear analogy; though the density of the medium through which light is seen must principally vary its colour, as is well explained by Mr. Morgan. Phil. Trans. Vol. LXXV. Hence lightning is red when seen through a dark cloud, or near the horizon; because the more refrangible rays cannot permeate so dense a medium. But the shooting stars consist of white light, as they are generally seen on clear nights, and nearly [...]; in other situations their light is probably too faint to come to us. But as in some remarkable appearances of the northern lights, as in March, 1716, all the prismatic colours were seen quickly to suc­ceed each other, these appear to have been owing to real combustion; as the density of the interposed medium could not be supposed to change so fre­quently; and therefore these colours must have been owing to different de­grees of heat, according to Mr. Morgan's theory of combustion. In Smith's Optics, p. 69. the prismatic colours, and optical deceptions of the northern lights, are described by Mr. Cotes.

The Torricellian vacuum, if perfectly free from air, is said, by Mr. Mor­gan and others, to be a perfect non-conductor. This circumstance there­fore would preclude the electric streams from rising above the atmosphere. But as Mr. Morgan did not try to pass an electric shock through a vacuum, and as air, or something containing air, surrounding the transit of electricity, may be necessary to the production of light, the conclusion may perhaps still be dubious. If, however, the streams of the northern lights were supposed to rise above our atmosphere, they would only be visible at each extremity of their course; where they emerge from, or are again immerged into the at­mosphere; but not in their journey through the vacuum; for the absence of electric light in a vacuum is sufficiently proved by the common experiment of shaking a barometer in the dark; the electricity, produced by the friction of the mercury in the glass at its top, is luminous if the barometer has a little air in it; but there is no light if the vacuum be complete.

The aurora borealis, or northern dawn, is very ingeniously accounted for by Dr. Franklin, on principles of electricity. He premises the following elec­tric phenomena: 1. That all new-fallen snow has much positive electricity standing on its surface. 2. That about twelve degrees of latitude round the poles are covered with a crust of eternal ice, which is impervious to the elec­tric fluid. 3. That the dense part of the atmosphere rises but a few miles high; and that in the rarer parts of it the electric fluid will pass to almost any distance.

Hence he supposes there must be a great accumulation of positive electric matter on the fresh-fallen snow in the polar regions; which, not being able to pass through the crust of ice into the earth, must rise into the rare air of the upper parts of our atmosphere, which will the least resist its passage; and passing towards the equator, descend again into the denser atmosphere, and thence into the earth in silent streams. And that many of the appearances attending these lights are optical deceptions, owing to the situation of the eye that beholds them; which makes all ascending parallel lines appear to converge to a point.

The idea, above explained in note on l. 123, of the existence of a sphere of [Page 139] inflammable gas over the aerial atmosphere, would much favour this theory of Dr. Franklin; because in that case the dense aerial atmosphere would rise a much less height in the polar regions, diminishing almost to nothing at the pole itself; and thus give an easier passage to the ascent of the electric fluid. And from the great difference in the specific gravity of the two airs, and the velocity of the earth's rotation, there must be a place between the poles and the equator, where the superior atmosphere of inflammable gas would termi­nate; which would account for these streams of the aurora borealis not appear­ing near the equator; add to this, that it is probable the electric fluid may be heavier than the magnetic one; and will thence, by the rotation of the earth's surface, ascend over the magnetic one by its centrifugal force; and may thus be induced to rise through the thin stratum of aerial atmosphere over the poles. See note on Canto II. l. 193. I shall have occasion again to mention this great accumulation of inflammable air over the poles; and to conjecture that these northern lights may be produced by the union of inflammable with common air, without the assistance of the electric spark to throw them into combustion.

The antiquity of the appearance of northern lights has been doubted; as none were recorded in our annals since the remarkable one on Nov. 14, 1574. till another remarkable one on March 6, 1716, and the three following nights, which was seen at the same time in Ireland, Russia, and Poland, extending near 30 degrees of longitude, and from about the 50th degree of latitude over almost all the north of Europe. There is, however, reason to believe them of remote antiquity, though inaccurately described; thus the fol­lowing curious passage from the book of Maccabees (B. II. c. v.) is such a description of them, as might probably be given by an ignorant and alarmed people. "Through all the city, for the space of almost forty days, there were seen horsemen running in the air, in cloth of gold, and armed with lances, like a band of soldiers; and troops of horsemen in array encountering and running one against another, with shaking of shields and multitude of pikes, and drawing of swords, and casting of darts, and glittering of golden ornaments and harness."

NOTE II.—PRIMARY COLOURS.

Cling round the aërial bow with prisms bright,
And pleased untwist the sevenfold threads of light.
CANTO I. l. 117.

THE manner in which the rainbow is produced, was, in some measure, understood before Sir Isaac Newton had discovered his theory of colours. The first person who expressly shewed the rainbow to be formed by the reflection of the sun-beams from drops of falling rain, was Antonio de Do­minis. This was afterwards more fully and distinctly explained by Des Cartes. But what caused the diversity of its colours was not then under­stood; it was reserved for the immortal Newton to discover that the rays of light consisted of seven combined colours of different refrangibility, which [Page 140] could be separated at pleasure by a wedge of glass. Pemberton's View of Newton.

Sir Isaac Newton discovered that the prismatic spectrum was composed of seven colours, in the following proportions; violet 80, indigo 40, blue 60, green 60, yellow 48, orange 27, red 45. If all these colours be painted on a circular card, in the proportion above mentioned, and the card be rapidly whirled on its centre, they produce in the eye the sensation of white. And any one of these colours may be imitated by painting a card with the two colours which are contiguous to it, in the same proportions as in the spec­trum, and whirling them in the same manner.

My ingenious friend, Mr. Galton, of Birmingham, ascertained, in this manner, by a set of experiments, the following propositions; the truth of which he had preconceived from the above data.

1. Any colour [...] the prismatic spectrum may be imitated by a mixture of the two colours contiguous to it.

2. If any three successive colours in the prismatic spectrum are mixed, they compose only the second or middlemost colour.

3. If any four successive colours in the prismatic spectrum be mixed, a tint similar to a mixture of the second and third colours will be produced, but not precisely the same, because they are not in the same proportion.

4. If, beginning with any colour in the circular spectrum, you take of the second colour a quantity equal to the first, second, and third; and add to that the fifth colour, equal in quantity to the fourth, fifth, and sixth; and with these combine the seventh colour in the proportion it exists in the spectrum, white will be produced. Because the first, second, and third, compose only the second; and the fourth, fifth, and sixth, compose only the fifth; there­fore, if the seventh be added, the same effect is produced as if all the seven were employed.

5. Beginning with any colour in the circular spectrum, if you take a tint composed of a certain proportion of the second and third, (equal in quantity to the first, second, third, and fourth,) and add to this the sixth colour, equal in quantity to the fifth, sixth, and seventh, white will be produced.

From these curious experiments of Mr. Galton, many phenomena in the chemical changes of colours may probably become better understood; espe­cially if, as I suppose, the same theory must apply to transmitted colours, as to reflected ones. Thus it is well known, that if the glass of manganese, which is a tint probably composed of violet and indigo, be mixed in a cer­tain proportion with the glass of lead, which is yellow, that the mixture be­comes transparent. Now, from Mr. Galton's experiments, it appears, that in reflected colours such a mixture would produce white, that is, the same as if all the colours were reflected. And, therefore, in transmitted colours the same circumstances must produce transparency, that is, the same as if all the colours were transmitted. For the particles which constitute the glass of manganese will transmit red, violet, indigo, and blue; and those of the glass of lead will transmit orange, yellow, and green; hence all the pri­mary colours, by a mixture of these glasses, become transmitted, that is, the glass becomes transparent.

[Page 141] Mr. Galton has further observed, that five successive prismatic colours may be combined in such proportions as to produce but one colour, a cir­cumstance which might be of consequence in the art of painting. For if you begin at any part of the circular spectrum above described, and take the first, second, and third colours, in the proportions in which they exist in the spectrum; these will compose only the second colour, equal in quantity to the first, second, and third; add to these the third, fourth and fifth, in the proportion they exist in the spectrum, and these will produce the fourth colour, equal in quantity to the third, fourth, and fifth. Conse­quently this is precisely the same thing as mixing the second and fourth co­lours only; which mixture would only produce the third colour. There­fore, if you combine the first, second, fourth and fifth, in the proportions in which they exist in the spectrum, with double the quantity of the third colour, this third colour will be produced. It is probable that many of the unexpected changes in mixing colours on a painter's pallet, as well as in more fluid chemical mixtures, may depend on these principles rather than on a new arrangement or combination of their minute particles.

Mr. Galton further observes, that white may universally be produced by the combination of one prismatic colour, and a tint intermediate to two others. Which tint may be distinguished by a name compounded of the two colours to which it is intermediate. Thus white is produced by a mix­ture of red with blue-green. Of orange with indigo-blue. Of yellow with violet-indigo. Of green with red-violet. Of blue with orange-red. Of indigo with yellow-orange. Of violet with green-yellow. Which, he fur­ther remarks, exactly coincides with the theory and facts mentioned by Dr. Robert Darwin, of Shrewsbury, in his account of ocular spectra; who has shewn, that when one of these contrasted colours has been long viewed, a spectrum, or appearance of the other, becomes visible in the fatigued eye. Phil. Trans. vol. LXXVI. for the year 1786.

These experiments of Mr. Galton might much assist the copper-plate prin­ters of callicoes and papers in colours, as three colours, or more, might be produced by two copper-plates. Thus, suppose some yellow figures were put on by the first plate, and upon some parts of these yellow figures, and on other parts of the ground, blue was laid on by another copper-plate. The three colours of yellow, blue, and green, might be produced, as green leaves with yellow and blue flowers.

NOTE III.—COLOURED CLOUDS.

Eve's silken couch with gorgeous tints adorn,
And fire the arrowy throne of rising morn.
CANTO I. l. 119.

THE rays from the rising and setting sun are refracted by our spherical atmosphere; hence the most refrangible rays, as the violet, indigo, and blue, are reflected in greater quantities from the morning and evening skies; and [Page 142] the least refrangible ones, as red and orange, are last seen about the setting sun. Hence Mr. Beguelin observed, that the shadow of his finger on his pocket-book was much bluer in the morning and evening, when the shadow was about eight times as long as the body from which it was projected. Mr. Melville observes, that the blue rays being more refrangible, are bent down in the evenings by our atmosphere, while the red and orange, being less refrangible, continue to pass on, and tinge the morning and evening clouds with their colours. See Priestley's History of Light and Colours, p. 440. But as the particles of air, like those of water, are themselves blue, a blue shadow may be seen at all times of the day, though much more beautifully in the mornings and evenings, or by means of a candle in the middle of the day. For if a shadow on a piece of white paper is produced by placing your finger between the paper and a candle in the day light, the shadow will appear very blue; the yellow light of the candle upon the other parts of the paper apparently deepens the blue by its contrast, these colours being opposite to each other, as explained in note II.

Colours are produced from clouds or mists by refraction, as well as by reflection. In riding in the night over an unequal country, I observed a very beautiful coloured halo round the moon, whenever I was covered with a few feet of mist, as I ascended from the vallies, which ceased to appear when I rose above the mist. This I suppose was owing to the thinness of the stratum of mist in which I was immersed; had it been thicker, the co­lours refracted by the small drops, of which a fog consists, would not have passed through it down to my eye.

There is a bright spot seen on the cornea of the eye, when we face a win­dow, which is much attended to by portrait-painters; this is the light re­flected from the spherical surface of the polished cornea, and brought to a focus; if the observer is placed in this focus, he sees the image of the win­dow; if he is placed before or behind the focus, he only sees a luminous spot, which is more luminous, and of less extent, the nearer he approaches to the focus. The luminous appearance of the eyes of animals in the dusky corners of a room, or in holes in the earth, may arise, in some instances, from the same principle; viz. the reflection of the light from the spherical cornea, which will be coloured red or blue, in some degree, by the morn­ing, evening, or meridian light, or by the objects from which that light is previously reflected. In the cavern at Colebrook Dale, where the mineral far exsudes, the eyes of the horse which was drawing a cart from within towards the mouth of it, appeared like two balls of phosphorus, when he was above 100 yards off, and for a long time before any other part of the animal was visible. In this case I suspect the luminous appearance to have been owing to the light which had entered the eye, being reflected from the back surface of the vitreous humor, and thence emerging again in pa­rallel rays from the animal's eye, as it does from the back surface of the drops of the rainbow, and from the water-drops which lie, perhaps without contact, on cabbage-leaves, and have the brilliancy of quick-silver. This accounts for this luminous appearance being best seen in those animals which have large apertures in their iris, as in cats and horses, and is the only part [Page 143] visible in obscure places, because this is a better reflecting surface than any other part of the animal. If any of these emergent rays from the animal's eye can be supposed to have been reflected from the choroid coat, through the semi-transparent retina, this would account for the coloured glare of the eyes of dogs, or cats, and rabits, in dark corners.

NOTE IV.—COMETS.

Alarm with comet-blaze the sapphire plain,
The wan stars glimmering through its silver train.
CANTO I. l. 133.

THERE have been many theories invented to account for the tails of co­mets. Sir Isaac Newton thinks that they consist of rare vapours raised from the nucleus of the comet, and so rarefied by the sun's heat as to have their general gravitation diminished, and that they, in consequence, ascend oppo­site to the sun, and from thence reflect the rays of light. Dr. Halley com­pares the light of the tails of comets to the streams of the aurora borealis, and other electric effluvia. Phil. Trans. No. 347.

Dr. Hamilton observes, that the light of small stars is seen undiminished through both the light of the tails of comets, and of the aurora borealis, and has farther illustrated their electric analogy; and adds, that the tails of co­mets consist of a lucid self-shining substance, which has not the power of re­fracting or reflecting the rays of light. Essays.

The tail of the comet of 1744, at one time appeared to extend above 16 degrees from its body, and must have thence been above twenty-three mil­lions of miles long. And the comet of 1680, according to the calculations of Dr. Halley, on Nov. the 11th, was not above one semi-diameter of the earth, or less than 4000 miles to the northward of the way of the earth; at which time had the earth been in that part of its orbit, what might have been the consequence! No one would probably have survived to have re­gistered the tremendous effects.

The comet of 1531, 1607, and 1682, having returned in the year 1759, according to Dr. Halley's prediction in the Phil. Trans. for 1705, there seems no reason to doubt that all the other comets will return after their proper periods. Astronomers have in general acquiesced in the conjecture of Dr. Halley, that the comets of 1532, and 1661, are one and the same comet, from the similarity of the elements of their orbits, and were, there­fore, induced to expect its return to its perihelium in 1789. As this comet is liable to be disturbed, in its ascent from the sun, by the planets Jupiter and Saturn, Dr. Maskelyne expected its return to its perihelium in the be­ginning of the year 1789, or the latter end of the year 1788, and certainly some time before the 27th of April, 1789; which prediction has not been fulfilled. Phil. Trans. vol. LXXVI.

As the comets are small masses of matter, and pass in their perihelion very near the sun, and become invisible to us, on these accounts, in a short [Page 144] space of time, their number has not yet been ascertained, and will pro­bably increase with the improvement of our telescopes. M. Bode has gi­ven a table of 72 comets, whose orbits are already calculated; of these 60 pass within the earth's orbit, and only twelve without it; and most of them appear between the orbits of Venus and Mercury, or nearly midway between the sun and earth; from whence, and from the planes of their or­bits being inclined to that of the earth and other planets in all possible an­gles, they are believed to be less liable to interfere with, or injure each other. M. Bode afterwards inquires into the nearest approach it is possible for each of the known comets to make towards the earth's orbit. He finds that only three of them can come within a distance equal to two or three times the distance of the moon from it; and then adds the great improba­bility, that the earth should be in that dangerous point of its orbit, at the instant when a comet, which may have been absent some centuries, passes so rapidly past it. Histoire de I' Academ. Royal. Berlin. 1792.

NOTE V.—SUN's RAYS.

Or give the sun's phlogistic orb to roll.
CANTO I. l. 136.

THE dispute among philosophers about phlogiston is not concerning the existence of an inflammable principle, but rather whether there be one or more inflammable principles. The disciples of Stahl, which till lately in­cluded the whole chemical world, believed in the identity of phlogiston in all bodies which would flame or calcine. The disciples of Lavoisier pay homage to a plurality of phlogistons, under the various names of charcoal, sulphur, metals, &c. Whatever will unite with pure air, and thence compose an acid, is esteemed, in this ingenious theory, to be a different kind of phlogistic or inflammable body. At the same time there remains a doubt whether these inflammable bodies, as metals, sulphur, charcoal, &c. may not be compounded of the same phlogiston along with some other material yet undiscovered, and thus an unity of phlogiston exist, as in the theory of Stahl, though very dif­ferently applied in the explication of chemical phenomena.

Some modern philosophers are of opinion, that the sun is the great fountain from which the earth and other planets derive all the phlogiston which they possess; and that this is formed by the combination of the solar rays with all opake bodies, but particularly with the leaves of vegetables, which they sup­pose to be organs adapted to absorb them. And that as animals receive their nourishment from vegetables, they also obtain, in a secondary manner, their phlogiston from the sun. And lastly, as great masses of the mineral kingdom, which have been found in the thin crust of the earth which human labour has penetrated, have evidently been formed from the recrements of animal and vegetable bodies, these also are supposed thus to have derived their phlogiston from the sun.

Another opinion concerning the sun's rays is, that they are not luminous [Page 145] till they arrive at our atmosphere; and that there uniting with some part of the air, they produce combustion, and light is emitted; and that an ethereal acid, yet undiscovered, is formed from this combustion.

The more probable opinion is, perhaps, that the sun is a phlogistic mass of matter, whose surface is in a state of combustion, which, like other burning bodies, emits light, with immense velocity, in all directions; that these rays of light act upon all opake bodies, and, combining with them, either displace or produce their elementary heat, and become chemically combined with the phlogistic part of them; for light is given out when phlogistic bo­dies unite with the oxygenous principle of the air, as in combustion, or in the reduction of metallic calxes; thus in presenting to the flame of a candle a letter-wafer (if it be coloured with red-lead) at the time the red-lead be­comes a metallic drop, a flash of light is perceived. Dr. Alexander Wilson very ingeniously endeavours to prove, that the sun is only in a state of com­bustion on its surface, and that the dark spots seen on the disk are excava­tions or caverns through the luminous crust, some of which are 4000 miles in diameter. Phil. Trans. 1774. Of this I shall have occasion to speak again.

NOTE VI.—CENTRAL FIRES.

Round her still centre tread the burning soil,
And watch the billowy Lavas as they boil.
CANTO I. l. 139.

M. DE MAIRAN, in a paper published in the Histoire de I' Academic de Sciences, 1765, has endeavoured to shew, that the earth receives but a small part of the heat which it possesses, from the sun's rays, but it is prin­cipally heated by fires within itself. He thinks the sun is the cause of the vicissitudes of our seasons of summer and winter, by a very small quantity of heat in addition to that already residing in the earth, which, by emana­tions from the centre to the circumference, renders the surface habitable, and without which, though the sun was constantly to illuminate two thirds of the globe at once, with a heat equal to that at the equator, it would soon become a mass of solid ice. His reasonings and calculations on this subject are too long and too intricate to be inserted here, but are equally curious and ingenious, and carry much conviction along with them.

The opinion that the centre of the earth consists of a large mass of burn­ing lava, has been espoused by Boyle, Boerhaave, and many other philo­sophers. Some of whom, considering its supposed effects on vegetation and the formation of minerals, have called it a second sun. There are many argu­ments in support of this opinion. 1. Because the power of the sun does not extend much beyond ten feet deep into the earth, all below being, in winter and summer, always of the same degree of heat, viz. 48, which being much warmer than the mildest frost, is supposed to be sustained by some in­ternal distant fire. Add to this, however, that from experiments made some [Page 146] years ago by Dr. Franklin, the spring-water at Philadelphia appeared to be of 52 of heat, which seems farther to confirm this opinion, since the climates in North-America are supposed to be colder than those of Europe under similar degrees of latitude. 2. M. De Luc, in going 1359 feet perpendicular into the mines of Hartz, on July the 5th, 1778, on a very fine day, found the air at the bottom a little warmer than at the top of the shaft. Phil. Trans. vol. LXIX. p. 488. In the mines in Hungary, which are 500 cu­bits deep, the heat becomes very troublesome when the miners get below 480 feet depth. Morinus de L [...]cis subter. p. 131. But as some other deep mines, as mentioned by Mr. Kirwan, are said to possess but the common heat of the earth; and as the crust of the globe, thus penetrated by human labour, is so thin compared with the whole, no certain deduction can be made from these facts on either side of the question. 3. The warm-springs in many parts of the earth, at great distance from any volcanos, seem to originate from the condensation of vapours arising from water which is boiled by sub­terraneous fires, and cooled again in their passage through a certain length of the colder soil; for the theory of chemical solution will not explain the equality of their heat at all seasons, and through so many centuries. See note on Fucus, in vol. II. See a letter on this subject in Mr. Pilkinton's View of Derbyshire, from Dr. Darwin. 4. From the situations of volcanos which are always found upon the summit of the highest mountains. For as these mountains have been lifted up, and lose several of their uppermost strata as they rise, the lowest strata of the earth yet known appear at the tops of the highest hills; and the beds of the volcanos upon these hills must, in consequence, belong to the lowest strata of the earth, consisting, perhaps, of granite or basaltes, which were produced before the existence of animal or vegetable bodies, and might constitute the original nucleus of the earth, which I have supposed to have been projected from the sun; hence the vol­canos themselves appear to be spiracula, or chimneys, belonging to great cen­tral fires. It is probably owing to the escape of the elastic vapours from these spiracula, that the modern earthquakes are of such small extent com­pared with those of remote antiquity, of which the vestiges remain all over the globe. 5. The great size and height of the continents, and the great size and depth of the South-sea, Atlantic, and other oceans, evince that the first earthquakes, which produce [...] these immense changes in the globe, must have been occasioned by central fires. 6. The very distant and expeditious communication of the shocks of some great earthquakes. The earthquake at Lisbon, in 1755, was perceived in Scotland, in the Peak of Derbyshire, and in many other distant parts of Europe. The percussions of it travelled with about the velocity of sound, viz. about thirteen miles in a minute. The earthquake in 1693 extended 2600 leagues. (Goldsmith's History.) These phenomena are easily explained if the central parts of the earth con­sist of a fluid lava, as a percussion on one part of such a fluid mass would be felt on other parts of its confining vault, like a stroke on a fluid contained in a bladder, which, however gentle on one side, is perceptible to the hand placed on the other; and the velocity with which such a concussion would travel, would be that of sound, or thirteen miles in a minute. For further [Page 147] information on this part of the subject, the reader is referred to Mr. Michel's excellent treatise on earthquakes in the Phil. Trans. vol. LI. 7. That there is a cavity at the centre of the earth is made probable by the late experi­ments on the attraction of mountains, by Mr. Maskelyne, who supposed, from other considerations, that the density of the earth near the surface should be five times less than its mean density. Phil. Trans. vol. LX [...]. p. 498. But found from the attraction of the mountain Schehallien, [...] probable, the mean density of the earth is but double that of the hill. [...]. p. 532. Hence, if the first supposition be well founded, there would appear to be a cavity at the centre of considerable magnitude, from whence the immense beds and mountains of lava, toadstone, basaltes, granite, &c. have been protruded. 8. The variation of the compass can only be accounted for by supposing the central parts of the earth to consist of a fluid mass, and that part of this fluid is iron, which, requiring a greater degree of heat to bring it into fusion than glass or other metals, remains a solid, and the vis inertae of this fluid mass, with the iron in it, occasions it to perform fewer revolutions than the crust of solid earth over it, and thus it is gradu­ally left behind, and the place where the floating iron resides is pointed to by the direct or retrograde motions of the magnetic needle. This seems to have been nearly the opinion of Dr. Halley and Mr. Euler.

NOTE VII.—ELEMENTARY HEAT.

Or sphere on sphere in widening waves expand,
And glad with gonial warmth the incumbent land.
CANTO I. l. 143.

A CERTAIN quantity of heat seems to be combined with all bodies, be­sides the sensible quantity which gravitates like the electric fluid amongst them. This combined heat, or latent heat, of Dr. Black, when set at li­berty of fermentation, inflammation, crystallization, freezing, or other che­mical attractions producing new combination, passes as a fluid element into the surrounding bodies. And by thawing, diffusion of neutral salts in wa­ter, melting, and other chemical solutions, a portion of heat is attracted from the bodies in vicinity, and enters into or becomes combined with the new solutions.

Hence a combination of metals with acids, of essential oils and acids, of al­cohol and water, of acids and water, give out heat; whilst a solution of snow in water or in acids, and of neutral salts in water, attract heat from the surrounding bodies. So the acid of nitre mixed with oil of cloves unites with it, and produces a most violent flame; the same acid of nitre poured on snow instantly dissolves it, and produces the greatest degree of cold yet known, by which, at Petersburgh, quick-silver was first frozen in 1760.

Water may be cooled below 32 degrees without being frozen, if it be placed on a solid floor, and secured from agitation; but when thus cooled below the freezing point, the least agitation turns part of it suddenly into ice, and [Page 148] when this sudden freezing takes place, a thermometer placed in it instantly ri­ses, as some heat is given out in the act of congelation, and the ice is thus left with the same sensible degree of cold as the water had possessed before it was agitated, but is, nevertheless, now combined with less latent heat.

A cubic inch of water thus cooled down to 32 degrees, mixed with an equal quantity of boiling water at 212 degrees, will cool it to the middle number between these two, or to 132. But a cubic inch of ice, whose sen­sible cold also is but 32▪ mixed with an equal quantity of boiling water, will cool it six times as much as the cubic inch of cold water above-men­tioned, as the ice not only gains its share of the sensible or gravitating heat of the boiling water, but attracts to itself also, and combines with the quan­tity of latent heat which it had lost at the time of its congelation.

So boiling water will acquire but 212 degrees of heat under the common pressure of the atmosphere, but the steam raised from it by its expansion, or by its solution in the atmosphere, combines with and carries away a prodi­gious quantity of heat, which it again parts with on its condensation, as is seen in common distillation, where the large quantity of water in the worm tub is so soon heated. Hence the evaporation of ether on a thermometer soon sinks the mercury below freezing▪ and hence a warmth of the air in winter frequently succeeds a shower.

When the matter of heat, or calorique, is set at liberty from its combina­tions, as by inflammation, it passes into the surrounding bodies, which pos­sess different capacities of acquiring their share of the loose or sensible heat; thus a pint measure of cold water at 48 degrees, mixed with a pint of boil­ing water at 212 degrees, will cool it to the degree between these two numbers, or to 154 degrees, but it requires two pint measures of quick-silver at 48 degrees of heat, to cool one pint of water as above. These and other curious experiment [...] are adduced by Dr. Black, to evince the existence of combined or latent heat in bodies, as has been explained by some of his pu­pils, and well illustrated by Dr. Crawford. The world has long been in expectation of an account of his discoveries on this subject by the celebrated author himself.

As this doctrine of elementary heat in its fluid and combined state is not yet universally received, I shall here add two arguments in support of it, drawn from different sources, viz. from the heat given out or absorbed by the mechanical condensation or expansion of the air, and perhaps of other bodies, and from the analogy of the various phenomena of heat with those of electricity.

I. It a thermometer be placed in the receiver of an air-pump, and the air hastily exhausted, the thermometer will sink some degrees, and the glass be­come steamy: the same occurs in hastily admitting a part of the air again. This I suppose to be produced by the expansion of part of the air, both dur­ing the exhaustion and re-admission of it; and that the air so expanded be­comes capable of attracting from the bodies in its vicinity a part of their heat, hence the vapours contained in it, and the glass receiver, are for a time colder, and the steam is precipitated. That the air thus parts with its moisture from the cold occasioned [...] its rarefaction, and not simply by the [Page 149] rarefaction itself, is evident, because, in a minute or two, the same rare­fied air will again take up the dew deposited on the receiver; and because water will evaporate sooner in rare than in dense air.

There is a curious phenomenon, similar to this, observed in the fountain of Hiero, constructed on a large scale at the Chemnicensian mines in Hungary. In this machine, the air in a large vessel is compressed by a column of wa­ter 260 feet high, a stop-cock is then opened, and as the air issues out with great vehemence, and thus becomes immediately greatly expanded, so much cold is produced, that the moisture from this stream of air is precipitated in the form of snow, and ice is formed, adhering to the nosel of the cock. This remarkable circumstance is described at large, with a plate of the ma­chine, in Phil. Trans. vol. LII. for 1761.

The following experiment is related by Dr. Darwin, in the Phil. Trans. vol. LXXVIII. Having charged an air-gun as forcibly as he well could, the air-cell and syringe became exceedingly hot, much more so than could be ascribed to the friction in working it; it was then left about half an hour to cool down the temperature of the air, and a thermometer having been previously fixed against a wall, the air was discharged in a continual stream on its bulb, and it sunk many degrees. From these three experi­ments of the steam in the exhausted receiver being deposited and re-absorb­ed, when a part of the air is exhausted or re-admitted, and the snow pro­duced by the fountain of Hiero, and the extraordinary heat given out in charging, and the cold produced in discharging an air-gun, there is reason to conclude, that when air is mechanically compressed, the elementary fluid heat is pressed out of it, and that when it is mechanically expanded the same fluid heat is re-absorbed from the common mass.

It is probable all other bodies as well as air attract heat from their neigh­bours when they are mechanically expanded, and give it out when they are mechanically condensed. Thus when a vibration of the particles of hard bodies is excited by friction or by percussion, these particles mutually recede from and approach each other reciprocally; at the times of their recession from each other, the body becomes enlarged in bulk, and is then in a con­dition to attract heat from those in its vicinity with great and sudden power, at the times of their approach to each other this heat is again given out; but the bodies in contact having in the mean while received the heat they had thus lost, from other bodies behind them, do not so suddenly or so sor­cibly re-absorb the heat again from the body in vibration; hence it remains on its surface like the electric fluid on a rubbed glass globe, and for the same reason▪ because there is no good conductor to take it up again. Hence at every vibration more and more heat is acquired, and stands loose upon the surface, as in filing metals, or rubbing glass tubes, and thus a smith, with a few strokes on a nail on his anvil, can make it hot enough to light a brim­stone match; and hence in striking flint and steel together, heat enough is produced to vitrify the parts thus strucken off, the quantity of which heat is again probably increased by the new chemical combination.

II. The analogy between the phenomena of the electric fluid and of heat, furnishes another argument in support of the existence of heat as a gravitat­ing [Page 150] fluid. 1. They are both accumulated by friction on the excited body. 2. They are propagated easily or with difficulty along the same classes of bodies; with ease by metals, with less ease by water, and with difficulty by resins, bees-wax, silk, air, and glass. Thus glass canes, or canes of sealing­wax, may be melted by a blow-pipe, or a candle, within a quarter of an inch of the fingers which hold them, without any inconvenient heat, while a pin, or other metallic substance, applied to the flame of a candle, so rea­dily conducts the heat as immediately to burn the fingers. Hence clothes of silk keep the body warmer than clothes of linen of equal thickness, by confining the heat upon the body. And hence plains are so much warmer than the summits of mountains, by the greater density of the air confining the acquired heat upon them. 3. They both give out light in their passage through air, perhaps not in their passage through a vacuum. 4. They both of them fuse or vitrify metals. 5. Bodies, after being electrized, if they are mechanically extended, will receive a greater quantity of electricity, as in Dr. Franklin's experiment of the chain in the tankard; the same seems true in respect to heat, as explained above. 6. Both heat and electricity con­tribute to suspend steam in the atmosphere, by producing or increasing the repulsion of its particles. 7. They both gravitate, when they have been accumulated, till they find their equilibrium.

If we add to the above the many chemical experiments which receive an easy and elegant explanation from the supposed matter of heat, as employed in the works of Bergman and Lavoisier, I think we may reasonably allow of its existence as an element, occasionally combined with other bodies, and oc­casionally existing as a fluid, like the electric fluid gravitating amongst them, and that hence it may be propagated from the central fires of the earth to the whole mass, and contribute to preserve the mean heat of the earth, which, in this country, is about 48 degrees, but variable from the greater or less effect of the sun's heat in different climates, so well explained in Mr. Kirwan's Treatise on the temperature of different latitudes. 1787. Elmsly. London.

NOTE VIII.—MEMNON's LYRE.

So to the sacred Sun in Memnon's sane,
Spontaneous concords quired the matin strain.
CANTO I. l. 183.

THE gigantic statue of Memnon, in his temple at Thebes, had a lyre in his hands, which, many credible writers assure us, founded when the rising sun shone upon it. Some philosophers have supposed that the sun's light possesses a mechanical impulse, and that the founds above-mentioned might be thence produced. Mr. Michel constructed a very tender horizontal ba­lance, as related by Dr. Priestley in his history of light and colours, for this purpose, but some experiments, with this balance, which I saw made by the late Dr. Powel, who threw the focus of a large reflector on one extremity [Page 151] of it, were not conclusive either way, as the copper leaf of the balance ap­proached in one experiment and receded in another.

There are, however, methods by which either a rotative or alternating motion may be produced by very moderate degrees of heat. If a straight glass tube, such as are used for barometers, be suspended horizontally before a fire, like a roasting spit, it will revolve by intervals; for as glass is a bad conductor of heat, the side next the fire becomes heated sooner than the op­posite side, and the tube becomes bent into a bow, with the external part of the curve towards the fire; this curve then falls down, and produces a fourth part of a revolution of the glass tube, which thus revolves with intermediate pauses.

Another alternating motion I have seen produced by suspending a glass tube about eight inches long, with bulbs at each end, on a centre like a scale­beam. This curious machine is filled about one third part with purest spirit of wine, the other two thirds being a vacuum, and is called a pulse-glass: if it be placed on a box before the fire, so that either bulb, as it rises, may become shaded from the fire, and exposed to it when it descends, an alter­nate libration of it is produced. For spirit of wine in vacuo emits steam by a very small degree of heat, and this steam forces the spirit beneath it up into the upper bulb, which therefore descends. It is probable such a ma­chine, on a larger scale, might be of use to open the doors or windows of hot­houses or melon-frames, when the air within them should become too much heated, or might be employed in more important mechanical purposes.

On travelling through a hot summer's day in a chaise, with a box co­vered with leather on the fore-axle-tree, I observed, as the sun shone upon the black leather, the box began to open its lid, which, at noon, rose above a foot, and could not, without great force, be pressed down; and which gradually closed again as the sun declined in the evening. This, I suppose▪ might with still greater facility be applied to the purpose of opening melon­frames, or the sashes of hot-houses.

The statue of Memnon was overthrown and sawed in two by Cambyses, to discover its internal structure, and is said still to exist. See Savery's Let­ters on Egypt. The truncated statue is said, for many centuries, to have saluted the rising sun with cheerful tones, and the setting sun with melan­choly ones.

NOTE IX.—LUMINOUS INSECTS.

Star of the earth, and diamond of the night.
CANTO I. l. 196.

THERE are eighteen species of Lampyris, or glow-worm, according to Linnaeus, some of which are found in almost every part of the world. In many of the species the females have no wings, and are supposed to be discovered by the winged males by their shining in the night. They become much more lucid when they put themselves in motion, which would seem to in­dicate [Page 152] that their light is owing to their respiration; in which process it is probable phosphoric acid is produced by the combination of vital air with some part of the blood, and that light is given out through their transparent bodies, by this slow internal combustion.

There is a fire-fly, of the beetle kind, described in the Dict. Raisonné, un­der the name of Acudia, which is said to be two inches long, and inhabits the West-Indies and South-America; the natives use them instead of candles, putting from one to three of them under a glass. Madam Merian says, that at Surinam the light of this fly is so great, that she saw sufficiently well by one of them to paint and finish one of the figures of them in her work on insects. The largest and oldest of them are said to become four inches long, and to shine like a shooting star as they fly, and are thence called Lan­tern-bearers. The use of this light to the insect itself seems to be, that it may not fly against objects in the night; by which contrivance these insects are enabled to procure their sustenance either by night or day, as their wants may require, or their numerous enemies permit them; whereas some of our beetles have eyes adapted only to the night, and if they happen to come abroad too soon in the evening, are so dazzled that they fly against every thing in their way. See note on Phosphorus, No. X.

In some seas, as particularly about the coast of Malabar, as a ship floats along, it seems, during the night, to be surrounded with fire, and to leave a long tract of light behind it. Whenever the sea is gently agitated, it seems converted into little stars; every drop, as it breaks, emits light, like bodies electrified in the dark. Mr. Bomare says, that when he was at the port of Cettes, in Languedoc, and bathing with a companion in the sea, after a very hot day, they both appeared covered with fire after every im­mersion, and that laying his wet hand on the arm of his companion, who had not then dipped himself, the exact mark of his hand and fingers was seen in characters of fire. As numerous microscopic insects are found in this shining water, its light has been generally ascribed to them, though it seems probable that fish-slime, in hot countries, may become in such a state of incipient putrefaction, as to give light, especially when by agitation it is more exposed to the air; otherwise it is not easy to explain why agitation should be necessary to produce this marine light. See note on Phosphorus, No. X.

NOTE X.—PHOSPHORUS.

Or mark with shining letters Kunkel's name
In the pale phosphor's self-consuming flame.
CANTO I. l. 231.

KUNKEL, a native of Hamburgh, was the first who discovered to the world the process for producing phosphorus, though Brandt and Boyle were likewise said to have previously had the art of making it. It was ob­tained from sal microcosmicum, by evaporation, in the form of an acid, but [Page 153] has since been found in other animal substances, as in the ashes of bones, and even in some vegetables, as in wheat flour. Keir's Chemical Dict. This phosphoric acid is, like all other acids, united with vital air, and requires to be treated with charcoal or phlogiston to deprive it of this air; it then be­comes a kind of animal sulphur, but of so inflammable a nature, that on the access of air it takes fire spontaneously, and, as it burns, becomes again united with vital air, and re-assumes its form of phosphoric acid.

As animal respiration seems to be a kind of slow combustion, in which it is probable that phosphoric acid is produced by the union of phosphorus with the vital air, so it is also probable that phosphoric acid is produced in the excretory or respiratory vessels of luminous insects, as the glow-worm and fire-fly, and some marine insects. From the same principle I suppose the light from putrid flesh, as from the heads of haddocks, and from putrid veal, and from rotten wood, in a certain state of their putrefaction, is produced, and phosphorus, thus slowly combined with air, is changed into phosphoric acid. The light from the Bolognian stone, and from calcined shells, and from white paper, and linen, after having been exposed for a time to the sun's light, seem to produce either the phosphoric or some other kind of acid, from the sulphurous or phlogistic matter which they contain. See note on Beccari's shells, l. 182.

There is another process seems similar to this slow combustion, and that is bleaching. By the warmth and light of the sun, the water sprinkled upon linen or cotton cloth seems to be decomposed (if we credit the theory of M. Lavoisier), and a part of the vital air thus set at liberty and uncombined, and not being in its elastic form, more easily dissolves the colouring or phlo­gistic matter of the cloth, and produces a new acid, which is itself colourless, or is washed out of the cloth by water. The new process of bleaching confirms a part of this theory, for by uniting much vital air to marine acid, by distilling it from manganese, on dipping the cloth to be bleached in wa­ter replete with this superaerated marine acid, the colouring matter disap­pears immediately, sooner indeed in cotton than in linen. See note XXXIV.

There is another process which, I suspect, bears analogy to these above­mentioned, and that is the rancidity of animal fat, as of bacon; if bacon be hung up in a warm kitchen, with much salt adhering on the outside of it, the fat part of it soon becomes yellow and rancid; if it be washed with much cold water after it has imbibed the salt, and just before it is hung up, I am well informed, that it will not become rancid, or in very slight degrees. In the former case I imagine the salt on the surface of the bacon attracts water during the cold of the night, which is evaporated during the day, and that in this evaporation a part of the water becomes decomposed, as in bleaching, and its vital air uniting with greater facility in its unelastic state with the animal fat, produces an acid, perhaps of the phosphoric kind, which being of a fixed nature, lies upon the bacon, giving it the yellow colour and rancid taste. It is remarkable that the superaerated marine acid does not bleach living animal substances, at least it did not whiten a part of my hand which I for some minutes exposed to it.

[Page 154]

NOTE XI.—STEAM-ENGINE.

Quick moves the balanced beam of giant-birth,
Wields his large limbs, and, nodding, shakes the earth.
CANTO I. l. 261.

THE expansive force of steam was known in some degree to the ancients. Hero, of Alexandria, describes an application of it to produce a rotative mo­tion by the re-action of steam issuing from a sphere mounted upon an axis, through two small tubes bent into tangents, and issuing from the opposite sides of the equatorial diameter of the sphere; the sphere was supplied with steam by a pipe communicating with a pan of boiling water, and entering the sphere at one of its poles.

A French writer, about the year 1630, describes a method of raising wa­ter to the upper part of a house, by filling a chamber with steam, and suf­fering it to condense of itself; but it seems to have been mere theory, as his method was scarcely practible as he describes it. In 1655, the Marquis of Worcester mentions a method of raising water by fire, in his Century of Inventions, but he seems only to have availed himself of the expansive force, and not to have known the advantages arising from condensing the steam by an injection of cold water. This latter and most important improvement seems to have been made by Capt. Savery, some time prior to 1698, for in that year his patent for the use of that invention was confirmed by act of parliament. This gentleman appears to have been the first who reduced the machine to practice, and exhibited it in an useful form. This method consisted only in expelling the air from a vessel by steam, and condensing the steam by an injection of cold water, which making a vacuum, the pres­sure of the atmosphere forced the water to ascend into the steam-vessel through a pipe of 24 to 26 feet high, and by the admission of dense steam from the boiler, forcing the water in the steam-vessel to ascend to the height desired. This construction was defective, because it required very strong vessels to re­sist the force of the steam, and because an enormous quantity of steam was condensed by coming in contact with the cold water in the steam-vessel.

About, or soon after that time, M. Papin attempted a steam-engine on similar principles, but rather more defective in its construction.

The next improvement was made very soon afterwards by Messrs. New­comen and Cawley, of Dartmouth; it consisted in employing for the steam­vessel a hollow cylinder, shut at bottom and open at top, furnished with a piston sliding easily up and down in it, and made tight by oakum or hemp, and covered with water. This piston is suspended by chains from one end of a beam, moveable upon an axis in the middle of its length; to the other end of this beam are suspended the pump-rods.

The danger of bursting the vessels was avoided in this machine; as how­ever high the water was to be raised, it was not necessary to increase the density of the steam, but only to enlarge the diameter of the cylinder.

Another advantage was, that the cylinder, not being made so cold as in [Page 155] Savery's method, much less steam was lost in filling it after each con­densation.

The machine, however, still remained imperfect, for the cold water thrown into the cylinder acquired heat from the steam it condensed, and being in a vessel exhausted of air, it produced steam itself, which, in part, resisted the action of the atmosphere on the piston; were this remedied by throwing in more cold water, the destruction of steam in the next filling of the cylinder would be proportionally increased. It has therefore, in prac­tice, been found adviseable not to load these engines with columns of water weighing more than seven pounds for each square inch of the area of the piston. The bulk of water, when converted into steam, remained unknown, until Mr. J. Watt, then of Glasgow, in 1764, determined it to be about 1800 times more rare than water. It soon occurred to Mr. Watt, that a perfect engine would be that in which no steam should be condensed in fil­ling the cylinder, and in which the steam should be so perfectly cooled as to produce nearly a perfect vacuum.

Mr. Watt having ascertained the degree of heat in which water boiled in vacuo, and under progressive degrees of pressure, and instructed by Dr. Black's discovery of latent heat, having calculated the quantity of cold water necessary to condense certain quantities of steam so far as to produce the exhaustion required, he made a communication from the cylinder to a cold vessel previously exhausted of air and water, into which the steam rushed, by its elasticity, and became immediately condensed. He then adapted a cover to the cylinder, and admitted steam above the piston to press it down instead of air, and instead of applying water, he used oil or grease to fill the pores of the oakum, and to lubricate the cylinder.

He next applied a pump to extract the injection water, the condensed steam, and the air, from the condensing vessel, every stroke of the engine.

To prevent the cooling of the cylinder by the contact of the external air, he surrounded it with a case containing steam, which he again protected by a covering of matters which conduct heat slowly.

This construction presented an easy means of regulating the power of the engine, for the steam being the acting power, as the pipe which admits it from the boiler is more or less opened, a greater or smaller quantity can enter during the time of a stroke, and, consequently, the engine can act with exactly the necessary degree of energy.

Mr. Watt gained a patent for his engine in 1768, but the further prose­cution of his designs was delayed by other avocations till 1775, when, in conjunction with Mr. Boulton, of Soho, near Birmingham, numerous expe­riments were made, on a large scale, by their united ingenuity, and great improvements added to the machinery, and an act of parliament obtained for the prolongation of their patent for twenty-five years; they have, since that time, drained many of the deep mines in Cornwall, which, but for the happy union of such genius, must immediately have ceased to work. One of these engines works a pump of eighteen inches diameter, and upwards of 100 fathom, or 600 feet high, at the rate of ten to twelve strokes, of seven feet long each, in a minute, and that with one fifth part of the coals which [Page 156] a common engine would have taken to do the same work. The power of this engine may be easier comprehended by saying, that it raised a weight equal to 81,000 pounds, 80 feet high, in a minute, which is equal to the combined action of 200 good horses. In Newcomen's engine this would have required a cylinder of the enormous diameter of 120 inches, or ten feet; but as in this engine of Mr. Watt and Mr. Boulton the steam acts, and a vacuum is made, alternately above and below the piston, the power exerted is double to what the same cylinder would otherways produce, and is further augmented by an inequality in the length of the two ends of the lever.

These gentlemen have also, by other contrivances, applied their engines to the turning of mills for almost every purpose, of which that great pile of machinery, the Albion Mill, is a well known instance. Forges, slitting mills, and other great works, are erected where nature has furnished no running water, and future times may boast that this grand and useful engine was invented and perfected in our own country.

Since the above article went to the press, the Albion Mill is no more; it is supposed to have been set on fire by interested or malicious incendiaries, and is burnt to the ground. Whence London has lost the credit and the advantage of possessing the most powerful machine in the world.

NOTE XII.—FROST.

In phalanx firm, the Fiend of Frost assail.
CANTO I. l. 439

THE cause of the expansion of water during its conversion into ice, is not yet well ascertained; it was supposed to have been owing to the air being set at liberty in the act of congelation, which was before dissolved in the water, and the many air bubbles in ice were thought to countenance this opinion. But the great force with which ice expands during its congelation, so as to burst iron bombs and coehorns, according to the experiments of Major Williams, at Quebec, invalidates this idea of the cause of it, and may some time be brought into use as a means of breaking rocks in mining, or pro­jecting cannon-balls, or for other mechanical purposes, if the means of pro­ducing congelation should ever be discovered to be as easy as the means of producing combustion.

Mr. de Mairan attributes the increase of bulk of frozen water to the dif­ferent arrangement of the particles of it in crystallization, as they are con­stantly joined at an angle of 60 degrees, and must, by this disposition, he thinks, occupy a greater volume than if they were parallel. He found the augmentation of the water, during freezing, to amount to one-fourteenth, one-eighteenth, one-nineteenth, and when the water was previously purged of air, to only one-twenty-second part. He adds, that a piece of ice, which was at first only one-fourteenth part specifically lighter than water, on being exposed some days to the frost, became one-twelfth lighter than water. Hence [Page 157] he thinks ice, by being exposed to greater cold, still increases in volume, and to this attributes the bursting of ice in ponds, and on the glaciers. See Lewis's Commerce of Arts, p. 257, and the note on Muschus, in the second part of this work.

This expansion of ice well accounts for the greater mischief done by ver­nal frosts attended with moisture (as by hoar frosts), than by the dry frosts, called black frosts. Mr. Lawrence, in a letter to Mr. Bradley, complains that the dale-mist, attended with a frost, on May-day, had destroyed all his tender fruits; though there was a sharper frost the night before, without a mist, that did him no injury; and adds, that a garden not a stone's throw from his own, on a higher situation, being above the dale-mist, had re­ceived no damage. Bradley, vol. II. p. 232.

Mr. Hunter, by very curious experiments, discovered that the living principle in fish, in vegetables, and even in eggs and seeds, possesses a power of resisting congelation. Phil. Trans. There can be no doubt but that the exertions of animals to avoid the pain of cold, may produce in them a greater quantity of heat, at least for a time; but that vegetables, eggs, or seeds, should possess such a quality, is truly wonderful. Others have ima­gined that animals possess a power of preventing themselves from becoming much warmer than 98 degrees of heat, when immersed in an atmosphere above that degree of heat. It is true that the increased exhalation from their bodies will, in some measure, cool them, as much heat is carried off by the evaporation of fluids; but this is a chemical, not an animal process. The experiments made by those who continued many minutes in the air of a room heated so much above any natural atmospheric heat, do not seem conclusive, as they remained in it a less time than would have been neces­sary to have heated a mass of beef of the same magnitude; and the circula­tion of the blood in living animals, by perpetually bringing new supplies of fluid to the skin, would prevent the external surface from becoming hot much sooner than the whole mass. And, thirdly, there appears no power of animal bodies to produce cold in diseases, as in scarlet fever, in which the increased action of the vessels of the skin produces heat, and contributes to exhaust the animal power already to much weakened.

It has been thought by many that frosts meliorate the ground, and that they are in general salubrious to mankind. In respect to the former, it is now well known that ice or snow contains no nitrous particles, and though frost, by enlarging the bulk of moist clay, leaves it softer for a time after the thaw, yet as soon as the water exhales, the clay becomes as hard as before, being pressed together by the incumbent atmosphere, and by its self-attrac­tion, called setting by the potters. Add to this, that on the coasts of Africa, where frost is unknown, the fertility of the soil is almost beyond our con­ceptions of it. In respect to the general salubrity of frosty seasons, the bills of mortality are an evidence in the negative, as in long frosts many weakly and old people perish from debility occasioned by the cold, and many classes of birds, and other wild animals, are benumbed by the cold, or destroyed by the consequent scarcity of food, and many tender vegetables perish from the degree of cold.

[Page 158] I do not think it should be objected to this doctrine, that there are moist days, attended with a brisk cold wind, when no visible ice appears, and which are yet more disagreeable and destructive than frosty weather. For on these days the cold moisture which is deposited on the skin is there eva­porated, and thus produces a degree of cold perhaps greater than the milder frosts. Whence, even in such days, both the disagreeable sensations and in­salubrious effects belong to the cause above-mentioned, viz. the intensity of the cold. Add to this, that in these cold moist days, as we pass along, or as the wind blows upon us, a new sheet of cold water is, as it were, per­petually applied to us, and hangs upon our bodies. Now, as water is 800 times denser than air, and is a much better conductor of heat, we are starved with cold, like those who go into a cold bath, both by the great number of particles in contact with the skin, and their great facility of re­ceiving our heat.

It may nevertheless be true, that snows of long duration, in our winters, may be less injurious to vegetation than great rains and shorter frosts, for two reasons. 1. Because great rains carry down many thousand pounds worth of the best part of the manure off the lands into the sea, whereas snow dissolves more gradually, and thence carries away less from the land. Any one may distinguish a snow-flood from a rain-flood by the transparency of the water. Hence hills or fields, with considerable inclination of surface, should be ploughed horizontally, that the furrows may stay the water from showers till it deposits its mud. 2. Snow protects vegetables from the seve­rity of the frost, since it is always in a state of thaw where it is in contact with the earth; as the earth's heat is about 48 degrees, and the heat of thawing snow is 32 degrees, the vegetables between them are kept in a de­gree of heat about 40, by which many of them are preserved. See note on Muschus, part II. of this work.

NOTE XIII.—ELECTRICITY.

Cold from each point cerulean lustres gleam.
CANTO I. l. 339.

ELECTRIC POINTS.

THERE was an idle dispute, whether knobs or points were preferable on the top of conductors, for the defence of houses. The design of these con­ductors is to permit the electric matter accumulated in the clouds, to pass through them into the earth in a smaller continued stream as the cloud ap­proaches, before it comes to what is termed striking distance. Now, as it is well known that accumulated electricity will pass to points at a much greater distance than it will to knobs, there can be no doubt of their preference; and it would seem, that the finer the points, and the less liable to become rusty, the better, as it would take off the lightning while it was still at a greater distance, and by that means preserve a greater extent of building. [Page 159] The very extremity of the point should be of pure silver or gold, and might be branched into a kind of brush, since one small point cannot be supposed to receive so great a quantity as a thicker bar might conduct into the earth.

If an insulated metallic ball is armed with a point, like a needle, project­ing from one part of it, the electric fluid will be seen in the dark to pass off from this point, so long as the ball is kept supplied with electricity. The reason of this is not difficult to comprehend: Every part of the elec­tric atmosphere which surrounds the insulated ball, is attracted to that ball by a large surface of it, whereas the electric atmosphere which is near the extremity of the needle, is attracted to it only by a single point; in conse­quence, the particles of electric matter, near the surface of the ball, approach towards it, and push off, by their greater gravitation, the particles of elec­tric matter over the point of the needle, in a continued stream.

Something like this happens in respect to the diffusion of oil on water from a pointed cork, an experiment which was many years ago shewn me by Dr. Franklin. He cut a piece of cork about the size of a letter-wafer, and left on one edge of it a point about a sixth of an inch in length, projecting as a tangent to the circumference. This was dipped in oil, and thrown on a pond of water, and continued to revolve, as the oil left the point, for a great many minutes. The oil descends from the floating cork upon the water, being diffused upon it without friction, and perhaps without contact; but its going off at the point so forcibly as to make that cork revolve in a con­trary direction, seems analogous to the departure of the electric fluid from points.

Can any thing similar to either of these happen in respect to the earth's atmosphere, and give occasion to the breezes on the tops of mountains, which may be considered as points on the earth's circumference?

FAIRY-RINGS.

There is a phenomenon supposed to be electric which is yet unaccounted for; I mean the Fairy-rings, as they are called, so often seen on the grass. The numerous flashes of lightning which occur every summer, are, I be­lieve, generally discharged on the earth, and but seldom (if ever) from one cloud to another. Moist trees are the most frequent conductors of these flashes of lightning, and I am informed by purchasers of wood, that innu­merable trees are thus cracked and injured. At other times larger parts or prominences of clouds, gradually sinking as they move along, are discharged on the moister parts of grassy plains. Now, this knob or corner of a cloud, in being attracted by the earth, will become nearly cylindrical, as loose wool would do when drawn out into a thread, and will strike the earth with a stream of electricity, perhaps two or ten yards in diameter. Now, as a stream of electricity displaces the air it passes through, it is plain no part of the grass can be burnt by it, but just the external ring of this cylinder, where the grass can have access to the air, since without air nothing can be cal­cined. This earth, after having been so calcined, becomes a richer soil, and [Page 160] either funguses or a bluer grass for many years mark the place. That light­ning displaces the air in its passage is evinced by the loud crack that succeeds it, which is owing to the sides of the aerial vacuum clapping together when the lightning is withdrawn. That nothing will calcine without air is now well understood from the acids produced in the burning of phlogistic substances, and may be agreeably seen by suspending a paper on an iron prong and putting it into the centre of the blaze of an iron-furnace; it may be held there some seconds, and may be again withdrawn without its being burnt, if it be passed quickly into the flame and out again, through the external part of it, which is in contact with the air. I know some circles of many yards diameter of this kind, near Foremark, in Derbyshire, which annually produce large white funguses, and stronger grass, and have done so, I am informed, above thirty years. This increased fertility of the ground by calcination or charring, and its continuing to operate so many years, is well worth the attention of the farmer, and shews the use of par­ing and burning new turf in agriculture, which produces its effect not so much by the ashes of the vegetable fibres, as by charring the soil which ad­heres to them.

These situations, whether from eminence or from moisture, which were proper once to attract and discharge a thunder-cloud, are more liable again to experience the same. Hence many fairy-rings are often seen near each other, either without intersecting each other, as I saw this summer in a gar­den in Nottinghamshire, or intersecting each other, as described on Arthur's seat, near Edinburgh, in the Edinb. Trans. vol. II. p. 3.

NOTE XIV.—BUDS AND BULBS.

Where dwell my vegetative realms benumb'd,
In buds imprison'd, or in bulbs intomb'd.
CANTO I. l. 459.

A TREE is, properly speaking, a family or swarm of buds, each bud be­ing an individual plant; for if one of these buds be torn or cut out, and planted in the earth, with a glass cup inverted over it, to prevent its exha­lation from being at first greater than its power of absorption, it will pro­duce a tree similar to its parent; each bud has a leaf, which is its lungs, ap­propriated to it, and the bark of the tree is a congeries of the roots of these individual buds; whence old hollow trees are often seen to have some branches flourish with vigour after the internal wood is almost entirely de­cayed and vanished. According to this idea, Linnaeus has observed, that trees and shrubs are roots above ground, for if a tree be inverted, leaves will grow from the root-part, and roots from the trunk-part. Phil. [...]ot. p. 39. Hence it appears that vegetables have two methods of propagating themselves, the oviparous as by seeds, and the viviparous as by their buds and bulbs; and that the individual plants, whether from seeds, or buds, or bulbs, are all annual productions, like many kinds of insects, as the silk-worm [Page 161] the parent perishing in the autumn after having produced an embryon, which lies in a torpid state during the winter, and is matured in the suc­ceeding summer. Hence Linnaeus names buds and bulbs the winter cra­dles of the plant, or hybernacula, and might have given the same term to seeds. In warm climates few plants produce buds, as the vegetable life can be completed in one summer, and hence the hybernacle is not wanted; in cold climates also some plants do not produce buds, as philadelphus, fran­gula, viburnum, ivy, heath, wood-nightshade, rue, geranium.

The bulbs of plants are another kind of winter cradle, or hybernacle, ad­hering to the descending trunk, and are found in the perennial herbaceous plants, which are too tender to bear the cold of the winter. The produc­tion of these subterraneous winter lodges, is not yet, perhaps, clearly under­stood; they have been distributed by Linnaeus, according to their forms, into scaly, solid, coated, and jointed bulbs, which, however, does not elucidate their manner of production. As the buds of trees may be truly esteemed individual annual plants, their roots constituting the bark of the trees, it follows, that these roots ( viz. of each individual bud) spread themselves over the last year's bark, making a new bark over the old one, and thence descending, cover with a new bark the old roots also in the same manner. A similar circumstance I suppose to happen in some herbaceous plants, that is, a new bark is annually produced over the old root, and thus, for some years at least, the old root or caudex increases in size, and puts up new stems. As these roots increase in size, the central part, I suppose, changes like the internal wood of a tree, and does not possess any vegetable life, and there­fore gives out no fibres or rootlets, and hence appears bitten off, as in vale­rian, plantain, and devil's-bit. And this decay of the central part of the root, I suppose, has given occasion to the belief of the root-fibres drawing down the bulb, so much insisted on by Mr. Milne, in his Botanical Dic­tionary, art. Bulb.

From the observations and drawings of various kinds, of bulbous roots, at different times of their growth, sent me by a young lady of nice observa­tion, it appears probable that all bulbous roots, properly so called, perish annually in this climate. Bradley, Miller, and the author of Spectacle de la Nature, observe that the tulip annually renews its bulb, for the stalk of the old flower is found under the old dry coat, but on the outside of the new bulb. This large new bulb is the flowering bulb; but besides this there are other small new bulbs produced between the coats of this large one, but from the same caudex (or circle from which the root-fibres spring); these small bulbs are leaf-bearing bulbs, and renew themselves annually, with in­creasing size, till they bear flowers.

Miss [...] favoured me with the following curious experiment: She took a small tulip-root out of the earth when the green leaves were suffi­ciently high to show the flower, and placed it in a glass of water; the leaves and flower soon withered, and the bulb became wrinkled and soft, but put out one small side bulb, and three bulbs beneath, descending an inch into the water by processes from the caudex; the old bulb in some weeks entirely decayed. On dissecting this monster, the middle descending bulb was found, [Page 162] by its process, to adhere to the caudex, and to the old flower-stem; and the side ones were separated from the flower-stem by a few shrivelled coats, but adhered to the caudex. Whence she concludes that these last were off­sets, or leaf-bulbs, which should have been seen between the coats of the new flower-bulb, if it had been left to grow in the earth, and that the mid­dle one would have been the new flower-bulb. In some years (perhaps in wet seasons) the florists are said to lose many of their tulip-roots by a simi­lar process, the new leaf-bulbs being produced beneath the old ones by an elongation of the caudex, without any new flower-bulbs.

By repeated dissections, she observes, that the leaf-bulbs, or off-sets of tulip, crocus, gladiolus, sritillary, are renewed in the same manner as the flowering-bulbs, contrary to the opinion of many writers; this new leaf-bulb is formed on the inside of the coats from whence the leaves grow, and is more or less advanced in size as the outer coats and leaves are more or less shrivelled. In examining tulip, i [...]ris, hyacinth, hare-bell, the new bulb was invariably found between the flower-stem and the base of the innermost leaf of those roots which had flowered, and inclosed by the base of the innermost leaf in those roots which had not flowered, in both cases adhering to the cau­dex or fleshy circle from which the root-fibres spring.

Hence it is probable that the bulbs of hyacinths are renewed annually, but that this is performed from the caudex within the old bulb, the outer coat of which does not so shrivel as in crocus and fritillary, and hence this change is not so apparent. But, I believe, as soon as the flower is advanced, the new bulbs may be seen on dissection; nor does the annual increase of the size of the root of cyclamen, and of aletris capensis, militate against this annual renewal of them, since the leaf-bulbs, or off-sets, as described above, are increased in size as they are annually renewed. See note on Orchis, and on Anthoxanthum, in Part II. of this work.

NOTE XV.—SOLAR VOLCANOS.

From the deep craters of his realms of fire
The whirling Sun this ponderous planet [...]url'd.
CANTO II. l 14.

DR. ALEXANDER WILSON, Professor of Astronomy at Glasgow, published a paper in the Philosophical Transactions for 1774, demonstrating that the spots in the sun's disk are real cavities, excavations through the lu­minous material, which covers the other parts of the sun's surface. One of these cavities he found to be about 4000 miles deep, and many times as wide. Some objections were made to this doctrine by M. De la Lande, in the Memoirs of the French Academy for the year 1776, which, however, have been ably answered by professor Wilson in reply, in the Philos. Trans. for 1783. Keil observes, in his Astronomical Lectures, p. 44, "We fre­quently see spots in the sun which are larger and broader not only than Eu­rope or Africa, but which even equal, if they do not exceed, the surface of [Page 163] the whole terraqueous globe." Now that these cavities are made in the sun's body by a process of nature similar to our earthquakes, does not seem impro­bable on several accounts. 1. Because, from this discovery of Dr. Wilson, it appears that the internal parts of the sun are not in a state of inflammation or of ejecting light, like the external part or luminous ocean which covers it; and hence that a greater degree of heat or inflammation, and consequent expan­sion or explosion, may occasionally be produced in its internal or dark nucleus. 2. Because the solar spots or cavities are frequently increased or diminished in size. 3. New ones are often produced. 4. And old ones vanish. 5. Be­cause there are brighter or more luminous parts of the sun's disk, called fa­culae by Scheiner and Hevelius, which would seem to be volcanos in the sun, or, as Dr. Wilson calls them, "eructations of matter more luminous than that which covers the sun's surface." 6. To which may be added that all the planets added together, with their satellites, do not amount to more than one six hundred and fiftieth part of the mass of the sun, according to Sir Isaac Newton.

Now, if it could be supposed that the planets were originally thrown out of the sun by larger sun-quakes than those frequent ones which occasion these spots or excavations above-mentioned, what would happen? 1. Accord­ing to the observations and opinion of Mr. Herschel, the sun itself and all its planets are moving forwards round some other centre with an unknown velocity, which may be of opake matter, corresponding with the very ancient and general idea of a chaos. Whence, if a ponderous planet, as Saturn, could be supposed to be projected from the sun by an explosion, the motion of the sun itself might be at the same time disturbed in such a manner as to prevent the planet from falling again into it. 2. As the sun revolves round its own axis, its form must be that of an oblate spheroid like the earth, and therefore a body prejected from its surface perpendicularly upwards from that surface would not rise perpendicularly from the sun's centre, unless it happened to be projected exactly from either of its poles or from its equator. Whence it may not be necessary that a planet, if thus projected from the sun by explosion, should again fall into the sun. 3. They would part from the sun's surface with the velocity with which that surface was moving, and with the velocity acquired by the explosion, and would therefore move round the sun in the same direction in which the sun rotates on its axis, and perform eliptic or­bits. 4. All the planets would move the same way round the sun, from this first motion acquired at leaving its surface, but their orbits would be inclined to each other according to the distance of the part, where they were thrown out, from the sun's equator. Hence those which were ejected near the sun's equator would have orbits but little inclined to each other, as the primary pla­nets; the plain of all whose orbits are inclined but seven degrees and a half from each other. Others which were ejected near the sun's poles would have much more eccentric orbits, as they would partake so much less of the sun's rotatory motion at the time they parted from his surface, and would, therefore, be carried further from the sun by the velocity they had gained by the explosion which ejected them, and become comets. 5. They would all obey the same laws of motion in their revolutions round the sun; this has been determined by astro­nomers, [Page 164] who have demonstrated that they move through equal areas, in equal times. 6. As their annual periods would depend on the height they rose by the explosion, these would differ in them all. 7. As their diurnal revolu­tions would depend on one side of the exploded matter adhering more than the other at the time it was torn off by the explosion, these would also differ in the different planets, and not bear any proportion to their annual periods. Now, as all these circumstances coincide with the known laws of the plane­tary system, they serve to strenghten this conjecture.

This coincidence of such a variety of circumstances induced M. de Buffon to suppose that the planets were all struck off from the sun's surface by the impact of a large comet, such as approached so near the sun's disk, and with such amazing velocity, in the year 1680, and is expected to return in 2255. But Mr. Buffon did not recollect that these comets themselves are only planets with more eccentric orbits, and that therefore it must be asked, what had previously struck off these comets from the sun's body? 2. That if all these planets were struck off from the sun at the same time, they must have been so near as to have attracted each other and have formed one mass. 3. That we shall want new causes for separating the secondary planets from the primary ones, and must therefore look out for some other agent, as it does not appear how the impulse of a comet could have made one planet roll round another at the time they both of them were driven off from the surface of the sun.

If it should be asked, why new planets are not frequently ejected from the sun? it may be answered, that after many large earthquakes many vents are left for the elastic vapours to escape, and hence, by the present appear­ance of the surface of our earth, earthquakes, prodigiously larger than any recorded in history, have existed; the same circumstances may have affected the sun, on whose surface there are appearances of volcanos, as described above. Add to this, that some of the comets, and even the georgium sidus, may, for aught we know to the contrary, have been emitted from the sun in more modern days, and have been diverted from their course, and thus per­vented from returning into the sun, by their approach to some of the older planets, which is somewhat countenanced by the opinion several philosophers have maintained, that the quantity of matter of the sun has decreased. Dr. Halley observed, by comparing the proportion which the periodical time of the moon bore to that of the sun in former times, with the proportion be­tween them at present, that the moon is found to be somewhat accelerated in respect to the sun. Pemberton's View of Sir Isaac Newton, p. 247. And so large is the body of this mighty luminary, that all the planets thus thrown out of it would make scarce any perceptible diminution of it as mentioned above. The cavity mentioned above, as measured by Dr. Wilson, of 4000 miles in depth, not penetrating an hundredth part of the sun's semi-diame­ter; and yet as its width was many times greater than its depth, was large enough to contain a greater body than our terrestrial world.

I do not mean to conceal, that from the laws of gravity unsolded by Sir Isaac Newton, supposing the sun to be a sphere, and to have no progressive motion, and not liable itself to be disturbed by the supposed projection of [Page 165] the planets from it, that such planets must return into the sun. The late Rev. William Ludlam, of [...], whose genius never met with reward equal to its merits, in a letter to me, dated January, 1787, after having shewn, as mentioned above, that planets so projected from the sun would return to it, adds, ‘That a body as large as the moon so prejected, would disturb the motion of the earth in its orbit, is certain; but the calculation of such disturbing forces is difficult. The body in some circumstances might become a satellite, and both move round their common centre of gravity, and that centre be carried in an annual orbit round the sun.’

There are other circumstances which might have concurred at the time of such supposed explosions, which would render this idea not impossible. 1. The planets might be thrown out of the sun at the time the sun itself was rising from chaos, and be attracted by other suns in their vicinity rising at the same time out of chaos, which would prevent them from returning into the sun. 2. The new planet, in its course or ascent from the sun, might ex­plode and eject a satellite, or perhaps more than one, and thus, by its course being affected, might not return into the sun. 3. If more planets were ejected at the same time from the sun, they might attract and disturb each others course at the time they left the body of the sun, or very soon afterwards, when they would be so much nearer each other.

NOTE XVI.—CALCAREOUS EARTH.

While Ocean wrap'd it in his azure robe.
CANTO II. l. 34.

FROM having observed that many of the highest mountains of the world consist of lime-stone replete with shells, and that these mountains bear the marks of having been lifted up by subterraneous fires from the interior parts of the globe; and as lime-stone replete with shells is found at the bottom of many of our deepest mines, some philosophers have concluded that the nu­cleus of the earth was for many ages covered with water, which was peo­pled with its adapted animals; that the shells and bones of these animals, in a long series of time, produced solid strata in the ocean surrounding the original nucleus.

These strata consist of the accumulated exuviae of shell-fish—the animals perished age after age, but their shells remained, and, in progression of time, produced the amazing quantities of lime-stone which almost cover the earth. Other marine animals, called coralloids, raised walls, and even mountains, by the congeries of their calcareous habitations; these perpendicular coral­line rocks make some parts of the southern ocean highly dangerous, as ap­pears in the journals of Capt. Cook. From contemplating the immense strata of lime-stone, both in respect to their extent and thickness, formed from these shells of animals, philosophers have been led to conclude, that much of the water of the sea has been converted into calcareous earth, by passing through their organs of digestion. The formation of calcareous earth [Page 166] seems more particularly to be an animal process, as the formation of clay be­longs to the vegetable economy; thus the shells of crabs, and other testaceous fish, are annually re-produced from the mucous membrane beneath them; the shells of eggs are first a mucous membrane, and the calculi of the kid­neys, and those found in all other parts of our system, which sometimes con­tain calcareous earth▪ seem to originate from inflamed membranes; the bones themselves consist of calcareous earth united with the phosphoric or animal acid, which may be separated by dissolving the ashes of calcined bones in the nitrous acid; the various secretions of animals, as their saliva and urine, abound likewise with calcareous earth, as appears by the incrustations about the teeth, and the sediments of urine. It is probable that animal mucus is a previous process towards the formation of calcareous earth; and that all the calcareous earth in the world, which is seen in lime-stones, marbles, spars, alabasters, marls (which make up the greatest part of the earth's crust, as far as it has yet been penetrated), have been formed originally by animal and vegetable bodies from the mass of water, and that by these means the solid part of the terraqueous globe has perpetually been in an increasing state, and the water perpetually in a decreasing one.

After the mountains of shells, and other recrements of aquatic animals, were elevated above the water, the upper heaps of them were gradually dis­solved by rains and dews, and oozing through, were either perfectly crystal­lized in smaller cavities, and formed calcareous spar, or were imperfectly crystallized on the roofs of larger cavities, and produced stalactites; or mix­ing with other undissolved shells beneath them, formed marbles, which were more or less crystallized and more or less pure; or, lastly, after being dis­solved, the water was exhaled from them in such a manner that the external parts became solid, and, forming an arch, prevented the internal parts from approaching each other so near as to become solid, and thus chalk was pro­duced. I have specimens of chalk formed a [...] the root of several stalactites, and in their central parts; and of other stalactites, which are hollow like quills, from a similar cause, viz. from the external part of the stalactite harden­ing first by its evaporation, and thus either attracting the internal dissolved particles to the crust, or preventing them from approaching each other so as to form a solid body. Of these I saw many hanging from the arched roof of a cellar under the high street in Edinburgh.

If this dissolved lime-stone met with vitriolic acid, it was converted into alabaster, parting at the same time with its fixable air. If it met with the fluor acid, it became fluor; if with the siliceous acid, flint; and when mixed with clay and sand, or either of them, acquires the name of marl. And under one or other of these forms, composes a great part of the solid globe of the earth.

Another mode in which lime-stone appears is in the form of round granu­lated particles, but slightly cohering together; of this kind a bed extends over Lincoln heath, perhaps twenty miles long by ten wide. The form of this calcareous sand, its angles having been rubbed off, and the flatness of its bed, evince that that part of the country was so formed under water, the particles of sand having thus been rounded, like all other rounded pebbles. [Page 167] This round form of calcareous sand, and of other larger pebbles, is produced under water, partly by their being more or less soluble in water, and hence the angular parts become dissolved; first, by their exposing a larger surface to the action of the menstruum; and, secondly, from their attrition against each other by the streams or tides, for a great length of time, successively, as they were collected, and, perhaps, when some of them had not acquired their hardest state.

This calcareous sand has generally been called ketton-stone, and believed to resemble the spawn of fish; it has acquired a form so much rounder than siliceous sand, from its being of so much softer a texture, and also much more soluble in water. There are other soft calcareous stones called tupha, which are deposited from water on mosses, as at Matlock, from which moss it is probable the water may receive something which induces it the readier to part with its earth.

In some lime-stones the living animals seem to have been buried, as well as their shells, during some great convulsion of nature. These shells contain a black coaly substance within them, in others some phlogiston or volatile alkali, from the bodies of the dead animals, remains mixed with the stone, which is then called liver-stone, as it emits a sulphurous smell on being struck; and there is a stratum about six inches thick extends a considerable way over the iron-ore at Wingerworth, near Chesterfield, in Derbyshire, which seems evidently to have been formed from the shells of fresh-water muscles.

There is, however, another source of calcareous earth besides the aquatic one above described, and that is from the recrements of land animals and vegetables, as found in marls, which consist of various mixtures of calcareous earth, sand, and clay, all of them, perhaps, principally from vegetable origin.

Dr. Hutton is of opinion, that the rocks of marble have been softened by fire into a fluid mass, which, he thinks, under immense pressure, might be done without the escape of their carbonic acid or fixed air. Edinb. Trans. vol. I. If this ingenious idea be allowed, it might account for the purity of some white marbles, as during their fluid state there might be time for their partial impurities, whether from the bodies of the animals which produced the shells, or from other extraneous matter, either to sublime to the upper­most part of the stratum, or to subside to the lowermost part of it. As a confirmation of this theory of Dr. Hutton's, it may be added, that some cal­careous stones are found mixed with lime, and have thence lost a part of their fixed air, or carbonic gas, as the bath-stone, and, on that account, hardens on being exposed to the air, and, mixed with sulphur, produces cal­careous liver of sulphur. Falconer on Bath-water, vol. I. p. 156 and p. 257. Mr. Monnet found lime in powder in the mountains of Auvergne, and sus­pected it of volcanic origin. Kirwan's Min. p. 22.

[Page 168]

NOTE XVII.—MORASSES.

Gnomes! you then taught transuding dews to pass
Through time-fail'n woods, and root-inwove morass.
CANTO II. l. 115.

WHERE woods have repeatedly grown and perished, morasses are, in pro­cess of time, produced, and by their long roots, fill up the interstices till the whole becomes, for many yards deep, a mass of vegetation. This fact is cu­riously verified by an account given many years ago by the Earl of Cromar­tie, of which the following is a short abstract.

In the year 1651, the Earl of Cromartie, being then nineteen years of age, saw a plain in the parish of Lockburn covered over with a firm standing wood, which was so old that not only the trees had no green leaves upon them, but the bark was totally thrown off, which, he was there informed by the old countrymen, was the universal manner in which fir-woods termi­nated, and that in twenty or thirty years the trees would cast themselves up by the roots. About fifteen years after he had occasion to travel the same way, and observed that there was not a tree nor the appearance of a root of any of them; but in their place, the whole plain where the wood stood was covered with a flat green moss, or morass, and on asking the country people what was become of the wood, he was informed that no one had been at the trouble to carry it away, but that it had all been overturned by the wind, that the trees lay thick over each other, and that the moss or bog had overgrown the whole timber, which, they added, was occasioned by the moisture which came down from the high hills above it, and stagnated upon the plain, and that nobody could yet pass over it, which, however, his Lordship was so incautious as to attempt, and slipt up to the arm-pits. Be­fore the year 1699, that whole piece of ground was become a solid moss, wherein the peasants then dug turf or peat, which, however, was not yet of the best sort. Phil. Trans. No. 330. Abridg. vol. V. p. 272.

Morasses in great length of time undergo variety of changes, first by elu­triation, and afterwards by fermentation, and the consequent heat. 1. By water perpetually oozing through them the most soluble parts are first washed away, as the essential salts; these, together with the salts from animal recre­ments, are carried down the rivers into the sea, where all of them seem to decompose each other except the marine salt. Hence the ashes of peat con­tain little or no vegetable alkali, and are not used in the countries where peat constitutes the fuel of the lower people, for the purpose of washing linen. The second thing which is always seen oozing from morasses is iron in solution, which produces chalybeat springs, from whence depositions of ochre and variety of iron ores. The third elutriation seems to consist of ve­getable acid, which by means unknown appears to be converted into all other acids. 1. Into marine and nitrous acids as mentioned above. 2. Into vi­triolic acid, which is found in some morasses so plentifully as to preserve the bodies of animals from putrefaction which have been buried in them, and this acid, carried away by rain and dews, and meeting with calcareous earth, pro­duces [Page 169] gypsum or alabaster, with clay it produces alum, and, deprived of its vital air, produces sulphur. 3. Fluor acid, which being washed away, and meeting with calcareous earth, produces fluor or cubic spar. 4. The siliceous acid, which seems to have been disseminated in great quantity either by solu­tion in water or by solution in air, and appears to have produced the sand in the sea, uniting with calcareous earth, previously dissolved in that element, from which were afterwards formed some of the grit-stone rocks by means of a siliceous or calcareous cement. By its union with the calcareous earth of the morass, other strata of siliceous sand have been produced; and by the mixture of this with clay and lime arose the beds of marl.

In other circumstances, probably where less moisture has prevailed, mo­rasses seem to have undergone a fermentation, as other vegetable matter, new hay, for instance, is liable to do from the great quantity of sugar it con­tains. From the great heat thus produced in the lower parts of immense beds of morass, the phlogistic part, or oil, or asphaltum, becomes distilled, and rising into higher strata, becomes again condensed, forming coal-beds of greater or less purity according to their greater or less quantity of inflam­mable matter; at the same time the clay-beds become purer or less so, as the phlogistic part is more or less completely exhaled from them. Though coal and clay are frequently produced in this manner, yet I have no doubt, but that they are likewise often produced by elutriation; in situations on decli­vities the clay is washed away down into the valleys, and the phlogistic part or coal left behind; this circumstance is seen in many valleys near the beds of rivers, which are covered recently by a whitish impure clay, called wa­ter-clay. See note XIX. XX. and XXIII.

LORD CROMARTIE has furnished another curious observation on morasses in the paper above refered to. In a moss near the town of Eglin, in Murray, though there is no river or water which communicates with the moss, yet for three or four feet of depth in the moss there are little shell-fish resembling oysters, with living fish in them in great quantities, though no such fish are found in the adjacent rivers, nor even in the water pits in the moss, but only in the solid substance of the moss. This curious fact not only accounts for the shells sometimes found on the surface of coals, and in the clay above them, but also for a thin stratum of shells which sometimes exist over iron­ore.

NOTE XVIII.—IRON.

Cold waves, immersed, the glowing mass congeal,
And turn to adamant the hissing Steel.
CANTO II. l. 191.

AS iron is formed near the surface of the earth, it becomes exposed to streams of water and of air more than most other metallic bodies, and thence becomes combined with oxygene, or vital air, and appears very frequently in its calciform state, as in variety of ochres. Manganese and zinc, and [Page 170] sometimes lead, are also found near the surface of the earth, and, on that ac­count, become combined with vital air, and are exhibited in their calciform state.

The avidity with which iron unites with oxygene, or vital air, in which process much heat is given out from the combining materials, is shewn by a curious experiment of M. Ingenhouz. A fine iron wire, twisted spirally, is fixed to a cork, on the point of the spire is fixed a match made of agaric, dipped in solution of nitre; the match is then ignited, and the wire with the cork put immediately into a bottle full of vital air, the match first burns vividly, and the iron soon takes fire, and consumes with brilliant sparks till it is reduced to small brittle globules, gaining an addition of about one third of its weight by its union with vital air. Annales de Chimie. Traité de Chimie, par Lavoisier, c. iii.

STEEL.

It is probably owing to a total deprivation of vital air, which it holds with so great avidity, that iron, on being kept many hours or days in ignit­ed charcoal, becomes converted into steel, and thence acquires the faculty of being welded, when red hot, long before it melts, and also the power of be­coming hard when immersed in cold water; both which I suppose depend on the same cause, that is, on its being a worse conductor of heat than other metals; and hence the surface both acquires heat much sooner, and loses it much sooner, than the internal parts of it, in this circumstance resembling glass.

When steel is made very hot, and suddenly immerged in very cold water, and moved about in it, the surface of the steel becomes cooled first, and thus producing a kind of case or arch over the internal part, prevents that internal part from contracting quite so much as it otherwise would do, whence it becomes brittler and harder, like the glass drops called Prince Rupert's drops, which are made by dropping melted glass into cold water. This idea is countenanced by the circumstance that hardened steel is speci­fically lighter than steel which is more gradually cooled. (Nicholson's Che­mistry, p. 313.) Why the brittleness and hardness of steel or glass should keep pace, or be companions to each other, may be difficult to conceive.

When a steel spring is forcibly bent till it break, it requires less power to bend it through the first inch than the second, and less through the second than the third. The same I suppose to happen if a wire be distended till it break, by hanging weights to it. This shews that the particles may be forced from each other, to a small distance, by less power than is necessary to make them recede to a greater distance; in this circumstance, perhaps, the attraction of cohesion differs from that of gravitation, which exerts its power inversely as the squares of the distance. Hence it appears, that if the innermost particles of a steel bar, by cooling the external surface first, are kept from approaching each other so nearly as they otherwise would do, that they become in the situation of the particles on the convex side of a bent spring, and cannot be forced farther from each other except by a greater [Page 171] power than would have been necessary to have made them recede thus far. And, secondly, that if they be forced a little farther from each other they separate: this may be exemplified by laying two magnetic needles parallel to each other, the contrary poles together, then drawing them longitudinally from each other, they will slide with small force till they begin to separate, and will then require a stronger force to really separate them. Hence it appears, that hardness and brittleness depend on the same circumstance, that the particles are removed to a greater distance from each other, and thus re­sist any power more forcibly which is applied to displace them farther; this constitutes hardness. And, secondly, if they are displaced by such applied force, they immediately separate, and this constitutes brittleness.

Steel may be thus rendered too brittle for many purposes, on which ac­count artists have means of softening it again, by exposing it to certain de­grees of heat, for the construction of different kinds of tools, which is cal­led tempering it. Some artists plunge large tools in very cold water as soon as they are completely ignited, and moving them about, take them out as soon as they cease to be luminous beneath the water; they are then rubbed quickly with a file, or on sand, to clean the surface; the heat which the me­tal still retains soon begins to produce a succession of colours; if a hard tem­per be required, the piece is dipped again, and stirred about in cold water as soon as the yellow tinge appears; if it be cooled when the purple tinge appears, it becomes fit for gravers' tools, used in working upon metals; if cooled while blue, it is proper for springs. Nicholson's Chemistry, p. 313. Keir's Chemical Dictionary.

MODERN PRODUCTION OF IRON.

The recent production of iron is evinced from the chalybeate waters which flow from morasses, which lie upon gravel-beds, and which must, therefore, have produced iron after those gravel-beds were raised out of the sea. On the south side of the road between Cheadle and Okeymoor, in Staf­fordshire, yellow stains of iron are seen to penetrate the gravel from a thin morass on its surface. There is a fissure eight or ten feet wide, in a gravel­bed on the eastern side of the hollow road, ascending the hill about a mile from Trentham, in Staffordshire, leading toward Drayton, in Shropshire, which fissure is filled up with nodules of iron-ore. A bank of sods is now raised against this fissure to prevent the loose iron nodules from falling into the turnpike road, and thus this natural curiosity is at present concealed from travellers. A similar fissure, in a bed of marl, and filled up with iron nodules, and with some large pieces of flint, is seen on the eastern side of the hollow road ascending the hill from the turnpike house, about a mile from Derby, in the road towards Burton. And another such fissure, filled with iron nodes, appears about half a mile from Newton-Solney, in Derbyshire, in the road to Burton, near the summit of the hill. These collections of iron and of flint must have been produced posterior to the elevation of all those hills, and were thence evidently of vegetable or animal origin. To which should be added, that iron is found, in general, in beds either near the surface [Page 172] of the earth, or stratified with clay, coals, or argillaceous grit, which are themselves productions of the modern world, that is, from the recrements of vegetables and air-breathing animals.

Not only iron, but manganese, calamy, and even copper and lead, appear, in some instances, to have been of recent production. Iron and manganese are detected in all vegetable productions, and it is probable other metallic bodies might be found to exist in vegetable or animal matters, if we had tests to detect them in very minute quantities. Manganese and calamy are found in beds like iron near the surface of the earth, and in a calciform state, which countenances their modern production. The recent production of calamy, one of the ores of zinc, appears from its frequently incrusting calcareous spar, in its descent from the surface of the earth into the upper­most fissures of the lime-stone mountains of Derbyshire. That the calamy has been carried, by its solution or diffusion in water, into these cavities, and not by its ascent from below in form of steam, is evinced from its not only forming a crust over the dogtooth spar, but by its afterwards dissolving or destroying the sparry crystal. I have specimens of calamy in the form of dogtooth spar two inches high, which are hollow, and stand half an inch above the diminished sparry crystal on which they were formed, like a sheath a great deal too big for it; this seems to shew, that this process was carried on in water, otherwise, after the calamy had incrusted its spar, and dissolved its surface, so as to form a hollow cavern over it, it could not act further upon it except by the interposition of some medium. As these spars and ca­lamy are formed in the fissures of mountains, they must both have been formed after the elevations of those mountains.

In respect to the recent production of copper, it was before observed, in note on Canto II. l. 398, that the summit of the grit-stone mountain at Hawkstone, in Shropshire, is tinged with copper, which, from the appear­ance of the blue stains, seems to have descended to the parts of the rock be­neath. I have a calciform ore of copper consisting of the hollow crusts of cubic cells, which has evidently been formed on crystals of fluor, which it has eroded in the same manner as the calamy erodes the calcareous crystals, from whence may be deduced, in the same manner, the aqueous solution or diffusion, as well as the recent production of this calciform ore of copper.

Lead, in small quantities, is sometimes found in the fissures of coal-beds, which fissures are previously covered with spar; and sometimes in nodules of iron-ore. Of the former I have a specimen from near Caulk, in Derby­shire, and of the latter from Colebrook Dale, in Shropshire. Though all these facts shew that some metallic bodies are formed from vegetable or animal recrements, as iron, and perhaps manganese and calamy, all which are found near the surface of the earth; yet as the other metals are found only in fissures of rocks, which penetrate to unknown depths, they may be wholly or in part produced by ascending steams from subterraneous fires, as mentioned in note on Canto II. l. 398.

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SEPTARIA OF IRON-STONE.

Over some lime works at Walfall, in Staffordshire, I observed some years ago a stratum of iron earth about six inches thick, full of very large cavities; these cavities were evidently produced when the material passed from a se­mi-fluid state into a solid one; as the frit of the potters, or a mixture of clay and water, is liable to crack in drying; which is owing to the further contraction of the internal part, after the crust has become hard. These hollows are liable to receive extraneous matter, as, I believe, gypsum, and sometimes spar, and even lead; a curious specimen of the last was presented to me by Mr. Darby, of Colebrook Dale, which contains in its cavity some ounces of lead-ore. But there are other septaria of iron-stone, which seem to have had a very different origin, their cavities having been formed in cool­ing or congealing from an ignited state, as is ingeniously deduced by Dr. Hutton, from their internal structure. Edinb. Trans. vol. l. p. 246. The volcanic origin of these curious septaria, appears to me to be further evinced from their form and the places where they are found. They consist of ob­late spheroids, and are found in many parts of the earth totally detached from the beds in which they lie, as at East-Lothian, in Scotland. Two of these, which now lie before me, were found, with many others, immersed in argillaceous shale, or shiver, surrounded by broken lime-stone mountains, at Bradbourn, near Ashbourn, in Derbyshire, and were presented to me by Mr. Buxton, a gentleman of that town. One of these is about fifteen inches in its equatorial diameter, and about six inches in its polar one, and contains beautiful starlike septaria, incrusted, and in part filled with calcareous spar. The other is about eight inches in its equatorial diameter, and about four inches in its polar diameter, and is quite solid, but shews on its internal sur­face marks of different colours, as if a beginning separation had taken place. Now, as these septaria contain fifty per cent▪ of iron, according to Dr. Hut­ton, they would soften or melt into a semi-fluid globule, by subterraneous fire, by less heat than the lime-stone in their vicinity; and if they were ejected through a hole or fissure, would gain a circular motion along with their progressive one, by their greater friction or adhesion to one side of the hole. This whirling motion would produce the oblate spheroidical form which they possess, and which, as far as I know, can not in any other way be accounted for. They would then harden in the air as they rose into the colder parts of the atmosphere; and as they descended into so soft a mate­rial as shale or shiver, their forms would not be injured in their fall; and their presence in materials so different from themselves becomes accounted for.

About the tropics of the large septarium above-mentioned, are circular eminent lines, such as might have been left if it had been coarsely turned in a lath. These lines seem to consist of fluid matter, which seems to have exsuded in circular zones, as their edges appear blunted or retracted; and the septarium seems to have split easier in such sections parrallel to its equa­tor. Now, as the crust would first begin to cool and harden after its ejection in a semi-fluid state, and the equatorial diameter would become gradually en­larged [Page 174] as it rose in the air; the internal parts, being softer, would slide be­neath the polar crust, which might crack, and permit part of the semi-fluid to exsude, and it is probable the adhesion would thus become less in sections parallel to the equator. Which further confirms this idea of the produc­tion of these curious septaria. A new-cast cannon ball, red-hot, with its crust only solid, if it were shot into the air, would probably burst in its passage, as it would consist of a more fluid material than these septaria; and thus, by discharging a shower of liquid iron, would produce more dreadful combus­tion, if used in war, than could be effected by a ball which had been cooled and was heated again, since, in the latter case, the ball could not have its internal parts made hotter than the crust of it, without first losing its form.

NOTE XIX.—FLINT.

Transmute to glittering Flints her chalky lands,
Or sink on Ocean's bed in countless Sands.
CANTO II. l. 217.

1. SILICEOUS ROCKS.

THE great masses of siliceous sand which lie in rocks upon the beds of lime-stone, or which are stratified with clay, coal, and iron-ore, are evident­ly produced in the decomposition of vegetable or animal matters, as explained in the note on morasses. Hence the impressions of vegetable roots and even whole trees are often found in sand-stone, as well as in coals and iron-ore. In these sand-rocks both the siliceous acid and the calcareous base seem to be produced from the materials of the morass; for though the presence of a sili­ceous acid and of a calcareous base have not yet been separately exhibited from flints, yet from the analogy of flint to fluor, and gypsum, and marble, and from the conversion of the latter into flint, there can be little doubt of their existence.

These siliceous sand-rocks are either held together by a siliceous cement, or have a greater or less portion of clay in them, which in some acts as a ce­ment to the siliceous crystals, but in others is in such great abundance that in burning them they become an imperfect porcelain, and are then used to repair the roads, as at Chesterfield, in Derbyshire; these are called argillace­ous grit by Mr. Kirwan. In other places, a calcareous matter cements the crystals together; and in other places the siliceous crystals lie in loose strata, under the marl, in the form of white sand; as at Normington, about a mile from Derby.

The lowest beds of siliceous sand-stone, produced from morasses, seem to obtain their acid from the morass, and their calcareous base from lime­stone on which it rests. These beds possess a siliceous cement, and from their greater purity and hardness are used for coarse grinding-stones and scythe stones, and are situated on the edges of lime-stone countries, having lost the other strata of coals, or clay, or iron, which were originally produced [Page 175] above them. Such are the sand-rocks incumbent on lime-stone near Mat­lock, in Derbyshire. As these siliceous sand-rocks contain no marine pro­ductions scattered amongst them, they appear to have been elevated, torn to pieces, and many fragments of them scattered over the adjacent country, by explosions, from fires within the morass from which they have been formed, and which dissipated every thing inflammable above and beneath them, except some stains of iron with which they are in some places spotted. If these sand­rocks had been accumulated beneath the sea, and elevated along with the beds of lime-stone on which they rest, some vestiges of marine shells, either in their siliceous or calcareous state, must have been discerned amongst them.

2. SILICEOUS TREES.

In many of these sand-rocks are found the impressions of vegetable roots, which seem to have been the most unchangeable parts of the plant, as shells and shark's teeth are found in chalk beds, from their being the most un­changeable parts of the animal. In other instances the wood itself is pene­trated, and whole trees converted into flint; specimens of which I have by me, from near Coventry, and from a gravel-pit in Shropshire, near Child's Archal, in the road to Drayton. Other polished specimens of vegetable flints abound in the cabinets of the curious, which evidently shew the con­centric circles of woody fibres, and their interstices filled with whiter silice­ous matter, with the branching off of the knots when cut horizontally, and the parallel lines of wood when cut longitudinally, with uncommon beauty and variety. Of these I possess some beautiful specimens, which were pre­sented to me by the Earl of Uxbridge.

The colours of these siliceous vegetables are generally brown, from the iron, I suppose, or mangenese, which induced them to crystalize or to fuse more easily. Some of the cracks of the wood in drying are filled with white flint or calcedony, and others of them remain hollow, lined with innumera­ble small crystals, tinged with iron, which I suppose had a share in convert­ing their calcareous matter into siliceous crystals, because the crystals called Peak-diamonds are always found bedded in an ochreous earth; and those called Bristol-stones are situated on lime-stone coloured with iron. Mr. F. French presented me with a congeries of siliceous crystals, which he gather­ed on the crater (as he supposes) of an extinguished volcano at Cromach Water, in Cumberland. The crystals are about an inch high, in the shape of dogtooth or calcareous spar, covered with a dark ferruginous matter. The bed on which they rest is about an inch in thickness, and is stained with iron on its under surface. This curious fossil shews the transmutation of cal­careous earth into siliceous, as much as the siliceous shells which abound in the cabinets of the curious. There may some time be discovered in this age of sci­ence, a method of thus impregnating wood with liquid flint, which would produce pillars for the support, and tiles for the covering of houses, which would be uninflammable and endure as long as the earth beneath them.

That some siliceous productions have been in a fluid state without much heat at the time of their formation, appears from the vegetable flints above de­scribed [Page 176] not having quite lost their organized appearance; from shells, and coralloids, and entrochi being converted into flint without losing their form; from the bason of calcedony round Giefar, in Iceland, and from the experi­ment of Mr. Bergman, who obtained thirteen regular formed crystals by suffering the powder of quartz to remain in a vessel with fluor acid for two years; these crystals were about the size of small peas, and were not so hard as quartz. Opusc. de Terrâ Siliceâ, p. 33. Mr. Achard procured both calcareous and siliceous crystals, one from calcareous earth, and the other from the earth of alum, both dissolved in water impregnated with fix­ed air; the water filtrating very slowly through a porous bottom of baked clay. See Journal de Physique, for January, 1778.

3. AGATES, ONYXES, SCOTS-PEBBLES.

In small cavities of these sand-rocks, I am informed, the beautiful siliceous nodules are found which are called Scots-pebbles; and which, on being cut in different directions, take the names of agates, onyxes, sardonyxes, &c. according to the colours of the lines or strata which they exhibit. Some of the nodules are hollow and filled with crystals, others have nucleus of less compact siliceous matter, which is generally white, surrounded with many concentric strata, coloured with iron, and other alternate strata of white agate or calcedony, sometimes to the number of thirty.

I think these nodules bear evident marks of their having been in perfect fusion by either heat alone, or by water and heat, under great pressure, ac­cording to the ingenious theory of Dr. Hutton; but I do not imagine, that they were injected into cavities from materials from without, but that some vegetables or parts of vegetables containing more iron or manganese than others, facilitated the complete fusion, thus destroying the vestiges of vege­table organization, which were conspicuous in the siliceous trees above-men­tioned. Some of these nodules being hollow and lined with crystals, and others containing a nucleus of white siliceous matter of a looser texture, shew they were composed of the materials then existing in the cavity; which consisting before of loose sand, must take up less space when fused into a solid mass.

These siliceous nodules resemble the nodules of iron-stone mentioned in note on Canto II. l. 183, in respect to their possessing a great number of concentric spheres, coloured generally with iron; but they differ in this cir­cumstance, that the concentric spheres generally obey the form of the exter­nal crust, and in their not possessing a chalybeate nucleus. The stalactites formed on the roofs of caverns are often coloured in concentric strata, by their coats being spread over each other at different times; and some of them, as the cupreous ones, possess great beauty from this formation; but as these are necessarily more or less of a cylindrical of conic form, the nodu­les or globular flints above described cannot have been constructed in this manner. To what law of nature then is to be referred the production of such numerous concentric spheres? I suspect to the law of congelation.

When salt and water are exposed to severe frosty air, the salt is said to be [Page 177] precipitated as the water freezes; that is, as the heat in which it was dissolv­ed is withdrawn: where the experiment is tried in a bowl or bason, this may be true, as the surface freezes first, and the salt is found at the bot­tom. But in a fluid exposed in a thin phial, I found, by experiment, that the extraneous matter previously dissolved by the heat, in the mixture, was not simply set at liberty to subside, but was detruded or pushed backward as the ice was produced. The experiment was this: about two ounces of a so­lution of blue vitriol were accidentally frozen in a thin phial, the glass was cracked and fallen to pieces, the ice was dissolved, and I found a pillar of blue vitriol standing erect on the bottom of the broken bottle. Nor is this power of congelation more extraordinary than that, by its powerful and sud­den expansion, it should burst iron shells and coehorns, or throw out the plugs with which the water was secured in them, above one hundred and thirty yards, according to the experiments at Quebec, by Major Williams. Edinb. Transact. vol. II. p. 23.

In some siliceous nodules, which now lie before me, the external crust for about the tenth of an inch consists of white agate, in others it is much thinner, and in some much thicker; corresponding with this crust there are from twenty to thirty superincumbent strata, of alternately darker and lighter colour; whence it appears, that the external crust, as it cooled or froze, pro­pelled from it the iron or manganese which was dissolved in it; this receded till it had formed an arch or vault strong enough to resist its further protru­sion; then the next inner sphere or stratum, as it cooled or froze, propelled forwards its colouring matter in the same manner, till another arch or sphere produced sufficient resistance to this frigorescent expulsion. Some of them have detruded their colouring matter quite to the centre, the rings continu­ing to become darker as they are nearer it; in others the chalybeate arch seems to have stopped half an inch from the centre, and become thicker by having attracted to itself [...] irony matter from the white nucleus, owing probably to its cooling [...] in the central parts than at the surface of the pebble.

[...] similar [...] of a marly matter, in circular arches or vaults, obtains in the salt mines in Cheshire; from whence Dr. Hutton very ingeniously concludes, that the salt must have been liquified by heat, which would seem to be much confirmed by the above theory. Edinb. Trans. vol. I. p. 244.

I cannot conclude this account of Scots-pebbles without observing, that some of them, on being sawed longitudinally asunder, seem still to possess some vestiges of the cylindrical organization of vegetables; others possess a nucleus of white agate, much resembling some bulbous roots, with their con­centric coats, or the knots in elm-roots or crab-trees; some of these, I sup­pose, were formed in the manner above explained, during the congelation of masses of melted flint and iron; others may have been formed from a ve­getable nucleus, and retain some vestiges of the organization of the plant.

[Page 178]

4. SAND OF THE SEA.

The great abundance of siliceous sand at the bottom of the ocean may, in part, be washed down from the siliceous rocks above described; but, in gene­ral, I suppose it derives its acid only from the vegetable and animal matter of morasses, which is carried down by floods or by the atmosphere, and be­comes united in the sea with its calcareous base, from shells and coralloids, and thus assumes its crystalline form at the bottom of the ocean, and is there intermixed with gravel, or other matters, washed from the mountains in its vicinity.

5. CHERT, OR PETROSILEX.

The rocks of marble are often alternately intermixed with strata of chert, or coarse flint, and this in beds from one to three feet thick, as at Ilam and Matlock, or of less than the tenth of an inch in thickness, as a mile or two from Bakewell, in the road to Buxton. It is difficult to conceive in what manner ten or twenty strata of either lime-stone or flint, of different shades of white and black, could be laid quite regularly over each other from sedi­ments, or precipitations from the sea; it appears to me much easier to com­prehend, by supposing, with Dr. Hutton, that both the solid rocks of mar­ble and the flint had been fused by great heat (or by heat and water), under immense pressure; by its cooling, or congealing, the colouring matter might be detruded, and form parallel or curvilinear strata, as above explained.

The colouring matter, both of lime-stone and flint, was probably owing to the flesh of peculiar animals, as well as the siliceous acid, which converted some of the lime-stone into flint; or to some strata of shell-fish having been overwhelmed, when alive, with new materials, while others, dying in their natural situations, would lose their fleshy part, either by its putrid solution in the water, or by its being eaten by other sea insects. I have some calca­reous fossil shells which contain a black coaly matter in them, which was evidently the body of the animal, and others of the same kind filled with spar instead of it. The Labradore stone has, I suppose, its colours from the nacre, or mother-pearl shells, from which it was probably produced. And there is a stratum of calcareous matter about six or eight inches thick, at Wingerworth, in Derbyshire, over the iron-beds, which is replete with shells of fresh-water muscles, and evidently obtains its dark colour from them, as mentioned in note XVI. Many nodules of flint resemble, in colour, as well in form, the shells of the echinus, or sea-urchin; others resemble some co­ralloids, both in form and colour; and M. Arduini found in the Monte de Pancrasio, red flints branching like corals, from whence they seem to have obtained both their form and their colour. Ferber's Travels in Italy, p. 42.

[Page 179]

6. NODULES OF FLINT IN CHALK-BEDS.

As the nodules of flint found in chalk-beds possess no marks of having been rounded by attrition or solution, I conclude that they have gained their form, as well as their dark colour, from the flesh of the shell-fish from which they had their origin; but which have been so completely fused by heat, or heat and water, as to obliterate all vestiges of the shell, in the same manner as the nodules of agate and onyx were produced from parts of vegetables, but which had been so completely fused as to obliterate all marks of their organization, or as many iron-nodules have obtained their form and origin from peculiar vegetables.

Some nodules in chalk-beds consist of shells of echini filled up with chalk, the animal having been dissolved away by putrescence in water, or eaten by other sea insects; other shells of echini, in which I suppose the animal's body remained, are converted into flint, but still retain the form of the shell. Others, I suppose, as above, being more completely fused, have become flint­coloured by the animal flesh, but without the exact form either of the flesh or shell of the animal. Many of these are hollow within, and lined with crystals, like the Scots-pebbles above described; but as the colouring matter of animal bodies differs little from each other compared with those of vege­tables, these flints vary less in their colours than those above-mentioned. At the same time as they cooled in concentric spheres, like the Scots-pebbles, they often possess faint rings of colours, and always break in conchoide forms like them.

This idea of the productions of nodules of flint in chalk-beds, is counte­nanced from the iron which generally appears as these flints become decom­posed by the air, which, by uniting with the iron in their composition, re­duces it from a vitrescent state to that of calx, and thus renders it visible. And, secondly, by there being no appearance in chalk-beds of a string or pipe of siliceous matter connecting one nodule with another, which must have happened if the siliceous matter, or its acid, had been injected from without, according to the idea of Dr. Hutton. And, thirdly, because many of them have very large cavities at their centres, which should not have happened had they been formed by the injection of a material from without.

When shells or chalk are thus converted from calcareous to siliceous mat­ter by the flesh of the animal, the new flint being heavier than the shell or chalk, occupies less space than the materials it was produced from; this is the cause of frequent cavities within them, where the whole mass has not been completely fused and pressed together. In Derbyshire there are masses of coralloid and other shells which have become siliceous, and are thus left with large vacuities, sometimes within and sometimes on the outside of the remaining form of the shell, like the French mill-stones, and, I suppose, might serve the same purpose; the gravel of the Derwent is full of speci­mens of this kind.

Since writing the above, I have received a very ingenious account of chalk-beds from Dr. Menish, of Chelmsford. He distinguishes chalk-beds [Page 180] into three kinds; such as have been raised from the sea with little disturb­ance of their strata, as the cliffs of Dover and Margate, which he terms in­tire chalk. Another state of chalk is where it has suffered much derangement, as the hanks of the Thames at Gravesend and Dartford. And a third state, where fragments of chalk have been rounded by water, which he terms al­luvial chalk. In the first of these situations of chalk he observes, that the flint lies in strata horizontally, generally in distinct nodules, but that he has observed two instances of solid plates or strata of flint, from an inch to two inches in thickness, interposed between the chalk-beds; one of these is in a chalk-bank by the road side, at Berkhamstead, the other in a bank on the road from Chatham leading to Canterbury. Dr. Menish has further ob­served, that many of the echini are crushed in their form, and yet filled with flint, which has taken the form of the crushed shell, and that though many flint nodules are hollow, yet that in some echini the siliceum seems to have enlarged as it passed from a fluid to a solid state, as it swells out in a protuberance at the mouth and anus of the shell, and that though these shells are so filled with flint, yet that in many places the shell itself remains calcareous. These strata of nodules and plates of flint seem to countenance their origin from the flesh of a stratum of animals which perished by some natural violence, and were buried in their shells.

7. ANGLES OF SILICEOUS SAND.

In many rocks of siliceous sand the particles retain their angular form, and in some beds of loose sand, of which there is one of considerable purity a few yards beneath the marl at Normington, about a mile south of Derby. Other siliceous sands have had their angles rounded off, like the pebbles in gravel-beds. These seem to owe their globular form to two causes; one to their attrition against each other, when they may for centuries have lain at the bottom of the sea, or of rivers, where they may have been progressively accumulated, and thus progressively at the same time rubbed upon each other by the dashing of the water, and where they would be more easily rolled over each other by their gravity being so much less than in air. This is evidently now going on in the river Derwent; for though there are no lime­stone rocks for ten or fifteen miles above Derby, yet a great part of the ri­ver-gravel at Derby consists of lime-stone nodules, whose angles are quite worn off in their descent down the stream.

There is, however, another cause which must have contributed to round the angles both of calcareous and siliceous fragments, and that is, their solu­bility in water; calcareous earth is perpetually found suspended in the wa­ters which pass over it; and the earth of flints was observed by Bergman to be contained in water in the proportion of one grain to a gallon. Kir­wan's Mineralogy, p. 107. In boiling water, however, it is soluble in much greater proportion, as appears from the siliceous earth sublimed in the dis­tillation of fluor acid in glass vessels, and from the basons of calcedony which surrounded the jets of hot water near Mount Hecla, in Iceland. Troil on Iceland. It is probable most siliceous sands or pebbles have, at some ages of [Page 181] the world, been long exposed to aqueous steams raised by subterranean fires. And if fragments of stone were long immersed in a fluid menstruum, their angular parts would be first dissolved, on account of their greater surface.

Many beds of siliceous gravel are cemented together by a siliceous cement, and are called breccia, as the plumb-pudding stones of Hartfordshire, and the walls of a subterraneous temple excavated by Mr. Curzon, at Hagley, near Rugely, in Staffordshire; these may have been exposed to great heat as they were immersed in water, which water, under great pressure of super­incumbent materials, may have been rendered red-hot, as in Papin's digester; and have thus possessed powers of solution with which we are unacquainted.

BASALTES AND CRANITES.

Another source of siliceous stones is from the granite, or basaltes, or por­phyries, which are of different hardnesses, according to the materials of their composition, or to the fire they have undergone; such are the stones of Ar­thur's-hill, near Edinburgh; of the Giant's Causeway, in Ireland; and of Charnwood Forest, in Leicestershire; the uppermost stratum of which last seems to have been cracked either by its elevation, or by its hastily cooling, after ignition, by the contact of dews or snows, and thus breaks into angu­lar fragments, such as the streets of London are paved with, or have had their angles rounded by attrition, or by partial solution; and have thus formed the common paving stones, or bowlers, as well as the gravel, which is often rolled into strata amid the siliceous sand-beds, which are either formed or collected in the sea.

In what manner such a mass of crystallized matter as the Giant's Cause­way, and similar columns of basaltes, could have been raised without other volcanic appearances, may be a matter not easy to comprehend; but there is another power in nature besides that of expansile vapour, which may have raised some materials which have previously been in igneous or aqueous so­lution; and that is the act of congelation. When the water, in the experi­ments above related of Major Williams, had, by congelation, thrown out the plugs from the bomb-shells, a column of ice rose from the hole of the bomb six or eight inches high. Other bodies, I suspect, increase in bulk, which crystallize in cooling, as iron and type-metal. I remember pouring eight or ten pounds of melted brimstone into a pot to cool, and was sur­prized to see, after a little time, a part of the fluid beneath break a hole in the congealed crust above it, and gradually rise into a promontory several inches high; the basaltes has many marks of fusion and of crystallization, and may thence, as well as many other kinds of rock, as of spar, marble, petrosilex, jasper, &c. have been raised by the power of congelation, a power whose quantity has not yet been ascertained, and, perhaps, greater and more universal than that of vapours expanded by heat. These basaltic columns rise sometimes out of mountains of granite itself, as mentioned by Dr. Bed­does, (Phil. Trans. vol. LXXX.) and as they seem to consist of similar ma­terials, more completely fused, there is still greater reason to believe them to have been elevated in the cooling or crystallization of the mass. See note XXIV.

[Page 182]

NOTE XX.—CLAY.

Hence ductile Clays in wide expansion spread,
Soft as the Cygnet's down, their snow-white bed.
CANTO II. l. 277.

THE philosophers who have attended to the formation of the earth, have acknowledged two great agents in producing the various changes which the terraqueous globe has undergone, and these are water and fire. Some of them have, perhaps, ascribed too much to one of these great agents of na­ture, and some to the other. They have generally agreed, that the strati­fication of materials could only be produced from sediments or precipita­tions, which were previously mixed or dissolved in the sea; and that what­ever effects were produced by fire, were performed afterwards.

There is, however, great difficulty in accounting for the universal strati­fication of the solid globe of the earth in this manner, since many of the materials, which appear in strata, could not have been suspended in water; as the nodules of flint in chalk-beds, the extensive beds of shells; and, lastly, the strata of coal, clay, sand, and iron-ore, which, in most coal-countries, lie from five to seven times alternately stratified over each other, and none of them are soluble in water. Add to this, if a solution of them, or a mixture of them in water, could be supposed, the cause of that solution must cease be­fore a precipitation could commence.

1. The great masses of lava, under the various names of granite, por­phyry, toad-stone, moor-stone, rag, and slate, which constitute the old world, may have acquired the old stratification, which some of them appear to possess, by their having been formed by successive eruptions of a fluid mass, which, at different periods of ancient time, arose from volcanic shafts and covered each other, the surface of the interior mass of lava would cool, and become solid, before the superincumbent stratum was poured over it; to the same cause may be ascribed their different compositions and textures, which are scarcely the same in any two parts of the world.

2. The stratifications of the great masses of lime-stone, which were produced from sea-shells, seem to have been formed by the different times at which the innumerable shells were produced and deposited. A colony of echini, or madrepores, or cornua ammonis, lived and perished in one period of time; in another, a new colony of either similar or different shells lived and died over the former ones, producing a stratum of more recent shells over a stratum of others which had begun to petrify, or to become marble; and thus, from unknown depths to what are now the summits of mountains, the lime-stone is disposed in strata of varying solidity and colour. These have afterwards undergone variety of changes by their solution and deposition from the water in which they were immersed, or from having been exposed to great heat under great pressure, according to the ingenious theory of Dr. Hutton. Edinb. Transact. vol. I. See Note XVI.

3. In most of the coal-countries of this island, there are from five to seven beds of coal stratified, with an equal number of beds, though of much greater [Page 183] thickness, of clay and sand-stone, and occasionally of iron-ores. In what manner to account for the stratification of these materials seems to be a problem of great difficulty. Philosophers have generally supposed that they have been arranged by the currents of the sea; but considering their insolubility in water, and their almost similar specific gravity, an accumula­tion of them in such distinct beds from this cause is altogether inconceivable, though some coal-countries bear marks of having been, at some time, im­mersed beneath the waves, and raised again by subterranean fires.

The higher and lower parts of morasses were necessarily produced at dif­ferent periods of time, see Note XVII. and would thus originally be formed in strata of different ages. For when an old wood perished, and produced a morass, many centuries would elapse before another wood could grow, and perish again, upon the same ground, which would thus produce a new stra­tum of morass over the other, differing, indeed, principally in its age, and, perhaps, as the timber might be different, in the proportion of its compo­nent parts.

Now, if we suppose the lowermost stratum of a morass become ignited, like fermenting hay (after whatever could be carried away by solution in water was gone), what would happen? Certainly the inflammable part, the oil, sulphur, or bitumen, would burn away, and be evaporated in air; and the fixed parts would be left, as clay, lime, and iron; while some of the cal­careous earth would join with the siliceous acid, and produce sand; or with the argillaceous earth, and produce marl. Thence, after many centuries, another bed would take fire, but with less degree of ignition, and with a greater body of morass over it; what then would happen? The bitumen and sulphur would rise, and might become condensed under an impervious stra­tum, which might not be ignited, and there form coal of different purities, according to its degree of fluidity, which would permit some of the clay to subside through it into the place from which it was sublimed.

Some centuries afterwards another similar process might take place, and either thicken the coal-bed, or produce a new clay-bed, or marl, or sand, or deposit iron upon it, according to the concomitant circumstances above­mentioned.

I do not mean to contend, that a few masses of some materials may not have been rolled together by currents, when the mountains were much more elevated than at present, and, in consequence, the rivers broader and more rapid, and the storms of rain and wind greater both in quantity and force. Some gravel-beds may have been thus washed from the mountains; and some white clay washed from morasses into valleys beneath them; and some ochres of iron dissolved and again deposited by water; and some calcareous depositions from water (as the bank, for instance, on which stand the houses at Matlock-bath); but these are all of small extent or consequence compared to the primitive rocks of granite or porphyry which form the nucleus of the earth or to the immense strata of lime-stone which crust over the greatest part of this granite or porphyry; or, lastly, to the very extensive beds of clay, marl, sand-stone, coal, and iron, which were probably for many mil­lions of years the only parts of our continents and islands, which were then [Page 184] elevated above the level of the sea, and which, on that account, became covered with vegetation, and thence acquired their later or superincumbent strata, which constitute what some have termed the new world.

There is another source of clay, and that of the finest kind, from decom­posed granite; this is of a snowy white, and mixed with shining particles of mica; of this kind is an earth from the country of Cherokees. Other kinds are from less pure lavas; Mr. Ferber asserts that the sulphurous steams from Mount Vesuvius convert the lava into clay.

"The lavas of the ancient Solfatara volcano have been undoubtedly of a vitreous nature, and these appear at present argillaceous. Some fragments of this lava are but half, or at one side changed into clay, which either is viscid or ductile, or hard and stony. Clays, by fire, are deprived of their coherent quality, which cannot be restored to them by polverization, nor by humectation. But the sulphureous Solfatara steams restore it, as may be easily observed on the broken pots wherein they gather the sal ammoniac; though very well baked and burnt at Naples, they are mollified again by the acid steams into a viscid clay, which keeps the former fire-burnt colour." Travels in Italy. p. 156.

NOTE XXI.—ENAMELS.

Smear'd her huge dragons with metallic bues,
With golden purples, and cobaltic blues.
CANTO II. l. 287.

THE fine bright purples or rose colours which we see on china cups, are not producible with any other material except gold; manganese indeed gives a purple, but of a very different kind.

In Europe, the application of gold to these purposes, appears to be of mo­dern invention. Cassius's discovery of the precipitate of gold by tin, and the use of that precipitate for colouring glass and enamels, are now gene­rally known; but though the precipitate with tin be more successful in pro­ducing the ruby glass, or the colourless glass, which becomes red by sub­sequent ignition, the tin probably contributing to prevent the gold from separating (which it is very liable to do during the fusion); yet, for ena­mels, the precipitates made by alkaline salts answer equally well, and give a finer red; the colour produced by the tin precipitate being a bluish purple, but with the others a rose red. I am informed that some of our best artists prefer aurum fulminans, mixing it, before it has become dry, with the white composition, or enamel flux; when once it is divided by the other matter, it is ground with great safety, and without the least danger of explosion, whether moist or dry. The colour is remarkably improved and brought forth by long grinding, which accordingly makes an essential circumstance in the process.

The precipitates of gold, and the colcothar, or other red preparations of iron, are called tender colours. The heat must be no greater than is just [Page 185] sufficient to make the enamel run upon the piece, for if greater, the colours will be destroyed or changed to a different kind. When the vitreous mattes has just become fluid, it seems as if the coloured matallic calx remained barely intermixed with it, like a coloured powder of exquisite tennity suspended in water; but by stronger fire the calx is dissolved, and metallic colours are altered by solution in glass, as well as in acids or alkalies.

The Saxon mines have, till very lately, almost exclusively supplied the rest of Europe with cobalt, or rather with its preparations, [...]affire and smalt, for the exportation of the ore itself is there a capital crime. Hungary, Spain, Sweden, and some other parts of the continent, are now said to afford, cobalts equal to the Saxon, and specimens have been discovered in our own island, both in Cornwall and in Scotland, but hitherto in no great quantity.

Calces of cobalt and of copper differ very materially from those above, mentioned in their application for colouring enamels. In those the calx has previously acquired the intended colour, a colour which hears a red heat, without injury, and all that remains in to fix it on the piece by a vitreous, flux. But the blue colour of cobalt, and the green or bluish green of cop­per, are produced by vitrification, that is, by solution in the glass, and a strong fire is necessary for their perfection. These calces, therefore, when mixed with the enamel flux, are melted in crucibles, once or oftener, and the deep coloured opake glass, thence resulting, is ground into impalpable pow­der, and used for enamel. One part of either of these calces is put to ten, sixteen, or twenty parts of the flux, according to the depth of colour required. The heat of the enamel-kiln is only a full red, such as is marked on Mr. Wedgwood's thermometer 6 degrees. It is therefore necessary that the flux be so adjusted as to melt in that low heat. The usual materials are flint or flint-glass, with a due proportion of red-led, or borax, or both, and some­times a little tin calx to give opacity.

Ka- [...]-lin is the name given by the Chinese to their porcelain clay, and pe-tun-tse to the other ingredient in their China ware. Specimens of both these have been brought into England, and found to agree in quality with some of our own materials. Kaolin is the very same with the clay called in Cornwall [...] and the petuntse is a granite similar to the Cornish moor-stone. There are differences, both in the Chinese petuntses, and the English moor-stones; all of them contain micaceous and quartzy particles, in greater or less quantity, along with feltspat, which last is the essential ingredient for the porcelain manufactory. The only injurious material com­monly found in them is iron, which discolours the ware in porportion to its quantity, and which our moor-stones are, perhaps, more frequently tainted with than the Chinese. Very fine porcelain has been made from English mate­rials, but the nature of the manufacture renders the process precarious and the profit hazardous; for the semi-vitrification, which constitutes porcelain, is necessarily accompanied with a degree of softness or semi-fusion, so that the vessels are liable to have their forms altered in the kiln, or to run toge­ther with any accidental augmentations of the fire.

[Page 186]

NOTE XXII.—PORTLAND VASE.

Or bid Mortality rejoice and mourn
O'er the fine forms on Portland's mystic urn.
CANTO II. l. 319

THE celebrated funeral vase, long in possession of the Barberini family, and lately purchased by the Duke of Porland for a thousand guineas, is about ten inches high, and fix in diameter in the broadest part. The figures are of most exquisite workmanship in has relief, of white opake glass, raised on a ground of deep blue glass, which appears black, except when held against the light. Mr. Wedgwood is of opinion, from many circumstances, that the figures have been made by cutting away the external crust of white opake glass, in the manner the finest cameos have been produced, and that it must thence have been the labour of a great many years. Some antiqua­rians, have placed the time of its production many centuries before the chris­tian aera, as sculpture was said to have been declining, in respect to its ex­cellence, in the time of Alexander the Great. See an account of the Bar­berini, or Portland vase, by M. D'Hancarville, and by Mr. Wedgwood.

Many opinions and conjectures have been published concerning the figures on this celebrated vase. Having carefully examined one of Mr. Wedg­wood's beautiful copies of this wonderful production of art, I shall add one more conjecture to the number.

Mr. Wedgwood has well observed, that it does not seem probable that the Portland vase was purposely made for the ashes of any particular person deceased, because many years must have been necessary for its production. Hence it may be concluded, that the subject of its embellishments is not private history, but of a general nature. This subject appears to me to be well chosen, and the story to be finely told; and that it represents what in ancient times engaged the attention of philosophers, poets, and heroes; I mean a part of the Eleusinian mysteries.

These mysteries were invented in Egypt, and afterwards transferred to Greece, and flourished more particularly at Athens, which was, at the same time, the seat of the fine arts. They consisted of scenical exhibitions, re­presenting and inculcating the expectation of a future life after death, and, on this account, were encouraged by the government, in so much that the Athe­nian laws punished a discovery of their secrets with death. Dr. Warbur­ton has, with great learning and ingenuity, shewn, that the descent of AEneas into hell, described in the sixth Book of Virgil, is a poetical account of the representations of the future state in the Eleusinian mysteries. Divine Le­gation, vol. I. p. 210.

And though some writers have differed in opinion from Dr. Warburton on this subject, because Virgil has introduced some of his own heroes into the Elysian fields, as Deiphobus, Palinurus, and Dido, in the same manner as Homer had done before him; yet it is agreed, that the received notions about a future state were exhibited in these mysteries; and as these poets described those received notions, they may be said, as far as these religious doctrines were concerned, to have described the mysteries.

[Page]

The first Compartment.

[Page 187] Now, as these were emblematic exhibitions, they must have been as well adapted to the purposes of sculpture as of poetry, which, indeed, does not seem to have been uncommon, since one compartment of figures in the shield of AEneas represented the regions of Tartares. [...] Lib. X. The procession of torches, which, according to M. De. St. Croix, was exhibited in these mysteries, is still to be seen in basso relieve, discovered by Span and Wheler. Memoires fur le Mysaeres per De. St. Croix. 1784. And it is very probable that the beautiful gem representing the marriage of Cupid and Psyche, as described by Apuleus, was originally descriptive of another part of the exhibitions in these mysteries, though afterwards it became a common subject of ancient art. See Divine Legat. vol. I. p. 323. What subject could have been imagined so sublime for the [...] of a funeral urn, as the mortality of all things, and their resuscitation? Where could the designer be supplied with emblems for this purpose, before the Christian aera, but from the Eleusinian mysteries?

1. The exhibitions of the mysteries were of two kinds—these which the people were permitted to see, and those which were only shewn to the ini­tiated. Concerning the latter, Aristides calls them "the most shocking and most ravishing representations." And Stob [...]us asserts, that the initiation into the grand mysteries exactly resembles death. Divine Legat. vol. 1. p. 280, and p. 272. And Virgil, in his entrance to the shades below, amongst other things of terrible form, mentions death. AEn. VI. This part of the exhibition seems to be represented in one of the compartments of the Port­land vase.

Three figures of exquisite workmanship are placed by the side of a ruined column, whose capital is fallen off, and lies at their feet with other disjointed stones, they sit on loose piles of stone, beneath a tree, which has not the leaves of any evergreen of this climate, but may be supposed to be an elm, which Virgil places near the entrance of the infernal regions, and adds, that a dream was believed to dwell under every leaf to it. AEn. VI. l. 281. In the midst of this group reclines a female figure in a dying attitude, in which extreme languor is beautiful represented; in her hand is an inverted torch, an ancient emblem of extinguished life; the elbow of the same arm resting on a stone, supports her as she sinks, while the other hand is raised, and thrown over her drooping head, in some measure sustaining it, and gives, with great art, the idea of fainting lassitude. On the right of her sits a man, and on the left a woman, both supporting themselves on their arms, as people are liable to do when they are thinking intensely. Then have their backs towards the dying figure, yet with their faces turned towards her, as if seriously contemplating her situation, but without stretching out their hands to assist her.

This central figure, then, appears to me to be an hieroglyphic, or Eleusi­nian emblem of MORTAL LIFE, that is, the lethum, or death, mentioned by Virgil amongst the terrible things exhibited at the beginning of the myste­ries. The inverted torch shews the figure to be emblematic; if it had been designed to represent a real person in the act of dying, there had been no necessity for the expiring torch, as the dying figure alone would have been [Page 188] sufficiently intelligible;—it would have been as absurd as to have put an in­verted torch into the hand of a real person at the time of his expiring. Be­sides, if this figure had represented a real dying person, would not the other figures, or one of them at least, have stretched out a hand to support her, to have cased her fall among loose stones, or to have smoothed her pillow? These circumstances evince that the figure is an emblem, and, therefore, could not be a representation of the private history of any particular family [...] event.

The man and woman on each side of the dying figure must be considered as emblems, both from their similarity of situation and dress to the middle figure, and their being grouped along with it. These, I think, are hierogly­phic or Eleusinian emblems of HUMANKIND, with their backs toward the dy­ing figure of MORTAL LIFE, unwilling to associate with her, yet turning back their serious and attentive countenances, curious indeed to behold, yet sorry to contemplate their latter end. These figures bring strongly to one's mind the Adam and Eve of sacred writ, whom some have supposed to have been allegorical or hieroglyphic persons of Egyptian origin, but of more ancient date; amongst whom, I think, is Dr. Warburton. According to this opi­nion, Adam and Eve were the names of two hieroglyphic figures, represent­ing the early state of mankind; Abel was the name of an hieroglyphic fi­gure, representing the age of pasturage; and Cain, the name of another hie­roglyphic symbol, representing the age of agriculture; at which time the uses of iron were discovered. And as the people who cultivated the earth, and built houses, would increase in numbers much faster by their greater pro­duction of food, they would readily conquer or destroy the people who were sustained by pasturage, which was typified by Cain slaying Abel.

2. On the other compartment of this celebrated vase, is exhibited an em­blem of immortality, the representation of which was well known to con­stitute a very principal part of the shews at the Eleusinian mysteries, as Dr. Warburton has proved by variety of authority. The habitation of spi­rits or ghosts, after death, was supposed by the ancients to be placed beneath the earth, where Pluto reigned, and dispensed rewards or punishments. Hence the first figure in this group is of the MANES, or GHOST, who, hav­ing passed through an open portal, is descending into a dusky region, point­ing his toe with timid and unsteady step, feeling, as it were, his way in the gloom. This portal AEneas enters, which is described by Virgil,—patet arti janua Ditls, AEn. VI. l. 126; as well as the easy descent,—facilis de­scensus Averni. Ib. The darkness at the entrance to the shades is humor­ously described by Lucian. Div. Legat. vol. I. p. 241. And the horror of the gates of hell was, in the time of Homer, become a proverb. Achilles says to Ulysses, "I hate a lyar worse than the gates of hell;" the same ex­pression is used in Isaiah, ch. xxxviii. v. 10. The MANES, or GHOST, appears lingering and fearful, and wishes to drag after him a part of his mortal garment, which, however, adheres to the side of the portal through which he has passed. The beauty of this allegory would have been expressed by Mr. Pope, by "we feel the ruling passion strong in death."

A little lower down in the group, the manes, or ghost, is received by a [Page]

The second Compartment.

[Page 189] beautiful female, a symbol of IMMORTAL LIFE. This is evinced by her fondling between her knees a large and playful serpent, which, from its an­nually renewing its external skin, has, from great antiquity, even as early as the fable of Prometheus, been esteemed an emblem of renovated youth. The story of the serpent acquiring immortal life from the ass of Prome­theus, who carried it on his back, is told in Bacon's Works, vol. V. p. 462. quarto edit. Lond. 1778. For a similar purpose a serpent was wrapped round the large hieroglyphic egg in the temple of Dioscuri, as an emblem of the renewal of life from a state of death. Bryant's Mythology, vol. II. p. 359. sec. edit. On this account also the serpent was an attendant on AEsculapias, which seems to have been the name of the hieroglyphic figure of medicine. This serpent shews this figure to be an emblem, as the torch shewed the central figure of the other compartment to be an emblem; hence they agreeably correspond, and explain each other, one representing MOR­TAL LIFE, and the other IMMORTAL LIFE.

This emblematic figure of immortal life sits down with her feet towards the figure of Pluto, but, turning back her face towards the timid ghost, she stretches forth her hand, and, taking hold of his elbow, supports his totter­ing steps, as well as encourages him to advance, both which circumstances are thus, with wonderful ingenuity, brought to the eye. At the same time the spirit loosely lays his hand upon her arm, as one walking in the dark would naturally do for the greater certainty of following his conductress; while the general part of the symbol of IMMORTAL LIFE, being turned to­ward the figure of Pluto, shews that she is leading the phantom to his realms.

In the Pamphili gardens at Rome, Perseus, in assisting Andromeda to de­scend from the rock, takes hold of her elbow to steady or support her step, and she lays her hand loosely on his arm, as in this figure. Admir, Roman Antiq.

The figure of PLUTO can not be mistaken, as it is agreed by most of the writers who have mentioned this vase; his grisley heard, and his having one foot buried in the earth, denote the infernal monarch. He is placed at the lowest part of the group, and, resting his chin on his hand, and his arm upon his knee, receives the stranger-spirit with inquisitive attention. It was before observed, that when people think attentively, they naturally rest their bodies in some easy attitude, that more animal power may be employed on the thinking faculty. In this group of figures there is great art shewn in giving an idea of a descending plain, viz. from earth to Elysium, and yet all the figures are, in reality, on a horizontal one. This wonderful decep­tion is produced, first, by the descending step of the manes, or ghost; se­condly, by the arm of the sitting figure of Immortal Life being raised up to receive him as he descends; and, lastly, by Pluto having one foot sunk into the earth.

There is yet another figure which is concerned in conducting the manes, or ghost, to the realms of Pluto, and this is LOVE. He precedes the descend­ing spirit on expanded wings, lights him with his torch, and turning back his beautiful countenance, beckons him to advance. The ancient God of love [Page 190] was of much higher dignity than the modern Cupid. He was the first that came out of the great egg of night, (Hesiod. Theog. V. CXX. Briant's Mythol. vol. II. p. 348.) and is said to possess the keys of the sky, sea, and earth. As he, therefore, led the way into this life, he seems to constitute a proper emblem for leading the way to a future life. See Bacon's works, vol. I. p. 568. and vol. III. p. 582. quarto edit.

The introduction of Love into this part of the mysteries requires a little further explanation. The Psyche of the Egyptians was one of their most favourite emblems, and represented the soul, or a future life; it was origi­nally no other than the aurelia, or butterfly, but in after time, was repre­sented by a lovely female child, with the beautiful wings of that insect. The aurelia, after its first stage as an eruca or caterpillar, lies for a season in a manner dead, and is inclosed in a sort of coffin; in this state of darkness it remains all the winter; but, at the return of spring, it bursts its bonds and comes out with new life, and in the most beautiful attire. The Egyptians thought this a very proper picture of the soul of man, and of the immor­tality to which it aspired. But as this was all owing to divine Love, of which EROS was an emblem, we find this person frequently introduced as a concomitant of the soul in general, or Psyche. (Bryant's Mythol. vol. II. p. 386.) EROS, or divine Love, is for the same reason as proper attendant on the manes or soul after death, and much contributes to tell the story, that is, to shew that a soul or manes is designed by the descending figure. From this figure of Love, M. D'Hancarville imagines that Orpheus and Eurydice are typified under the figure of the manes, and immortal life as above de­scribed. It may be sufficient to answer, first, that Orpheus is always repre­sented with a lyre, of which there are prints of four different gems in Spence's Polymetis, and Virgil so describes him, AEn. VI. cytharâ fretus. And secondly, that it is absurd to suppose that Eurydice was fondling and playing with a serpent that had slain her. Add to this, that Love seems to have been an inhabitant of the infernal regions, as exhibited in the mysteries; for Claudian, who treats more openly of the Eleusinian mysteries, when they were held in less veneration, invokes the deities to disclose to him their secrets, and amongst other things, by what torch Love softens Pluto.

Dii, quibus in numerum, &c.
Vos mihi sacrarum penetralia pandite rerum,
Et vestri secreta poli, qua lampade Ditem
Flexit Amor.

In this compartment there are two trees, whose branches spread over the figures; one of them has smoother leaves, like some evergreens, and might thence be supposed to have some allusion to immortality, but they may perhaps have been designed only as ornaments, or to relieve the figures, or because it was in groves, where these mysteries were originally celebrated. Thus Homer speaks of the woods of Proserpine, and mentions many trees in Tartarus, as presenting their fruits to Tantalus; Virgil speaks of the pleasant groves of Elysium; and in Spence's Polymetis there are prints of two ancient gems, one of Orpheus charming Cerberus with his lyre, and the other of Hercules binding him in a cord; each of them standing by a [Page]

The Handles & Bottom of the Vase.

[Page 191] tree. Polymet. p. 284. As, however, these trees have all different foliage so clearly marked by the artist, they may have had specific meanings in the exhibitions of the mysteries, which have not reached posterity: of this kind seem to have been the tree of knowledge of good and evil, and the tree of life, in sacred writ, both which must have been emblematic or allegorical. The masks hanging to the handles of the vase, seem to indicate that there is a concealed meaning in the figures besides their general appearance. And the priestess at the bottom, which I come now to describe, seems to shew this concealed meaning to be of the sacred or Eleusinian kind.

3. The figure on the bottom of the vase, is on a larger scale than the others, and less finely finished, and less elevated; and, as this bottom part was afterwards cemented to the upper part, it might be executed by ano­ther artist, for the sake of expedition; but there seems no reason to suppose that it was not originally designed for the upper part of it, as some have conjectured. As the mysteries of Ceres were celebrated by female priests, for Porphyrius says the ancients called, the priestesses of Ceres, Melissai, or bees, which were emblems of chastity, Div. Leg. vol. I. p. 235. and, as in his Satire against the sex, Juvenal says, that few women are worthy to be priestesses of Ceres, Sat. VI. the figure at the bottom of the vase would seem to represent a PRIESTESS, or HIEROPHANT, whose office it was to intro­duce the initiated, and point out to them, and explain the exhibitions in the mysteries, and to exclude the uninitiated, calling out to them, "Far, far retire, ye profane!" and to guard the secrets of the temple. Thus the in­troductory hymn sung by the hierophant, according to Eusebius, begins, "I will declare a secret to the initiated, but let the doors be shut against the profane." Div. Leg. vol. I. p. 177. The priestess or hierophant ap­pears in this figure, with a close hood, and dressed in linen, which sits close about her; except a light cloak, which flutters in the wind. Wool, as taken from slaughtered animals, was esteemed profane by the priests of Egypt, who were always dressed in linen. Apuleus, p. 64. Div. Leg. vol. 1. p. 318. Thus Eli made for Samuel a linen ephod. Samuel i. 3.

Secrecy was the foundation on which all mysteries rested; when publicly known, they ceased to be mysteries; hence a discovery of them was not only punished with death by the Athenian law, but in other countries a disgrace attended the breach of a solemn oath. The priestess, in the figure before us, has her finger pointing to her lips, as an emblem of silence. There is a figure of Harpocrates, who was of Egyptian origin, the same as Orus, with the lotus on his head, and with his finger pointing to his lips, not pressed upon them, in Bryant's Mythol. vol. II. p. 398. and another female figure standing on a lotus, as if just risen from the Nile, with her finger in the same attitude; these seem to have been representations or emblems of male and female priests of the secret mysteries. As these sorts of emblems were frequently changed by artists for their more elegant exhibition, it is possible the foliage over the head of this figure may bear some analogy to the lotus above-mentioned.

This figure of secrecy seems to be here placed, with great ingenuity, as a caution to the initiated, who might understand the meaning of the em­blems [Page 192] round the vase, not to divulge it. And this circumstance seems to account for there being no written explanation extant, and no tradition con­cerning these beautiful figures handed down to us along with them.

Another explanation of this figure, at the bottom of the vase, would seem to confirm the idea that the basso relievos round its sides are representations of a part of the mysteries; I mean that it is the head of ATIS. Lucian says that Atis was a young man of Phrygia, of uncommon beauty; that he dedi­cated a temple in Syria to Rhea, or Cybele, and first taught her mysteries to the Lydians, Phrygians, and Samothracians, which mysteries he brought from India. He was afterwards made an eunuch by Rhea, and lived like a woman, and assumed a feminine habit, and in that garb went over the world, teaching her ceremonies and mysteries. Dict. par M. Danet, art. Atis. As this figure is covered with clothes, while those on the sides of the vase are naked, and has a Phrygian cap on the head, and as the form and features are so soft, that it is difficult to say whether it be a male or female figure, there is reason to conclude, 1. That it has reference to some particular person of some particular country; 2. That this person is Atis, the first great hierophant, or teacher of mysteries, to whom M. De la Chausse says the figure itself bears a resemblance. Museo. Capitol. Tom. IV. p. 402.

In the Museum Etruscum, vol. 1. plate 96, there is the head of Atis with feminine features, clothed with a Phrygian cap, and rising from very broad foliage placed on a kind of term, supported by the paw of a lion. Goreus, in his explanation of the figure, says that it is placed on a lion's foot be­cause that animal was sacred to Cybele, and that it rises from very broad leaves, because after he became an eunuch, he determined to dwell in the groves. Thus the foliage, as well as the cap and feminine features, confirm the idea of this figure at the bottom of the vase, representing the head of Atis, the first great hierophant; and that the figures on the sides of the vase are emblems from the ancient mysteries.

I beg leave to add, that it does not appear to have been uncommon amongst the ancients, to put allegorical figures on funeral vases. In the Pamphili palace at Rome, there is an elaborate representation of Life and Death, on an ancient sarcophagus. In the first Prometheus is represented making man, and Minerva is placing a butterfly, or the soul, upon his head. In the other compartment, Love extinguishes his torch in the bosom of the dying figure, and is receiving the butterfly, or Psyche, from him, with a great number of complicated emblematic figures grouped in very bad taste. Admir. Roman Antiq.

[Page 193]

NOTE XXIII.—COAL.

Hence sable Coal his massy couch extends,
And stars of gold the sparkling Pyrite blends.
CANTO II. l. 349.

To elucidate the formation of coal-beds, I shall here describe a fountain of fossil tar, or petroleum, discovered lately near Colebrook Dale, in Shrop­shire, the particulars of which were sent me by Dr. Robert Darwin, of Shrewsbury.

About a mile and a half below the celebrated iron-bridge, constructed by the late Mr. Darby, near Colebrook Dale, on the east side of the river Severn, as the workmen, in October, 1786, were making a subterranean canal into the mountain, for the more easy acquisition and conveyance of the coals which lie under it, they found an oozing of liquid bitumen, or petro­leum; and as they proceeded further, cut through small cavities of different sizes, from which the bitumen issued. From ten to fifteen barrels of this fossil tar, each barrel containing thirty-two gallons, were at first collected in a day, which has since, however, gradually diminished in quantity, so that at present the product is about seven barrels in fourteen days.

The mountain into which this canal enters, consists of siliceous sand, in which, however, a few marine productions, apparently in their recent state, have been found, and are now in the possession of Mr. William Reynolds, of Ketly Bank. About three hundred yards from the entrance into the mountain, and about twenty-eight yards below the surface of it, the tar is found oozing from the sand-rock above, into the top and sides of the canal.

Beneath the level of this canal, a shaft has been sunk through a grey argillaceous substance, called, in this country, clunch, which is said to be a pretty certain indication of coal; beneath this lies a stratum of coal, about two or three inches thick, of an inferior kind, yielding little flame in burn­ing, and leaving much ashes; below this is a rock of a harder texture; and beneath this are found coals of an excellent quality; for the purpose of pro­curing which with greater facility, the canal, or horizontal aperture, is now making into the mountain. July, 1788.

Beneath these coals, in some places is found salt water; in other parts of the adjacent country, there are beds of iron-stone, which also contain some bitumen in a less fluid state, and which are about on a level with the new canal, into which the fossil tar oozes, as above described.

There are many interesting circumstances attending the situation and ac­companiments of this fountain of fossil tar, tending to develope the manner of its production. 1. As the canal passing into the mountain runs over the beds of coals, and under the reservoir of petroleum, it appears that a natural distillation of this fossil, in the bowels of the earth, must have taken place at some early period of the world, similar to the artificial distillation of coal, which has many years been carried on in this place on a smaller scale above ground. When this reservoir of petroleum was cut into, the slowness of its exsudation into the canal, was not only owing to its viscidity, but to the [Page 194] pressure of the atmosphere, or to the necessity there was that air should at the same time insinuate itself into the small cavities from which the petro­leum descended. The existence of such a distillation at some ancient time, is confirmed by the thin stratum of coal beneath the canal, (which covers the hard rock,) having been deprived of its fossil oil, so as to burn without flame, and thus to have become a natural cock, or fossil charcoal, while the petroleum distilled from it is found in the cavities of the rock above it.

There are appearances in other places, which favour this idea of the natu­ral distillation of petroleum: thus, at Matlock, in Derbyshire, a hard bitumen is found adhering to the spar in the clefts of the lime-rocks, in the form of round drops about the size of peas; which could, perhaps, only be deposited there in that form by sublimation.

2. The second deduction which offers itself is, that these beds of coal have been exposed to a considerable degree of beat, since the petroleum above could not be separated, as far as we know, by any other means, and that the good quality of the coals beneath the hard rock, was owing to the im­permeability of this rock to the bituminous vapour, and to its pressure being too great to permit its being removed by the elasticity of that vapour. Thus, from the degree of heat, the degree of pressure, and the permeability of the superincumbent strata, many of the phenomena attending coal-beds receive an easy explanation, which much accords with the ingenious theory of the earth by Dr. Hutton. Trans. of Edinb. vol. 1.

In some coal works, the fusion of the strata of coal has been so light, that there remains the appearance of ligneous sebres and the impression of leaves, as at Bovey, near Exeter, and even seeds of vegetables, of which I have had specimens from the collieries near Polesworth, in Warwickshire. In some, where the heat was not very intense, and the incumbent stratum not permeable to vapour, the fossil oil has only risen to the upper part of the coal-bed, and has rendered that much more inflammable than the lower parts of it, as in the collieries near Beaudesert, the seat of the Earl of Ux­bridge, in Staffordshire, where the upper stratum is a perfect cannel, or can­dle-coal, and the lower of an inferior quality. Over the coal-beds near Sir H. Harpur's house, in Derbyshire, a thin lamina of asphaltum is found in some places near the surface of the earth, which would seem to be from a distillation of petroleum from the coals below, the more fluid part of which had, in process of time, exhaled, or been consolidated by its absorption of air. In other coal-works the upper part of the stratum is of a worse kind than the lower one, as at Alfreton and Denbigh, in Derbyshire, owing to the superincumbent stratum having permitted the exhalation of a great part of the petroleum; whilst at Widdrington, in Northumberland, there is first a seam of coal about six inches thick of no value, which lies under about four fathom of clay; beneath this is a white free-stone, then a hard stone, which the workmen there call a whin, then two fathoms of clay, then ano­ther white stone, and under that a vein of coals three feet nine inches thick, of a similar nature to the Newcastle coal. Phil. Trans. Abridg. vol. VI. plate 2, p. 192. The similitude between the circumstances of this colliery, and of the coal beneath the fountain of tar above described, readers it [Page 195] highly probable, that this upper thin seam of coal has suffered a similar dis­tillation, and that the inflammable part of it had either been received into the clay above, in the form of sulphur, which, when burnt in the open air, would produce alum; or had been dissipated, for want of a receiver, where it could be condensed. The former opinion is, perhaps, in this case, more pro­bable, as in some other coal-beds, of which I have procured accounts, the surface of the coal beneath clunch or clay is of an inferior quality, as at West Hallum, in Nottinghamshire. The clunch probably from hence acquires its inflammable part, which, on calcination, becomes vitriolic acid. I ga­thered pieces of clunch, converted partially into alum, at a colliery near Bil­ston, where the ground was still on fire a few years ago.

The heat, which has thus pervaded the beds of morass, seems to have been the effect of the fermentation of their vegetable materials; as new hay sometimes takes fire, even in such very small masses, from the sugar it contains, and seems, hence, not to have been attended with any expulsion of lava, like the deeper craters of volcanos situated in the beds of granite.

3. The marine shells found in the loose sand-rock, above this reservoir of petroleum, and the coal-beds beneath it, together with the existence of sea­salt beneath these coals, prove that these coal-beds have been at the bottom of the sea, during some remote period of time, and were afterwards raised into their present situation by subterraneous expansions of vapour. This doc­trine is further supported by the marks of violence, which some coal-beds received at the time they were raised out of the sea, as in the colleries at Men­dip, in Somersetshire. In these are seven strata of coals, equitant upon each other, with beds of clay and stone intervening; amongst which clay are found shells and fern branches. In one part of this hill the strata are disjoined, and a quantity of heterogeneous substances fill up the chasm which disjoins them; on one side of this chasm the seven strata of coal are seen corresponding, in respect to their reciprocal thickness and goodness, with the seven strata on the other side of the cavity, except that they have been elevated several yards higher. Phil. Trans. No. 360. Abridg. vol. V. p. 237.

The cracks in the coal-bed near Ticknall, in Derbyshire, and in the sand­stone rock over it, in both of which specimens of lead-ore and spar are found, confirm this opinion of their having been forcibly raised up by sub­terraneous fires. Over the colliery at Brown-hills, near Lichfield, there is a stratum of gravel on the surface of the ground, which may be adduced as ano­ther proof to shew that those coals had some time been beneath the sea, or the bed of a river. Nevertheless, these arguments only apply to the collieries above-mentioned, which are few compared with those which bear no marks of having been immersed in the sea.

On the other hand, the production of coals from morasses, as described in note XX. is evinced from the vegetable matters frequently found in them, and in the strata over them; as fern-leaves in nodules of iron-ore, and from the bog-shells, or fresh water muscles, sometimes found over them, of both which I have what I believe to be specimens; and is further proved, from some parts of these beds being only in part transformed to coal; and the [Page 196] other part still retaining not only the form, but some of the properties of wood; specimens of which are not unfrequent in the cabinets of the curi­ous, procured from Loch Neigh, in Ireland, from Bovey, near Exeter, and other places; and from a famous cavern called the Temple of the Devil, near the town of Altorf, in Franconia, at the foot of a mountain covered with pine and savine, in which are found large coals resembling trees of ebony; which are so far mineralized as to be heavy and compact; and so to effloresce with pyrites in some parts as to crumble to pieces; yet from other parts white ashes are produced on calcination, from which fixed alkali is procured; which evinces their vegetable origin. (Dict. Raisonné, art. Charbon.) To these may be added another argument, from the oil which is distilled from coals, and which is analogous to vegetable oil, and does not exist in any bodies truly mineral. Keir's Chemical Dictionary, art. Bitumen.

Whence it would appear, that though most collieries, with their attendant strata of clay, sand-stone, and iron, were formed on the places where the vegetables grew, from which they had their origin; yet that other collec­tions of vegetable matter were washed down from eminences, by currents of waters, into the beds of rivers, or the neighbouring seas, and were there accumulated at different periods of time, and underwent a great degree of heat, from their fermentation, in the same manner as those beds of morass which had continued on the plains where they were produced. And that, by this fermentation, many of them had been raised from the ocean, with sand and sea-shells over them; and others from the beds of rivers, with ac­cumulations of gravel upon them.

4. For the purpose of bringing this history of the products of morasses more distinctly to the eye of the reader, I shall here subjoin two or three ac­counts of sinking or boring for coals, out of above twenty, which I have procured from various places, though the terms are not very intelligible, being the language of the overseers of coal-works.

1. Whitfield mine, near the Pottery, in Staffordshire. Soil 1 foot, brick­clay 3 feet, shale 4, metal which is hard brown, and falls in the weather, 42, coal 3, warrant clay 6, brown grit-stone 36, coal 3 ½, warrant clay 3 ½, bass and metal 53 ½, hard-stone 4, shaly bass 1 ½, coal 4, warrant clay depth unknown; in all about 55 yards.

2. Coal-mine at Alfreton, in Derbyshire. Soil and clay 7 feet, fragments of stone 9, bind 13, stone 6, bind 34, stone 5, bind 2, stone 2, bind 10, coal 1 ½, bind 1 ½, stone 37, bind 7, soft coal 3, bind 3, stone 20, bind 16, coal 7 ½, in all about 61 yards.

3. A basset coal-mine at Woolarton, in Nottinghamshire. Sand and gravel 6 feet, bind 21, stone 10, smut or effete coal 1, clunch 4, bind 21, stone 18, bind 18, stone-bind 15, soft coal 2, clunch and bind 21, coal 7; in all about 48 yards.

4. Coal-mine at West-Hallam, in Nottinghamshire. Soil and clay 7 feet, bind 48, smut 1 ½, clunch 4, bind 3, stone 2, bind 1, stone 1, bind 3, stone 1, bind 16, shale 2, bind 12, shale 3, clunch, stone, and a bed of cank, 54, soft coal 4, clay and dun 1, soft coal 4 ½ clunch and bind 21, coal 1, broad bind 26, hard coal 6; in all about 74 yards.

[Page 197] As these strata generally lie inclined, I suppose, parallel with the lime­stone on which they rest, the upper edges of them all come out to day, which is termed bassetting; when the whole mass was iginited by its fer­mentation, it is probable that the inflammable part of some strata might thus more easily escape than of others, in the form of vapour, as dews are known to slide between such strata in the production of springs; which ac­counts for some coal-beds being so much worse than others. See note XX.

From this account of the production of coals from morasses, it would ap­pear, that coal-beds are not to be expected beneath, masses of lime-stone. Nevertheless, I have been lately informed by my friend, Mr. Michel, of Thornhill, who, I hope, will soon favour the public with his geological investigations, that the beds of chalk are the uppermost of all the lime­stones; and that they rest on the granulated lime-stone, called ketton-stone; which, I suppose, is similar to that which covers the whole country from Leadenham to Sleaford, and from Sleaford to Lincoln; and that, thirdly, coal-delphs are frequently found beneath these two uppermost beds of lime­stone.

Now, as the beds of chalk, and of granulated lime-stone may have been formed by alluviation, on or beneath the shores of the sea, or in vallies of the land, it would seem, that some coal-countries, which, in the great com­motions of the earth, had been sunk beneath the water, were thus covered with alluvial lime-stone, as well as others with alluvial basaltes, or com­mon gravel-beds. Very extensive plains, which now consist of alluvial ma­terials, were, in the early times, covered with water, which has since di­minished, as the solid parts of the earth have increased. For the solid parts of the earth, consisting chiefly of animal and vegetable recrements, must have originally been formed or produced from the water, by animal and vegetable processes; and as the solid parts of the earth may be supposed to be thrice as heavy as water, it follows, that thrice the quantity of water must have vanished, compared with the quantity of earth thus produced. This may account for many immense beds of alluvial materials, as gravel, rounded sand, granulated lime-stone, and chalk, covering such extensive plains as Lincoln-heath, having become dry without the supposition of their having been again elevated from the ocean. At the same time we acquire the knowledge of one of the uses or final causes of the organized world, not indeed very flattering to our vanity; that it converts water into earth, forming islands and continents by its recrements or exuviae.

NOTE XXIV.—GRANITE.

Climb the rude steeps, the granite-cliffs surround.
CANTO II. l. 523.

THE lowest stratum of the earth which human labour has arrived to, is granite; and of this, likewise, consists the highest mountains of the world. It is known under variety of names, according to some difference in its ap­pearance [Page 198] of composition, but is now generally considered by philosophers as a species of lava; if it contains quartz, feltspat, and mica, in distinct crystals, it is called granite; which is found, in Cornwall, in rocks; and in loose stones in the gravel near Drayton, in Shropshire, in the road towards New­castle. If these parts of the composition be less distinct, or if only two of them be visible to the eye, it is termed porphyry, trap, whin-stone, moor­stone, slate. And if it appears in a regular angular form, it is called ba­saltes. The affinity of these bodies has lately been further well established by Dr. Beddoes, in the Phil. Trans. vol. LXXX.

These are all esteemed to have been volcanic productions, that have un­dergone different degrees of heat. It is well known, that in Papin's digester water may be made red-hot by confinement, and will then dissolve many bodies which otherwise are little or not at all acted upon by it. From hence it may be conceived, that under immense pressure of superincumbent materials, and by great heat, these masses of lava may have undergone a kind of aqueous solution, without any tendency to vitrifaction, and might thence have a power of ceystallization; whence all the varieties above-men­tioned, from the different proportion of the materials, or the different de­grees of heat they may have undergone in this aqueous solution. And that the uniformity of the mixture of the original earths, as of lime, argil, silex, magnesia, and barytes, which they contain, was owing to their boiling to­gether a longer or shorter time before their elevation into mountains. See note XIX. art. 8.

The seat of volcanos seems to be principally, if not entirely, in these strata of granite, as many of them are situated on granite mountains, and throw up, from time to time, sheets of lava, which run down over the pre­ceding strata, from the same origin; and in this they seem to differ from the heat which has separated the clay, coal, and sand, in morasses, which would appear to have risen from a kind of fermentation, and thus to have pervaded the whole mass, without any expuition of lava.

All the lavas from Vesuvius contain one fourth part of iron, (Kirwan's Min.) and all the five primitive earths, viz. calcareous, argillaceous, siliceous, barytic, and magnesian earths, which are also evidently produced now, daily, from the recrements of animal and vegetable bodies. What is to be thence concluded? Has the granite stratum, in very ancient times, been produced like the present calcareous and siliceous masses, according to the ingenious theory of Dr. Hutton, who says new continents are now forming at the bottom of the sea, to rise in their turn; and that thus the terraqueous globe has been, and will be, eternal? Or shall we suppose, that this internal heated mass of granite, which forms the nucleus of the earth, was a part of the body of the sun, before it was separated by an explosion? Or was the sun originally a planet, inhabited like ours, and a satellite to some other greater sun, which has long been extinguished by diffusion of its light, and around which the present sun continues to revolve, according to a conjec­ture of the celebrated Mr. Herschell, and which conveys to the mind a most sublime idea of the progressive and increasing excellence of the works of the Creator of all things?

[Page]

Section of the Earth.

A sketch of a supposed Section of the Earth in respect to the disposition of the Strata over each other without regard to their proportions or number.

  • Sea
  • Limestone
  • [...]
  • Coal
  • [...]
  • Clay
  • Sand or Coal
  • Limestone
  • Warm springs
  • Volcano
  • Lava
  • Granite
  • Fire
  • Unknown region supposed to consist of Lava kept in a semifluid state by heat. under the various names of Granite. Gneise, P [...], M [...]e. Whinstone. Ragg. Slate [...].
  • Zinc Copper Lead Fluer Barytes Limestone
  • Sand Clay Fire
  • Chalk Marble Flint Limestone
  • [...] Coal Clay Sand
  • Quartz Tin Copper Tin Antimony Quartz Lead

[Page 199] For the more easy comprehension of the facts and conjectures concern­ing the situation and production of the various strata of the earth, I shall here subjoin a supposed section of the globe, but without any attempt to give the proportions of the parts, or the number of them, but only their re­spective situation over each other, and a geological recapitulation.

GEOLOGICAL RECAPITULATION.

1. The earth was projected along with the other primary planets from the sun, which is supposed to be on sire only on its surface, emitting light without much internal heat, like a ball of burning camphor.

2. The rotation of the earth round its axis, was occasioned by its greater friction, or adhesion to one side of the cavity from which it was ejected; and from this rotation it acquired its spheroidical form. As it cooled in its ascent from the sun, its nucleus became harder; and its attendant vapours were condensed, forming the ocean.

3. The masses or mountains of granite, porphyry, basalt, and stones of similar structure, were a part of the original nucleus of the earth, or consist of volcanic productions since formed.

4. On this nucleus of granite and basaltes, thus covered by the ocean, were formed the calcareous beds of lime-stone, marble, chalk, spar, from the exuviae of marine animals, with the flints, or chertz, which accompany them. And were stratified by their having been formed at different, and very distant periods of time.

5. The whole terraqueous globe was burst by central stres; islands and continents were raised, consisting of granite, or lava, in some parts, and of lime-stone in others; and great vallies were sunk, into which the ocean re­tired.

6. During these central earthquakes the moon was ejected from the earth, causing new tides; and the earth's axis suffered some change in its inclina­tion, and its rotatory motion was retarded.

7. On some parts of these islands and continents of granite or lime-stone, were gradually produced extensive morasses, from the recrements of vege­tables and of land animals; and from these morasses, heated by fermenta­tion, were produced clay, marl, sand-stone, coal, iron (with the bases of variety of acids); all which were stratified by their having been formed at different, and very distant periods of time.

8. In the elevation of the mountains, very numerous and deep fissures necessarily were produced. In these fissures many of the metals are formed, partly from descending materials, and partly from ascending ones, raised in vapour by subterraneous fires. In the fissures of granite or porphyry, quartz is formed; in the fissures of lime-stone, calcareous spar is produced.

9. During these first great volcanic fires, it is probable the atmosphere was either produced, or much increased; a process which is, perhaps, now going on in the moon; Mr. Herschell having discovered a volcanic crater three miles broad, burning on her disk.

10. The summits of the new mountains were cracked into innumerable [Page 200] lozenges by the cold dews, or snows, falling upon them when red-hot. From these summits, which were then twice as high as at present, cubes and lozenges of granite, and basalt, and quartz, in some countries, and of marble and flints in others, descended gradually into the valleys, and were rolled together in the beds of rivers (which were then so large as to occupy the whole valleys, which they now only intersect); and produced the great beds of gravel, of which many valleys consist.

11. In several parts of the earth's surface, subsequent earthquakes, from the fermentation of morasses, have, at different periods of time, deranged the position of the matters above described. Hence the gravel, which was before in the beds of rivers, has, in some places, been raised into mountains, along with clay and coal strata, which were formed from morasses, and washed down from eminences into the beds of rivers, or the neighbouring seas, and in part raised again with gravel, or marine shells, over them; but this has only obtained in few places, compared with the general distribution of such materials. Hence there seem to have existed two sources of earth­quakes, which have occurred at great distance of time from each other; one from the granite beds, in the central parts of the earth, and the other from the morasses on its surface. All the subsequent earthquakes and volcanos of modern days, compared with these, are of small extent, and insignificant effect.

12. Besides the argillaceous sand-stone produced from morasses, which is stratified with clay, and coal, and iron, other great beds of siliceous sand have been formed in the sea, by the combination of an unknown acid from morasses, and the calcareous matters of the ocean.

13. The warm waters which are found in many countries, are owing to steam arising from great depths, through the fissures of lime-stone or lava, elevated by subterranean fires, and condensed between the strata of the hills over them, and not from any decomposition of pyrites or manganese near the surface of the earth.

14. The columns of basaltes have been raised by the congelation or ex­pansion of granite beds, in the act of cooling, from their semi-vitreous fusion.

NOTE XXV.—EVAPORATION.

Aquatic Nymphs!—you lead with viewless march
The winged Vapours up the aerial arch.
CANTO III. l. 13.

1. THE atmosphere will dissolve a certain quantity of moisture, as a che­mical menstruum, even when it is much below the freezing point, as ap­pears from the diminution of ice suspended in frosty air; but a much greater quantity of water is evaporated, and suspended in the air, by means of heat, which is, perhaps, the universal cause of fluidity; for water is known to boil with less heat in vacuo, which is a proof that it will evaporate faster in va­cuo, [Page 201] and that the air, therefore, rather hinders than promotes its evapora­tion in higher degrees of heat. The quick evaporation occasioned in vacuo by a small degree of heat, is agreeably seen in what is termed a pulse-glass, which consists of an exhausted tube of glass, with a bulb at each end of it, and with about two thirds of the cavity filled with alkohol, in which the spirit is instantly seen to boil, by the heat of the finger-end applied on a bub­ble of steam in the lower bulb, and is condensed again in the upper bulb by the least conceivable comparative coldness.

2. Another circumstance, evincing that heat is the principal cause of eva­poration, is, that at the time of water being converted into steam, a great quantity of heat is taken away from the neighbouring bodies. If a ther­mometer be repeatedly dipped in ether, or in rectified spirit of wine, and exposed to a blast of air, to expedite the evaporation by perpetually remov­ing the saturated air from it, the thermometer will presently sink below freezing. This warmth, taken from the ambient bodies at the time of eva­poration by the steam, is again given out when the steam is condensed into water. Hence the water in a worm-tub, during distillation, so soon be­comes hot; and hence the warmth accompanying the descent of rain in cold weather.

3. The third circumstance, shewing that heat is the principal cause of evaporation, is, that some of the steam becomes again condensed when any part of the heat is withdrawn. Thus, when warmer south-west winds, re­plete with moisture, succeed the colder north-east winds, all bodies that are dense and substantial, as stone walls, brick floors, &c. absorb some of the heat from the passing air, and its moisture becomes precipitated on them; while the north-east winds become warmer on their arrival in this latitude, and are thence disposed to take up more moisture, and are termed drying winds.

4. Heat seems to be the principal cause of the solution of many other bo­dies, as common salt, or blue vitriol, dissolved in water, which, when ex­posed to severe cold, are precipitated, or carried, to the part of the water last frozen; this I observed in a phial filled with a solution of blue vitriol, which was frozen: the phial was burst, the ice thawed, and a blue column of cupreous vitriol was left standing upright on the bottom of the broken glass, as described in note XIX. art. 3.

II. Hence water may either be dissolved in air, and may then be called an aerial solution of water; or it may be dissolved in the fluid matter of heat, according to the theory of M. Lavoisier, and may then be called steam. In the former case, it is probable, there are many other vapours which may precipitate it, as marine acid gas, or fluor acid gas. So alkaline gas and acid gas, dissolved in air, precipitate each other; nitrous gas precipitates vi­tal air from its azote; and inflammable gas, mixed with vital air, ignited by an electric spark, either produces or precipitates the water in both of them. Are there any subtle exhalations, occasionally diffused in the atmos­phere, which may thus cause rain?

1. But as water is, perhaps, many hundred times more soluble in the fluid matter of heat than in air, I suppose the eduction of this heat, by [Page 202] whatever means it is occasioned, is the principal cause of devaporation. Thus, if a region of air is brought from a warmer climate, as the S. W. winds, it becomes cooled by its contact with the earth in this latitude, and parts with so much of its moisture as was dissolved in the quantity of calo­rique, or heat, which it now loses, but retains that part which was suspended by its attraction to the particles of air, or by aerial solution, even in the most severe frosts.

2. A second immediate cause of rain a stream of N. E. wind descend­ing from a superior current of air, and mixing with the warmer S. W. wind below; or the reverse of this, viz. a superior current of S. W. wind mixing with an inferior one of N. E. wind: in both th [...]se cases the whole heaven becomes instantly clouded, and the moisture contained in the S. W. current is precipitated. This cause of devaporation has been ingeniously explained by Dr. Hutton, in the Transact. of Edinburgh, vol. 1. and seems to arise from this circumstance; the particles of air of the N. E. wind educe part of the heat from the S. W. wind, and therefore the water which was dissolved by that quantity of beat is precipitated; all the other part of the water, which was suspended by its attraction to the particles of air, or dissolved in the remainder of the heat, continues unprecipitated.

3. A third method by which a region of air becomes cooled, and, in con­sequence, deposits much of its moisture, is from the mechanical expansion of air, when part of the pressure is taken off. In this case the expanded air becomes capable of receiving or attracting more of the matter of heat into its interstices; and the vapour, which was previously dissolved in this heat, is deposited, as is seen in the receiver of an air-pump, which becomes dewy, as the air within becomes expanded by the eduction of part of it. See note VII. Hence, when the mercury in the barometer sinks without a change of the wind, the air generally becomes colder. See note VII. on Elementa­ry Heat. And it is probably from the varying pressure of the incumbent air, that in summer days small black clouds are often thus suddenly produced, and again soon vanish. See a paper in Phil. Trans. vol. LXXVIII. en­titled Frigorific Experiments on the Mechanical Expansion of Air.

4. Another portion of atmospheric water may possibly be held in solution by the electric fluid, since, in thunder-storms, a precipitation of the water seems to be either the cause or the consequence of the eduction of the elec­tricity. But it appears more probable that the water is condensed into clouds by the eduction of its heat, and that then the surplus of electricity prevents their coalescence into larger drops, which immediately succeeds the departure of the lightning.

5. The immediate cause why the barometer sinks before rain, is, first, be­cause a region of warm air, brought to us in the place of the cold air which it had displaced, must weigh lighter, both specifically and absolutely, if the height of the warm atmosphere be supposed to be equal to that of the pre­ceding cold one. And, secondly, after the drops of rain begin to fall in any column of air, that column becomes lighter, the falling drops only adding to the pressure of the air in proportion to the resistance which they meet with in passing through that fluid.

[Page 203] If we could suppose water to be dissolved in air without heat, or in very low degrees of heat, I suppose the air would become heavier, as happens in many chemical solutions; but if water, dissolved in the matter of heat, or calorique be mixed with an aerial solution of water, there can be no doubt but an atmosphere consisting of such a mixture, must become lighter in pro­portion to the quantity of calorique. On the same circumstance depends the visible vapour produced from the breath of animals in cold weather, or from a boiling kettle; the particles of cold air with which it is mixed, steal a part of its heat, and become themselves raised in temperature; whence part of the water is precipitated in visible vapour, which if in great quan­tity, sinks to the ground; if in small quantity, and the surrounding air is not previously saturated, it spreads itself till it becomes again dissolved.

NOTE XXVI.—SPRINGS.

Your lucid bands condense with fingers ebill
The blue miss bevering round the gelid bill.
CANTO III. l. 19.

THE surface of the earth consists of strata, many of which were formed originally beneath the sea; the mountains were afterwards forced up by sub­terraneous fires, as appears from the fissures in the rocks of which they consist, the quantity of volcanic productions all over the world, and the numerous remains of craters of volcanos in mountainous countries. Hence the strata which compose the sides of mountains lie slanting downwards, and one or two, or more, of the external strata not reaching to the summit when the moun­tain was raised up, the second or third stratum, or a more inferior one, is there exposed to day; this may be well represented by forceably thrusting a blunt instrument through several sheets of paper; a bur will stand up with the lowermost sheet, standing highest in the centre of it. On this upper­most stratum, which is colder as it is more elevated, the dews are condensed in large quantities, and, sliding down, pass under the first, or second, or third stratum, which compose the sides of the hill, and either, form a morass below, or a weeping rock, by oozing out in numerous places, or many of these less currents meeting together, burst out in a more copious rill.

The summits of mountains are much colder than the plains in their vici­nity, owing to several causes; 1. Their being, in a manner, insulated or cut off from the common heat of the earth, which is always, of 48 degrees, and perpetually counteracts the effect of external cold beneath that degree. 2. From their surfaces being larger in proportion to their solid contents, and hence their heat more expeditiously carried away by the ever-moving atmos­phere. 3. The increasing rarity of the air as the mountain rises. All those bodies which conduct electricity well or ill, conduct the matter of heat like­wise well or ill. See note VII. Atmosphere air is a bad conductor of electricity, and thence confines it on the body where it is accumulated; but, when it is made very rare, as in the exhausted receiver, the electric aura [Page 204] passes away immediately to any distance. The same circumstance probably happens in respect to heat, which is thus kept, by the denser air on the plains, from escaping, but is dissipated on the hills, where the air is thinner. 4. As the currents of air rise up the sides of mountains, they become mecha­nically rarefied, the pressure of the incumbent column lessening as they ascend. Hence the expanding air absorbs heat from the mountain as it ascends, as explained in note VII. 5. There is another, and, perhaps, more powerful cause, I suspect, which may occasion the great cold on mountains, and in the higher parts of the atmosphere, and which has not yet been at­tended to; I mean that the fluid matter of heat may probably gravitate round the earth, and form an atmosphere on its surface, mixed with the aerial at­mosphere, which may diminish or become rarer, as it recedes from the earth [...] surface, in a greater proportion than the air diminishes.

6. The great condensation of moisture on the summits of hills has ano­ther cause, which is the dashing of moving clouds against them: in misty days this is often seen to have great effect on plains, where an eminent tree, by obstructing the mist as it moves along, shall have a much greater quantity of moisture drop from its leaves, than falls at the same time on the ground in its vicinity. Mr. White, in his History of Selborne, gives an account of a large tree so situated, from which a stream flowed, during a moving mist, so as to fill the cart-ruts in a lane otherwise not very moist; and ingeniously adds, that trees planted about ponds of stagnant water, contribute much, by these means, to supply the reservoir. The spherules which constitute a mist or cloud, are kept from uniting by so small a power, that a little agita­tion against the leaves of a tree, or the greater attraction of a flat moist sur­face, condenses or precipitates them.

If a leaf has its surface moistened, and particles of water separate from each other, as in a mist, be brought near the moistened surface of a leaf, each particle will be attracted more by that plain surface of water on the leaf, than it can be by the surrounding particles of the mist; because globules only at­tract each other in one point, whereas a plain attracts a globule by a greater extent of its surface.

The common cold springs are thus formed on elevated grounds by the condensed vapours, and hence are stronger when the nights are cold, after hot days, in spring, than even in the wet days of winter. For the warm atmosphere, during the day, has dissolved much more water than it can support in solution during the cold of the night, which is thus deposited in large quantities on the hills, and yet so gradually as to soak in between the strata of them, rather than to slide off over their surfaces, like showers of rain. The common heat of the internal parts of the earth is ascertained by springs which arise from strata of earth too deep to be affected by the heat of summer or the frosts of winter. Those, in this country, are of 48 degrees of heat; those about Philadelphia were said, by Dr. Franklin, to be 52; whether this variation is to be accounted for by the difference of the sun's heat on that country, according to the ingenious theory of Mr. Kir­wan, or to the vicinity of subterranean fires, is not yet, I think, decided. There are, however, subterraneous streams of water not exactly produced [Page 205] in this manner, as streams issuing from fissures in the earth, communicating with the craters of old volcanos: in the Peak of Derbyshire are many hol­lows, called swallows, where the land floods sink into the earth, and come out at some miles distant, as at Ilam, near Ashborne. See note on Fica, vol. II.

Other streams of cold water arise from beneath the snow on the Alps and Andes, and other high mountains, which is perpetually thawing at its un­der surface by the common heat of the earth, and gives rise to large rivers. For the origin of warm springs see note on Fucus, vol. II.

NOTE XXVII.—SHELL FISH.

You round Echinus ray his arrowy mail,
Give the keel'd Nautilus his oar and sail
Firm to his rock with silver cords suspend
The anchor'd Pinna, and his Cancer-friend.
CANTO III. l. 67.

THE armour of the Echinus, or Sea hedge-hog, consists generally of moveable spines; ( Linnoei System. Nat. vol. 1. p. 1102.) and, in that respect, resembles the armour of the land animal of the same name. The irregular protuberances on other sea-shells, as on some species of the Purpura, and Murex, serve them as a fortification against the attacks of their enemies.

It is said that this animal foresees tempestuous weather, and, sinking to the bottom of the sea, adheres firmly to sea-plants, or other bodies, by means of a substance which resembles the horns of snails. Above twelve hundred of these fillets have been counted, by which this animal fix [...] itself; and when afloat, it contracts these fillets between the basis of its points, the number of which often amounts to two thousand. Dict. Raisonné. art. Oursin. de mer.

There is a kind of Nautilus, called, by Linnaeus, Argonauta, whose shell has but one cell: of this animal Pliny affirms, that having exonerated its shell by throwing out the water, it swims upon the surface, extending a web of wonderful tenuity, and bending back two of its arms, and rowing with the rest, makes a sail, and, at length, receiving the water, dives again. Plin IX. 29. Linnaeus adds to his description of this animal, that like the Crab Diogenes, or Bernhard, it occupies a house not its own, as it is not connected to its shell, and is therefore foreign to it; who could have given credit to this if it had not been attested by so many who have, with their own eyes, seen this argonaut in the act of sailing? Syst. Nat. p. 1161.

The Nautilus, properly so named by Linnaeus, has a shell, consisting of many chambers, of which cups are made in the East with beautiful paint­ing and carying on the mother-pearl. The animal is said to inhabit only the uppermost or open chamber, which is larger than the rest; and that the rest remain empty, except that the pipe, or siphunculus, which communi­cates from one to the other of them, is filled with an appendage of the ani­mal, [Page 206] like a gut or string. Mr. Hook, in his Philos. Exper. p. 306, imagines this to be a dilatable or compressible tube, like the air bladders of fish, and that, by contracting or permitting it to expand, it renders its shell buoyant, or the contrary. See note on Ulva, vol. II.

The Pinna, or Sea-wing, is contained in a two-valve shell, weighing sometimes fifteen pounds, and emits a beard of fine long glossy silk-like fibres, by which it is suspended to the rocks twenty or thirty feet beneath the sur­face of the sea. In this situation it is so successfully attacked by the eight­footed Polypus, that the species, perhaps, could not exist but for the exer­tions of the Cancer Pinnotheris, who lives in the same shell as a guard and companion. Amoen. Acad. vol. II. p. 48. Lin. Syst. Nat. vol. I. p. 1159. and p. 1040.

The Pinnotheris, or Pinnophylax, is a small crab, naked, like Bernard the Hermit, but is furnished with good eyes, and lives in the same shell with the Pinna; when they want food the Pinna opens it shell, and sends its faithful ally to forage; but if the Cancer sees the Polypus, he returns sud­denly to the arms of his blind hostess, who, by closing the shell, avoids the fury of her enemy; otherwise, when it has procured a booty, it brings it to the opening of the shell, where it is admitted, and they divide the prey. This was observed by Haslequist, in his voyage to Palestine.

The Byssus of the ancients, according to Aristotle, was the beard of the Pinna above-mentioned, but seems to have been used by other writers indis­criminately for any spun material, which was esteemed finer or more valu­able than wool. Reaumur says, the threads of this Byssus are not less fine or less beautiful than the silk, as it is spun by the silk-worm; the Pinna on the coast of Italy and Provence (where it is fished up by iron-hooks fixed on long poles) is called the silk-worm of the sea. The stockings and gloves manufactured from it, are of exquisite fineness, but too warm for common wear, and are thence esteemed useful in rheumatism and gout. Dict. Rai­sonné. art. Pinne-marine. The warmth of the Byssus, like that of silk, is probably owing to their being bad conductors of heat, as well as of electricity. When these sibres are broken by violence, this animal, as well as the muscle, has the power to re-produce them like the common spiders, as was observ­ed by M. Adanson. As raw silk, and raw cobwebs, when swallowed, are liable to produce great sickness (as I am informed) it is probable, the part of muscles, which sometimes disagrees with the people who eat them, may be this silky web, by which they attach themselves to stones. The large kind of [...] contains some mother-pearl, of a reddish tinge, ac­cording to M. d'Argeuville. The substance sold under the name of Indian­weed, and used at the bottom of fish-lines, is probably a production of this kind; which, however, is scarcely to be distinguished by the eye from the tendons of a rat's tail, after they have been separated by putrefaction in water, and well cleaned and rubbed; a production, which I was once shewn as a great curiosity; it had the uppermost bone of the tail adhering to it; and was said to have been used as an ornament in a lady's hair.

[Page 207]

NOTE XXVIII.—STURGEON.

With worm-like beard his toothless lips array,
And teach the unweildy Sturgeon to betray.
CANTO III. l. 71.

THE Sturgeon, Acipenser, Strurio. Lin. Syst. Nat. vol. 1. p. 403. is a fish of great curiosity, as well as of great importance; his mouth is placed under the head, without teeth, like the opening of a purse, which he has the power to push suddenly out, or retract. Before this mouth, under the beak, or nose, hang four tendrils, some inches long, and which so resemble earth­worms, that at first sight they may be mistaken for them. This clumsy toothless fish is supposed, by this contrivance, to keep himself in good con­dition, the solidity of his flesh evidently shewing him to be a fish of prey. He is said to hide his large body amongst the weeds near the sea coast, or at the mouths of large rivers, only exposing his cirrhi, or tendrils, which small fish, or sea insects, mistaking for real worms, approach for plunder, and are sucked into the jaws of their enemy. He has been supposed by some to root into the soil at the bottom of the sea or rivers; but the cirrhi, or ten­drils above-mentioned, which hang from his snout over his mouth, must themselves be very inconvenient for this purpose, and, as it has no jaws, it evidently lives by suction, and, during its residence in the sea, a quantity of sea-insects are sound in its stomach.

The flesh was so valued in the time of the Emperor Severus, that it was brought to table by servants with coronets on their heads, and preceded by music, which might give rise to its being, in our country, presented by the Lord Mayor to the King. At present it is caught in the Danube, and the Wolga, the Don, and other large rivers, for various purposes. The skin makes the best covering for carriages; isinglass is prepared from parts of the skin; cavear from the spawn; and the flesh is pickled, or salted, and sent all over Europe.

NOTE XXIX.—OIL ON WATER.

Or with fine films, suspended o'er the deep,
Of oil effusive lull the waves to sleep.
CANTO III. l. 87.

THERE is reason to believe, that when oil is poured upon water, the two surfaces do not touch each other, but that the oil is suspended over the water by their mutual repulsion. This seems to be rendered probable by the following experiment: if one drop of oil be dropped on a bason of wa­ter, it will immediately diffuse itself over the whole, for there being no friction between the two surfaces. there is nothing to prevent its spreading itself by the gravity of the upper part of it, except its own tenacity, into a pellicle of the greatest tenuity. But if a second drop of oil be put upon [Page 208] the former, it does not spread itself, but remains in the form of a drop, as the other already occupied the whole surface of the bason; and there is friction in oil passing over oil though none in oil passing over water.

Hence, when oil is diffused on the surface of water, gentle breezes have no influence in raising waves upon it; for a small quantity of oil will cover a very great surface of water (I suppose a spoonful will diffuse itself over some acres), and the wind blowing upon this, carries it gradually forwards, and there being no friction between the two surfaces, the water is not af­fected. On which account oil has no effect in stilling the agitation of the water after the wind ceases, as was found by the experiments of Dr. Franklin.

This circumstance, lately brought into notice by Dr. Franklin, had been mentioned by Pliny, and is said to be in use by the divers for pearls, who, in windy weather, take down with them a little oil in their mouths, which they occasionally give out, when the inequality of the supernatant waves prevents them from seeing sufficiently distinctly for their purpose.

The wonderful tenuity with which oil can be spread upon water, is evinced by a few drops projected from a bridge, where the eye is properly placed over it, passing through all the prismatic colours as it diffuses itself. And also from another curious experiment of Dr. Franklin's: he cut a piece of cork to about the size of a letter-wafer, leaving a point standing off like a tangent, at one edge of the circle. This piece of cork was then dipped in oil, and thrown into a large pond of water, and as the oil flowed off at the point, the cork-wafer continued to revolve in a contrary direction for seve­ral minutes. The oil flowing off all that time at the pointed tangent, in coloured streams. In a small pond of water this experiment does not so well succeed, as the circulation of the cork stops as soon as the water be­comes covered with the pellicles of oil. See additional notes, No. XIII. and note on Fucus, vol. II.

The ease with which oil and water slide over each other, is agreeable seen if a phial be about half filled with equal parts of oil and water, and made to oscillate, suspended by a string; the upper surface of the oil, and the lower one of the water, will always keep smooth: but the agitation of the surfaces where the oil and water meet, is curious; for their specific gravi­ties being not very different, and their friction on each other nothing, the highest side of the water, as the phial descends in its oscillation, having, ac­quired a greater momentum than the lowest side (from its having descended further) would rise the highest on the ascending side of the oscillation, and thence pushes the then uppermost part of the water amongst the oil.

[Page 209]

NOTE XXX.—SHIP-WORM.

Meet fell Teredo, as he mines the k [...]el
With beaked head, and break his lips of steel.
CANTO III. l. 91,

THE Teredo, or ship-worm, has two calcareous jaws, hemispherical, flat before, and angular behind. The shell is taper, winding, penetrating ships and submarine wood, and was brought from India into Europe. Linnaei System. Nat. p. 1267. The Tarieres, or sea-worms, attack and erode ships with such fury, and in such numbers, as often greatly to endanger them. It is said that our vessels have not known this new enemy above fifty years; that they were brought from the sea about the Antilles, to our parts of the ocean, where they have increased prodigiously. They bore their passage in the direction of the fibres of the wood, which is their nourishment, and cannot return or pass obliquely, and thence when they come to a knot in the wood, or when two of them meet together, with their stony mouths, they perish for want of food.

In the years 1731 and 1732, the United Provinces were under a dreadful alarm concerning these insects, which had made great depredation on the piles which support the banks of Zealand; but it was happily discovered a few years afterwards, that these insects had totally abandoned that island (Dict. Raisonné, art. Vers Rongeurs), which might have been occasioned by their not being able to live in that latitude, when the winter was rather severer than usual.

NOTE XXXI.—MAELSTROM.

Turn the broad helm, the fluttering canvas urge
From Maelstrom's fierce innavigable surge.
CANTO III. l. 93.

ON the coast of Norway there is an extensive vortex, or eddy, which lies between the islands of Moskoe and Moskenas, and is called Moskoestrom, or Maelstrom; it occupies some leagues in circumference, and is said to be very dangerous, and often destructive, to vessels navigating these seas. It is not easy to understand the existence of a constant descending stream, with­out supposing it must pass through a subterranean cavity, to some other part of the earth or ocean which may lie beneath its level; as the Mediterranean seems to lie beneath the level of the Atlantic ocean, which, therefore, con­stantly flows into it through the Straits; and the waters of the Gulph of Mexico lie much above the level of the sea about the Floridas, and farther northward, which gives rise to the Gulph-stream, as described in note on Cassia, in vol. II.

The Maelstrom is said to be still twice in about twenty-four hours, when the tide is up, and most violent at the opposite times of the day. This is [Page 210] not difficult to account for, since, when so much water is brought over the subterraneous passage, if such exists as completely to fill it, and stand many feet above it, less disturbance must appear on the surface. The Maelstrom is described in the Memoires of the Swedish Academy of Sciences, and Pon­topiddan's History of Norway, and in the Universal Museum for 1763, p. 131.

The reason why eddies of water become hollow in the middle is, because the water immediately over the centre of the well, or cavity, falls faster, having less friction to oppose its descent, than the water over the circumfe­rence or edges of the well. The circular motion, or gyration of eddies, de­pends on the obliquity of the course of the stream, or to the friction or op­position to it being greater on one side of the well than the other: I have observed in water passing through a hole in the bottom of a trough, which was always kept full, the gyration of the stream might be turned either way by increasing the opposition of one side of the eddy with one's finger, or by turning the spout, through which the water was introduced, a little more obliquely to the hole on one side or on the other. Lighter bodies are liable to be retained long in eddies of water, while those rather heavier than water, are soon thrown out beyond the circumference, by their acquired mo­mentum becoming greater than that of the water. Thus, if equal portions of oil and water be put into a phial, and, by means of a string, be whirled in a circle round the hand, the water will always keep at the greater dis­tance from the centre; whence, in the eddies formed in rivers during a flood, a person who endeavours to keep above water, or to swim, is liable to be detained in them, but on suffering himself to sink, or dive, he is said readily to escape. This circulation of water, in descending through a hole in a vessel, Dr. Franklin has ingeniously applied to the explanation of hur­ricanes, or eddies of air.

NOTE XXXII.—GLACIERS.

Where round dark crags indignant Waters bend
Through rifted ice, in ivory veins descend.
CANTO III. l. 113.

THE common heat of the interior parts of the earth being always 48 degrees, both in winter and summer, the snow which lies in contact with it is always in a thawing state. Hence, in ice-houses, the external part of the collection of ice is perpetually thawing, and thus preserves the internal part of it, so that it is necessary to lay up many tons for the preservation of one ton. Hence, in Italy, considerable rivers have their source from be­neath the eternal glaciers, or mountains of snow and ice.

In our country, when the air, in the course of a frost, continues a day or two at very near 32 degrees, the common heat of the earth thaws the ice on its surface, while the thermometer remains at the freezing point. This circumstance is often observable in the rimy mornings of spring; the ther­mometer [Page 211] shall continue at the freezing point, yet all the rime will vanish, except that which happens to lie on a bridge, a board, or on a cake of cow­dung, which, being thus, as it were, insulated or cut off from so free a com­munication with the common heat of the earth, by means of air under the bridge, or wood, or dung, which are bad conductors of heat, continues some time longer unthawed. Hence, when the ground is covered thick with snow, though the frost continues, and the sun does not shine, yet the snow is observed to decrease very sensibly. For the common heat of the earth melts the under surface of it, and the upper one evaporates by its solution in the air. The great evaporation of ice was observed by Mr. Boyle, which experiment I repeated some time ago. Having suspended a piece of ice by a wire, and weighed it with care, without touching it with my hand, I hung it out the whole of a clear frosty night, and found, in the morning, it had lost nearly a fifth of its weight. Mr. N. Wallerius has since observed, that ice, at the time of its congelation, evaporates faster than watèr in its fluid form; which may be accounted for from the heat given out at the in­stant of freezing; (Saussure's Essais sur Hygromet. p. 249.) but this effect is only momentary.

Thus the vegetables that are covered with snow are seldom injured; since, as they lie between the thawing snow, which has 32 degrees of heat, and the covered earth, which has 48, they are preserved in a degree of heat be­tween these, viz. in 40 degrees of heat. Whence the moss on which the rein­deer feed, in the northern latitudes, vegetates beneath the snow; (See note on Muschus, vol. II.) and hence many Lapland and Alpine plants perished through cold in the botanic garden at Upsal; for, in their native situations, though the cold is much more intense, yet at its very commencement they are covered deep with snow, which remains till late in the spring. For this fact see Amaenit. Academ. vol. 1. No. 48. In our climate such plants do well covered with dried fern, under which they will grow, and even flower, till the severe vernal frosts cease. For the increase of glaciers see note on Canto I. l. 529.

NOTE XXXIII.—WINDS.

While southern Gales o'er western oceans roll,
And Eurus steals his ice-winds from the Pole.
CANTO IV. l. 15.

THE theory of the winds is yet very imperfect, in part, perhaps, owing to the want of observations sufficiently numerous of the exact times and places where they begin and cease to blow, but chiefly to our yet imperfect knowledge of the means by which great regions of air are either suddenly produced or suddenly destroyed.

The air is perpetually subject to increase or diminution, from its com­bination with other bodies, or its evolution from them. The vital part of the air, called oxygene, is continually produced in this climate, from the [Page 212] perspiration of vegetables in the sunshine, and probably from the action of light on clouds, or on water, in tropical climates, where the sun has greater power, and may exert some yet unknown laws of luminous com­bination. Another part of the atmosphere, which is called azote, is perpe­tually set at liberty from animal and vegetable bodies by putrefaction or combustion, from many springs of water, from volatile alkali, and probably from fixed alkali, of which there is an exhaustless source in the water of the ocean. Both these component parts of the air are perpetually again diminished by their contact with the soil, which covers the surface of the earth, producing nitre, The oxygene is diminished in the production of all acids, of which the carbonic and muriatic exist in great abundance. The azote is diminished in the growth of animal bodies, of which it constitutes an important part, and in its combinations with many other natural pro­ductions.

They are both probably diminished, in immense quantities, by uniting with the inflammable air, which arises from the mud of rivers and lakes at some seasons, when the atmosphere is light; the oxygene of the air pro­ducing water, and the azote producing volatile alkali, by their combina­tions with this inflammable air. At other seasons of the year these prin­ciples may again change their combinations, and the atmospheric air be re­produced.

Mr. Lavoisier found that one pound of charcoal, in burning, consumed two pounds nine ounces of vital air, or oxygene. The consumption of vital air, in the process of making red-lead, may readily be reduced to cal­culation; a small barrel contains about twelve hundred weight of this com­modity; 1200 pounds of lead, by calcination, absorb about 144 pounds of vital air: now, as a cubic foot of water weighs 1000 averdupois ounces, and as vital air is above 800 times lighter than water, it follows, that every barrel of red-lead contains nearly 2000 cubic feet of vital air. If this can be performed in miniature in a small oven, what may not be done in the immense elaboratories of nature!

These great elaboratories of nature include almost all her fossil, as well as her animal and vegetable productions. Dr. Priestley obtained air of greater or less purity, both vital and azotic, from almost all the fossil sub­stances he subjected to experiment. Four ounce-weight of lava, from Ice­land, heated in an earthen retort, yielded twenty ounce-measures of air.

  • 4 ounce-weight of lava gave 20 ounce-measures of air.
  • 7 .......... basaltes ... 104 ........... air.
  • 2 .......... toad-stone ... 40 ........... air.
  • 1 ½ .......... granite ... 20 ........... air.
  • 1 .......... elvain ... 30 ........... air.
  • 7 .......... gypsum ... 230 ........... air.
  • 4 .......... blue slate ... 230 ........... air.
  • 4 .......... clay ... 20 ........... air.
  • 4 .......... lime-stone spar ... 830 ........... air.
  • 5 .......... lime-stone ... 1160 ........... air.
  • [Page 213] 3 .......... chalk ... 630 ...........
  • 3 ½ .......... white iron-ore ... 560 ...........
  • 4 .......... dark iron-ore ... 410 ...........
  • ½ .......... molybdena ... 25 ...........
  • ¼ .......... stream tin ... 20 ...........
  • 2 .......... steatites ... 40 ...........
  • 2 .......... barytes ... 26 ...........
  • 2 .......... black wad ... 80 ...........
  • 4 .......... sand-stone ... 75 ...........
  • 3 .......... coal ... 700 ...........

In this account the fixed air was previously extracted from the lime-stones by acids, and the heat applied was much less than was necessary to extract all the air from the bodies employed. Add to this the known quantities of air which are combined with the calciform ores, as the ochres of iron, man­ganese, calamy, grey ore of lead, and some idea may be formed of the great production of air in volcanic eruptions, as mentioned in note on Chunda, vol. II. and of the perpetual absorptions and evolutions of whole oceans of air from every part of the earth.

But there would seem to be an officina aeris, a shop where air is both manufactured and destroyed in the greatest abundance within the polar cir­cles, as will hereafter be spoken of. Can this be effected by some yet un­known law of the congelation of aqueous or saline fluids, which may set at liberty their combined heat, and convert a part both of the acid and alkali of sea-water into their component airs? Or, on the contrary, can the elec­tricity of the northern lights convert inflammable air and oxygene into wa­ter, whilst the great degree of cold at the poles unites the azote with some other base? Another officina aeris, or manufacture of air, would seem to exist within the tropics, or at the line, though in a much less quantity than at the poles, owing, perhaps, to the action of the sun's light on the moisture suspended in the air, as will also be spoken of hereafter; but in all other parts of the earth these absorptions and evolutions of air, in a greater or less de­gree, are perpetually going on in inconceivable abundance; increased, pro­bably, and diminished, at different seasons of the year, by the approach or retrocession of the sun's light: future discoveries must elucidate this part of the subject. To this should be added, that as heat and electricity, and per­haps magnetism, are known to displace air, that it is not impossible but that the increased or diminished quantities of these fluids diffused in the atmos­phere, may increase its weight as well as its bulk; since their specific attrac­tions, or affinities to matter, are very strong, they probably also possess ge­neral gravitation to the earth; a subject which wants further investigation. See note XXVI.

SOUTH-WEST WINDS.

The velocity of the surface of the earth, in moving round its axis, di­minishes from the equator to the poles. Whence, if a region of air, in this [Page 214] country, should be suddenly removed a few degrees towards the north, it must constitute a western wind, because, from the velocity it had previ­ously acquired in this climate, by its friction with the earth, it would, for a time, move quicker than the surface of the country it was removed to. The contrary must ensue when a region of air is transported from this country a few degrees southward, because the velocity it had acquired in this climate would be less than that of the earth's surface where it was re­moved to; whence it would appear to constitute a wind from the east, while, in reality, the eminent parts of the earth would be carried against the too slow air. But if this transportation of air from south to north be performed gradually, the motion of the wind will blow in the diagonal be­tween south and west. And, on the contrary, if a region of air be gra­dually removed from north to south, it would also blow diagonally between the north and east; from whence we may safely conclude, that all our winds in this country which blow from the north or east, or any point between them, consist of regions of air brought from the north; and that all our winds blowing from the south or west, or from any point between them, are re­gions of air brought from the south.

It frequently happens, during the vernal months, that after a north-east wind has passed over us for several weeks, during which time the barome­ter has stood at above 30 ½ inches, it becomes suddenly succeeded by a south­west wind, which also continues several weeks, and the barometer sinks to nearly 28 ½ inches. Now, as two inches of the mercury in the barometer balance one-fifteenth part of the whole atmosphere, an important question here presents itself: What is become of all this air?

1. This great quantity of air cannot be carried in a superior current to­wards the line, while the inferior current flows towards the poles, because then it would equally affect the barometer, which should not, therefore, sub­side from 30 ½ inches, to 28 ½, for six weeks together.

2. It cannot be owing to the air having lost all the moisture which was previously dissolved in it, because these warm south-west winds are replete with moisture; and the cold north-east winds, which weigh up the mercury in the barometer to 31 inches, consist of dry air.

3. It cannot be carried over the polar regions, and be accumulated on the meridian opposite to us, in its passage towards the line, as such an accumu­lation would equal one-fifteenth of the whole atmosphere, and cannot be sup­posed to remain in that situation for six weeks together.

4. It cannot depend on the existence of tides in the atmosphere, since it must then correspond to lunar periods. Nor to accumulations of air from the specific levity of the upper regions of the atmosphere, since its degree of fluidity must correspond with its tenuity, and consequently such great moun­tains of air cannot be supposed to exist for so many weeks together as the south-west winds sometimes continue.

5. It remains, therefore, that there must be, at this time, a great and sud­den absorption of air, in the polar circle, by some unknown operation of na­ture, and that the south wind runs in to supply the deficiency. Now, as this south wind consists of air brought from a part of the earth's surface [Page 215] which moves faster than it does in this climate, it must have, at the same time, a direction from the west, by retaining part of the velocity, it had previously acquired. These south-west winds, coming from a warmer country, and becoming colder by their contact with the earth of this cli­mate, and by their expansion (so great a part of the superincumbent atmos­phere having vanished), precipitate their moisture; and as they continue for several weeks to be absorbed in the polar circle, would seem to receive a perpetual supply from the tropical regions, especially over the line, as will hereafter be spoken of.

It may sometimes happen that a north-east wind, having passes over us, may be bent down, and driven back, before it has acquired any heat from the climate, and may thus, for a few hours, or a day, have a south-west direc­tion, and from its descending from a higher region of the atmosphere, may possess a greater degree of cold, than an inferior north-east current of air.

The extreme cold of Jan. 13, 1709, at Paris, came on with a gentle south wind, and was diminished when the wind changed to the north, which is ac­counted for by Mr. Homberg, from a reflux of air which had been flowing for some time from the north. Chemical Essays by R. Watson, vol. V. p. 182.

It may happen that a north-east current may, for a day or two, pass over us, and produce incessant rain, by mixing with the inferior south-west cur­rent; but this, as well as the former, is of short duration, as its friction will soon carry the inferior current along with it; and dry or frosty weather will then succeed.

NORTH-EAST WINDS.

The north-east winds of this country consist of regions of air from the north, travelling sometimes at the rate of about a mile in two minutes, during the vernal months, for several weeks together, from the polar regions to­ward the south, the mercury in the barometer standing above 30. These winds consist of air greatly cooled by the evaporation of the ice and snow over which it passes, and, as they become warmer by their contact with the earth of this climate, are capable of dissolving more moisture as they pass along, and are thence attended with frosts in winter, and with dry hot wea­ther in summer.

1. This great quantity of air cannot be supplied by superior currents passing in a contrary direction from south to north, because such currents must, as they arise into the atmosphere a mile or two high, become exposed to so great cold as to occasion them to deposit their moisture, which would fall through the inferior current upon the earth in some part of their pas­sage.

2. The whole atmosphere must have increased in quantity because it ap­pears by the barometer that there exists one-fifteenth part more air over us for many weeks together, which could not be thus accumulated by differ­ence of temperature in respect to heat, or by any aerostatic laws at present known, or by any lunar influence.

[Page 216] From whence it would appear that immense masses of air were set at li­berty from their combinations with solid bodies, along with a sufficient quantity of combined heat, within the polar circle, or in some region to the north of us; and that they thus perpetually increase the quantity of the at­mosphere; and that this is again, at certain, times, re-absorbed, or enters into new combinations at the line or tropical regions. By which wonderful contrivance the atmosphere is perpetually renewed, and rendered fit for the support of animal and vegetable life.

SOUTH-EAST WINDS.

The south-east winds of this country consist of air from the north, which had passed by us, or over us, and before it had obtained the velocity of the earth's surface in this climate, had been [...] back, owing to a deficiency of air now commencing at the polar regions. Hence these are generally dry or freezing winds, and if they succeed north-east winds, should prog­nosticate a change of wind from north-east to south-west: the barometer is generally about 30. They are sometimes attended with cloudy weather, or rain, owing to their having acquired an increased degree of warmth and moisture before they became retrograde; or to their being mixed with air from the south.

2. Sometimes these south-east winds consist of a vertical eddy of north­east air, without any mixture of south-west air; in that case the barometer continues above 30, and the weather is dry or frosty for four or five days to­gether

It should here be observed, that air being an elastic fluid, must be more liable to eddies than water, and that these eddies must extend into cylinders, or vortexes, of greater diameter, and that if a vertical eddy of north-east air be of small diameter, or has passed but a little way to the south of us before its return, it will not have gained the velocity of the earth's surface to the south of us, and will, in consequence, become a south-east wind. But if the vertical eddy be of large diameter, or has passed much to the south of us, it will have acquired velocity from its friction with the earth's surface to the south of us, and will, in consequence, on its return, become a south-west wind, producing great cold.

NORTH-WEST WINDS.

There seem to be three sources of the north-west winds of this hemisphere of the earth. 1. When a portion of southern air, which was passing over us, is driven back by accumulation of new air in the polar regions. In this case I suppose they are generally moist or rainy winds, with the barometer under 30; and if the wind had previously been in the south-west, it would seem to prognosticate a change to the north-east.

2. If a current of north wind is passing over us but a few miles high, without any easterly direction, and is bent down upon us, it must immedi­ately possess a westerly direction, because it will now move faster than the [Page 217] surface of the earth where it arrives; and thus becomes changed from a north-east to a north-west wind. The descent of a north-east current of air producing a north-west wind, may continue some days with clear or freezing weather, as it may be simply owing to a vertical eddy of north-east air, as will be spoken of below. It may otherwise be forced down by a current of south-west wind passing over it; and it this case it will be attended with rain for a few days, by the mixture of the two airs of different degrees of heat; and will prognosticate a change of wind from north-east to south-west, if the wind was previously in the north-east quarter.

3. On the eastern coast of North-America the north-west winds bring frost, as the north-east winds do in this country, as appears from variety of testimony. This seems to happen from a vertical spiral eddy made in the atmosphere, between the shore and the ridge of mountains which form the spine, or back-bone, of that continent. If a current of water runs along the hypothenuse of a triangle, an eddy will be made in the included angle, which will turn round like a water-wheel as the stream passes in contract with one edge of it. The same must happen when a sheet of air, flowing along from the north-east, rises from the shore, in a straight line, to the summit of the Apalachian mountains; a part of the stream of north-east air will flow over the mountains, another part will revert, and circulate spi­rally, between the summit of the country and the eastern shore, continuing to move toward the south; and thus be changed from a north-east to a north-west wind.

This vertical spiral eddy, having been in contact with the cold summits of these mountains, and descending from higher parts of the atmosphere, will lose part of its heat, and thus constitute one cause of the greater cold­ness of the eastern sides of North-America than of the European shores op­posite to them, which is said to be equal to twelve degrees of north lati­tude, which is a wonderful fact, not otherwise easy to be explained, since the heat of the springs at Philadelphia is said to be 52, which is greater than the medium heat of the earth in this country.

The existence of vertical eddies, or great cylinders of air rolling on the surface of the earth, is agreeable to the observations of the constructors of wind-mills, who, on this idea, place the area of the sails leaning backwards, inclined to the horizon, and believe that then they have greater power than when they are placed quite perpendicularly. The same kind of rolling cylinders of water obtain in rivers, owing to the friction of the wa­ter against the earth at their bottoms, as is known by bodies having been observed to float upon their surfaces quicker than when immersed to a cer­tain depth, These vertical eddies of air probably exist all over the earth's surface, but particularly at the bottom or sides of mountains, and more so, probably, in the course of the south-west than of the north-east winds, be­cause the former fall from an eminence, as it were, on a part of the earth where there is a deficiency of the quantity of air, as is shewn by the sinking of the barometer: whereas the latter are pushed or squeezed forward by an addition to the atmosphere behind them, as appears by the rising of the ba­rometer.

[Page 218]

TRADE-WINDS.

A column of heated air becomes lighter than before, and will therefore ascend, by the pressure of the cold air which surrounds it, like a cork in water, or like heated smoke in a chimney.

Now, as the sun passes twice over the equator for once over either tropic, the equator has not time to become cool; and, on this account, it is in ge­neral hotter at the line than at the tropics; and, therefore, the air over the line, except in some few instances hereafter to be mentioned, continues to ascend at all seasons of the year, pressed upwards by regions of air brought from the tropics.

This air, thus brought from the tropics to the equator, would constitute a north wind on one side of the equator, and a south wind on the other; but as the surface of the earth at the equator moves quicker than the sur­face of the earth at the tropics, it is evident that a region of air brought from either tropic to the equator, and which had previously only acquired the velocity of the earth's surface at the tropics, will now move too flow for earth's surface at the equator, and will thence appear to move in a direction contrary to the motion of the earth. Hence the trade-winds, though they consist of regions of air brought from the north on one side of the line, and from the south on the other, will appear to have the diagonal direction of north-east and south-east winds.

Now, it is commonly believed that there are superior currents of air pass­ing over these north-east and south-east currents in a contrary direction, and which, descending near the tropics, produce vertical whirlpools of air. An important question here again presents itself: What becomes of the moisture which this heated air ought to deposit, as it cools in the upper regions of the atmos­phere, in its journey to the tropics? It has been shewn by Dr. Priestley and Mr. Ingenhouz, that the green matter at the bottom of cisterns, and the fresh leaves of plants immersed in water, give out considerable quantities of vital air in the sunshine; that is, the perspirable matter of plants (which is water much divided in its egress from their minute pores), becomes decom­posed by the sun's light, and converted into two kinds of air, the vital and inflammable airs. The moisture contained or dissolved in the ascending heated air at the line, must exist in great tenuity; and, by being exposed to the great light of the sun in that climate, the water may be decomposed, and the new airs spread on the atmosphere from the line to the poles.

1. From there being no constant deposition of rains in the usual course of the trade-winds, it would appear that the water rising at the line is decom­posed in its ascent.

2. From the observations of M. Bougner, on the mountain Pinchinca, one of the Cordelieres immediately under the line, there appears to be no condensible vapour above three or four miles high. Now, though the at­mosphere at that height may be cold to a very considerable degree, yet its total deprivation of condensible vapour would seem to shew, that its water was decomposed, as there are no experiments to evince that any degree of [Page 219] cold hitherto known has been able to deprive air of its moisture; and great abundance of snow is deposited from the air that flows to the polar regions, though it is exposed to no greater degrees of cold in its journey thither than probably exists at four miles height in the atmosphere at the line.

3. The hygrometer of Mr. Sauffure also pointed to dryness as he ascended into rarer air; the single hair of which it was constructed, contracting from deficiency of moisture. Essais sur l'Hygromet. p. 143.

From these observations it appears, either that rare and cold air requires more moisture to saturate it than dense air, or that the moisture becomes decomposed, and converted into air, as it ascends into these cold and rare regions of the atmosphere.

4. There seems some analogy between the circumstance of air being pro­duced or generated in the cold parts of the atmosphere, both at the line and at the poles.

MONSOONS AND TORNADOES.

1. In the Arabian and Indian seas are winds which blow six months one way, and six months the other, and are called Monsoons; by the accidental dispositions of land and sea, it happens, that in some places the air near the tropic is supposed to become warmer when the sun is vertical over it, than at the line. The air in these places consequently ascends, pressed upon one side by the north-east regions of air, and on the other side by the south­west regions of air. For as the air brought from the south has previously obtained the velocity of the earth's surface at the line, it moves faster than the earth's surface near the tropic, where it now arrives, and becomes a south-west wind, while the air from the north becomes a north-east wind, as before explained. These two winds do not so quietly join and ascend as the north-east and south-east winds, which meet at the line with equal warmth and velocity, and form the trade-winds; but as they meet in con­trary directions before they ascend, and cannot be supposed accurately to ba­lance each other, a rotatory motion will be produced, as they ascend, like water falling through a hole, and an horizontal or spiral eddy is the con­sequence; these eddies are more or less rapid, and are called Tornadoes in their most violent state, raising water from the ocean in the west, or sand from the deserts of the east; in less violent degrees, they only mix together the two currents of north-east and south-west air, and produce, by this means, incessant rains, as the air of the north-east acquires some of the heat from the south-west wind, as explained in Note XXV. This cir­cumstance of the eddies produced by the monsoon-winds, was seen by Mr. Bruce in Abyssinia: he relates, that for many successive mornings, at the commencement of the rainy monsoon, he observed a cloud, of apparently small dimension, whirling round with great rapidity, and, in a few minutes, the heavens became covered with dark clouds, with consequent great rains. See note on Canto III. l. 129.

2. But it is not only at the place where the air ascends, at the northern extremity of the rainy monsoon, and where it forms tornadoes, as observed [Page 220] above by Mr. Bruce, but over a great tract of country, several degrees in length, in certain parts, as in the Arabian sea, a perpetual rain for several months descends, similar to what happens, for weeks together, in our own climate, in a less degree, during the south-west winds. Another important question presents itself here: If the climate to which this south-west wind ar­rives is not colder than that it comes from, why should it deposit its moisture during its whole journey? If it be a colder climate, why does it come thither? The tornadoes of air above described can extend but a little way, and it is not easy to conceive, that a superior cold current of air can mix with an infe­rior one, and thus produce showers over ten degrees of country, since, at about three miles high, there is perpetual frost; and what can induce these narrow and shallow currents to flow over each other so many hundred miles?

Though the earth, at the northern extremity of this monsoon, may be more heated by certain circumstances of situation than at the line, yet it seems probable that the intermediate country between that and the line, may continue colder than the line (as in other parts of the earth), and hence, that the air coming from the line to supply this ascent, or destruction of air, at the northern extremity of the monsoon, will be cooled all the way in its approach, and, in consequence, deposit its water. It seems proba­ble, that at the northern extremity of this monsoon, where the tornadoes or hurricanes exist, that the air not only ascends, but is in part converted into water, or otherwise diminished in quantity, as no account is given of the existence of any superior currents of it.

As the south-west winds are always attended with a light atmosphere, an incipient vacancy, or a great diminution of air, must have taken place to the northward of them, in all parts of the earth wherever they exist; and a deposition of their moisture succeeds their being cooled by the climate they arrive at, and not by a contrary current of cold air over them, since, in that case, the barometer would not sink. They may thus, in our own country, be termed monsoons without very regular periods.

3. Another cause of TORNADOES, independent of the monsoons, is inge­niously explained by Dr. Franklin; when, in the tropical countries, a stra­tum of inferior air becomes so heated by its contact with the warm earth, that its expansion is increased more than is equivalent to the pressure of the stratum of air over it; or when the superior stratum becomes more condensed by cold than the inferior one by pressure, the upper region will descend, and the lower one ascend. In this situation, if one part of the atmosphere be hotter, from some fortuitous circumstances, or has less pres­sure over it, the lower stratum will begin to ascend at this part, and re­semble water falling through a hole, as mentioned above. If the lower re­gion of air was going forwards with considerable velocity, it will gain an eddy by rising up this hole in the incumbent heavy air, so that the whirl­pool, or tornado, has not only its progressive velocity, but its circular one also, which thus lifts up or overturns every thing within its spiral whirl. By the weaker whirlwinds in this country, the trees are sometimes thrown down in a line of only twenty or forty yards in breadth, making a [Page 221] kind of avenue through a country. In the West-Indies the sea rises like a cone in the whirl, and is met by black clouds, produced by the cold up­per air and the warm lower air being rapidly mixed; whence are produced the great and sudden rains called water-spouts; while the upper and lower airs exchange their plus or minus electricity in perpetual lightnings.

LAND AND SEA BREEZES.

The sea, being a transparent mass, is less heated at its surface by the sun's rays than the land, and its continual change of surface contributes to pre­serve a greater uniformity in the heat of the air which hangs over it. Hence the surface of the tropical islands is more heated during the day than the sea that surrounds them, and cools more in the night, by its greater elevation; whence, in the afternoon, when the lands of the tropical islands have been much heated by the sun, the air over them ascends, pressed up­wards by the cooler air of the incircling ocean; in the morning, again, the land becoming cooled more than the sea, the air over it descends by its in­creased gravity, and blows over the ocean, near its shores.

CONCLUSION.

1. There are various irregular winds besides those above described, which consist of horizontal or vertical eddies of air, owing to the inequality of the earth's surface, or the juxtaposition of the sea. Other irregular winds have their origin from increased evaporation of water, or its sudden devaporation and descent in showers; others from the partial expansion and condensation of air by heat and cold; by the accumulation or defect of electric fluid, or to the air's new production or absorption, occasioned by lo­cal causes not yet discovered, See notes VII. and XXV.

2. There seem to exist only two original winds: one consisting of air brought from the north, and the other of air brought from the south. The former of these winds has also generally an apparent direction from the east, and the latter from the west, arising from the different velocities of the earth's surface. All the other winds above described are deflections or retrogres­sions of some parts of these currents of air from the north or south.

3. One fifteenth part of the atmosphere is occasionally destroyed, and occasionally reproduced, by unknown causes. These causes are brought into immediate activity over a great part of the surface of the earth, at nearly the same time, but always more powerful to the northward than to the southward of any given place, and would hence seem to have their princi­pal effect in the polar circles; existing, nevertheless, though with less power, toward the tropics or at the line.

For when the north-east wind blows the barometer rises, sometimes from 28 ½ inches to 30 ½, which shews a great new generation of air in the north; and when the south-west wind blows the barometer sinks as much, which shews a great destruction of air in the north. But as the north-east winds sometimes continue for five or six weeks, the newly generated air must be [Page 222] destroyed at those times in the warmer climates to the south of us, or circu­late in superior currents, which has been shewn to be improbable from its not depositing its water. And as the south-west winds sometimes continue for some weeks, there must be a generation of air to the south at those times, or superior currents, which last has been shewn to be improbable.

4. The north-east winds, being generated about the poles, are pushed for­wards towards the tropics or line, by the pressure from behind, and hence they become warmer, as explained in note VII. as well as by their coming into contact with a warmer part of the earth, which contributes to make these winds greedily absorb moisture in their passage. On the contrary, the south-west winds, as the atmosphere is suddenly diminished in the polar re­gions, are drawn, as it were, into an incipient vacancy, and become, there­fore, expanded in their passage, and thus generate cold, as explained in note VII. and are thus induced to part with their moisture, as well as by their contact with a colder part of the earth's surface. Add to this, that the dif­ference in the found of the north-east and south-west winds may depend on the former being pushed forwards by a pressure behind, and the latter fall­ing, as it were, into a partial or incipient vacancy before; whence the for­mer becomes more condensed, and the latter more rarefied, as it passes. There is a whistle termed a lark-call, which consists of a hollow cylinder of tin-plate, closed at each end, about half an inch in diameter, and a quar­ter of an inch high, with opposite holes, about the size of a goose-quill, through the centre of each end; if this lark-whistle be held between the lips, the found of it is manifestly different when the breath is forcibly blown through it from within outwards, and when it is sucked from with­out inwards. Perhaps this might be worthy the attention of organ build­ers.

5. A stop is put to this new generation of air, when about a fifteenth of the whole is produced, by its increasing pressure; and a similar boundary is fixed to its absorption or destruction by the decrease of atmospheric pressure. As water requires more heat to convert it into vapour under a heavy atmos­phere than under a light one, so in letting off the water from muddy fish­ponds, great quantities of air-bubbles are seen to ascend from the bottom, which were previously confined there by the pressure of the water. Similar bubbles of inflammable air are seen to arise from lakes in many seasons of the year, when the atmosphere suddenly becomes light.

6. The increased absorptions and evolutions of air must, like its simple expansions, depend much on the presence or absence of heat and light, and will hence, in respect to the times and places of its production and destruc­tion, be governed by the approach or retrocession of the sun, and on the temperature, in regard to heat, of various latitudes, and parts of the same latitude, so well explained by Mr. Kirwan.

7. Though the immediate cause of the destruction or re-production of great masses of air at certain times, when the wind changes from north to south, or from south to north, cannot yet be ascertained; yet, as there appears greater difficulty in accounting for this change of wind from any other known causes, we may still suspect that there exists in the arctic and [Page 223] antarctic circles, a BEAR or DRAGON, yet unknown to philosophers, which, at times, suddenly drinks up, and as suddenly, at other times, vomits out one­fifteenth part of the atmosphere; and hope that this or some future age will learn how to govern and domesticate a monster which might be rendered of such important service to mankind.

INSTRUMENTS.

If, along with the usual registers of the weather, observations were made on the winds in many parts of the earth, with the three following instru­ments, which might be constructed at no great expence, some useful infor­mation might be acquired.

1. To mark the hour when the wind changes from north-east to south­west, and the contrary. This might be managed by making a communica­tion from the vane of a weather-cock to a clock, in such a manner, that if the vane should revolve quite round, a tooth on its revolving axis should stop the clock, or put back a small bolt on the edge of a wheel, revolving once in twenty-four hours.

2. To discover whether in a year more air passed from north to south, or the contrary. This might be effected by placing a wind-mill-sail of cop­per, about nine inches diameter, in a hollow cylinder, about six inches long, open at both ends, and fixed on an eminent situation, exactly north and south. Thence only a part of the north-east and south-west currents would affect the sail so as to turn it; and if its revolutions were counted by an adapt­ed machinery, as the sail would turn one way with the north currents of air, and the contrary one with the south currents, the advance of the counting finger either way, would shew which wind had prevailed most at the end of the year.

3. To discover the rolling cylinders of air, the vane of a weather-cock might be so suspended as to dip or rise vertically, as well as to have its hori­zontal rotation.

RECAPITULATION.

NORTH-EAST WINDS consist of air flowing from the north, where it seems to be occasionally produced; has an apparent direction from the east, owing to its not having acquired in its journey the increasing velocity of the earth's surface; these winds are analogous to the trade-winds between the tropics, and f [...]quently continue, in the vernal months, for four and six weeks together, with a high barometer, and fair or frosty weather. 2. They some­times consist of south-west air, which had passed by us or over us, driven back by a new accumulation of air in the north. These continue but a day or two, and are attended with rain. See note XXV.

SOUTH-WEST WINDS consist of air flowing from the south, and seeming occasionally absorbed at its arrival to the more northern latitudes. It has a real direction from the west, owing to its not having lost in its journey the greater velocity it had acquired from the earth's surface, from whence it [Page 224] came. These winds are analogous to the monsoons between the tropics, and frequently continue for four or six weeks together, with a low barometer, and rainy weather. 2. They sometimes consist of north-east air, which had passed by us or over us, which becomes retrograde by a commencing defi­ciency of air in the north. These winds continue but a day or two, attended with severer frost, with a sinking barometer; their cold being increased by their expansion, as they return, into an incipient vacancy.

NORTH-WEST WINDS consist, first, of south-west winds, which have passed over us, bent down, and driven back, towards the south, by newly generated northern air. They continue but a day or two, and are attended with rain or clouds. 2. They consist of north-east winds bent down from the higher parts of the atmosphere, and having there acquired a greater velocity than the earth's surface, are frosty and fair. 3. They consist of north-east winds formed into a vertical spiral eddy, as on the eastern coasts of North-America, and bring severe frost.

SOUTH-EAST WINDS consist, first, of north-east winds become retrograde; continue for a day or two; frosty or fair; sinking barometer. 2. They consist of north-east winds formed into a vertical eddy, not a spiral one; frost or fair.

NORTH WINDS consist, first, of air flowing slowly from the north, so that they acquire the velocity of the earth's surface as they approach; are fair or frosty; seldom occur. 2. They consist of retrograde south winds; these continue but a day or two; are preceded by south-west winds; and are generally succeeded by north-east winds; cloudy or rainy; barometer rising.

SOUTH WINDS consist, first, of air flowing slowly from the south, losing their previous western velocity by the friction of the earth's surface as they approach; moist; seldom occur. 2. They consist of retrograde north winds; these continue but a day or two; are preceded by north-east winds; and generally succeeded by south-west winds, colder, barometer sinking.

EAST WINDS consist of air brought hastily from the north, and not im­pelled f [...]rther southward, owing to a sudden beginning absorption of air in the northern regions, very cold, barometer high, generally succeeded by south-west wind.

WEST WINDS consist of air brought hastily from the south, and checked from proceeding further to the north, by a beginning production of air in the northern regions, warm and moist, generally succeeded by north-east wind. 2. They consist of air bent down from the higher regions of the atmosphere; if this air be from the south, and brought hastily, if becomes a wind of great velocity, moving perhaps 60 miles in an hour is warm and rainy; if it consists of northern air bent down, it is of less velocity and colder.

Application of the preceding Theory to some Extracts from a Journal of the Weather.

Dec. 1, 1790. The barometer sunk suddenly, and the wind, which had been some days north-east, with frost, changed to south-east with an incessant though moderate fall of snow. A part of the northern air, which had [Page 225] passed by us I suppose, now became retrograde before it had acquired the velocity of the earth's surface to the south of us, and being attended by some of the southern air in its journey, the moisture of the latter became condensed and frozen by its mixture with the former.

Dec. 2, 3. The wind changed to north-west and thawed the snow. A part of the southern air, which had passed by us or over us, with the retro­grade northern air above described, was now in its turn driven back, before it had lost the velocity of the surface of the earth to the south of us, and, consequently, became a north-west wind; and not having lost the warmth it brought from the south, produced a thaw.

Dec. 4, 5. Wind changed to north-east, with frost and a rising barometer. The air from the north continuing to blow, after it had driven back the southern air as above described, became a north-east wind, having less velo­city than the surface of the earth in this climate, and produced frost from its coldness.

Dec. 6, 7. Wind now changed to the south-west, with incessant rain and a sinking barometer. From unknown causes, I suppose the quantity of air to be diminished in the polar regions, and the southern air cooled by the earth's surface, which was previously frozen, deposits its moisture for a day or two; afterwards the wind continued south-west without rain, as the sur­face of the earth became warmer.

March 18, 1785. There has been a long frost; a few days ago the barometer sunk to 29 ½, and the frost became more severe. Because the air being expanded, by a part of the pressure being taken off, became colder. This day the mercury rose to 30, and the frost ceased, the wind continuing as be­fore, between north and east. March 19. Mercury above 30, weather still milder, no frost, wind north-east. March 20. The same; for the mercury rising; shews that the air becomes more compressed by the weight above, and, in consequence, gives out warmth.

April 4, 5. Frost, wind north-east; the wind changed in the middle of the day to the north-west, without rain, and has done so for three or four days, becoming again north-east at night. For the sun now giving greater degrees of heat, the air ascends as the sun passes the zenith, and is supplied below by the air on the western side, as well as on the eastern side of the zenith, during the hot part of the day; whence, for a few hours, on the ap­proach of the hot part of the day, the air acquires a westerly direction in this longitude. If the north-west wind had been caused by a retrograde mo­tion of some southern air, which had passed over us, it would have been at­tended with rain or clouds.

April 10. It rained all day yesterday, the wind north-west; this morning there was a sharp frost. The evaporation of the moisture (which fell yes­terday), occasioned by the continuance of the wind, produced so much cold as to freeze the dew.

May 12. Frequent showers, with a current of colder wind preceding every shower. The sinking of the rain or cloud pressed away the air from beneath it in its descent, which, having been for a time shaded from the sun by the floating cloud, became cooled in some degree.

[Page 226] June 20. The barometer sunk, the wind became south-west, and the whole heaven was instantly covered with clouds. A part of the incumbent atmosphere having vanished, as appeared by the sinking of the barometer, the remainder became expanded by its elasticity, and thence attracted some of the matter of heat from the vapour intermixed with it, and thus, in a few minutes, a total devaporation took place, as in exhausting the receiver of an air-pump. See note XXV. At the place where the air is destroyed, currents both from the north and south flow in to supply the deficiency (for it has been shewn that there are no other proper winds but these two), and the mixture of these winds produces so sudden condensation of the moisture, both by the coldness of the northern air and the expansion of both of them, that lightning is given out, and an incipient tornado takes place; whence thunder is said frequently to approach against the wind.

August 28, 1732. Barometer was at 31, and Dec. 30, in the same year, it was at 28 2-tenths. Medical Essays, Edinburgh, vol. II. p. 7. It appears from these journals that the mercury at Edinburgh varies sometimes nearly three inches, or one-tenth of the whole atmosphere. From the journals kept by the Royal Society at London, it appears seldom to vary more than two inches, or one-fifteenth of the whole atmosphere. The quantity of the variation is said still to decrease nearer the line, and to increase in the more northern latitudes; which much confirms the idea that there exists, at cer­tain times, a great destruction or production of air within the polar circle.

July 2, 1732. The westerly winds in the journal in the Medical Essays, vol. II. above referred to, are frequently marked with the number three, to shew their greater velocity, whereas the easterly winds seldom approach to the number two. The greater velocity of the westerly winds than the easterly ones is well known, I believe, in every climate of the world; which may be thus explained, from the theory above delivered. 1. When the air is still, the higher parts of the atmosphere move quicker than those parts which touch the earth, because they are at a greater distance from the axis of motion. 2. The part of the atmosphere where the north or south wind comes from, is higher than the part of it where it comes to; hence the more elevated parts of the atmosphere continue to descend towards the earth as either of those winds approach. 3. When southern air is brought to us it possesses a westerly direction also, owing to the velocity it has previously acquired from the earth's surface; and if it consists of air from the higher parts of the atmosphere descending nearer the earth, this westerly velocity becomes increased. But when northern air is brought to us, it possesses an apparent easterly direction also, owing to the velocity which it has pre­viously acquired from the earth's surface being less than that of the earth's surface in this latitude: now, if the north-east wind consists of air descend­ing from higher parts of the atmosphere, this deficiency of velocity will be less, in consequence of the same cause, viz. the higher parts of the atmos­phere descending, as the wind approaches, increases the real velocity of the western winds, and decreases the apparent velocity of the eastern ones.

October 22. Wind changed from south-east to south-west. There is a popular prognostication that if the wind changes from the north towards [Page 227] the south, passing through the east, it is more likely to continue in the south, than if it passes through the west, which may be thus accounted for. If the north-east wind change to a north-west wind, it shews either that a part of the northern air descends upon us in a spiral eddy, or that a superior current of southern air is driven back; but if a north-east wind be changed into a south-east wind, it shews that the northern air is become retrograde, and that in a day or two, as soon as that part of it has passed which has not gained the velocity of the earth's surface in this latitude, it will become a south wind for a few hours, and then a south-west wind.

The writer of this imperfect sketch of anemology, wishes it may incite some person of greater leisure and ability to attend to this subject, and by comparing the various meteorological journals and observations already pub­lished, to construct a more accurate and methodical treatise on this interest­ing branch of philosophy.

NOTE XXXIV.—VEGETABLE PERSPIRATION.

And wed the enamour'd Oxygene to Light.
CANTO IV. l. 34.

WHEN points or hairs are put into spring-water, as in the experiments of Sir B. Thompson, (Phil. Trans. LXXVII.) and exposed to the light of the sun, much air, which loosely adhered to the water, rises in bubbles, as explained in the note on Fucus, vol. II. A still greater quantity of air, and of a purer kind, is emitted by Dr. Priestley's green matter, and by vegeta­ble leaves growing in water in sunshine, according to Mr. Ingenhouz's ex­periments; both which I suspect to be owing to a decomposition of the wa­ter perspired by the plant; for the edge of a capillary tube of great tenuity may be considered as a circle of points, and as the oxygene, or principle of vital air, may be expanded into a gas by the sun's light, the hydrogene, or inflammable air, may be detained in the pores of the vegetable.

Hence plants growing in the shade are white, and become green by be­ing exposed to the sun's light; for their natural colour being blue, the ad­dition of hydrogene adds yellow to this blue, and tans them green. I sup­pose a similar circumstance takes place in animal bodies; their perspirable matter, as it escapes in the sunshine, becomes decomposed by the edges of their pores, as in vegetables, though in less quantity, as their perspiration is le [...]s, and by their hydrogene being retained the skin becomes tanned yel­low. In proof of this it must be observed, that both vegetable and animal substances become bleached white by the sun-beams when they are dead, as cabbage-stalks, bones, ivory, tallow, bees-wax, linen and cotton cloth; and hence, I suppose, the copper-coloured natives of sunny countries might become etiolated, or blanched, by being kept from their infancy in the dark, or removed, for a few generations, to more northerly climates.

It is probable that on a sunny morning much pure air becomes separated from the dew, by means of the points of vegetables, on which it adheres, [Page 228] and much inflammable air imbibed by the vegetable, or combined with it; and by the sun's light thus decomposing water, the effects of it in bleach­ing linen seems to depend (as described in note X.): the water is decom­posed by the light at the ends or points of the cotton or thread, and the vital air unites with the phlogistic or colouring matters of the cloth, and produces a new acid, which is either itself colourless, or washes out; at the same time the inflammable part of the water escapes. Hence there seems a reason why cotton bleaches so much sooner than linen, viz. because its fi­bres are three or four times shorter, and therefore protrude so many more points, which seem to facilitate the liberation of the vital air from the in­flammable part of the water.

Bees-wax becomes bleached by exposure to the sun and dews, in a simi­lar manner as metals become calcined or rusty, viz. by the water on their surface being decomposed; and hence the inflammable material, which caused the colour, becomes united with vital air, forming a new acid, and is washed away.

Oil, close stopped in a phial not full, and exposed long to the sun's light, becomes bleached, as I suppose, by the decomposition of the water it con­tains; the inflammable air rising above the surface, and the vital air unit­ing with the colouring matter of the oil. For it is remarkable, that by shutting up a phial of bleached oil in a dark drawer, it, in a little time, becomes coloured again.

The following experiment shews the power of light in separating vital air from another basis, viz. from azote. Mr. Scheele inverted a glass ves­sel, filled with colourless nitrous acid, into another glass, containing the same acid, and, on exposing them to the sun's light, the inverted glass be­came partly filled with pure air, and the acid, at the same time, became co­loured. Scheele, in Crell's Annal. 1786. But if the vessel of colourless nitrous acid be quite full, and stopped, so that no space is left for the air produced to expand itself into, no change of colour takes place. Priestley's Exp. VI. p. 344. See Keir's very excellent Chemical Dictionary, p. 99. new edition.

A sun-flower, three feet and a half high, according to the experiment of Dr. Hales, perspired two pints in one day (Vegetable Statics), which is many times as much, in proportion to its surface, as is perspired from the surface and lungs of animal bodies; it follows, that the vital air liberated from the surfaces of plants by the sunshine, must much exceed the quan­tity of it absorbed by their respiration, and that hence they improve the air in which they live during the light part of the day; and thus blanched ve­getables will sooner become tanned into green by the sun's light, than etiolated animal bodies will become tanned yellow by the same means.

It is hence evident, that the curious discovery of▪ Dr. Priestley, that his green vegetable matter, and other aquatic plants, gave out vital air when the sun shone upon them, and the leaves of other plants did the same when immersed in water, as observed by Mr. Ingenhouz, refer to the per­spiration of vegetables, not to their respiration. Because Dr. Priestley ob­served the pure air to come from both side of the leaves, and even from [Page 229] the stalks of a water-flag, whereas one side of the leaf only serves the office of lungs, and certainly not the stalks. Exper. on Air, vol. III. And thus, in respect to the circumstance in which plants and animals seemed the far­thest removed from each other, I mean in their supposed mode of respira­tion, by which one was believed to purify the air which the other had in­jured, they seem to differ only in degree, and the analogy between them remains unbroken.

Plants are said, by many writers, to grow much faster in the night than in the day, as is particularly observable in seedlings, at their rising out of the ground. This probably is a consequence of their sleep rather than of the absence of light; and in this, I suppose, they also resemble animal bodies.

NOTE XXXV.—VEGETABLE PLACENTATION.

While in bright veins the silvery Sap ascends.
CANTO IV. l. 431.

AS buds are the viviparous offspring of vegetables, it becomes necessary that they should be furnished with placental vessels for their nourishment, till they acquire lungs, or leaves, for the purpose of elaborating the com­mon juices of the earth into nutriment. These vessels exist in bulbs and in seeds, and supply the young plant with a sweet juice, till it acquires leaves, as is seen in converting barley into malt, and appears from the sweet taste of onions and potatoes, when they begin to grow.

The placental vessels belonging to the buds of trees are placed about the roots of most, as the vine; so many roots are furnished with sweet or mealy matter, as fern-root, bryony, carrot, turnip, potatoe, or in the albur­num, or sap-wood, as in those trees which produce manna, which is depo­sited about the month of August, or in the joints of sugar-cane, and grasses; early in the spring the absorbent mouths of these vessels drink up moisture from the earth, with a saccharine matter lodged for that purpose during the preceding autumn, and push this nutritive fluid up the vessels of the al­burnum, to every individual bud, as is evinced by the experiments of Dr. Hales, and of Mr. Walker, in the Edinburgh Philosophical Trans. The for­mer observed, that the sap from the stump of a vine, which he had cut off in the beginning of April, arose twenty-one feet high, in tubes affixed to it for that purpose; but in a few weeks it ceased to bleed at all, and Dr. Walker marked the progress of the ascending sap, and found likewise that as soon as the leaves became expanded, the sap ceased to rise; the ascending juice of some trees is so copious and so sweet during the sap-season, that it is used to make wine, as the birch, betula, and sycamore, acer pseudo-platanus, and particularly the palm, and maple acer.

During this ascent of the sap-juice, each individual leaf-bud expands its new leaves, and shoots down new roots, covering, by their intermixture, the old bark with a new one; and as soon as these new roots (or bark) are capable of absorbing sufficient juices from the earth for the support of each [Page 230] bud, and the new leaves are capable of performing their office of exposing these juices to the influence of the air, the placental vessels cease to act, co­alesce, and are transformed from sap-wood, or alburnum, into inert wood, serving only for the support of the new tree, which grows over them.

Thus from the pith of the new bud of the horse-chesnut five vessels pass out through the circle of the placental vessels above described, and carry with them a minuter circle of those vessels; these five bundles of vessels unite after their exit, and form the foot-stalk or petiole of the new five-fin­gered leaf, to be spoken of hereafter. This structure is well seen by cutting off a leaf of the horse-chesnut(AEsculus Hippocastanum) in September, be­fore it falls, as the buds of this tree are so large that the flower may be seen in them with the naked eye.

After a time, perhaps about midsummer, another bundle of vessels pas­ses from the pith through the alburnum, or sap-vessels, in the bosom of each leaf, and unites, by the new bark, with the leaf, which becomes either a flower-bud or leaf-bud, to be expanded in the ensuing spring, for which purpose an apparatus of placental vessels is produced, with proper nutri­ment, during the progress of the summer and autumn; and thus the vege­table becomes annually increased, ten thousand buds often existing on one tree, according to the estimate of Linnaeus. Phil. Bot.

The vascular connection of vegetable buds with the leaves in whose bo­soms they are formed, is confirmed by the following experiment,(Oct. 20, 1781.) On the extremity of a young bud of the Mimosa (sensitive plant) a small drop of acid of vitriol was put, by means of a pen, and, after a few seconds, the leaf in whose axilla it dwelt closed, and opened no more, though the drop of vitriolic acid was so small as apparently only to injure the summit of the bud. Does not this seem to shew that the leaf and its bud have connecting vessels, though they arise at different times, and from different parts of the medulla, or pith? And, as it exists previously to it, that the leaf is the parent of the bud?

This placentation of vegetable buds is clearly evinced from the sweetness of the rising sap, and from its ceasing to rise as soon as the leaves are ex­panded, and thus completes the analogy between buds and bulbs. Nor need we wonder at the length of the umbilical cords of buds, since that must correspond with their situation on the tree, in the same manner as their lymphatics and arteries are proportionally elongated.

It does not appear probable that any umbilical artery attends these pla­cental absorbents, since, as there seems to be no system of veins in vegeta­bles to bring back the blood from the extremities of their arteries (except their pulmonary veins), there could not be any vegetable fluids to be re­turned to their placenta, which, in vegetables, seems to be simply an organ for nutrition, whereas the placenta of the animal foetus seems likewise to serve as a respiratory organ, like the gills of fishes.

[Page 231]

NOTE XXXVI.—VEGETABLE CIRCULATION.

And refi [...]ent blood in [...]ilky eddies beads.
CANTO IV. l. 432.

THE individuality of vegetable buds was spoken of before, and is con­firmed by the method of raising all kinds of trees, by Mr. Barnes. (Method of propagating Fruit Trees. 1759. Lond. Bladwin.) He cut a branch into as many pieces as there were buds or leaves upon it, and wiping the two wounded ends dry, he quickly applied to each a cement, previously warmed a little, which consisted principally of pitch, and planted there in the earth. The use of this cement I suppose to consist in its preventing the bud from bleeding to death, though the author ascribes it to its antiseptic quality.

These buds of plants, which are thus each an individual vegetable, in many circumstances resemble individual animals; but as animal bodies are detached from the earth, and move from place to place in search of food, and take that food at considerable intervals of time, and prepare it for their nourishment within their own bodies after it is taken, it is evident they must require many organs and powers which are not necessary to a stationary bud. As vegetables are immoveably fixed to the soil from whence they draw their nourishment ready prepared, and this uniformly, not at returning intervals, it follows, that in examining their anatome, we are not to look for muscles of locomotion, as arms and legs; nor for organs to receive and prepare their nourishment, as a stomach and bowels; nor for a reservoir for it after it is prepared, as a general system of veins, which, in locomotive animals, contains and returns the superfluous blood which is left after the various organs of secretion have been supplied, by which contrivance they are enabled to live a long time without new supplies of food.

The parts which we may expect to find in the anatome of vegetables, cor­respondent to those in the animal economy, are, [...]. A system of absorbent vessels, to imbibe the moisture of the earth similar to the lacteal vessels, as in the roots of plants; and another system of absorbents, similar to the lym­phatics of animal bodies, opening its mouths on the internal cells and ex­ternal surfaces of vegetables; and a third system of absorbent vessels, cor­respondent with those of the placentation of the animal foetus, 2. A pulmo­nary system, correspondent to the lungs or gills of quadrupeds and fish, by which the fluid absorbed by the lacteals and lymphatics may be exposed to the influence of the air: this is done by the green leaves of plants, those in the air resembling lungs, and those in the water resembling gills; and by the petals of flowers. 3. Arterial systems to convey the fluid thus elaborated to the various glands of the vegetable, for the purposes of its growth, nutrition, and various secretions. 4. The various glands which separate from the ve­getable blood the honey, wax, gum, resin, starch, sugar, essential oil, &c. 5. The organs adapted for their propagation or reproduction. 6. Muscles to perform several motions of their parts.

I. The existence of that branch of the absorbent vessels of vegetables which resembles the lacteals of animal bodies, and imbibes their nutriment [Page 232] from the moist earth, is evinced by their growth so long as moisture is ap­plied to their roots, and their quickly withering when it is withdrawn,

Besides these absorbents in the roots of plants there are others, which open their mouths on the external surfaces of the bark and leaves, and on the in­ternal surfaces of all the cells, and between the bark and the alburnum, or sap-wood; the existence of these is shewn, because a leaf plucked off, and laid with its under side on water, will not wither so soon as if left in the dry air,—the same if the bark alone of a branch which is separated from a tree [...]e kept moist with water,—and, lastly, by moistening the alburnum or sap­wood alone of a branch detached from a tree, it will not so soon wither as if left in the dry air. By the following experiment these vessels were agree­ably visible by a common magnifying glass: I placed, in the summer of 1781, the foot-stalks of some large fig-leaves about an inch deep in a decoction of madder (rubia tinctorum) and others in a decoction of logwood (haematoxy­lum campechense), along with some sprigs cut off from a plant of picris; these plants were chosen because their blood is white; after some hours, and on the next day, on taking out either of these, and cutting off from its bottom about a quarter of an inch of the stalk, an internal circle of red points ap­peared, which were the ends of absorbent vessels, coloured red with the de­coction, while an external ring of arteries was seen to bleed out hastily a milky juice, and, at once, evinced both the absorbent and arterial system. These absorbent vessels have been called by Grew, and Malphigi, and some other philosophers, bronchi, and erroneously supposed to be air-vessels. It is probable that these vessels, when cut through, may effuse their fluids, and receive air, their sides being too stiff to collapse; since dry wood emits air­bubbles in the exhausted receiver in the same manner as moist wood.

The structure of these vegetable absorbents consists of a spiral line, and not of a vessel interrupted with valves like the animal lymphatics, since on breaking almost any tender leaf, and drawing out some of the fibres, which adhere longest, this spiral structure becomes visible, even to the naked eye, and distinctly so by the use of a common lens. See Grew, plate 51.

In such a structure it is easy to conceive how a vermicular or peristaltic motion of the vessel, beginning at the lowest part of it, each spiral ring successively contracting itself till it fills up the tube, must forcibly push for­wards its contents, as from the roots of vines in the bleeding season; and if this vermicular motion should begin at the upper end of the vessel, it is as easy to see how it must carry its contained fluid in a contrary direction. The retrograde motion of the vegetable absorbent vessels is shewn by cut­ting a forked branch from a tree, and immersing [...] part of one of the forks in water, which will, for many days, prevent the other from withering; or, it is shewn by planting a willow branch with the wrong end upwards. This structure, in some degree, obtains in the oesophagus, or throat of cows, who, by similar means, convey their food first downwards, and afterward upwards, by a retrograde motion of the annular muscles, or cartilages, for the purpose of a second mastication of it.

II. The fluids thus drank up by the vegetable absorbent vessels from the earth, or from the atmosphere, or from their own cells and interstices, are [Page 233] carried to the foot-stalk of every leaf, where the absorbents belonging to each leaf unite into branches, forming so many pulmonary arteries, and are thence dispersed to the extremities of the leaf, as may be seen in cutting away, slice after slice, the foot-stalk of a horse-chesnut in September, before the leaf falls. There is then a complete circulation in the leaf; a pulmonary vein receiving the blood from the extremities of each artery, on the upper side of the leaf, and joining again in the foot-stalk of the leaf, these veins produce so many arteries, or aortas, which disperse the new blood over the new bark, elongating its vessels, or producing its secretions; but as a reservoir of blend could not be wanted by a vegetable bud which takes in its nutriment at all times, I ima­gine there is no venous system, no veins, properly so called, which receive the blood which was to spare, and return it into the pulmonary or arterial system.

The want of a system of veins was countenanced by the following experi­ment: I cut off several stems of tall spurge (Euphorbia helioscopia) in au­tumn, about the centre of the plant, and observed tensold the quantity of milky juice ooze from the upper than from the lower extremity, which could hardly have happened if there had been a venous system of vessels to re­turn the blood from the roots to the leaves.

Thus the vegetable circulation, complete in the lungs, but, probably, in the other part of the system deficient, in respect to a system of returning veins, is carried forwards without a heart, like the circulation through the livers of animals, where the blood brought from the intestines and mesen­tery by one vein, is dispersed through the liver by the vena portarum, which assumes the office of an artery. See note XXXVII.

At the same time so minute are the vessels in the intertexture of the barks of plants, which belong to each individual bud, that a general circulation may possibly exist, though we have not yet been able to discover the venous part of it.

There is, however, another part of the circulation of vegetable juices vi­sible to the naked eye, and that is in the corol or petals of flowers, in which a part of the blood of the plant is exposed to the influence of the air and light in the same manner as in the foliage, as will be mentioned more at large in notes XXXVII and XXXIX.

These circulations of their respective fluids seem to be carried on in the vessels of plants precisely as in animal bodies, by their irritability to the stimulus of their adapted fluids, and not by any mechanical or chemical at­traction, for their absorbent vessels propel the juice upwards, which they drink up from the earth, with great violence; I suppose with much greater than is exerted by the lacteals of animals, probably owing to the greater minuteness of these vessels in vegetables, and the greater rigidity of their coats. Dr. Hales, in the spring season, cut off a vine near the ground, and, by fixing tubes on the remaining stump of it, found the sap to rise twenty­one feet in the tube, by the propulsive power of these absorbents of the roots of it▪ Veget. Stat. p. 102. Such a power cannot be produced by capil­lary attraction, as that could only raise a fluid nearly to the upper edge of the attracting cylinder, but not enable it to flow over that edge, and much [Page 234] less to rise at feet above it. What then can this power be owing to? Doubtless to the living activity of the absorbent vessels, and to their increas­ed vivacity, from the influence of the warmth of the spring succeeding the winter's cold, and their thence greater susceptibility to irritation from the juices which they absorb, resembling, in all circumstances, the action of the living vessels of animals.

NOTE XXXVII.—VEGETABLE RESPIRATION.

While, spread in air, the leaves respiring play.
CANTO IV. l. 433.

1. THERE have been various opinions concerning the use of the leaves of plants in the vegetable economy. Some have contended that they are perspiratory organs; this does not seem probable from an experiment of Dr. Hales. Veget. Stat. p. 30. He found, by cutting off branches of trees with apples on them, and taking off the leaves, that an apple exhaled about as much as two leaves, the surfaces of which were nearly equal to the apple; whence it would appear that apples have as good a claim to be termed per­spiratory organs as leaves. Others have believed them excretory organs of excrementitious juices; but as the vapour exhaled from vegetables has no taste, this idea is no more probable than the other; add to this, that in moist weather they do not appear to perspire or exhale at all.

The internal surface of the lungs or air-vessels in men, is said to be equal to the external surface of the whole body, or about fifteen square feet; on this surface the blood is exposed to the influence of the respired air, through the medium, however, of a thin pellicle; by this exposure to the air it has its colour changed from deep red to bright scarlet, and acquires something so necessary to the existence of life, that we can live scarcely a minute without this wonderful process.

The analogy between the leaves of plants and the lungs or gills of ani­mals, seems to embrace so many circumstances, that we can scarcely with­hold our assent to their performing similar offices.

I. The great surface of the leaves, compared to that of the trunk and branches of trees, is such, that it would seem to be an organ well adapted for the purpose of exposing the vegetable juices to the influence of the air; this, however, we shall see afterwards, is probably performed only by their upper surfaces; yet even in this case the surface of the leaves in ge­neral bears a greater proportion to the surface of the tree, than the lungs of animals to their external surfaces.

2. In the lungs of animals, the blood, after having been exposed to the air in the extremities of the pulmonary artery, is changed in colour from deep red to bright scarlet, and certainly in some of its essential properties; it is then collected by the pulmonary vein, and returned to the heart. To shew a si­milarity of circumstances in the leaves of plants, the following experiment was made, June 24, 1781. A stalk, with leaves and seed-vessels, of large [Page 235] spurge (Euphorbia helioscopia) had been several days placed in a decoction of madder (Rubia tinctorum), so that the lower part of the stem, and two of the undermost leaves, were immersed in it. After having washed the immersed leaves in clear water, I could readily discern the colour of the madder passing along the middle rib of each leaf. This red artery was beau­tifully visible both on the under and upper surface of the leaf; but on the upper side many red branches were seen going from it to the extremities of the leaf, which, on the other side, were not visible, except by looking through it against the light. On this under side a system of branching vessels, car­rying a pale milky fluid, were seen coming from the extremities of the leaf, and covering the whole under side of it, and joining into two large veins, one on each side of the red artery, in the middle rib of the leaf, and along with it descending to the foot-stalk or petiole. On flitting one of these leaves with sciffars, and having a common magnifying lens ready, the milky blood was seen oozing out of the returning veins on each side of the red ar­tery, in the middle rib, but none of the red fluid from the artery.

All these appearances were more easily seen in a leaf of picris treated in the same manner; for in this milky plant the stems and middle rib of the leaves are sometimes naturally coloured reddish, and hence the colour of the madder seemed to pass further into the ramifications of their leaf-arte­ries, and was there beautifully visible, with the returning branches of milky veins on each side.

3. From these experiments, the upper surface of the leaf appeared to be the immediate organ of respiration, because the coloured fluid was carried to the extremities of the leaf by vessels most conspicuous on the upper sur­face, and there changed into a milky fluid, which is the blood of the plant, and then returned, by concomitant veins, on the under surface, which were seen to ooze when divided with scissars, and which, in picris particularly, render the under surface of the leaves greatly whiter than the upper one.

4. As the upper surface of leaves constitutes the organ of respiration, on which the sap is exposed, in the terminations of arteries, beneath a thin pellicle, to the action of the atmosphere, these surfaces, in many plants, strongly repel moisture, as cabbage-leaves; whence the particles of rain ly­ing over their surfaces without touching them, as observed by Mr. Melville (Essays Literary and Philosoph. Edinburgh), have the appearance of globu­les of quick-silver. And hence leaves, laid with the upper surface on wa­ter, wither as soon as in the dry air, but continue green many days if placed with the under surfaces on water, as appears in the experiments of Mons. Bonnet (Usage des Feuilles). Hence some aquatic plants, as the water-lily (Nymphoea), have the lower sides of their leaves floating on the water, while the upper surfaces remain dry in the air.

5. As those insects which have many spiracula, or breathing apertures, as wasps and flies, are immediately suffocated by pouring oil upon them, I carefully covered with oil the surfaces of several leaves of Phlomis, of Portu­gal Laurel, and Balsams; and though it would not regularly adhere, I found them all die in a day or two.

Of aquatic leaves, see note on Trapa and on Fucus, in vol II. to which [Page 236] must be added, that many leaves are furnished with muscles about their foot-stalks, to turn their upper surfaces to the air or light, as Mimosa and Hedysarum gyrans. From all these analogies, I think there can be no doubt but that leaves of trees are their lungs, giving out a phlogistic material to the atmosphere, and absorbing oxygene or vital air.

6. The great use of light to vegetation would appear, from this theory, to be, by disengaging vital air from the water which they perspire, and thence to facilitate its union with their blood, exposed beneath the thin sur­face of their leaves; since, when pure air is thus applied, it is probable that it can be more readily absorbed. Hence, in the curious experiments of Dr. Priestley and Mr. Ingenhouz, some plants purified air less than others, that is, they perspired less in the sunshine; and Mr. Scheele found, that by put­ting peas into water which about half covered them, they converted the vital air into fixed air, or carbonic acid gas, in the same manner as in ani­mal respiration. See note XXXIV.

7. The circulation in the lungs or leaves of plants is very similar to that of fish. In fish, the blood, after having passed through their gills, does not return to the heart, as from the lungs of air-breathing animals, but the pulmonary vein, taking the structure of an artery, after having received the blood from the gills, which there gains a more florid colour, distributes it to the other parts of their bodies. The same structure occurs in the li­vers of fish, whence we see, in those animals, two circulations independent of the power of the heart, viz. that beginning at the termination of the veins of the gills, and branching through the muscles, and that which passes through the liver; both which are carried on by the action of those re­spective arteries and veins. Monro's Physiology of Fish, p. 19.

The course of the fluids in the roots, leaves, and buds of vegetables, seems to be performed in a manner similar to both these. First the absorbent vessels of the roots and surfaces unite at the foot-stalk of the leaf, and then, like the vena portarum, an artery commences without the intervention of a heart, and spreads the sap, in its numerous ramifications, on the upper surface of the leaf: here it changes its colour and properties, and becomes vegetable blood; and is again collected by a pulmonary vein on the under surface of the leaf. This vein, like that which receives the blood from the gills of fish, assumes the office and name of an artery, and, branching again, disperses the blood upward to the bud, from the foot-stalk of the leaf, and downward to the roots; where it is all expended in the various secretions, the nourishment and growth of the plant, as fast as it is prepared.

II. The organ of respiration already spoken of belongs particularly to the shoots or buds; but there is another pulmonary system, perhaps totally in­dependent of the green foliage, which belongs to the fructification only; I mean the corol or petals. In this there is an artery belonging to each pe­tal, which conveys the vegetable blood to its extremities, exposing it to the light and air under a delicate membrane, covering the internal surface of the petal, where it often changes its colour, as is beautifully seen in some party-coloured poppies; though it is probable some of the iridescent colours of flowers may be owing to the different degrees of tenuity of the exterior [Page 237] membrane of the leaf, refracting the light like soap-bubbles; the vegetable blood is then returned by correspondent vegetable veins, exactly as in the green foliage; for the purposes of the important secretions of honey, wax, the finer essential oil, and the prolific dust of the anthers.

1. The vascular structure of the corol, as above described, and which is visible to the naked eye, and its exposing the vegetable juices to the air and light during the day, evinces that it is a pulmonary organ.

2. As the gland which produce the prolific dust of the anthers, the honey, wax, and frequently some odoriferous essential oil, are generally attached to the corol, and always fall off, and perish with it, it is evident that the blood is elaborated or oxygenated in this pulmonary system, for the purpose of these important sercretions.

3. Many flowers, as the Colchicum, and Hamamelis, arise naked in au­tumn, no green leaves appearing till the ensuing spring; and many others put forth their flowers, and complete their impregnation, early in the spring, before the green foliage appears, as Mezerion, cherries, pears, which shews that these corols are the lungs belonging to the fructification.

4. This organ does not seem to have been necessary for the defence of the stamens and pistils, since the calyx of many flowers, as Tragopogon, performs this office; and, in many flowers, these petals themselves are so tender as to require being shut up in the calyx during the night; for what other use then can such an apparatus of vessels be designed?

5. In the Helleborus niger, Christmas-rose, after the seeds are grown to a certain size, the nectaries and stamens drop off, and the beautiful large white petals change their colour to a deep green, and gradually thus become a calyx, inclosing and defending the ripening seeds; hence it would seem that the white vessels of the corol served the office of exposing the blood to the action of the air, for the purposes of separating or producing the ho­ney, wax, and prolific dust; and when these were no longer wanted, that these vessels coalesced like the placental vessels of animals, after their birth, and thus ceased to perform that office, and lost, at the same time, their white colour. Why should they lose their white colour, unless they, at the same time, lost some other property besides that of defending the seed-ves­sel, which they still continue to defend?

6. From these observations I am led to doubt whether green leaves be ab­solutely necessary to the progress of the fruit-bud, after the last year's leaves are fallen off. The green leaves serve as lungs to the shoots, and foster the new buds in their bosoms, whether these buds be leaf-buds or fruit-buds; but in the early spring the fruit-buds expand their corols, which are their lungs, and seem no longer to require green leaves; hence the vine bears fruit at one joint without leaves, and puts out a leaf-bud at another joint without fruit. And, I suppose, the green leaves which rise out of the earth, in the spring, from the Colchicum, are for the purpose of producing the new bulb and its placenta, and not for the giving maturity to the seed. When currant or goosberry trees lose their leaves by the depredation of insects, the fruit still continues to be formed, though less sweet and less in size.

[Page 238] 7. From these facts it appears, that the flower-bud, after the corol falls off (which is its lungs), and the stamens and nectary along with it, becomes simply an uterus for the purpose of supplying the growing embryon with nourishment, together with a system of absorbent vessels, which bring the juices of the earth to the foot-stalk of the fruit, and which there changes into an artery, for the purpose of distributing the sap for the secretion of the saccharine, or farinaceous, or acescent materials, for the use of the em­beyon. At the same time as all the vessels of the different buds of trees inosculate or communicate with each other, the fruit becomes sweeter and larger when the green leaves continue on the tree, but the mature flowers themselves (the succeeding fruit not considered), perhaps suffer little injury from the green leaves being taken off, as some florists have observed.

8. That the vessels of different vegetable buds inosculate in various parts of their circulation, is rendered probable by the increased growth of one bud, when others in its vicinity are cut away; as it thus seems to receive the nourishment which was before divided amongst many.

NOTE XXXVIII.—VEGETABLES IMPREGNATION.

Love out his bour, and leave his life in air.
CANTO IV. l. 472.

FROM the accurate experiments and observations of Spallanzani, it ap­pears, that in the Spartium Junceum, rush-broom, the very minute seeds were discerned in the pod at least twenty days before the flower is in full bloom, that is, twenty days before fecùndation. At this time also the pow­der of the anthers was visible, but glued fast to their summits. The seeds, however, at this time, and for ten days after the blossom had fallen off, ap­peared to consist of a gelatinous substance. On the eleventh day after the falling of the blossom, the seeds became heart-shape, with the basis attached by an appendage to the pod, and a white point at the apex; this white point was, on pressure, sound to be a cavity including a drop of liquor.

On the 25th day, the cavity, which at first appeared at the apex, was much enlarged, and still full of liquor; it also contained a very small semi­transparent body, of a yellowish colour, gelatinous, and fixed by its two op­posite ends to the sides of the cavity.

In a month the seed was much enlarged, and its shape changed from a heart to a kidney; the little body contained in the cavity was increased in bulk, and was less transparent and gelatinous, but there yet appeared no or­ganization.

On the 40th day, the cavity, now grown larger, was quite filled with the body, which was covered with a thin membrance; after this membrance was removed, the body appeared of a bright green, and was easily divided, by the point of a needle, into two portions, which manifestly formed the two lobes, and within these, attached to the lower part, the exceedingly small plantule was easily perceived.

[Page 239] The foregoing observations evince, 1. That the seeds exist in the ova­rium many days before fecundation. 2. That they remain for some time solid, and then a cavity, containing a liquid, is formed in them. 3. That after fecundation a body begins to appear within the cavity, fixed by two points to the sides, which, in process of time, proves to be two lobes contain­ing a plantule. 4. That the ripe seed consists of two lobes adhering to a plantule, and surrounded by a thin membrane, which is itself covered with a husk or cuticle. Spallanzani's Dissertations, vol. II. p. 253.

The analogy between seeds and eggs has long been observed, and is con­firmed by the mode of their production. The egg is known to be formed within the hen long before its impregnation. C. F. Wolf asserts, that the yolk of the egg is nourished by the vessels of the mother, and that it has from those its arterial and venous branches, but that after impregnation these vessels gradually become impervious and obliterated, and that new ones are produced from the foetus, and dispersed into the yolk. Haller's Physiolog. Tom. VIII. p. 94. The young seed, after fecundation, I sup­pose, is nourished in a similar manner, from the gelatinous liquor, which is previously deposited for that purpose; the uterus of the plant producing or secreting it into a reservoir or amnios, in which the embryon is lodged, and that the young embryon is furnished with vessels to absorb a part of it, as in the very early embryon in the animal uterus.

The spawn of frogs and of fish is delivered from the female before its im­pregnation. M. Bonnet says, that the male salamander darts his semen into the water, where it forms a little whitish cloud, which is afterwards received by the swoln anus of the female, and she is fecundated.—He adds, that marine plants approach near to these animals, as the male does not project a fine powder, but a liquor, which, in like manner, forms a little cloud in the water.—And further adds, who knows but the powder of the stamina of certain plants may make some impression on certain germs be­longing to the animal kingdom! Letter XLIII, to Spallanzani, Oeuvres Philos.

Spallanzani found that the seminal fluid of frogs and dogs, even when diluted with much water, retained its prolific quality. Whether this quality be simply a stimulus exciting the egg into animal action, which may be called a vivifying principle, or whether part of it be actually conjoined with the egg, is not yet determined, though the latter seems more probable, from the frequent resemblance of the foetus to the male parent. A con­junction, however, of both the male and female influence seems necessary for the purpose of reproduction throughout all organized nature, as well in hermaphrodite insects, microscopic animals, and polypi, and exists as well in the formation of the buds of vegetables, as in the production of their seeds, which is ingeniously conceived and explained by Linnaeus. After having compared the flower to the larva of a butterfly, consisting of petals instead of wings, calyxes instead of wing-sheaths, with the organs of reproduction; and having shewn the use of the farina in fecundating the egg or seed, he proceeds to explain the production of the bud. The calyx of a flower, he says, is an expansion of the outer bark; the petals proceed from the inner [Page 240] bark, or rind, the stamens from the alburnum, or woody circle, and the style from the pith. In the production and impregnation of the seed, a commix­ture of the secretions of the stamens and style are necessary; and for the pro­duction of a bud, he thinks the medulla, or pith, bursts its integuments, and mixes with the woody part, or alburnum, and these, forcing their passage through the rind and bark, constitute the bud, or viviparous progeny of the vegetable. System of Vegetables translated from Linnaeus, p. 8.

It has been supposed that the embryon vegetable, after fecundation, by its living activity, or stimulus exerted on the vessels of the parent plant, may produce the fruit or feed-lobes, as the animal foetus produces its pla­centa, and as vegetable buds may be supposed to produce their umbilical vessels or roots, down the bark of the tree. This, in respect to the produc­tion of the fruit surrounding the seeds of trees, has been assimilated to the gall-nuts or oak-leaves, and to the bedeguar on briars; but there is a power­ful objection to this doctrine, viz. that the fruit of figs, all which are female in this country, grow nearly as large without fecundation, and, therefore, the embryon has in them no self-living principle.

NOTE XXXIX.—VEGETABLE GLANDULATION.

Seeks, where fine pores their dulcet balm distil.
CANTO IV. l. 533.

THE glands of vegetables, which separate from their blood the mucilage, starch, or sugar, for the placentation or support of their seeds, bulbs, and buds; or those which deposit their bitter, acrid, or narcotic juices for their defence from depredations of insects or larger animals; or those which secrete resins or wax for their protection from moisture or frosts, consist of vessels too fine for the injection or absorption of coloured fluids, and have not, therefore, yet been exhibited to the inspection even of our glasses, and can, therefore, only be known by their effects; but one of the most curious and important of all vegetable secretions, that of honey, is apparent to our naked eyes, though, before the discoveries of Linnaeus, the nectary, or honey­gland, had not even acquired a name.

The odoriferous essential oils of several flowers seem to have been design­ed for their defence against the depredations of insects, while their beautiful colours were a necessary consequence of the size of the particles of their blood, or of the tenuity of the exterior membrane of the petal. The use of the prolific dust is now well ascertained; the wax which covers the an­thers prevents this dust from receiving moisture, which would make it burst prematurely, and thence prevent its application to the stigma, as some­times happens in moist years, and is the cause of deficient fecundation, both of our fields and orchards.

The universality of the production of honey in the vegetable world, and the very complicated apparatus which nature has constructed in many flow­ers, as well as the acrid or deleterious juices she has furnished those flowers [Page 241] with (as in the Aconite) to protect this honey from rain, and from the depredations of insects, seem to imply that this fluid is of very great im­portance in the vegetable economy; and also, that it was necessary to expose it to the open air previous to its re-absorption into the vegetable vessels.

In the animal system the lachrymal gland separates its fluid into the open air, for the purpose of moistening the eye; of this fluid, the part which does not exhale is absorbed by the puncta lachrymalia, and carried into the nostrils; but as this is not a nutritive fluid, the analogy goes no further than its secretion into the open air, and its re-absorption into the system; every other secreted fluid in the animal body is in part absorbed again into the system; even those which are esteemed excrementitious, as the urine and perspirable matter, of which the latter is secreted, like the honey, into the external air. That the honey is a nutritious fluid, perhaps the most so of any vegetable production, appears from its great similarity to sugar, and from its affording sustenance to such numbers of insects, which live upon it solely during summer, and lay it up for their winter provision. These proofs of its nutritive nature evince the necessity of its re-absorption into the vegetable system, for some useful purpose.

This purpose, however, has, as yet, escaped the researches of philosophi­cal botanists. M. Pontedera believes it designed to lubricate the vegetable uterus, and compares the horn-like nectaries of some flowers to the appen­dicle of the caecum intestinum of animals. (Antholog. p. 49.) Others have supposed, that the honey, when re-absorbed, might serve the purpose of the liquor amnii, or white of the egg, as a nutriment for the young embryon, or fecundated seed, in its early state of existence. But as the nectary is found equally general in male flowers as in female ones; and as the young embryon, or seed, grows before the petals and nectary are expanded and after they fall off; and, thirdly, as the nectary so soon falls off after the fecundation of the pistillum; these seem to be insurmountable objec­tions to both the above-mentioned opinions.

In this state of uncertainty, conjectures may be of use so far as they lead to further experiment and investigation. In many tribes of insects, as the silk-worm, and, perhaps, in all the moths and butterflies, the male and fe­male parents die as soon as the eggs are impregnated and excluded; the eggs remaining to be perfected and hatched at some future time. The same thing happens in regard to the male and female parts of flowers; the anthers and filaments, which constitute the male parts of the flower, and the stigma and style, which constitute the female parts of the flower, fall off, and die, as soon as the seeds are impregnated, and along with these the petals and nectary. Now, the moths and butterflies above-mentioned, as soon as they acquire the passion and the apparatus for the reproduction of their species, lose the power of seeding upon leaves as they did before, and become nourished by what?—by honey alone.

Hence we acquire a strong analogy for the use of the nectary, or secre­tion of honey in the vegetable economy, which is, that the male parts of flowers, and the female parts, as soon as they leave their soetus-state, ex­panding their petals (which constitute their lungs), become sensible to the [Page 242] passion, and gain the apparatus for the reproduction of their species, and are sed and nourished with honey, like the insects above described; and that hence the nectary begins its office of producing honey, and dies, or ceases to produce honey, at the same time with the birth and death of the stamens and the pistils; which, whether existing in the same or in different flowers, are separate and distinct animated beings.

Previous to this time, the anthers with their filaments, and the stigmas with their styles, are, in their foetus-state, sustained by their placental ves­sels, like the unexpanded leaf-bud, with the seeds existing in the vegetable womb, yet unimpregnated, and the dust, yet unripe, in the cells of the an­thers. After this period they expand their petals, which have been shewn above to constitute the lungs of the flower; the placental vessels, which be­fore nourished the anthers and the stigmas, coalesee, or cease to nourish them; and they now acquire blood more oxygenated by the air, obtain the passion and power of reproduction, are sensible to heat, and cold, and moisture, and to mechanic stimulus, and become, in reality, insects fed with honey, similar in every respect, except their being attached to the tree on which they were produced.

Some experiments I have made this summer, by cutting out the nectaries of several flowers of the aconites, before the petals were open, or had be­come much coloured: some of these flowers, near the summit of the plants, produced no seeds; others, lower down, produced seeds; but they were not sufficiently guarded from the farina of the flowers in their vicinity; nor have I had opportunity to try if these seeds would vegetate.

I am acquainted with a philosopher, who, contemplating this subject, thinks it not impossible, that the first insects were the anthers or stigmas of flowers; which had, by some means, loosed themselves from their parent plant, like the male flowers of Vallisneria; and that many other insects have gradually, in long process of time, been formed from these; some ac­quiring wings, others sins, and others claws, from their ceaseless efforts to procure their food, or to secure themselves from injury. He contends, that none of these changes are more incomprehensible than the transformation of tadpoles into frogs, and caterpillars into butterflies.

There are parts of animal bodies which do not require oxygenated blood for the purpose of their secretions, as the liver, which, for the production of bile, takes its blood from the mesenteric veins, after it must have lost the whole or a great part of its oxygenation, which it had acquired in its passage through the lungs. In like manner the pericarpium, or womb of the flower, continues to secrete its proper juices for the present nourish­ment of the newly animated embryon-seed; and the saccharine, acescent, or starchy matter of the fruit or seed-lobes, for its future growth, in the same manner as these things went on before fecundation; that is, without any circulation of juices in the petals, or production of honey in the nec­tary; these having perished, and fallen off, with the male and female ap­paratus for impregnation.

It is probable that the depredations of insects on this nutritious fluid, must be injurious to the products of vegetation, and would be much more so, [Page 243] but that the plants have either acquired means to desend their honey in part, or have learned to make more than is absolutely necessary for their own economy. In the same manner the honey-dew on trees is very inju­rious to them; in which disease the nutritive fluid, the vegetable sap-juice, seems to be exsuded by a retrograde motion of the cutaneous lymphatics, as in the sweating sickness of the last century. To prevent the depreda­tion of insects on honey, a wealthy man in Italy is said to have poisoned his neighbour's bees, perhaps by mixing arsenic with honey, against which there is a most flowery declamation in Quintilian, No. XIII. As the use of the wax is to preserve the dust of the anthers from moisture, which would prematurely burst them, the bees which collect this for the construc­tion of the combs or cells, must, on this account, also injure the vegetation of a country where they too much abound.

It is not easy to conjecture why it was necessary that this secretion of ho­ney should be exposed to the open air in the nectary, or honey-cup, for which purpose so great an apparatus for its defence from insects and from showers became necessary. This difficulty increases when we recollect that the sugar in the joints of grass, in the sugar-cane, and in the roots of beets, and in ripe fruits, is produced without exposure to the air.—On supposition of its serving for nutriment to the anthers and stigmas, it may thus acquire greater oxygenation, for the purpose of producing greater powers of sensi­bility, according to a doctrine lately advanced by a French philosopher, who has endeavoured to shew, that the oxygene, or base of vital air, is the constituent principle of our power of sensibility.

So caterpillars are fed upon the common juices of vegetables found in their leaves, till they acquire the organs of reproduction, and then they feed on honey; all, I believe, except the silk-worm, which, in this country, takes no nourishment after it becomes a butterfly. Thus also the maggot of the bee, according to the observations of Mr. Hunter, is fed with raw vegeta­ble matter, called bee-bread, which is collected from the anthers of flowers, and laid up in cells for that purpose, till the maggot becomes a winged bee, acquires greater sensibility, and is fed with honey. Phil. Trans. 1792. See Zoonomia, Sect. XIII. on vegetable animation.

From this provision of honey for the male and female parts of flowers, and from the provision of sugar, starch, oil, and mucilage, in the fruits, seed-cotyledons, roots, and buds of plants, laid up for the nutriment of the expanding foetus, not only a very numerous class of insects, but a great part of the larger animals procure their food, and thus enjoy life and plea­sure without producing pain to others; for these seeds or eggs, with the nutriment laid up in them, are not yet endued with sensitive life.

The secretions from various vegetable glands, hardened in the air, pro­duce gums, resins, and various kinds of saccharine, saponaceous, and wax­like substances, as the gum of cherry or plumb trees, gum tragacanth from the astragulus tragacantha, camphor from the laurus camphora, elemi from amyris elemifera, aneme from hymenoea courbaril, turpentine from pis­tacia terebinthus, balsam of Mecca from the buds of amyris opobalsamum, branches of which are placed in the temples of the East, on account of their [Page 244] fragrance; the wood is called xylobalsamum, and the fruit carpohalsamum; aloe from a plant of the same name, myrrh from a plant not yet described; the remarkably elastic resin is brought into Europe principally in the form of flasks, which look like black leather, and are wonderfully elastic, and not penetrable by water; rectified ether dissolves it; its inflexibility is increased by warmth, and destroyed by cold; the tree which yields this juice is the jatropha elastica; it grows in Guaiana and the neighbouring tracts of Ame­rica; its juice is said to resemble wax, in becoming soft by heat, but that it acquires no elasticity till that property is communicated to it by a secret art, after which it is poured into moulds, and well dried, and can no longer be rendered fluid by heat.—Mr. de la Borde, physician at Cayenne, has given this account. Manna is obtained at Naples from the fraxinus ornus, or manna-ash; it partly issues spontaneously, which is preferred, and partly exsudes from wounds made purposely in the month of August; many other plants yield manna more sparingly. Sugar is properly made from the sac­charum officinale, or sugar-ca [...]e, but is found in the roots of beet and many other plants; American wax is obtained from the myrica cerifera, candle-berry myrtle; the berries are boiled in water, and a green wax separates; with luke-warm water, the wax is yellow: the seeds of croton febiferum are lodged in tallow: there are many other vegetable exsudations used in the various arts of dyeing, varnishing, tanning, lacquering, and which supply the shop of the druggist with medicines and with poisons.

There is another analogy, which would seem to associate plants with ani­mals, and which, perhaps, belongs to this note on Glandulation; I mean the similarity of their digestive powers. In the roots of growing vegeta­bles, as in the process of making malt, the farinaceous part of the seed is converted into sugar by the vegetable power of digestion, in the same manner as the farinaceous matter of seeds is converted into sweet chyle by the animal digestion. The sap-juice which rises in the vernal months from the roots of trees, through the alburnum, or sap-wood, owes its sweetness, I suppose, to a similar digestive power of the absorbent sys­tem of the young buds. This exists in many vegetables in great abundance, as in vines, sycamore, birch, and most abundantly in the palm-tree (Isert's Voyage to Guinea), and seems to be a similar fluid in all plants, as chyle is similar in all animals.

Hence, as the digested food of vegetables consists principally of sugar, and from that is produced again their mucilage, starch, and oil, and since ani­mals are sustained by these vegetable productions, it would seem, that the sugar-making process carried on in vegetable vessels was the great source of life to all organized beings. And that, if our improved chemistry should ever discover the art of making sugar from fossile or aerial matter, without the assistance of vegetation, food for animals would then become as plentiful as water, and mankind might live upon the earth as thick as blades of grass, with no restraint to their numbers but the want of local room.

It would seem, that roots fixed in the earth, and leaves, innumerable, waving in the air, were necessary for the decomposition of water, and the conversion of it into [...] matter, which would have been not only [Page 245] cumberous, but totally incompatible with the locomotion of animal bodies. For how could a man or quadruped have carried on his head or back a forest of leaves, or have had long branching lacteal or absorbent vessels terminat­ing in the earth? Animals, therefore, subsist on vegetables; that is, they take the matter so far prepared, and have organs to prepare it further for the purposes of higher animation, and greater sensibility. In the same man­ner the apparatus of green leaves and long roots were [...]ound inconvenient for the more animated and sensitive parts of vegetable flowers; I mean the anthers and stigmas, which are, therefore, separate beings, endued with the passion and power of reproduction, with lungs of their own, and fed with honey, a food ready prepared by the long roots and green leaves of the plant, and presented to their absorbent mouths.

From this outline, a philosopher may catch a glimpse of the general eco­nomy of nature; and, like the mariner cast upon an unknown shore, who rejoiced when he saw the print of a human foot upon the sand, he may cry out with rapture, "A GOD DWELLS HERE."

[Page 246]

VISIT OF HOPE TO SYDNEY COVE, NEAR BOTANY-BAY. Referred to in Canto II. l. 317.

WHERE Sydney Cove her lucid bosom swells,
And with wide arms the indignant storm repels;
High on a rock, amid the troubled air,
HOPE stood sublime, and wav'd her golden hair;
Calm'd with her rosy smile the tossing deep,
And with sweet accents charm'd the winds to sleep;
To each wild plain she stretch'd her snowy hand,
High-waving wood, and sea-encircled strand.
"Hear me," she cried, "ye rising realms! record
"Time's opening scenes, and Truth's prophetic word.—
" There shall broad streets their stately walls extend,
"The circus widen, and the crescent bend;
" There, ray'd from cities o'er the cultur'd land,
"Shall bright canals, and solid roads expand.—
" There the proud arch, colossus-like, bestride
"Yon glittering streams, and bound the chasing tide;
"Embellish'd villas crown the landscape-scene,
"Farms wave with gold, and orchards blush between.—
" There shall tall spires, and dome-capt towers ascend,
"And piers and quays their massy structures blend;
"While with each breeze approaching vessels glide,
"And northern treasures dance on every tide!"
Then ceas'd the nymph—tumultuous echoes roar,
And JOY's loud voice was heard from shore to shore—
Her graceful steps, descending, press'd the plain,
And PEACE, and ART, and LABOUR, join'd her train.

Mr. Wedgwood, having been favoured by Sir Joseph Banks with a spe­cimen of clay from Sydney Cove, has made a few medallions of it, repre­senting HOPE encouraging ART and LABOUR, under the influence of PEACE, to pursue the employments necessary for rendering an infant colony secure and happy. The above verses were written by the author of the Botanic Garden, to accompany these medallions.

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THE BOTANIC GARDEN. CONTENTS OF THE ADDITIONAL NOTES.

NOTE 1.—METEORS.

THERE are four strata of the atmosphere, and four kinds of meteors. 1. Lightning is electric, exists in visible clouds, its short course, and red light. 2. Shooting stars exist in visible vapour, without found, white light, have no luminous trains. 3. Twilight; fire-balls move thirty miles in a second, and are about sixty miles high; have luminous trains, occasioned by an electric spark passing between the aerial and inflammable strata of the atmosphere, and mixing them and setting them on fire in its passage; attracted by volcanic eruptions; one thousand miles through such a medium resists less than the tenth of an inch of glass. 4. Northern lights not at­tracted to a point, but diffused; their colours; passage of electric fire in va­cuo dubious; Dr. Franklin's theory of northern lights countenaced in part by the supposition of a superior atmosphere of inflammable air; antiquity of their appearance; described in Maccabees.

NOTE II.—PRIMARY COLOURS.

THE rainbow was in part understood before Sir Isaac Newton; the seven colours were discovered by him; Mr. Galton's experiments on colours; manganese and lead produce colourless glass.

NOTE III.—COLOURED CLOUDS.

THE rays refracted by the convexity of the atmosphere; the particles of air and of water are blue; shadow by means of a candle in the day; halo round the moon in a sog; bright spot in the cornea of the eye; light from cat's eyes in the dark, from a horse's eyes in a cavern, coloured by the choroid coat within the eye.

NOTE IV.—COMETS.

TAILS of comets from rarified vapour, like northern lights, from elec­tricity; twenty millions of miles long; expected comet; 72 comets already described.

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NOTE V.—SUN's RAYS.

DISPUTE about phlogiston; the sun the fountain from whence all phlo­giston is derived; its rays not luminous till they arrive at our atmosphere; light owing to their combustion with air, whence an unknown acid; the sun is on fire only on its surface; the dark spots on it are excavations through its luminous crust.

NOTE VI.—CENTRAL FIRES.

SUN's heat much less than that from the fire at the earth's centre; sun's heat penetrates but a few feet in summer; some mines are warm; warm springs owing to subterrancous fire; situations of volcanos on high moun­tains; original nucleus of the earth; deep vallies of the ocean; distant per­ception of earthquakes; great attraction of mountains; variation of the com­pass; countenance the existence of a cavity or fluid lava within the earth.

NOTE VII.—ELEMENTARY HEAT.

COMBINED and sensible heat; chemical combinations attract heat, solu­tions reject heat; ice cools boiling water six times as much as cold water cools it; cold produced by evaporation; heat by devaporation; capacities of bodies in respect to heat: 1. Existence of the matter of heat shewn from the mechanical condensation and rarefaction of air, from the steam produc­ed in exhausting a receiver, snow from rarified air, cold from discharging an air-gun, heat from vibration or friction; 2. Matter of heat analogous to the electric fluid in many circumstances, explains many chemical phenomena.

NOTE VIII.—MEMNON'S LYRE.

MECHANICAL impulse of light dubious; a glass tube laid horizontally before a fire revolves; pulse-glass suspended on a centre; black leather con­tracts in the sunshine; Memnon's statue broken by Cambyses.

NOTE IX.—LUMINOUS INSECTS.

EIGHTEEN species of glow-worm, their light owing to their respiration in transparent lungs; Acudia of Surinam gives light enough to read and draw by; use of its light to the insect; luminous sea-insects adhere to the skin of those who bathe in the ports of Languedoc; the light may arise from putrescent slime.

NOTE X.—PHOSPHORUS.

DISCOVERED by Kunkel, Brandt, and Boyle; produced in respiration, and by luminous insects, decayed wood, and calcined shells; bleaching a slow combustion in which the water is decomposed; rancidity of animal fat owing of the decomposition of water on its surface; aerated marine acid does not whiten or bleach the hand.

NOTE XI.—STEAM-ENGINE.

HERO of Alexandria first applied steam to machinery, next a French wri­ter in 1630, the Marquis of Worcester in 1655, Capt. Savery in 1689, [Page 249] Newcomen and Cawley added the piston; the improvements of Watt and Boulton; power of one of their large engines equal to two hundred horses.

NOTE XII.—FROST.

EXPANSION of water in freezing; injury done by vernal frosts; fish, eggs, seeds, resist congelation; animals do not resist the increase of heat; frosts do not meliorate the ground, nor are, in general, salubrious; damp air produces cold on the skin by evaporation; snow less pernicious to agriculture than heavy rains for two reasons.

NOTE XIII.—ELECTRICITY.

1. Points preferable to knobs for defence of buildings; why points emit the electric fluid; diffusion of oil on water; mountains are points on the earth's globe; do they produce ascending currents of air? 2. Fairy-rings ex­plained; advantage of paring and burning ground.

NOTE XIV.—BUDS and BULBS.

A TREE is a swarm of individual plants; vegetables are either oviparous or viviparous; are all annual productions like many kinds of insects; hy­bernacula; a new bark annually produced over the old one, in trees and in some herbaceous plants, whence their roots seem end-bitten; all bulbous roots perish annually; experiment on a tulip-root; both the leaf-bulbs and flower-bulbs are annually renewed.

NOTE XV.—SOLAR VOLCANOS.

THE spots in the sun are cavities, some of them four thousand miles deep, and many times as broad; internal parts of the sun are not in a state of combustion; volcanos visible in the sun; all the planets together are less than one six hundred and fiftieth part of the sun; planets were ejected from the sun by volcanos; many reasons shewing the probability of this hypo­thesis; Mr. Busson's hypothesis, that planets were struck off from the sun by comets; why no new planets are ejected from the sun; some comets, and the georgium sidus, may be of later date; sun's matter decreased; Mr. Ludlam's opinion, that it is possible the moon might be projected from the earth.

NOTE XVI.—CALCAREOUS EARTH.

HIGH mountains and deep mines replete with shells; the earth's nucleus covered with lime-stone; animals convert water into lime-stone; all the cal­careous earth in the world formed in animal and vegetable bodies; solid parts of the earth increase; the water decreases; tops of calcareous moun­tains dissolved; whence spar, marble, chalk, stalactites; whence alabaster, flour, flint, granulated lime-stone, from solution of their angles, and by at­trition; tupha deposited on moss; lime-stones from shells with animals in them; liver-stone from fresh-water muscles; calcareous earth from land-animals and vegetables, as marl; beds of marble softened by fire; whence Bath-stone contains lime as well as lime-stone.

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NOTE XVII.—MORASSES.

THE production of morasses from fallen woods; account by the Earl Cro­martic of a new morass; morasses lose their salts by solution in water; then their iron; their vegetable acid is converted into marine, nitrous, and vi­triolic acid; whence gypsum, alum, sulphur; into fluor-acid, whence fluor; into siliceous acid, whence flint, the sand of the sea, and other strata of siliceous sand and marl; some morasses ferment like new hay, and, sublim­ing their phlogistic part, form coal-beds above and clay below, which are also produced by elutriation; shell-fish in some morasses, hence shells some­times found on coals, and over iron-stone.

NOTE XVIII.—IRON.

CALCIFORM ores; combustion of iron in vital air; steel from deprivation of vital air; welding; hardness; brittleness like Rupert's drops; specific levity; hardness and brittleness compared; steel tempered by its colours; modern production of iron, manganese, calamy; septaria of iron-stone ejected from volcanos; red-hot cannon-balls.

NOTE XIX.—FLINT.

1. Siliceous rocks from morasses; their cements. 2. Siliceous trees; coloured by iron or manganese; Peak-diamonds; Bristol-stones; flint in form of cal­careous spar; has been fluid without much heat; obtained from powdered quartz and flour-acid by Bergman and by Achard. 3. Agates and onyxes found in sand-rocks; of vegetable origin; have been in complete fusion; their concentric coloured circles not from superinduction, but from congela­tion; experiment of freezing a solution of the blue-vitriol; iron and manganese repelled in spheres, as the nodule of flint cooled; circular stains of marl in salt-mines; some flint nodules resemble knots of wood or roots. 4. Sand of the sea: its acid from morasses; its base from shells. Chert or petrosilex stra­tified in cooling; their colour and their acid from sea-animals; Labradore­stone from mother-pearl. 6. Flints in chalk-beds; their form, colour, and acid, from the flesh of sea-animals; some are hollow, and lined with crystals; contain iron; not produced by injection from without; coralloids converted to flint; French mill-stones; flints sometimes found in solid strata. 7. An­gles of sand destroyed by attrition and solution in steam; siliceous breccia ce­mented by solution in red-hot water. 8. Basaltes and granites are ancient lavas; basaltes raised by its congelation, not by subterraneous fire.

NOTE XX.—CLAY.

FIRE and water two great agents; stratification from precipitation; many stratified materials not soluble in water. 1. Stratification of lava from suc­cessive accumulation. 2. Stratifications of lime-stone from the different pe­riods of time in which the shells were deposited. 3. Stratifications of coal, and clay, and sand-stone, and iron-ores, not from currents of water, but from the production of morass-beds, at different periods of time; morass­beds become ignited; their bitumen and sulphur is sublimed, the clay, lime, and iron, remain; whence sand, marl, co [...]l, white clay in valleys, and gravel­beds, [Page 251] and some others, and some calcareous depositions, owing to alluvia­tion; clay from decomposed granite; from the lava of Vesuvius; from vi­treous lavas.

NOTE XXI.—ENAMELS.

ROSE-COLOUR and purple from gold; precipitates of gold by alkaline salt preferable to those by tin; aurum fulminans long ground; tender co­lours from gold or iron not dissolved, but suspended in the glass; cobalts▪ calces of cobalt and copper require a strong fire; Ka-o-lin and Pe-tun-tse the same as our own materials.

NOTE XXII.—PORTLAND VASE.

ITS figures do not allude to private history; they represent a part of the Eleusinian mysteries; marriage of Cupid and Psyche; procession of torches; the figures in one compartment represent MORTAL LIFE in the act of ex­piring, and HUMANKIND attending to her with concern; Adam and Eve hieroglyphic figures; Abel and Cain other hieroglyphic figures: on the other compartment is represented IMMORTAL LIFE; the Manes, or Ghost, descending into Elysium, is led on by DIVINE LOVE, and received by IMMOR­TAL LIFE, and conducted to Pluto; Trees of Life and Knowledge are em­blematical: the figure at the bottom is of Atis, the first great Hierophant, or teacher of mysteries.

NOTE XXIII.—COAL.

1. A FOUNTAIN of soffile tar in Shropshire; has been distilled from the coal-beds beneath, and condensed in the cavities of a sand-rock; the coal beneath is deprived of its bitumen in part; bitumen sublimed at Matlock, into cavities lined with spar. 2. Coal has been exposed to heat; woody fi­bres and vegetable seeds in coal at Bovey and Polesworth; upper part of coal-heds more bituminous at Beaudesert; thin stratum of asphaltum near Caulk; upper part of coal-bed worse at Alfreton; upper stratum of no va­lue at Widdington; alum at West-Hallum; at Bilston. 3. Coal at Coal­brook-Dale has been immersed in the sea, shewn by sea-shells; marks of vio­lence in the colliery at Mendip and at Ticknal; lead-ore and spar in coal- [...]eds; gravel over coal near Lichfield; coal produced from morasses, shewn by fern-leaves, and bog-shells, and muscle-shells; by some parts of coal be­ing still woody; from Loch Neagh, and Bovey, and the Temple of the De­vil; fixed alkali; oil.

NOTE XXIV.—GRANITE.

GRANITE the lowest stratum of the earth yet known; porphyry, trap, moor-stone, whin-stone, state, basaltes, all volcanic productions dissolved in red-hot water; volcanos in granite strata; differ from the heat of morasses from fermentation; the nucleus of the earth ejected from the sun; was the sun originally a planet? supposed section of the globe.

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NOTE XXV.—EVAPORATION.

1. 1. SOLUTION of water in air; in the matter of heat; pulse-glass. 2. Heat is the principal cause of evaporation; thermometer cooled by evapo­ration of ether; heat given from steam to the worm-tub; warmth accom­panying rain. 3. Steam condensed on the education of heat; moisture on cold walls; south-west and north-east winds. 4. Solution of salt and of blue vitriol in the matter of heat. II. Other vapours may precipitate steam, and form rain. 1. Cold the principal cause of devaporation; hence the steam dis­solved in heat is precipitated, but that dissolved in air remains even in frosts; south-west wind. 2. North-east winds mixing with south-west winds produce rain; because the cold particles of air of the north-east acquire some of the matter of heat from the south-west winds. 3. Devapo [...]atio [...] from me­chanical expansion of air, as in the receiver of an air-pump; summer clouds appear and vanish; when the barometer sinks without change of wind, the weather becomes colder. 4. Solution of water in electric fluid dubious. 5. Barometer sinks from the lessened gravity of the air, and from the rain having less pressure as it falls; a mixture of a solution of water in calo­rique, with an aerial solution of water, is lighter than dry air; breath of ani­mals in cold weather, why condensed into visible vapour, and dissolved again.

NOTE XXVI.—SPRINGS.

LOWEST strata of the earth appear on the highest hills; springs from dews sliding between them; mountains are colder than plains; 1. From their being insulated in the air; 2. From their enlarged surface; 3. From the rarity of the air it becomes a better conductor of heat; 4. By the air on mountains being mechanically rarefied as it ascends; 5. Gravitation of the matter of heat; 6. The dashing of clouds against hills; of fogs against trees; springs stronger in hot days with cold nights; streams from subterranean caverns; from beneath the snow on the Alpa.

NOTE XXVII.—SHELL-FISH.

THE armour of the Echinus moveable; holds itself in storms to stones, by 1200 or 2000 strings: Nautilus rows and fails; renders its shell buoyant: Pinna and cancer; Byssus of the ancients was the beard of the Pinna; as fine as the silk is spun by the silk-worm; gloves made of it; the beard of mus­cles produces sickness; Indian-weed; tendons of rats' tails.

NOTE XXVIII.—STURGEON.

STURGEON's mouth like a purse; without teeth; tendrils like worms hang before his lips, which entice small fish and sea-insects, mistaking them for worms; his skin used for covering carriages; isinglass made from it; ca­viare from the spawn.

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NOTE XXIX.—OIL ON WATER.

OIL and water do not touch; a second drop of oil will not diffuse itself on the preceding one; hence it stills the waves; divers for pearl carry oil in their mouths; oil on water produces prismatic colours; oiled cork circu­lates on water; a phial of oil and water made to oscillate.

NOTE XXX.—SHIP-WORM.

THE Teredo has calcareous jaws; a new enemy; they perish when they meet together in their ligneous canals; United Provinces alarmed for the piles of the banks of Zealand; were destroyed by a severe winter.

NOTE XXXI.—MAELSTROM.

A WHIRLPOOL on the coast of Norway, passes through a subterraneous cavity; less violent when the tide is up; eddies become hollow in the mid­dle; heavy bodies are thrown out by eddies; light ones retained; oil and water whirled in a phial; hurricanes explained.

NOTE XXXII.—GLACIERS.

SNOW in contact with the earth is in a state of thaw; ice-houses; ri­vers from beneath the snow; rime, in spring, vanishes by its contact with the earth; and snow by its evaporation and contact with the earth; moss vegetates beneath the snow; and Alpine plants perish at Upsal for want of snow.

NOTE XXXIII.—WINDS.

AIR is perpetually subject to increase and to diminution; Oxygene is per­petually produced from vegetables in the sunshine, and from clouds in the light, and from water; Azote is perpetually produced from animal and ve­getable putrefaction, or combustion; from springs of water; volatile alkali; fixed alkali; sea-water; they are both perpetually diminished by their con­tact with the soil, producing nitre; Oxygene is diminished in the produc­tion of all acids; Azote by the growth of animal bodies; charcoal in burn­ing consumes double its weight of pure air; every barrel of red-lead ab­sorbs 2000 cubic feet of vital air; air obtained from variety of substances by Dr. Priestley; Officina aeris in the polar circle, and at the line. South­west winds; their westerly direction from the less velocity of the earth's sur­face; the contrary in respect to north-east winds; South-west winds consist of regions of air from the south; and north-east winds of regions of air from the north; when the south-west prevails for weeks, and the barometer sinks to 28, what becomes of above one fifteenth part of the atmosphere? 1. It is not carried back by superior currents; 2. Not from its loss of moisture; [Page 254] 3. Not carried over the pole; 4. Not owing to atmospheric tides or moun­tains; 5. It is absorbed at the polar circle; hence south-west winds and rain; south-west sometimes cold. North-east winds consist of air from the north; cold by the evaporation of ice; are dry winds; 1. Not supplied by superior currents; 2. The whole atmosphere increased in quantity by air set at liberty from its combinations in the polar circles. South-east winds consist of north winds driven back. North-west winds consist of south-west winds driven back; north-west winds of America bring frost; owing to a vertical spiral eddy of air between the eastern coast and the Apalachian mountains; hence the greater cold of North-America. Trade-winds; air over the line always hotter than at the tropics; trade-winds gain their easterly direction from the greater velocity of the earth's surface at the line; not supplied by su­perior currents; supplied by decomposed water in the sun's great light; 1. Because there are no constant rains in the tract of the trade-winds; 2. Be­cause there is no condensible vapour above three or four miles high at the line. Monsoons and Toreadors: some places at the tropic become warmer when the sun is vertical than at the line; hence the air ascends, supplied on one side by the north-east winds, and on the other by the south-west; whence an ascending eddy or tornado, raising water from the sea, or sand from the desert, and [...] air diminished to the northward produces south-west winds [...] from heavier air above sinking through lighter air below, which rises [...]; hence trees are thrown down in a narrow line of twenty or forty yards broad, the sea rises like a cone, with great rain and lightning. Land and sea breezes; sea less heated than land; tropical islands more heated in the day than the sea, and are cooled more in the night. [...] irregular winds from other causes; only two original winds, north and south; different sounds of north-east and south-west winds; a Bear or Dragon in the arctic circle that swallows at times, and disem­bogues again, above one fifteenth part of the atmosphere; wind-instruments; recapitulation.

NOTE XXXIV.—VEGETABLE PERSPIRATION.

PURE air from Dr. Priestley's vegetable matter, and from vegetable leaves, owing to decomposition of water; the hydrogene retained by the vegetables; plants in the shade are tanned green by the sun's light; animal skins are tanned yellow by the retention of hydrogene; much pure air from dew on a sunny morning; bleaching, why sooner performed on cotton than linen; bees wax bleached; metals calcined by decomposition of water; oil bleached in the light becomes yellow again in the dark; nitrous acid co­loured by being exposed to the sun; vegetables perspire more than animals, hence in the sunshine they purify air more by their perspiration than they injure it by their respiration; they grow fastest in their sleep.

[Page 255]

NOTE XXXV.—VEGETABLE PLACENTATION.

BUDS the viviparous offspring of vegetables; placentation in bulbs and feeds; placentation of buds in the roots, hence the rising of sap in the spring, as in vines, birch, which ceases as soon as the leaves expand; production of the leaf of Horse-chesnut, and of its new bud; oil of vitriol on the bud of Mimosa killed the leaf also; placentation shewn from the sweetness of the sap; no umbilical artery in vegetables.

NOTE XXXVI.—VEGETABLE CIRCULATION.

BUDS set in the ground will grow if prevented from bleeding to death by a cement; vegetables require no muscles of locomotion, no stomach or bow­els, no general system of veins; they have, 1. Three systems of absorbent vessels; 2. Two pulmonary systems; 3. Arterial systems; 4. Glands; 5. Organs of reproduction; 6. muscles. I. Absorbent system evinced by experi­ments by coloured absorptions in fig-tree and picris; called air-vessels erro­neously; spiral structure of absorbent vessels; retrograde motion of them like the throats of cows. II. Pulmonary arteries in the leaves; and pul­monary veins; no general system of veins shewn by experiment; no heart; the arteries act like the vena portarum of the liver; pulmonary system in the petals of flowers; circulation owing to living irritability; vegetable ab­sorption more powerful than animal, as in vines; not by capillary attraction.

NOTE XXXVII.—VEGETABLE RESPIRATION.

I. LEAVES not perspiratory organs, nor excretory ones; lungs of animals. 1. Great surfaces of leaves. 2. Vegetable blood changes colour in the leaves; experiment with spurge; with picris. 3. Upper surface of the leaf only acts as a respiratory organ. 4. Upper surface repels moisture; leaves laid on water. 5. Leaves killed by oil like insects; muscles at the foot-stalks of leaves. 6. Use of light to vegetable leaves; experiments of Priestley, Ingenhouz, and Scheele. 7. Vegetable circulation similar to that of fish. II. Another pulmonary system belongs to flowers; colours of flowers. 1. Vascular structure of the corol. 2. Glands producing honey, wax, &c. perish with the corol. 3. Many flowers have no green leaves attending them, as Colchicum. 4. Corols not for the defence of the stamens. 5. Co­rol of Helleborus Niger changes to a calyx. 6. Green leaves not necessary to the fruit-bud; green leaves of Colchicum belong to the new bulb, not to the flower. 7. Flower-bud after the corol falls is simply an uterus; mature flowers not injured by taking off the green leaves. 8. Inosculation of vege­table vessels.

NOTE XXXVIII.—VEGETABLE IMPREGNATION.

SEEDS in broom discovered twenty days before the flower opens; pro­gress of the seeds after impregnation; seeds exist before fecundation; analo­gy [Page 256] between seeds and eggs; progress of the egg within the hen; spawn of frogs and fishes; male Salamander; marine plants project a liquor, not a powder; seminal fluid diluted with water, if a stimulas only? Male and fe­male influence necessary in animals, insects, and vegetables, both in produc­tion of seeds and buds; does the embryon-seed produce the surrounding fruit, like insects in gall-nuts?

NOTE XXXIX.—VEGETABLE GLANDULATION.

VEGETABLE glands cannot be injected with coloured fluids; essential oil; wax; honey; nectary, its complicate apparatus; exposes the honey to the air like the lachrymal gland; honey is nutritious; the male and female parts of flowers copulate and die like moths and butterflies, and are fed like them with honey; anthers supposed to become insects; depredation of the honey and wax injurious to plants; honey-dew; honey oxygenated by expo­sure to air; necessary for the production of sensibility; the provision for the embryon plant of honey, sugar, starch, &c. supplies food to numerous clas­ses of animals; various vegetable secretions, as gum tragacanth, camphor, elemi, anime, turpentine, balsam of Mecca, aloe, myrrh, elastic resin, manna, sugar, wax, tallow, and many other concrete juices; vegetable digestion; chemical production of sugar would multiply mankind; economy of nature.

END OF PART I.
THE BOTANIC GARDEN. …
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THE BOTANIC GARDEN. PART II. CONTAINING THE LOVES OF THE PLANTS. A POEM. WITH PHILOSOPHICAL NOTES.

Vivunt in Venerem frondes; nemus omne per altum
Felix arbor amat; nutant ad mutua Palmae
Foedera, Populeo suspirat Populus ictu,
Et Platani Platani [...], Alnoque affibilst Alnus.
CLAUD. EPITH.

The first American, from the fourth London Edition.

NEW-YORK: Printed by T. & J. SWORDS, Printers to the Faculty of Physic of Columbia College, No. 99 Pearl-street. 1798.

[Page]

PREFACE.

LINNAEUS has divided the vegetable world into 24 Clas­ses; these Classes into about 120 Orders; these Orders con­tain about 2000 Families, or Genera; and these Families about 20,000 Species; besides the innumerable Varieties, which the accidents of climate or cultivation have added to these Species.

The Classes are distinguished from each other in this inge­nious system, by the number, situation, adhesion, or recipro­cal proportion of the males in each flower. The Orders, in many of these Classes, are distinguished by the number, or other circumstances of the females. The Families, or Ge­nera, are characterized by the analogy of all the parts of the flower or fructification. The Species are distinguished by the foliage of the plant; and the Varieties by any accidental circumstance of colour, taste, or odour; the seeds of these do not always produce plants similar to the parent; as in our numerous fruit-trees and garden flowers; which are propagat­ed by grafts or layers.

The first eleven Classes include the plants, in whose flow­ers both the sexes reside; and in which the Males or Stamens are neither united, nor unequal in height when at maturity; and are, therefore, distinguished from each other simply by the number of males in each flower, as is seen in the annexed PLATE, copied from the Dictionaire Botanique of M. BUL­LIARD, in which the numbers of each division refer to the Botanic Classes.

  • CLASS I. ONE MALE, Monandria; includes the plants which possess but One Stamen in each flower.
  • II. TWO MALES, Diandria. Two Stamens.
  • [Page iv]III. THREE MALES, Triandria. Three Stamens.
  • IV. FOUR MALES, Tetrandria, Four Stamens.
  • V. FIVE MALES, Petandria. Five Stamens.
  • VI. SIX MALES, Hexandria. Six stamens.
  • VII. SEVEN MALES, Heptandria. Seven Stamens.
  • VIII. EIGHT MALES, Octandria. Eight Stamens.
  • IX. NINE MALES, Enneandria. Nine Stamens.
  • X. TEN MALES, Decandria. Ten Stamens.
  • XI. TWELVE MALES, Dedecandria. Twelve Stamens.

The next two Classes are distinguished not only by the number of equal and disunited males, as in the above eleven Classes, but require an additional circumstance to be attended to viz. whether the males or stamens be situated on the ca­lyx, or not

XII. TWENTY MALES, Icosandria. Twenty Stamens inserted on the calyx, or flower-cup; as is well seen in the last Figure of No. xii. in the annexed Plate.

XIII. MANY MALES, Polyandria. From 20 to 100 Stamens, which do not adhere to the calyx; as is well seen in the first figure of No. xiii. in the annexed Plate.

In the next two Classes, not only the number of stamens are to be observed, but the reciprocal proportions in respect to height.

XIV. TWO POWERS, Didynamia. Four Stamens, of which two are lower than the other two; as is seen in the two first Figures of No. xiv.

XV. FOUR POWERS, Totradynamia. Six Stamens, of which four are taller, and the two lower ones opposite to each other; as is seen in the third Figure of the upper row, in No. xv.

The five subsequent Classes are distinguished not by the num­ber of the males, or stamens, but by their union or adhesion, either by their anthers or filaments, or to the female, or pistil.

XVI. ONE BROTHERHOOD, Monadelphia. Many Sta­mens united by their filaments into one company; as in the second Figure below of NO. xvi.

[Page v] XVII. TWO BROTHERHOODS, Diadelphia. Many Sta­mens united by their filaments into two companies; as in the uppermost Figure, No. xvii.

XVIII. MANY BROTHERHOODS, Polyadelphia. Many Stamens united by their filaments into three or more compa­nies; as in No. xviii.

XIX. CONFEDERATE MALES, Syngenesia. Many Sta­mens united by their anthers; as in the first and second Fi­gures, NO. xix.

XX. FEMININE MALES, Gynandria. Many Stamens attached to the pistil.

The next three Classes consist of plants, whose flowers con­tain but one of the sexes; or if some of them contain both sexes, there are other flowers accompanying them of but one sex.

XXI. ONE HOUSE, Monoecia. Male flowers and fe­male flowers separate, but on the same plant.

XXII. TWO HOUSES, Dioecia. Male flowers and fe­male flowers separate, on different plants.

XXIII. POLYGAMY, Polygamia. Male and female flow­ers on one or more plants, which have, at the same time, flowers of both sexes.

The last Class contains the plants whose flowers are not discernible.

XXIV. CLANDESTINE MARRIAGE, Cryptogamia.

The Orders of the first thirteen Classes are founded on the number of Females, or Pistils, and distinguished by the names, ONE FEMALE, Monogynia. TWO FEMALES, Digynia. THREE FEMALES, Trigynia, &c. as is seen in No. i. which represents a plant of one male, one female; and in the first Figure of No. xi. which represents a flower with twelve males, and three females; (for, where the pistils have no ap­parent styles, the summits, or stigmas, are to be numbered,) and in the first Figure of No. xii. which represents a flower with twenty males, and many females; and in the last Figure of the same No. which has twenty males, and one female; [Page vi] and in No. xiii. which represents a flower with many males, and many females.

The Class of TWO POWERS, is divided into two natural Orders; into such as have their seeds naked at the bottom of the calyx, or flower-cup; and such as have their seeds co­vered; as is seen in No. xvi. Fig. 3 and 5.

The Class of FOUR POWERS, is divided also into two Orders; in one of these the seeds are inclosed in a silicule, as in Shepherd's purse, No. xv. Fig. 5. In the other they are inclosed in a silique; as in Wall-flower, Fig. 4.

In all the other Classes, excepting the Classes Confederate Males and Clandestine Marriage, as the character of each Class is distinguished by the situations of the males; the cha­racter of the Orders is marked by the numbers of them. In the Class ONE BROTHERHOOD, No. xvi. Fig. 3. the Order of ten males is represented. And in the Class TWO BRO­THERHOODS, No. xvii. Fig. 2. the Order of ten males is represented.

In the Class CONFEDERATE MALES, the Orders are chiefly distinguished by the fertility or barrenness of the flo­rets of the disk, or ray of the compound flower.

And in the Class of CLANDESTINE MARRIAGE, the four Orders are termed FERNS, MOSSES, FLAGS, and FUN­GUSSES.

The Orders are again divided into Genera, or Families, which are all natural associations, and are described from the general resemblances of the parts of fructification, in respect to their number, form, situation, and reciprocal proportion. These are the Calyx, or Flower-cup; as seen in No. iv. Fig. 1. No. x. Fig. 1, and 3. No. xiv. Fig. 1, 2, 3, 4. Se­cond, the Corol, or Blossom; as seen in No. i, ii. &c. Third, the Males, or Stamens; as in No. iv. Fig. 1. and No. viii. Fig. 1. Fourth, the Females or Pistils; as in No. i. [Page vii] No. xii. Fig. 1. No. xiv. Fig. 3. No. xv. Fig. 3. Fifth, the Pericarp, or Fruit-vessel; as in No. xv. Fig. 4, 5. No. xvii. Fig. 2. Sixth, the Seeds.

The illustrious author of the Sexual System of Botany, in his preface to his account of the Natural Orders, ingeniously imagines, that one plant of each Natural Order was created in the beginning; and that the intermarriages of these pro­duced one plant of every Genus, or Family; and that the in­termarriages of these Generic, or Family plants, produced all the species: and, lastly, that the intermarriages of the indi­viduals of the species produced the Varieties.

In the following POEM, the name or number of the Class or Order of each plant is printed in Italics as "Two bro­ther swains." "One house contains them;" and the word "secret, expresses the class of Clandestine Marriage.

The Reader who wishes to become further acquainted with this delightful field of science, is advised to study the works of the Great Master, and is apprized that they are exactly and literally translated into English, by a Society at LICH­FIELD, in four Volumes Octavo.

To the SYSTEM OF VEGETABLES is prefixed a co­pious explanation of all the Terms used in Botany, translated from a thesis of Dr. ELMSGREEN, with the plates and re­ferences from the Philosophia Botannica of LINNAEUS.

To the FAMILIES OF PLANTS is prefixed a Cata­logue of the names of plants, and other Botanic Terms, care­fully accented, to shew their proper pronunciation; a work of great labour, and which was much wanted, not only by beginners, but by proficients in BOTANY.

[Page]

PROEM.

GENTLE READER!

Lo, here a CAMERA OBSCURA is presented to thy view, in which are lights and shades dancing on a whited canvas, and magnified into apparent life!—If thou art perfectly at leisure for such trivial amuse­ment, walk in, and view the wonders of my IN­CHANTED GARDEN.

Whereas P. OVIDIUS NASO, a great Necro­mancer in the famous Court of AUGUSTUS CAESAR, did, by art poetic, transmute Men, Women, and even Gods and Goddesses, into Trees and Flowers; I have undertaken, by similar art, to restore some of them to their original animality, after having re­mained prisoners so long in their respective vegeta­ble mansions; and have here exhibited them before thee. Which thou may'st contemplate as diverse little pictures, suspended over the chimney of a [Page x] Lady's dressing room, connected only by a slight fes­toon of ribbons. And which, though thou may'st not be acquainted with the originals, may amuse thee by the beauty of their persons, their graceful attitudes, or the brilliancy of their dress.

FAREWELL.
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VII

VIII

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XIX

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XXII

XXIII

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THE BOTANIC GARDEN. LOVES OF THE PLANTS. CANTO I.

DESCEND, ye hovering Sylphs! aerial Quires,
And sweep with little hands your silver lyres;
With fairy footsteps print your grassy rings,
Ye Gnomes! accordant to the tinkling strings:
While in soft notes I tune to oaten reed
Gay hopes, and amorous sorrows of the mead.—
From giant Oaks, that wave their branches dark,
To the dwarf Moss that clings upon their bark,
What Beaux and Beauties crowd the gaudy groves,
And woo and win their vegetable Loves. 1
How Snow-drops cold, and blue-eyed Harebels blend
Their tender tears, as o'er the stream they bend;
The love-sick Violet, and the Primrose pale,
Bow their sweet heads, and whisper to the gale;
With secret sighs the Virgin Lily droops,
And jealous Cowslips hang their rawny cups.
How the young Rose, in beauty's damask pride,
Drinks the warm blushes of his bashful bride;
With honey'd lips enamoured Woodbines meet,
Clasp with fond arms, and mix their kisses sweet.—
[Page 12]
Stay thy soft-murmuring waters, gentle Rill;
Hush, whispering Winds; ye rustling Leaves be still;
Rest, silver Butterflies, your quivering wings;
Alight, ye Beetles, from your airy rings;
Ye painted Moths, your gold-eyed plumage furl,
Bow your wide horns, your spiral trunks uncurl;
Glitter, ye Glow-worms, on your mossy beds;
Descend, ye Spiders, on your lengthened threads;
Slide here, ye horned Snails, with varnish'd shells;
Ye Bee-nymphs, listen in your waxen cells!
BOTANIC MUSE! who, in this latter age,
Led by your airy hand the Swedish sage,
Bade his keen eye your secret haunts explore
On dewy dell, high wood, and winding shore;
Say on each leaf how tiny graces dwell;
How laugh the Pleasures in a blossom's bell;
How insect Loves arise on cobweb wings,
Aim their light shafts, and point their little stings.
"First the tall CANNA 2 lifts his curled brow
Erect to heaven, and plights his nuptial vow;
The virtuous pair, in milder regions born,
Dread the rude blast of Autumn's icy morn;
Round the chill fair he folds his crimson vest,
And clasps the timorous beauty to his breast.
Thy love CALLITRICHE, 3 two Virgins share,
Smit with thy starry eye and radiant hair;—
On the green margin fits the youth, and laves
His floating train of tresses in the waves;
[Page 13] Sees his fair features paint the streams that pass,
And bends for ever o'er the watery glass.
Two brother swains, of COLLIN's 4 gentle name,
The same their features, and their forms the same,
With rival love for fair COLLINIA sigh,
Knit the dark brow, and roll the unsteady eye.
With sweet concern the pitying beauty mourns,
And sooths with smiles the jealous pair by turns.
Sweet blooms GENISTA 5 in the myrtle shade,
And ten fond brothers woo the haughty maid.
Two knights before thy fragrant altar bend,
Adored MELISSA! 6 and two squires attend.
[Page 14]
MEADIA's 7 soft chains five suppliant beaux confess,
And, hand in hand, the laughing belle address;
Alike to all, she bows with wanton air,
Rolls her dark eye, and waves her golden hair.
Woo'd with long care, CURCUMA, 8 cold and shy,
Meets her fond husband with averted eye:

[Page]

Meadia.
[Page 15] Four beardless youths the obdurate beauty move
With soft attention of Platonic love.
With vain desires the pensive ALCEA 9 burns,
And, like sad ELOISA, loves and mourns.
The freckled IRIS 10 owns a fiercer flame,
And three unjealous husbands wed the dame.
CUPRESSUS 11 dark disdains his dusky bride,
One dome contains them, but two beds divide.
[Page 16]
The proud OSYRIS 12 flies his angry fair,
Two houses hold the fashionable pair.
With strange deformity PLANTAGO 13 treads,
A monster-birth! and lifts his hundred heads;
Yet with soft love a gentle belle he charms,
And clasps the beauty in his hundred arms.
So hapless DESDEMONA, fair and young,
Won by OTHELLO's captivating tongue,
Sigh'd o'er each strange and piteous tale, distress'd,
And sunk, enamour'd, on his sooty breast.
[Page 17]
Two gentle shepherds, and their sister-wives,
With thee, ANTHOXA! 14 lead ambrosial lives;
Where the wide heath in purple pride extends,
And scatter'd furze its golden lustre blends,
Closed in a green recess, unenvy'd lot!
The blue smoak rises from their turf-built cot;
Bosom'd in fragrance blush their infant train,
Eye the warm sun, or drink the silver rain.
The fair OSMUNDA 15 seeks the silent dell,
The ivy canopy, and dripping cell;
There, hid in shades, clandestine rites approves,
Till the green progeny betrays her loves.
With charms despotic fair CHONDRILLA 16 reigns
O'er the soft hearts of five fraternal swains;
[Page 18] If sighs the changeful nymph, alike they mourn;
And, if she smiles, with rival raptures burn.
So, tun'd in unison, Eolian Lyre!
Sounds in sweet symphony thy kindred wire;
Now, gently swept by Zephyr's vernal wings,
Sink in soft cadences the love-sick strings;
And now with mingling chords, and voices higher,
Peal the full anthems of the aerial choir.
Five sister-nymphs to join Diana's train
With thee, fair LYCHNIS! 17 vow,—but vow in vain;
Beneath one roof resides the virgin band,
Files the fond swain, and scorns his offered hand;
But when soft hours on breezy pinions move,
And smiling May attunes her lute to love,
Each wanton beauty, trick'd in all her grace,
Shakes the bright dew-drops from her blushing face;
In gay undress displays her rival charms,
And calls her wondering lovers to her arms.
When the young Hours, amid her tangled hair,
Wove the fresh rose-bud, and the lily fair,
Proud GLORIOSA 18 led three chosen swains,
The blushing captives of her virgin chains—

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Gloriam Superba.
Tanner sc

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Lion [...]a Muscipula.
[Page 19] When Time's rude hand a bark of wrinkles spread
Round her weak limbs, and silver'd o'er her head,
Three other youths her riper years engage,
The flatter'd victims of her wily age.
So, in her wane of beauty, NINON won
With fatal smiles her gay unconscious son.—
Clasp'd in his arms, she own'd a mother's name,—
" Desist, rash youth! restrain your impious flame,
" First on that bed your infant-form was press'd,
" Born by my throes, and nurtur'd at my breast."—
Back as from death he sprung, with wild amaze
Fierce on the fair he fix'd his ardent gaze;
Dropp'd on one knee, his frantic arms outspread,
And stole a guilty glance toward the bed;
Then breath'd from quivering lips a whisper'd vow,
And bent on heaven his pale repentant brow;
"Thus, thus!" he cried, and plung'd the furious dart,
And life and love gush'd, mingled, from his heart.
The fell SILENE, 19 and her sisters fair,
Skill'd in destruction, spread the viscous snare.
[Page 20] The harlot-band ten lofty bravoes screen,
And, frowning, guard the magic nets unseen.—
Haste glittering nations, tenants of the air,
Oh, steer from hence your viewless course afar!
If with soft words, sweet blushes, nods, and smiles,
The three dread Syrens lure you to their toils,
Limed by their art in vain you point your stings,
In vain the efforts of your whirring wings!—
Go, seek your gilded mates and infant hives,
Nor taste the honey purchased with your lives!
When heaven's high vault condensing clouds deform,
Fair AMARYLLIS 20 flies the incumbent storm.

[Page]

Amaryllis formosissima.
Tanner sc.
[Page 21] Seeks with unsteady step the shelter'd vale,
And turns her blushing beauties from the gale.—
Six rival youths, with soft concern impress'd,
Calm all her fears, and charm her cares to rest.—
So shines at eve the sun-illumin'd fane,
Lifts its bright cross, and waves its golden vane;
From every breeze the polish'd axle turns,
And high in air the dancing meteor burns.
Four of the giant brood with ILEX 21 stand,
Each grasps a thousand arrows in his hand;
[Page 22] A thousand steely points on every scale
Form the bright terrors of his bristly mail.—
So arm'd, immortal Moore uncharm'd the spell,
And slew the wily dragon of the well.—
Sudden with rage their injur'd bosoms burn,
Retort the insult, or the wound return;
Unwrong'd, as gentle as the breeze that sweeps
The unbending harvests or undimpled deeps,
They guard, the Kings of Needwood's wide domains,
Their sister-wives and fair infantine trains;
Lead the lone pilgrim through the trackless glade,
Or guide in leafy wilds the wand'ring maid.
So WRIGHT's bold pencil from Vesuvio's height
Hurls his red lavas 22 to the troubled night;
From Calpè starts the intolerable flash,
Skies burst in flames, and blazing oceans dash;—
Or bids in sweet repose his shades recede,
Winds the still vale, and slopes the velvet mead;
On the pale stream expiring Zephyrs sink,
And Moonlight sleeps upon its hoary brink.
Gigantic Nymph! the fair KLEINHOVIA 23 reigns,
The grace and terror of Orixa's plains;
O'er her warm cheek the blush of beauty swims,
And nerves Herculean bend her sinewy limbs;
[Page 23] With frolic eye she views the affrighted throng,
And shakes the meadows as she towers along;
With playful violence displays her charms,
And bears her trembling lovers in her arms.
So fair THALESTRIS shook her plumy crest,
And bound in rigid mail her jutting breast;
Poised her long lance amid the walks of war,
And Beauty thunder'd from Bellona's car;
Greece arm'd in vain, her captive heroes wove
The chains of conquest with the wreaths of love.
When o'er the cultivated lawns and dreary wastes
Retiring Autumn flings her howling blasts,
Bends in tumultuous waves the struggling woods,
And showers their leafy honours on the floods,
In withering heaps collects the flowery spoil,
And each chill insect sinks beneath the soil;
Quick flies fair TULIPA 24 the loud alarms,
And folds her infant closer in her arms;
In some lone cave, secure pavilion, lies,
And waits the courtship of serener skies.—
So, six cold moons, the Dormouse charm'd to rest,
Indulgent Sleep! beneath thy eider breast,
[Page 24] In fields of Fancy climbs the kernel'd groves,
Or shares the golden harvest with his loves.—
Then bright from earth, amid the troubled sky,
Ascends fair COLCHICA 25 with radiant eye,
Warms the cold bosom of the hoary year,
And lights with Beauty's blaze the dusky sphere.
Three blushing Maids the intrepid Nymph attend,
And six gay Youths, enamour'd train! defend.
So shines with silver guards the Georgian star,
And drives on Night's blue arch his glittering car;
Hangs o'er the billowy clouds his lucid form,
Wades thro' the mist, and dances in the storm.
GREAT HELIANTHUS 26 guides o'er twilight plains
In gay solemnity his Dervise-trains;
Marshall'd in fives each gaudy band proceeds,
Each gaudy band a plumed Lady leads; 27
[Page 25] With zealous step he climbs the upland lawn,
And bows in homage to the rising dawn;
Imbibes with eagle eye the golden ray,
And watches, as it moves, the orb of day.
QUEEN of the marsh, imperial DROSERA 28 treads
Rush-fringed banks, and moss-embroider'd beds;
Redundant folds of glossy silk surround
Her slender waist, and trail upon the ground;
Five sister-nymphs collect with graceful ease,
Or spread the floating purple to the breeze;
And five fair youths with duteous love comply
With each soft mandate of her moving eye.
As with sweet grace her snowy neck she bows,
A zone of diamonds trembles round her brows;
Bright shines the silver halo, as she turns;
And, as she steps, the living lustre burns,
[Page 26]
Fair LONICERA 29 prints the dewy lawn,
And decks with brighter blush the vermil dawn;
Winds round the shadowy rocks, and pansied vales,
And scents with sweeter breath the summer-gales;
With artless grace and native ease she charms,
And bears the horn of plenty in her arms.
Five rival Swains their tender cares unfold,
And watch with eye askance the treasured gold.
Where rears huge Tenerif his azure crest,
Aspiring DRABA 30 builds her eagle nest;
[Page 27] Her pendant eyry icy caves surround,
Where erst Volcanos mined the rocky ground.
Pleased round the Fair four rival Lords ascend
The shaggy steeps, two menial youths attend.
High in the setting ray the beauty stands,
And her tall shadow waves on distant lands.
Oh! stay, bright habitant of air, alight,
Ambitious VISCA, 31 from thy angel-flight!—
—Scorning the sordid soil, aloft she springs,
Shakes her white plume, and claps her golden wings;
High o'er the fields of boundless ether roves,
And seeks amid the clouds her soaring loves!
Stretch'd on her mossy couch, in trackless deeps,
Queen of the coral groves, ZOSTERA 32 sleeps;
[Page 28] The silvery sea-weed matted round her bed,
And distant surges murmuring o'er her head.—
High in the flood her azure dome ascends,
The crystal arch on crystal columns bends;
Roof'd with translucent shell the turrets blaze,
And far in ocean dart their colour'd rays;
O'er the white floor successive shadows move,
As rise and break the ruffled waves above.—
Around the nymph her mermaid-trains repair,
And wave with orient pearl her radiant hair;
With rapid sins she cleaves the watery way,
Shoots like a silver meteor up to day;
Sounds a loud conch, convokes a scaly band,
Her sea-born lovers, and ascends the strand.
E'en round the pole the flames of Love aspire,
And icy bosoms feel the secret fire!—
Cradled in snow, and fann'd by arctic air,
Shines, gentle BAROMETZ! 33 thy golden hair;
[Page 29] Rooted in earth each cloven hoof descends,
And round and round her flexile neck she bends;
Crops the grey coral moss, and hoary thyme,
Or laps with rosy tongue the melting rime;
Eyes with mute tenderness her distant dam,
Or seems to bleat, a Vegetable Lamb.
—So, warm and buoyant in his oily mail,
Gambols on seas of ice the unwieldy Whale;
Wide-waving fins round floating islands urge
His bulk gigantic through the troubled surge;
With hideous yawn the flying shoals he seeks,
Or clasps with fringe of horn his massy cheeks;
Lifts o'er the tossing wave his nostrils bare,
And spouts pellucid columns into air;
The silvery arches catch the setting beams,
And transient rainbows tremble o'er the streams.
Weak with nice sense, the chaste MIMOSA 34 stands,
From each rude touch withdraws her timid hands;
[Page 30] Oft as light clouds o'er-pass the Summer-glade,
Alarm'd she trembles at the moving shade;
And feels, alive through all her tender form,
The whisper'd murmurs of the gathering storm;
Shuts her sweet eye-lids to approaching night,
And hails with freshen'd charms the rising light.
Veil'd, with gay decency and modest pride,
Slow to the mosque she moves an eastern bride;
There her soft vows unceasing love record,
Queen of the bright seraglio of her Lord.—
So sinks or rises with the changeful hour
The liquid silver in its glassy tower.
So turns the needle to the pole it loves,
With fine librations quivering as it moves.
All wan and shivering in the leafless glade
The sad ANEMONE 35 reclined her head;
Grief on her cheeks had paled the roseate hue,
And her sweet eye-lids dropp'd with pearly dew.
—" See from bright regions, borne on odorous gales,
" The Swallow, 36 herald of the summer, sails;
[Page 31] " Breathe, gentle AIR! from cherub-lips impart
" Thy balmy influence to my anguish'd heart;
" Thou, whose soft voice calls forth the tender blooms,
" Whose pencil paints them, and whose breath perfumes;
" O chase the Fiend of Frost, with leaden mace,
" Who seals in death-like sleep my hapless race;
" Melt his hard heart, release his iron hand,
" And give my ivory petals to expand.
" So may each bud, that decks the brow of spring,
" Shed all its incense on thy wafting wing!"—
To her fond prayer propitious Zephyr yields,
Sweeps on his sliding shell through azure fields,
[Page 32] O'er her fair mansion waves his whispering wand,
And gives her ivory petals to expand;
Gives with new life her filial train to rise,
And hail with kindling smiles the genial skies.
So shines the Nymph in beauty's blushing pride,
When Zephyr wafts her deep calash aside:
Tears with rude kiss her bosom's gauzy veil,
And flings the fluttering kerchief to the gale.
So bright, the folding canopy undrawn,
Glides the gilt Landau o'er the velvet lawn,
Of beaux and belles displays the glittering throng,
And soft airs fan them, as they roll along.
Where frowning Snowden bends his dizzy brow
O'er Conway, listening to the surge below;
Retiring LICHEN 37 climbs the topmost stone,
And drinks the aerial solitude alone.—
Bright shine the stars, unnumber'd, o'er her head,
And the cold moon-beam gilds her flinty bed;
While round the rifted rocks hoarse whirlwinds breathe,
And dark with thunder sail the clouds beneath.
The steepy path her plighted swain pursues,
And tracks her light steps o'er the imprinted dews;
Delighted Hymen gives his torch to blaze,
Winds round the craggs, and lights the mazy ways;
Sheds o'er their secret vows his influence chaste,
And decks with roses the admiring waste.
High in the front of heaven when Sirius glares,
And o'er Britannia shakes his fiery hairs:
When no soft shower descends, no dew distills,
Her wave-worn channels dry, and mute her rills;
[Page 33] When droops the sickening herb, the blossom fades,
And parch'd earth gapes beneath the withering glades;
—With languid step fair DYPSACA 38 retreats,
"Fall, gentle dews!" the fainting nymph repeats,
Seeks the low dell, and in the sultry shade
Invokes, in vain, the Naiads to her aid.—
Four sylvan youths in crystal goblets bear
The untasted treasure to the grateful fair;
Pleased, from their hands with modest grace she sips,
And the cool wave reflects her coral lips.
With nice selection modest RUBIA 39 blends
Her vermil dyes, and o'er the cauldron bends;
[Page 34] Warm, mid the rising steam, the Beauty glows,
As blushes in a mist the dewy rose.
With chemic art four favour'd youths aloof
Stain the white fleece, or stretch the tinted woof;
O'er Age's cheek the warmth of youth diffuse,
Or deck the pale-eyed nymph in roseate hues.
So when MEDEA to exulting Greece
From plunder'd COLCHIS bore the golden fleece;
On the loud shore a magic pile she rais'd,
The cauldron bubbled, and the faggots blaz'd;
Pleased, on the boiling wave 40 old AESON swims,
And feels new vigour stretch his swelling limbs;
Through his thrill'd nerves forgotten ardors dart,
And warmer eddies circle round his heart;
With softer fires his kindling eye-balls glow,
And darker tresses wanton round his brow.
As dash the waves on India's breezy strand,
Her flush'd cheek press'd upon her lily hand,
VALLISNER 41 sits, up-turns her tearful eyes,
Calls her lost lover, and upbraids the skies;

[Page]

Vallisneria Spiralis.
Tanner sc.
[Page 35] For him she breathes the silent sigh, forlorn,
Each setting day; for him each rising morn.—
" Bright orbs, that light you high etherial plain,
" Or bathe your radiant tresses in the main;
" Pale moon, that silver'st o'er night's sable brow;—
" For ye were witness to his parting vow!
" Ye shelving rocks, dark waves, and sounding shore,—
" Ye echoed sweet the tender words he swore!—
" Can stars or seas the sails of love retain?
" O guide my wanderer to my arms again!"
Her buoyant skiff intrepid ULVA 42 guides,
And seeks her Lord amid the trackless tides;
[Page 36] Her secret vows the Cyprian Queen approves,
And hovering Halcyons guard her infant-loves;
Each in his floating cradle, round they throng,
And dimpling Ocean bears the fleet along.—
Thus o'er the waves, which gently bend and swell,
Fair GALATEA steers her silver shell;
Her playful Dolphins stretch the silken rein,
Hear her sweet voice, and glide along the main.
As round the wild meandering coast she moves
By gushing rills, rude cliffs, and nodding groves;
Each by her pine, the Wood-nymphs wave their locks,
And wondering Naiads peep amid the rocks;
Pleased trains of Mermaids rise from coral cells;
Admiring Tritons sound their twisted shells;
Charm'd o'er the care pursuing Cupids sweep,
Their snow-white pinions twinkling in the deep;
And, as the lustre of her eye she turns,
Soft sighs the Gale, and amorous Ocean burns.
On DOVE's green brink the fair TREMELLA 43 stood,
And view'd her playful image in the flood;
[Page 37] To each rude rock, lone dell, and echoing grove,
Sung the sweet sorrows of her secret love.
"Oh, stay!—return!"—along the sounding shore
Cry'd the sad Naiads,—she return'd no more!—
Now girt with clouds the sullen Evening frown'd,
And withering Eurus swept along the ground;
The misty moon withdrew her horned light,
And sunk with Hesper in the skirt of night;
No dim electric streams, (the northern dawn)
With meek effulgence quiver'd o'er the lawn;
No star benignant shot one transient ray
To guide or light the wanderer on her way.
Round the dark craggs the murmuring whirlwinds blow,
Woods groan above, and waters roar below;
As o'er the steeps with pausing foot she moves,
The pitying Dryads shriek amid their groves.
She flies—she stops—she pants—she looks behind,
And hears a demon howl in every wind.
—As the bleak blast unfurls her fluttering vest,
Cold beats the snow upon her shuddering breast;
[Page 38] Through her numb'd limbs the chill sensations dart,
And the keen ice-bolt trembles at her heart.
"I sink, I fall! oh, help me, help!" she cries,
Her stiffening tongue the unfinished sound denies;
Tear after tear adown her cheek succeeds,
And pearls of ice bestrew the glittering meads;
Congealing snows her lingering feet surround,
Arrest her flight, and root her to the ground;
With suppliant arms she pours the silent prayer;
Her suppliant arms hang crystal in the air;
Pellucid films her shivering neck o'erspread,
Seal her mute lips, and silver o'er her head;
Veil her pale bosom, glaze her lifted hands,
And, shrined in ice, the beauteous statue stands.
—DOVE's azure nymphs, on each revolving year,
For fair TREMELLA shed the tender tear;
With rush-wove crowns in sad procession move,
And sound the sorrowing shell to hapless love."
Here paused the MUSE,—across the darken'd pole
Sail the dim clouds, the echoing thunders roll;
The trembling Wood-nymphs, as the tempest lowers,
Lead the gay Goddess to their inmost bowers;
Hang the mute lyre, the laurel shade beneath,
And round her temples bind the myrtle wreath.
—Now the light swallow, with her airy brood,
Skims the green meadow, and the dimpled flood;
Loud shrieks the lone thrush from his leafless thorn,
Th' alarmed beetle sounds his bugle horn;
Each pendant spider winds with fingers fine
His ravel'd clue, and climbs along the line;
Gay Gnomes in glittering circles stand aloof,
Beneath a spreading mushroom's fretted roof;
Swift bees, returning, seek their waxen cells,
And Sylphs cling, quivering, in the lily's bells.
Through the still air descend the genial showers,
And pearly rain-drops deck the laughing flowers.
[Page]

INTERLUDE I.

Bookseller.

YOUR verses, Mr. Botanist, consist of pure descrip­tion; I hope there is sense in the notes.

Poet.

I am only a flower-painter, or occasionally attempt a landskip; and leave the human figure, with the subjects of history, to abler artists.

B.

It is well to know what subjects are within the limits of your pencil; many have failed of success from the want of this self­knowledge. But pray tell me, what is the essential difference be­tween Poetry and Prose? is it solely the melody or measure of the language?

P.

I think not solely; for some prose has its melody, and even measure. And good verses, well spoken in a language unknown to the hearer, are not easily to be distinguished from good prose.

B.

Is it the sublimity, beauty, or novelty of the sentiments?

P.

Not so; for sublime sentiments are often better expressed in prose. Thus when Warwick, in one of the plays of Shake­speare, is left wounded on the field, after the loss of the battle, and his friend says to him, "O, could you but fly!" what can be more sublime than this answer, "Why, then, I would not fly." No measure of verse, I imagine, could add dignity to this sentiment. And it would be easy to select examples of the beau­tiful or new from prose writers, which, I suppose, no measure of verse could improve.

B.

In what, then, consists the essential difference between Poetry and Prose?

P.

Next to the measure of the language, the principal dis­tinction appears to me to consist in this: that Poetry admits of but few words expressive of very abstracted ideas, whereas Prose abounds with them. And as our ideas derived from visible ob­jects are more distinct than those derived from the objects of our other senses, the words expressive of these ideas belonging to vi­sion, make up the principal part of poetic language. That is, [Page 40] the Poet writes principally to the eye, the Prose writer uses more abstracted terms. Mr. Pope has written a bad verse in the Wind­sor Forest:

"And Kennet swift for silver Eels renown'd."

The word renown'd does not present the idea of a visible object to the mind, and is thnece prosaic. But change this line thus:

"And Kennet swift, where silver Graylings play,"

and it becomes poetry, because the scenery is then brought before the eye.

B.

This may be done in prose.

P.

And when it is done in a single word, it animates the prose; so it is more agreeable to read in Mr. Gibbon's History, "Ger­many was at this time over-shadowed with extensive forests," than Germany was at this time full of extensive forests. But where this mode of expression occurs too frequently, the prose approaches to poetry: and in graver works, where we expect to be instructed rather than amused, it becomes tedious and impertinent. Some parts of Mr. Burke's eloquent orations become intricate and ener­vated by superfluity of poetic ornament; which quantity of orna­ment would have been agreeable in poem, where much orna­ment is expected.

B.

Is, then the office of Poetry only to amuse?

P.

The Muses are young Ladies; we expect to see them dres­sed; though not like some modern beauties, with so much gauze and feather, that "the Lady herself is the least part of her." There are, however, didactic pieces of poetry, which are much admired, as the Georgics of Virgil, Mason's English Garden, Haley's Epistles; nevertheless, Science is best delivered in prose, as its mode of reasoning is from stricter analogies than metaphors or similies.

B.

Do not Personifications and Allegories distinguish Poetry?

P.

These are other arts of bringing objects before the eye; or of expressing sentiments in the language of vision; and are, in­deed, better suited to the pen than the pencil.

B.

That is strange, when you have just said they are used to bring their objects before the eye.

P.

In Poetry the personification or allegoric figure is generally [Page 41] indistinct, and therefore does not strike us so forcibly as to make us attend to its improbability; but in painting, the figures being all much more distinct, their improbability becomes apparent, and seizes our attention to it. Thus the person of Concealment is very indistinct, and therefore does not compel us to attend to its improbability, in the following beautiful lines of Shakespeare:

"—She never told her love;
But let Concealment, like a worm i' th' bud,
Feed on her damask cheek."—

But in these lines below the person of Reason obtrudes itself into our company, and becomes disagreeable by its distinctness, and consequent improbability:

"To Reason I flew, and intreated her aid,
Who paused on my case, and each circumstance weigh'd;
Then gravely reply'd, in return to my prayer,
That Hebe was fairest of all that were fair.
That's a truth, reply'd I, I've no need to be taught,
I came to you, Reason, to find out a fault.
If that's all, says Reason, return as you came,
To find fault with Hebe would forfeit my name."

Allegoric figures are, on this account, in general, less manage­able in painting and in statuary than in poetry; and can seldom be introduced in the two former arts in company with natural figures, as is evident from the ridiculous effect of many of the paintings of Rubens, in the Luxemburgh gallery; and for this reason, because their improbability becomes more striking, when there are the figures of real persons by their side to compare them with.

Mrs. Angelica Kauffman, well apprised of this circumstance, has introduced no mortal figures amongst her Cupids and her Graces. And the great Roubiliac, in his unrivalled monument of Time and Fame struggling for the trophy of General Wade, has only hung up a medallion of the head of the hero of the piece. There are, however, some allegoric figures, which we have so often heard described or seen delineated, that we almost forget that they do not exist in common life; and thence view them without astonishment; as the figures of the heathen mythology, [Page 42] of angels, devils, death, and time; and almost believe them to be realities, even when they are mixed with representations of the natural forms of man. Whence I conclude, that a certain degree of probability is necessary to prevent us from revolting with dis­taste from unnatural images, unless we are otherwise so much in­terested in the contemplation of them as not to perceive their im­probability.

B.

Is this reasoning about degrees of probability just?—When Sir Joshua Reynolds, who is unequalled both in the theory and practice of his art, and who is a great master of the pen as well as the pencil, has asserted, in a discourse delivered to the Royal Academy, December 11, 1786, that "the higher styles of paint­ing, like the higher kinds of the Drama, do not aim at any thing like deception; or have any expectation that the spectators should think the events there represented as really passing before them." And he then accuses Mr. Fielding of bad judgment, when he at­tempts to compliment Mr. Garrick in one of his novels, by in­troducing an ignorant man, mistaking the representation of a scene in Hamlet for a reality; and thinks, because he was an ignorant man, he was less liable to make such a mistake.

P.

It is a metaphysical question, and requires more attention than Sir Joshua has bestowed upon it.—You will allow that we are perfectly deceived in our dreams: and that even in our wak­ing reveries, we are often so much absorbed in the contemplation of what passes in our imaginations, that, for a while, we do not attend to the lapse of time, or to our own locality; and thus suf­fer a similar kind of deception, as in our dreams. That is, we believe things present before our eyes, which are not so.

There are two circumstances which contribute to this complete deception in our dreams: First, because, in sleep, the organs of sense are closed or inert, and hence the trains of ideas associated in our imaginations are never interrupted or dissevered by the irrita­tions of external objects, and cannot, therefore, be contrasted with our sensations. On this account, though we are affected with a va­riety of passions in our dreams, as anger, love, joy, yet we never experience surprize. For surprize is only produced when any ex­ternal irritations suddenly obtrude themselves, and dissever our passing trains of ideas.

Secondly, because, in sleep, there is a total suspension of our voluntary power, both over the muscles of our bodies, and the ideas of our minds; for we neither walk about, nor reason in com­plete [Page 43] sleep. Hence, as the trains of our ideas are passing in our imaginations in dreams, we cannot compare them with our pre­vious knowledge of things, as we do in our waking hours; for this a voluntary exertion, and thus we cannot perceive their in­congruity.

Thus we are deprived, in sleep, of the only two means by which we can distinguish the trains of ideas passing in our ima­ginations, from those excited by our sensations; and are led by their vivacity to believe them to belong to the latter. For the vi­vacity of these trains of ideas, passing in the imagination, is greatly increased by the causes above-mentioned; that is, by their not being disturbed or dissevered either by the appulses of external bodies, as in surprize, or by our voluntary exertions in compar­ing them with our previous knowledge of things, as in reasoning upon them.

B.

Now to apply.

P.

When, by the art of the Painter or Poet, a train of ideas is suggested to our imaginations, which interests us so much by the pain or pleasure it affords, that we cease to attend to the irritations of common external objects, and cease also to use any voluntary efforts to compare these interesting trains of ideas with our previous knowledge of things, a complete reverie is produced: during which time, however short, if it be but for a moment, the objects themselves appear to exist before us. This, I think, has been called, by an ingenious critic, "the ideal presence" of such objects. (Elements of Criticism, by Lord Kaimes.) And in re­spect to the compliment intended by Mr. Fielding to Mr. Garrick, it would seem that an ignorant rustic at the play of Hamlet, who has some previous belief in the appearance of Ghosts, would sooner be liable to fall into a reverie, and continue in it longer, than one who possessed more knowledge of the real nature of things, and had a greater facility of exercising his reason.

B.

It must require great art in the Painter or Poet to produce this kind of deception.

P.

The matter must be interesting from its sublimity, beauty, or novelty; this is the scientific part; and the art consists in bring­ing these distinctly before the eye, so as to produce (as above­mentioned) the ideal presence of the object, in which the great Shakespeare particularly excells.

B.

Then it is not of any consequence whether the representa­tions correspond with nature?

P.
[Page 44]

Not if they so much interest the reader or spectator as to induce the reverie above described. Nature may be seen in the market-place, or at the card-table; but we expect something more than this in the play-house or picture-room. The farther the artist recedes from nature, the greater novelty he is likely to pro­duce; if he rises above nature, he produces the sublime; and beauty is probably a selection and new combination of her most agreeable parts. Yourself will be sensible of the truth of this doc­trine, by recollecting over in your mind the works of three of our celebrated artists. Sir Joshua Reynolds has introduced sub­limity even into its portraits; we admire the representation of persons, whose reality we should have passed by unnoticed. Mrs. Angelica Kauffman attracts our eyes with beauty, which, I suppose, no where exists; certainly few Grecian faces are seen in this coun­try. And the daring pencil of Fuseli transports us beyond the boundaries of nature, and ravishes us with the charm of the most interesting novelty. And Shakespeare, who excells in all these together, so far captivates the spectator, as to make him unmind­ful of every kind of violation of time, place, or existence. As, at the first appearance of the Ghost of Hamlet, "his ear must be dull as the fat weed which roots itself on Lethe's brink," who can attend to the improbability of the exhibition. So, in many scenes of the Tempest, we perpetually believe the action passing before our eyes, and relapse, with somewhat of distaste, into common life, at the intervals of the representation.

B.

I suppose a poet of less ability would find such great ma­chinery difficult and cumbersome to manage?

P.

Just so, we should be shocked at the apparent improbabili­ties. As in the gardens of a Sicilian nobleman, described in Mr. Brydone's and in Mr. Swinburne's travels, there are said to be six hundred statues of imaginary monsters, which so disgust the spec­tators, that the State had once a serious design of destroying them; and yet the very improbable monsters in Ovid's Metamorphoses have entertained the world for many centuries.

B.

The monsters in your Botanic Garden, I hope, are of the latter kind?

P.

The candid reader must determine.

[Page]

THE BOTANIC GARDEN. LOVES OF THE PLANTS. CANTO II.

AGAIN the Goddess strikes the golden lyre,
And tunes to wilder notes the warbling wire;
With soft suspended step Attention moves,
And Silence hovers o'er the listening groves;
Orb within orb the charmed audience throng,
And the green vault reverberates the song.
" Breathe soft, ye Gales!" the fair CARLINA 44 cries,
" Bear on broad wings your Votress to the skies.
[Page 46] " How sweetly mutable yon orient hues,
" As Morn's fair hand her opening roses strews;
" How bright, when Iris, blending many a ray,
" Binds in embroider'd wreath the brow of Day;
" Soft, when the pendant Moon with lustres pale
" O'er heaven's blue arch unfurls her milky veil;
" While from the north long threads of silver light
" Dart on swift shuttles o'er the tissued night!
" Breathe soft, ye Zephyrs! hear my fervent sighs,
"Bear on broad wings your Votress to the skies!"—
—Plume over plume in long divergent lines
On whale-bone ribs the fair Mechanic joins;
Inlays with eider down the silken strings,
And weaves in wide expanse Daedalian wings;
Round her bold sons the waving pennons binds,
And walks with angel-step upon the winds.
So on the shoreless air the intrepid Gaul
Launch'd the vast concave of his buoyant ball.—
Journeying on high, the silken castle glides
Bright as a meteor through the azure tides;
O'er towns, and towers, and temples, wins its way,
Or mounts sublime, and gilds the vault of day.
Silent with upturn'd eyes unbreathing crowds
Pursue the floating wonder to the clouds;
And, flush'd with transport or benumb'd with fear,
Watch, as it rises, the diminish'd sphere.
—Now less and less!—and now a speck is seen!—
And now the fleeting rack obtrudes between!—
With bended knees, raised arms, and suppliant brow,
To every shrine with mingled cries they vow.—
" Save Him, ye Saints! who o'er the good preside;
"Bear Him, ye Winds! ye Stars benignant! guide."
—The calm Philosopher in ether sails,
Views broader stars, and breathes in purer gales;
Sees, like a map, in many a waving line,
Round Earth's blue plains her lucid waters shine;
Sees at his feet the forky lightnings glow,
And hears innocuous thunders roar below.
[Page 47] —Rise, great MONGOLFIER! urge thy venturous flight
High o'er the Moon's pale ice-reflected light;
High o'er the pearly Star, whose beamy horn
Hangs in the east, gay harbinger of morn;
Leave the red eye of Mars on rapid wing,
Jove's silver guards, and Saturn's crystal ring;
Leave the fair beams, which, issuing from afar,
Play with new lustres round the Georgian star;
Shun with strong oars the Sun's attractive throne,
The sparkling zodiac, and the milky zone;
Where headlong Comets, with increasing force,
Through other systems bend their blazing course.—
For thee Cassiope her chair withdraws,
For thee the Bear 45 retracts his shaggy paws;
High o'er the North thy golden orb shall roll,
And blaze eternal round the wondering pole.
So Argo, rising from the southern main,
Lights with new stars the blue etherial plain;
With favouring beams the mariner protects,
And the bold course, which first it steer'd, directs.
Inventress of the Woof, fair LINA flings 46
The flying shuttle through the dancing strings;
Inlays the broider'd weft with flowery dyes,
Quick beat the reeds, the pedals fall and rise;
Slow from the beam the lengths of warp unwind,
And dance and nod the massy weights behind.—
Taught by her labours, from the fertile soil
Immortal ISIS clothed the banks of Nile;
[Page 48] And fair ARACHNE with her rival loom
Found undeserved a melancholy doom.—
Five Sister-nymphs with dewy fingers twine
The beamy flax, and stretch the fibre-line;
Quick eddying threads from rapid spindles reel,
Or whirl with beaten foot the dizzy wheel.
—Charm'd round the busy Fair five shepherds press,
Praise the nice texture of their snowy dress,
Admire the Artists, and the art approve,
And tell with honey'd words the tale of love.
So now, where Derwent rolls his dusky floods
Through vaulted mountains, and a night of woods,
The Nymph, GOSSYPIA, 47 treads the velvet sod,
And warms with rosy smiles the watery God;
His ponderous oars to slender spindles turns,
And pours o'er massy wheels his foamy urns;
With playful charms her hoary lover wins,
And wields his trident,—while the Monarch spins.
[Page 49] —First with nice eye emerging Naiads 48 cull
From leathery pods the vegetable wool;
With wiry teeth revolving cards release
The tangled knots, and smooth the ravell'd fleece;
Next moves the iron-hand with fingers fine,
Combs the wide card, and forms the eternal line;
Slow, with soft lips, the whirling Can acquires
The tender skeins, and wraps in rising spires;
With quicken'd pace successive rollers move,
And these retain, and those extend the rove;
Then fly the spoles, the rapid axles glow,
And slowly circumvolves the labouring wheel below.
PAPYRA, throned upon the banks of Nile, 49
Spread her smooth leaf, and waved her silver style.
—The storied pyramid, the laurel'd bust,
The trophy'd arch had crumbled into dust;
[Page 50] The sacred symbol, and the epic song,
(Unknown the character, forgot the tongue,)
With each unconquer'd chief, or sainted maid,
Sunk undistinguish'd in Oblivion's shade.
Sad o'er the scatter'd ruins Genius sigh'd,
And infant Arts but learn'd to lisp, and died.
Till to astonish'd realms PAPYRA taught
To paint in mystic colours Sound and Thought.
With Wisdom's voice to print the page sublime,
And mark in adamant the steps of Time.
Three favour'd youths her soft attention share,
The fond disciples of the studious Fair,
Hear her sweet voice, the golden process prove;
Gaze, as they learn; and, as they listen, love.
The first from Alpha to Omega joins
The letter'd tribes along the level lines;
Weighs with nice ear the vowel, liquid, surd,
And breaks in syllables the volant word.
Then forms the next upon the marshall'd plain,
In deepening ranks, his dexterous cypher-train;
And counts, as wheel the decimating bands,
The dews of Egypt, or Arabia's sands.
And then the third, on four concordant lines,
Prints the lone crotchet, and the quaver joins;
Marks the gay trill, the solemn pause inscribes,
And parts with bars the undulating tribes.
Pleased, round her cane-wove throne, the applauding crowd
Clapp'd their rude hands, their swarthy foreheads bow'd;
With loud acclaim, "a present God!" they cry'd,
" A present God!" rebellowing shores reply'd.—
Then peal'd at intervals, with mingled swell,
The echoing harp, shrill clarion, horn, and shell;
While Bards ecstatic, bending o'er the lyre,
Struck deeper chords, and wing'd the song with fire.
Then mark'd Astronomers, with keener eyes,
The Moon's refulgent journey through the skies;
Watch'd the swift Comets urge their blazing cars,
And weigh'd the Sun with his revolving Stars.
[Page 51] High raised the Chemists their Hermetic wands,
(And changing forms obey'd their waving hands,)
Her treasured Gold from Earth's deep chambers tore,
Or fused and harden'd her chalybeate ore.
All with bent knee from fair PAPYRA claim,
Wove by her hands, the wreath of deathless fame.
—Exulting Genius crown'd his darling child,
The young Arts clasp'd her knees, and Virtue smil'd.
So now DELANY 50 forms her mimic bowers,
Her paper foliage, and her silken flowers;
Her virgin train the tender scissars ply,
Vein the green leaf, the purple petal dye:
Round wiry stems the flaxen tendril bends,
Moss creeps below, and waxen fruit impends.
Cold Winter views, amid his realms of snow,
DELANY's vegetable statues blow;
Smooths his stern brow, delays his hoary wing,
And eyes with wonder all the blooms of spring.
The gentle LAPSANA, NYMPHAEA 51 fair,
And bright CALENDULA with golden hair,
[Page 52] Watch with nice eye the Earth's diurnal way,
Marking her solar and sidereal day,
Her slow nutation, and her varying clime,
And trace with mimic art the march of Time;
Round his light foot a magic chain they fling,
And count the quick vibrations of his wing.—
First in its brazen cell reluctant roll'd,
Bends the dark spring in many a steely fold.
On spiral brass is stretch'd the wiry thong,
Tooth urges tooth, and wheel drives wheel along;
In diamond-eyes the polish'd axles flow,
Smooth slides the hand, the balance pants below.
Round the white circlet, in relievo bold,
A Serpent twines his scaly length in gold;
And brightly pencil'd on the enamel'd sphere,
Live the fair trophies of the passing year.
—Here Time's huge fingers grasp his giant mace,
And dash proud Superstition from her base;
[Page 53] Rend her strong towers and gorgeous fanes, and shed
The crumbling fragments round her guilty head.
There the gay Hours, whom wreaths of roses deck,
Lead their young trains amid the cumberous wreck,
And, slowly purpling o'er the mighty waste,
Plant the fair growths of Science and of Taste.
While each light Moment, as it dances by
With feathery soot and pleasure-twinkling eye,
Feeds from its baby-hand, with many a kiss,
The callow nestlings of domestic Bliss.
As yon gay clouds, which canopy the skies,
Change their thin forms, and lose their lucid dyes;
So the soft bloom of Beauty's vernal charms
Fades in our eyes, and withers in our arms.
—Bright as the silvery plume, or pearly shell,
The snow-white rose, or lily's virgin bell,
The fair HELLEBORUS 52 attractive shone,
Warm'd every Sage, and every Shepherd won.—
Round the gay sisters press the enamour'd bands,
And seek with soft solicitude their hands.
—Erewhile how chang'd!—in dim suffusion lies
The glance divine, that lighten'd in their eyes;
Cold are those lips, where smiles seductive hung,
And the weak accents linger on their tongue;
Each roseate feature fades to livid green—
—Disgust, with face averted, shuts the scene.
So from his gorgeous throne, which awed the world,
The mighty Monarch of Assyria hurl'd,
[Page 54] Sojourn'd with brutes beneath the midnight storm,
Changed by avenging Heaven in mind and form.
—Prone to the earth he bends his brow superb,
Crops the young floret and the bladed herb;
Lolls his red tongue, and from the reedy side
Of slow Euphrates laps the muddy tide.
Long eagle plumes his arching neck invest,
Steal round his arms, and clasp his sharpen'd breast;
Dark brinded hairs, in bristling ranks, behind,
Rise o'er his back, and rustle in the wind;
Clothe his lank sides, his shrivel'd limbs surround,
And human hands with talons print the ground.
Silent, in shining troops, the Courtier-throng
Pursue their monarch as he crawls along;
E'en Beauty pleads in vain with smiles and tears,
Nor Flattery's self can pierce his pendant ears.
Two Sister-Nymphs 53 to Ganges' flowery brink
Bend their light steps, the lucid water drink,
Wind through the dewy rice, and nodding canes,
(As eight black Eunuchs guard the sacred plains,)
With playful malice watch the scaly brood,
And shower the inebriate berries on the flood.—
Stay in your crystal chambers, silver tribes!
Turn your bright eyes, and shun the dangerous bribes;
The tramel'd net with less destruction sweeps
Your curling shallows, and your azure deeps;
With less deceit, the gilded fly beneath,
Lurks the fell hook unseen,—to taste is death!
—Dim your slow eyes, and dull your pearly coat,
Drunk on the waves your languid forms shall float,
On useless sins in giddy circles play,
And Herons and Otters seize you for their prey.—
[Page 55]
So, when the Saint from Padua's graceless land
In silent anguish sought the barren strand,
High on the shatter'd beech sublime he stood,
Still'd with his waving arm the babbling flood;
" To Man's dull ear," he cry'd, "I call in vain,
"Hear me, ye scaly tenants of the main!—"
Misshapen Seals approach in circling flocks,
In dusky mail the Tortoise climbs the rocks,
Torpedoes, Sharks, Rays, Porpus, Dolphins, pour
Their twinkling squadrons round the glittering shore;
With tangled sins, behind, huge Phocae glide,
And Whales and Grampi swell the distant tide.
Then kneel'd the hoary Seer, to Heav'n address'd
His fiery eyes, and smote his sounding breast;
"Bless ye the Lord," with thundering voice he cry'd,
"Bless ye the Lord!" the bending shores reply'd;
The winds and waters caught the sacred word,
And mingling echoes shouted "Bless the Lord!"
The listening shoals the quick contagion feel,
Pant on the floods, inebriate with their zeal,
Ope their wide jaws, and bow their slimy heads,
And dash with frantic sins their foamy beds.
Sopha'd on silk, amid her charm-built towers,
Her meads of asphodel, and amaranth bowers,
Where Sleep and Silence guard the soft abodes,
In sullen apathy PAPAVER 54 nods.
[Page 56] Faint o'er her couch in scintillating streams
Pass the thin forms of Fancy and of Dreams;
Froze by inchantment on the velvet ground,
Fair youths and beauteous ladies glitter round;
On crystal pedestals they seem to sigh,
Bend the meek knee, and lift the imploring eye.
—And now the Sorceress bares her shrivel'd hand,
And circles thrice in air her ebon wand;
Flush'd with new life descending statues talk,
The pliant marble softening as they walk;
With deeper sobs reviving lovers breathe,
Fair bosoms rise and soft hearts pant beneath;
With warmer lips relenting damsels speak,
And kindling blushes tinge the Parian cheek;
To viewless lutes aerial voices sing,
And hovering loves are heard on rustling wing.
—She waves her wand again!—fresh horrors seize
Their stiffening limbs, their vital currents freeze;
By each cold nymph her marble lover lies,
And iron slumbers seal her glassy eyes.
So with his dread Caduceus HERMES led
From the dark regions of the imprison'd dead,
Or drove in silent shoals the lingering train
To Night's dull shore, and PLUTO's dreary reign.
So with her waving pencil CREWE 55 commands
The realms of Taste, and Fancy's fairy lands;
Calls up with magic voice the shapes, that sleep
In Earth's dark bosom, or unfathom'd deep;
That, shrined in air, on viewless wings aspire,
Or, blazing, bathe in elemental fire.
As with nice touch her plastic hand she moves,
Rise the fine forms of Beauties, Graces, Loves;
Kneel to the fair Inchantress, smile or sigh,
And fade or flourish, as she turns her eye.
[Page 57]
Fair CISTA, rival of the rosy dawn, 56
Call'd her light choir, and trod the dewy lawn;
Hail'd with rude melody the new-born May,
As cradled yet in April's lap she lay.
I.
" Born in yon blaze of orient sky,
" Sweet MAY! thy radiant form unfold;
" Unclose thy blue voluptuous eye,
" And wave thy shadowy locks of gold.
II.
" For thee the fragrant zephyrs blow,
" For thee descends the sunny shower;
" The rills in softer murmurs flow,
" And brighter blossoms gem the bower.
III.
" Light Graces dress'd in flowery wreaths,
" And tiptoe Joys their hands combine;
" And Love his sweet contagion breathes,
" And laughing dances round thy shrine.
IV.
" Warm with new life the glittering throngs,
" On quivering fin and rustling wing,
" Delighted join their votive songs,
"And hail thee, GODDESS OF THE SPRING."
[Page 58]
O'er the green brinks of Severn's oozy bed,
In changeful rings, her sprightly troops she led;
PAN tripp'd before, where Eudness shades the mead,
And blew with glowing lip his sevenfold reed; 57
Emerging Naiads swell'd the jocund strain,
And aped with munic step the dancing train,—
"I faint, I fall!"— at noon the Beauty cried,
"Weep o'er my tomb, ye Nymphs!"—and sunk, and died.
—Thus, when white Winter o'er the shivering clime
Drives the still snow, or showers the silver rime;
As the lone shepherd o'er the dazzling rocks
Prints his steep step, and guides his vagrant flocks;
Views the green holly veil'd in net-work nice,
Her vermil clusters twinkling in the ice;
Admires the lucid vales, and slumbering floods,
Suspended cataracts, and crystal woods,
Transparent towns, with seas of milk between,
And eyes with transport the refulgent scene:
If breaks the sunshine o'er the spangled trees,
Or flits on tepid wing the western breeze,
In liquid dews descends the transient glare,
And all the glittering pageant melts in air.
Where Andes hides his cloud-wreath'd crest in snow,
And roots his base on burning sands below;
CINCHONA, 58 fairest of Peruvian maids,
To Health's bright Goddess in the breezy glades,
On Quito's temperate plain an altar rear'd,
Trill'd the loud hymn, the solemn prayer preferr'd:
Each balmy bud she cull'd, and honey'd flower,
And hung with fragrant wreaths the sacred bower;
[Page 59] Each pearly sea she search'd, and sparkling mine,
And piled their treasures on the gorgeous shrine;
Her suppliant voice for sickning Loxa raised,
Sweet breath'd the gale, and bright the censor blazed.
—" Divine HYGEIA! On thy votaries bend
" Thy angel-looks, oh, hear us, and defend!
" While streaming o'er the night with baleful glare
" The star of Autumn rays his misty hair;
" Fierce from his fens the giant AGUE springs,
" And wrapp'd in fogs descends on vampire wings;
" Before, with shuddering limbs cold Tremor reels,
" And Fever's burning nostril dogs his heels;
" Loud claps the grinning Fiend his iron hands,
" Stamps with black hoof, and shouts along the lands;
" Withers the damask cheek, unnerves the strong,
" And drives with scorpion-lash the shrieking throng.
" Oh, Goddess! On thy kneeling votaries bend
"Thy angel-looks, oh, hear us, and defend!"
—HYGEIA, leaning from the blest abodes,
The crystal mansions of the immortal gods,
Saw the sad Nymph uplift her dewy eyes,
Spread her white arms, and breathe her fervid sighs;
Call'd to her fair associates, Youth and Joy,
And shot all radiant through the glittering sky;
Loose waved behind her golden train of hair,
Her sapphire mantle swam diffused in air.—
O'er the grey matted moss, and pansied sod,
With step sublime the glowing Goddess trod,
Gilt with her beamy eye the conscious shade,
And with her smile celestial bless'd the maid.
"Come to my arms," with seraph voice she cries,
" Thy vows are heard, benignant Nymph! arise;
" Where yon aspiring trunks fantastic wreath
" Their mingled roots, and drink the rill beneath,
" Yield to the biting axe thy sacred wood,
"And strew the bitter foliage on the flood."
In silent homage bow'd the blushing maid,—
Five youths athletic hasten to her aid,
[Page 60] O'er the scar'd hills re-echoing strokes resound,
And headlong forests thunder on the ground.
Round the dark roots, rent bark, and shatter'd boughs,
From ocherous beds the swelling fountain flows;
With streams austere its widening margin laves,
And pours from vale to vale its dusky waves.
—As the pale squadrons, bending o'er the brink,
View with a sigh their alter'd forms, and drink;
Slow-ebbing life with refluent crimson breaks
O'er their wan lips, and paints their haggard cheeks;
Through each fine nerve rekindling transports dart,
Light the quick eye, and swell the exulting heart.
—Thus ISRAEL's heaven-taught chief o'er trackless sands
Led to the sultry rock his murmuring bands.
Bright o'er his brows the forky radiance blazed,
And high in air the rod divine He raised.—
Wide yawns the cliff—amid the thirty throng
Rush the redundant waves, and shine along;
With gourds, and shells, and helmets, press the bands,
Ope their parch'd lips, and spread their eager hands,
Snatch their pale infants to the exuberant shower,
Kneel on the shatter'd rock, and bless the Almighty Power.
Bolster'd with down, amid a thousand wants,
Pale Dropsy rears his bloated form, and pants;
"Quench me, ye cool pellucid rills!" he cries,
Wets his parch'd tongue, and rolls his hollow eyes.
So bends tormented TANTALUS to drink,
While from his lips the refluent waters shrink;
Again the rising stream his bosom laves,
And thirst consumes him 'mid circumfluent waves.
—Divine HYGEIA, from the bending sky
Descending, listens to his piercing cry;
Assumes bright DIGITALIS' 59 dress and air,
Her ruby cheek, white neck, and raven hair;
[Page 61]
Four youths protect her from the circling throng,
And like the Nymph the Goddess steps along.—
—O'er Him She waves her serpent-wreathed wand,
Cheers with her voice, and raises with her hand,
Warms with rekindling bloom his visage wan,
And charms the shapeless monster into man.
So when Contagion, with mephitic breath,
And wither'd Famine, urged the work of death;
Marseilles' good Bishop, 60 London's generous Mayor, 61
With food and faith, with medicine and with prayer,
Raised the weak head, and stayed the parting sigh,
Or with new life relumed the swimming eye.—
[Page 62] —And now, PHILANTHROPY! thy rays divine
Dart round the globe from Zembla to the Line;
O'er each dark prison plays the cheering light,
Like northern lustres o'er the vault of night.—
From realm to realm, with cross or crescent crown'd,
Where'er Mankind and Misery are found,
O'er burning sands, deep waves, or wilds of snow,
Thy HOWARD, journeying, seeks the house of woe.
Down many a winding step to dungeons dank,
Where anguish wails aloud, and fetters clank;
To cave bestrew'd with many a mouldering bone,
And cells, whose echoes only learn to groan;
Where no kind bars a whispering friend disclose,
No sunbeam enters, and no zephyr blows,
HE treads, inemulous of fame or wealth,
Profuse of toil and prodigal of health;
With soft assuasive eloquence expands
Power's rigid heart, and opes his clenching hands;
Leads stern-ey'd Justice to the dark domains,
If not to sever, to relax the chains;
Or guides awaken'd Mercy through the gloom,
And shews the prison, sister to the tomb!—
Gives to her babes the self-devoted wife,
To her fond husband liberty and life!
—The Spirits of the Good, who bend from high
Wide o'er these earthly scenes their partial eye,
When first, array'd in VIRTUE's purest robe,
They saw her HOWARD traversing the globe;
Saw round his brows her sun-like Glory blaze
In arrowy circles of unwearied rays;
Mistook a Mortal for an Angel-Guest,
And ask'd what Seraph-foot the earth imprest.
—Onward he moves!—Disease and Death retire,
And murmuring Demons hate him, and admire."
Here paused the Goddess,—on HYGEIA's shrine
Obsequious Gnomes repose the lyre divine;
[Page 63] Descending Sylphs relax the trembling strings,
And catch the rain-drops on their shadowy wings.
—And now her vase a modest Naiad fills
With liquid crystal from her pebbly rills;
Piles the dry cedar round her silver urn,
(Bright climbs the blaze, the crackling faggots burn),
Culls the green herb of China's envy'd bowers,
In gaudy cups the steamy treasure pours;
And, sweetly smiling, on her bended knee
Presents the fragrant quintessence of Tea.
[Page]

INTERLUDE II.

Bookseller.

THE monsters of your Botanic Garden are as sur­prising as the bulls with brazen feet, and the fire-breathing dra­gons, which guarded the Hesperian fruit; yet are they not dis­gusting, nor mischievous: and in the manner you have chained them together in your exhibition, they succeed each other amus­ingly enough, like prints of the London Cries, wrapped upon rollers, with a glass before them. In this, at least, they resemble the monsters in Ovid's Metamorphoses; but your similies, I sup­pose, are Homeric?

Poet.

The great Bard well understood how to make use of this kind of ornament in Epic Poetry. He brings his valiant heroes into the field with much parade, and sets them a fighting with great fury; and then, after a few thrusts and parries, he intro­duces a long string of similies. During this the battle is supposed to continue; and thus the time necessary for the action is gained in our imaginations, and a degree of probability produced, which contributes to the temporary deception or reverie of the reader.

But the similies of Homer have another agreeable characteristic; they do not quadrate, or go upon all fours (as it is called), like the more formal similies of some modern writers; any one re­sembling feature seems to be, with him, a sufficient excuse for the introduction of this kind of digression. He then proceeds to de­liver some agreeable poetry on this new subject, and thus converts every similie into a kind of short episode.

B.

Then a similie should not very accurately resemble the subject?

P.

No; it would then become a philosophical analogy; it would be ratiocination instead of poetry: it need only so far resemble the subject, as poetry itself ought to resemble nature. It should have so much sublimity, beauty, or novelty, as to interest the reader; and should be expressed in picturesque language, so as to bring the scenery before his eye; and should, lastly, bear [...]o much [Page 66] veri-similitude as not to awaken him by the violence of improba­bility or incongruity.

B.

May not the reverie of the reader be dissipated or disturbed by disagreeable images being presented to his imagination, as well as by improbable or incongruous ones?

P.

Certainly; he will endeavour to rouse himself from a disa­greeable reverie, as from the nightmare. And from this may be dis­covered the line of boundary between the Tragic and the Horrid; which line, however, will veer a little this way or that, according to the prevailing manners of the age or country, and the pecu­liar association of ideas, or idiosyncracy of mind, of individuals. For instance, if an artist should represent the death of an officer in battle, by shewing a little blood on the bosom of his shirt, as if a bullet had there penetrated, the dying figure would affect the beholder with pity; and if fortitude was at the same time expressed in his countenance, admiration would be added to our pity. On the contrary, if the artist should chuse to represent his thigh as shot away by a cannon ball, and should exhibit the bleeding flesh and shattered bone of the stump, the picture would introduce into our minds ideas from a butcher's shop, or a surgeon's operation room, and we should turn from it with disgust. So if characters were brought upon the stage with their limbs disjointed by tor­turing instruments, and the floor covered with clotted blood and scattered brains, our theatric reverie would be destroyed by disgust, and we should leave the play-house with detestation.

The Painters have been more guilty in this respect than the Poets. The cruelty of Apollo in flaying Marsyas alive is a fa­vourite subject with the ancient artists: and the tortures of ex­piring martyrs have disgraced the modern ones. It requires little genius to exhibit the muscles in convulsive action, either by the pencil or the chissel, because the interstices are deep, and the lines strongly defined: but those tender gradations of muscular action, which constitute the graceful attitudes of the body, are difficult to conceive or to execute, except by a master of nice dis­cernment and cultivated taste.

B.

By what definition would you distinguish the Horrid from the Tragic?

P.

I suppose the latter consists of Distress attended with Pity, which is said to be allied to Love, the most agreeable of all our passions; and the former, in Distress, accompanied with Disgust, which is allied to Hate, and is one of our most disagreeable sensa­tions. [Page 67] Hence, when horrid scenes of cruelty are represented in pictures, we wish to disbelieve their existence, and voluntarily exert ourselves to escape from the deception: whereas the bitter cup of true Tragedy is mingled with some sweet consolatory drops, which endear our tears, and we continue to contemplate the in­teresting delusion with a delight which is not easy to explain.

B.

Has not this been explained by Lucretius, where he de­scribes a shipwreck, and says, the spectators receive pleasure from feeling themselves safe on land? and by Akenside, in his beauti­ful poem on the Pleasures of Imagination, who ascribes it to our finding objects for the due exertion of our passions?

P.

We must not confound our sensations at the contemplation of real misery with those which we experience at the scenical re­presentations of tragedy. The spectators of a shipwreck may be attracted by the dignity and novelty of the object; and from these may be said to receive pleasure; but not from the distress of the sufferers. An ingenious writer, who has criticised this dialogue in the English Review, for August, 1789, adds, that one great source of our pleasure from scenical distress, arises from our, at the same time, generally contemplating one of the noblest objects of nature, that of Virtue triumphant over every difficulty and oppression, or supporting its votary under every suffering: or, where this does not occur, that our minds are relieved by the justice of some signal punishment awaiting the delinquent. But, besides this, at the exhibition of a good tragedy, we are not only amused by the dignity, and novelty, and beauty, of the objects before us, but, if any distressful circumstances occur too forcibly for our sensibility, we can voluntarily exert ourselves, and recollect, that the scenery is not real; and thus not only the pain, which we had received from the apparent distress, is lessened, but a new source of pleasure is opened to us, similar to that which we frequently have felt on awaking from a distressful dream: we are glad that it is not true. We are, at the same time, unwilling to relinquish the pleasure which we receive from the other interesting circum­stances of the drama; and, on that account, quickly permit our­selves to relapse into the delusion; and thus alternately believe and disbelieve, almost every moment, the existence of the ob­jects represented before us.

B.

Have those two sovereigns of poetic land, HOMER and SHAKESPEARE, kept their works entirely free from the Horrid?—or even yourself, in your third Canto?

[Page 68] P.

The descriptions of the mangled carcases of the companions of Ulysses, in the cave of Polypheme, is, in this respect, certainly objectionable, as is well observed by Scaliger. And in the play of Titus Andronicus, if that was written by Shakespeare (which, from its internal evidence, I think very improbable), there are many horrid and disgustful circumstances. The following Canto is submitted to the candour of the critical reader, to whose opi­nion I shall submit in silence.

[Page]

THE BOTANIC GARDEN. LOVES OF THE PLANTS. CANTO III.

AND now the Goddess sounds her silver shell,
And shakes with deeper tones the inchanted dell;
Pale, round her grassy throne, bedew'd with tears,
Flit the thin forms of Sorrows, and of Fears;
Soft Sighs, responsive, whisper to the chords,
And Indignations half-unsheath their swords.
" Thrice round the grave CIRCAEA 62 prints her tread,
And chaunt [...] the numbers which disturb the dead;
[Page 70] Shakes o'er the holy earth her sable plume,
Waves her dread wand, and strikes the echoing tomb!
—Pale shoot the stars across the troubled night,
The timorous moon withholds her conscious light;
Shrill scream the famish'd bats, and shivering owls,
And loud and long the dog of midnight howls!—
—Then yawns the bursting ground!— two imps obscene
Rise on broad wings, and hail the baleful queen;
Each with dire grin salutes the potent wand,
And leads the Sorceress with his sooty hand;
Onward they glide, where sheds the sickly yew,
O'er many a mouldering bone, its nightly dew;
The ponderous portals of the church unbar,—
Hoarse on their hinge the ponderous portals jar;
As through the colour'd glass the moon-beam falls,
Huge shapeless spectres quiver on the walls;
Low murmurs creep along the hollow ground,
And to each step the pealing ailes resound;
By glimmering lamps, protecting saints among,
The shrines all trembling as they pass along,
O'er the still choir with hideous laugh they move,
(Fiends yell below; and angels weep above!)
Their impious march to God's high altar bend,
With feet impure the sacred steps ascend;
With wine unbless'd the holy chalice stain,
Assume the mitre, and the cope profane;
To heaven their eyes in mock devotion throw,
And to the cross with horrid mummery bow;
Adjure by mimic rites the powers above,
And plight alternate their Satanic love.
Avaunt, ye Vulgar! from her sacred groves,
With maniac step the Pythian LAURA 63 moves;
[Page 71] Full of the God her labouring bosom sighs,
Foam on her lips, and fury in her eyes,
Strong writhe her limbs, her wild dishevell'd hair
Starts from her laurel-wreath, and swims in air.—
While twenty Priests the gorgeous shrine surround,
Cinctur'd with ephods, and with garlands crown'd,
Contending hosts and trembling nations wait
The firm immutable behests of Fate;
—She speaks in thunder from her golden throne,
With words unwill'd, and wisdom not her own.
So on his NIGHTMARE, through the evening fog,
Flits the squab Fiend o'er fen, and lake, and bog;
Seeks some love-wilder'd Maid with sleep oppress'd,
Alights, and, grinning, sits upon her breast.
—Such as of late, amid the murky sky,
Was mark'd by FUSELI'S poetic eye;
Whose daring tints, with SHAKESPEARE'S happiest grace,
Gave to the airy phantom form and place.—
Back o'er her pillow sinks her blushing head,
Her snow-white limbs hang helpless from the bed;
While with quick sighs, and suffocative breath,
Her interrupted heart-pulse swims in death.
—Then shrieks of captur'd towns, and widows' tears,
Pale lovers stretch'd upon their blood-stain'd biers,
The headlong precipice that thwarts her flight,
The trackless desert, the cold starless night,
And stern-ey'd Murderer, with his knife behind,
In dread succession agonize her mind.
[Page 72] O'er her fair limbs convulsive tremors fleet,
Start in her hands, and struggle in her feet;
In vain to scream with quivering lips she tries,
And strains in palsy'd lids her tremulous eyes;
In vain she wills to run, fly, swim, walk, creep;
The WILL presides not 64 in the bower of SLEEP.
—On her fair bosom sits the Demon-Ape
Erect, and balances his bloated shape;
Rolls in their marble orbs his Gorgon-eyes,
And drinks with leathern ears her tender cries.
Arm'd with her ivory beak, and talon-hands,
Descending FICA 65 dives into the sands;
Chamber'd in earth, with cold oblivion lies;
Nor heeds, ye Suitor-train, your amorous sighs;
[Page 73] Erewhile with renovated beauty blooms,
Mounts into air, and moves her leafy plumes.
—Where HAMPS and MANIFOLD, their cliffs among,
Each in his flinty channel winds along;
With lucid lines the dusky moor divides,
Hurrying to intermix their sister tides:
Where still their silver-bosom'd Nymphs abhor
The blood-smear'd mansion of gigantic THOR, 66
—Erst, fires volcanic in the marble womb
Of cloud-wrapp'd WETTON raised the massy dome;
Rocks rear'd on rocks in huge disjointed piles
Form the tall turrets, and the lengthen'd ailes;
Broad ponderous piers sustain the roof, and wide
Branch the vast rainbow ribs from side to side.
While from above descends, in milky streams,
One scanty pencil of illusive beams,
Suspended crags and gaping gulphs illumes,
And gilds the horrors of the deepen'd glooms.
[Page 74] —Here oft the Naiads, as they chanced to play
Near the dread Fane on THOR'S returning day,
Saw from red altars streams of guiltless blood
Stain their green reed-beds, and pollute their flood;
Heard dying babes in wicker prisons wail,
And shrieks of matrons thrill the affrighted Gale;
While from dark caves infernal Echoes mock,
And Fiends triumphant shout from every rock!
So still the Nymphs emerging lift in air
Their snow-white shoulders and their azure hair;
Sail with sweet grace the dimpling streams along,
Listening the Shepherd's or the Miner's song;
But, when afar they view the giant-cave,
On timorous fins they circle on the wave,
With streaming eyes and throbbing hearts recoil,
Plunge their fair forms, and dive beneath the soil.—
Closed round their heads reluctant eddies sink,
And wider rings successive dash the brink.—
Three thousand steps in sparry clefts they stray,
Or seek through sullen mines their gloomy way;
On beds of Lava sleep in coral cells,
Or sigh o'er jasper fish, and agate shells.
Till, where famed ILAM leads his boiling floods
Through flowery meadows and impending woods,
Pleased with light spring they leave the dreary night,
And 'mid circumfluent surges rise to light;
Shake their bright locks, the widening vale pursue,
Their sea-green mantles fringed with pearly dew;
In playful groups by towering THORP they move,
Bound o'er the foaming wears, and rush into the Dove.
With fierce distracted eye IMPATIENS 67 stands,
Swells her pale cheeks, and brandishes her hands,
[Page 75] With rage and hate the astonish'd groves alarms,
And hurls her infants from her frantic arms.
—So when MEDAEA left her native soil
Unaw'd by danger, unsubdued by toil;
Her weeping sire and beckoning friends withstood,
And launch'd enamour'd on the boiling flood;
One ruddy boy her gentle lips caress'd,
And one fair girl was pillow'd on her breast;
While high in air the golden treasure burns,
And Love and Glory guide the prow by turns.
But, when Thessalia's inauspicious plain
Received the matron-heroine from the main;
While horns of triumph sound, and altars burn,
And shouting nations hail their Chief's return;
Aghast, She saw new-deck'd the nuptial bed,
And proud CREUSA to the temple led;
Saw her in JASON'S mercenary arms
Deride her virtues, and insult her charms;
Saw her dear babes from fame and empire torn,
In foreign realms deserted and forlorn;
Her love rejected, and her vengeance braved,
By Him her beauties won, her virtues saved.—
With stern regard she eyed the traitor-king,
And felt, Ingratitude! thy keenest sting;
[Page 76] "Nor Heaven," she cried, "nor Earth, nor Hell can hold
"A Heart abandon'd to the thirst of Gold!"
Stamp'd with wild foot, and shook her horrent brow,
And call'd the furies from their dens below.
—Slow out of earth, before the festive crowds,
On wheels of fire, amid a night of clouds,
Drawn by fierce fiends, arose a magic car,
Received the Queen, and hovering flamed in air.—
As with raised hands the suppliant traitors kneel
And fear the vengeance they deserve to feel,
Thrice with parch'd lips her guiltless babes she press'd,
And thrice she clasp'd them to her tortur'd breast;
Awhile with white uplifted eyes she stood,
Then plung'd her trembling poniards in their blood.
" Go, kiss your sire! go, share the bridal mirth!"
She cry'd, and hurl'd their quivering limbs on earth.
Rebellowing thunders rock the marble towers,
And red-tongued lightnings shoot their arrowy showers;
Earth yawns!—the crashing ruin sinks!—o'er all
Death with black hands extends his mighty Pall;
Their mingling gore the Fiends of Vengeance quaff,
And Hell receives them with convulsive laugh.
Round the vex'd isles where fierce tornadoes roar,
Or tropic breezes sooth the sultry shore;
What time the eve her gauze pellucid spreads
O'er the dim flowers, and veils the misty meads;
Slow o'er the twilight sands or leafy walks,
With gloomy dignity DICTAMNA 68 stalks;
[Page 77] In sulphurous eddies round the weird dame
Plays the light gas, or kindles into flame.
If rests the traveller his weary head,
Grim MANCINELLA 69 haunts the mossy bed,
Brews her black hebenon, and, stealing near,
Pours the curst venom in his tortured ear.—
Wide o'er the mad'ning throng URTICA 70 flings
Her barbed shafts, and darts her poison'd stings.
[Page 78] And fell LOBELIA'S 71 suffocating breath
Loads the dank pinion of the gale with death.
—With fear and hate they blast the affrighted groves,
Yet own with tender care their kindred Loves!
So, where PALMIRA 72 'mid her wasted plains,
Her shatter'd aqueducts, and prostrate fanes,
(As the bright orb of breezy midnight pours
Long threads of silver through her gaping towers,
O'er mouldering tombs, and tottering columns gleams,
And frosts her deserts with diffusive beams),
Sad o'er the mighty wreck in silence bends,
Lifts her wet eyes, her tremulous hands extends.—
If from lone cliffs a bursting rill expands
Its transient course, and sinks into the sands;
[Page 79] O'er the moist rock the fell Hyaena prowls,
The Leopard hisses, and the Panther growls;
On quivering wing the famish'd Vulture screams,
Dips his dry beak, and sweeps the gushing streams;
With foaming jaws, beneath, and sanguine tongue,
Laps the lean Wolf, and pants, and runs along;
Stern stalks the Lion, on the rustling brinks
Hears the dread Snake, and trembles as he drinks;
Quick darts the scaly Monster o'er the plain,
Fold, after fold, his undulating train;
And bending o'er the lake his crested brow,
Starts at the Crocodile that gapes below.
Where seas of glass with gay reflection smile
Round the green coast of Java's palmy isle;
A spacious plain extends its upland scene,
Rocks rise on rocks, and fountains gush between;
Soft zephyrs blow, eternal summers reign,
And showers prolific bless the soil,—in vain!
—No spicy nutmeg scents the vernal gales,
Nor towering plantain shades the mid-day vales;
No grassy mantle hides the sable hills,
No flowery chaplet crowns the trickling rills;
Nor tufted moss, nor leathery lichen creeps
In russet tapestry o'er the crumbling steeps,
—No step retreating, on the sand impress'd,
Invites the visit of a second guest;
No refluent fin the unpeopled stream divides,
No revolant pinion cleaves the airy tides;
Nor handed moles, nor beaked worms return,
That mining pass the irremeable bourn.—
Fierce in dread silence on the blasted heath
Fell UPAS 73 sits, the HYDRA-TREE of death.
[Page 80] Lo! from one root, the envenom'd soil below,
A thousand vegetative serpents grow;
In shining rays the scaly monster spreads
O'er ten square leagues his far-diverging heads;
Or in one trunk entwists his tangled form,
Looks o'er the clouds, and hisses in the storm.
Steep'd in fell poison, as his sharp teeth part,
A thousand tongues in quick vibration dart;
Snatch the proud Eagle towering o'er the heath,
Or pounce the Lion, as he stalks beneath;
Or strew, as marshall'd hosts contend in vain,
With human skeletons the whiten'd plain.
—Chain'd at his root two scion-demons dwell,
Breathe the faint hiss, or try the shriller yell;
Rise, fluttering in the air on callow wings,
And aim at insect-prey their little stings.
So Time's strong arms with sweeping scythe erase
Art's cumberous works, and empires, from their base:
While each young Hour its sickle fine employs,
And crops the sweet buds of domestic joys!
With blushes bright as morn fair ORCHIS 74 charms,
And lulls her infant in her fondling arms;
[Page 81] Soft plays Affection round her bosom's throne,
And guards his life, forgetful of her own.
So wings the wounded deer her headlong flight,
Pierced by some ambush'd arches of the night,
Shoots to the woodlands with her bounding fawn,
And drops of blood bedew the conscious lawn;
There, hid in shades, she shuns the cheerful day,
Hangs o'er her young, and weeps her life away.
So stood Eliza on the wood-crown'd height,
O'er Minden's plain, spectatress of the fight;
Sought with bold eye amid the bloody strife
Her dearer self, the partner of her life;
From hill to hill the rushing host pursued,
And view'd his banner, or believed she view'd.
[Page 82] Pleased with the distant roar, with quicker tread
Fast by his hand one lisping boy she led;
And one fair girl amid the loud alarm
Slept on her kerchief, cradled by her arm;
While round her brows bright beams of Honour dart,
And Love's warm eddies circle round her heart.
—Near and more near the intrepid Beauty press'd,
Saw through the driving smoke his dancing crest;
Saw on his helm, her virgin-hands inwove,
Bright stars of gold, and mystic knots of love;
Heard the exulting shout, "they run! they run!"
"Great God!" she cried, "He's safe! the battle's won!"
—A ball now hisses through the airy tides,
(Some Fury wing'd it, and some Demon guides!)
Parts the fine locks her graceful head that deck,
Wounds her fair ear, and sinks into her neck;
The red stream, issuing from her azure veins,
Dyes her white veil, her ivory bosom stains.—
—" Ah me!" she cried, and, sinking on the ground,
Kiss'd her dear babes, regardless of the wound;
" Oh, cease not yet to beat, thou Vital Urn!
" Wait, gushing Life, oh, wait my Love's return!—
" Hoarse barks the wolf, the vulture screams from far!—
" The angel, Pity, shuns the walks of war!—
" Oh, spare, ye War-hounds, spare their tender age!—
" On me, on me," she cried, "exhaust your rage!"—
Then with weak arms her weeping babes caress'd,
And, sighing, hid them in her blood-stain'd vest.
From tent to tent the impatient warrior flies,
Fear in his heart, and frenzy in his eyes;
Eliza's name along the camp he calls,
Eliza echoes through the canvas walls;
Quick through the murmuring gloom his footsteps tread
O'er groaning heaps, the dying and the dead,
Vault o'er the plain, and in the tangled wood,
Lo! dead Eliza weltering in her blood!—
[Page 83] —Soon hears his listening son the welcome sounds,
With open arms and sparkling eyes he bounds:—
" Speak low," he cries, and gives his little hand,
" Eliza sleeps upon the dew-cold sand;
" Poor weeping babe with bloody fingers press'd,
" And tried with pouting lips her milkless breast;
" Alas! we both with cold and hunger quake—
" Why do you weep?—Mamma will soon awake."
—"She'll wake no more!" the hopeless mourner cried,
Upturn'd his eyes, and clasp'd his hands, and sigh'd;
Stretch'd on the ground awhile entranc'd he lay,
And press'd warm kisses on the lifeless clay;
And then upsprung with wild convulsive start,
And all the Father kindled in his heart;
" Oh, Heavens," he cried, " my first rash vow forgive!
" These bind to earth, for these I pray to live!"—
Round his chill babes he wrapp'd his crimson vest,
And clasp'd them sobbing to his aching breast.
Two Harlot-Nymphs, the fair CUSCUTAS, 75 please
With labour'd negligence, and studied ease;
[Page 84] In the meek garb of modest worth disguised,
The eye averted, and the smile chastised,
With fly approach they spread their dangerous charms,
And round their victim wind their wiry arms.
So by Scamander when LAOCOON stood,
Where Troy's proud turrets glitter'd in the flood
Raised high his arm, and with prophetic call,
To shrinking realms announced her fated fall;
Whirl'd his fierce spear with more than mortal force,
And pierced the thick ribs of the echoing horse;
Two Serpent-forms incumbent on the main,
Lashing the white waves with redundant train,
Arch'd their blue necks, and shook their towering crests,
And plough'd their foamy way with speckled breasts;
Then, darting fierce amid the affrighted throngs,
Roll'd their red eyes, and shot their forked tongues.—
—Two daring youths to guard the hoary sire,
Thwart their dread progress, and provoke their ire.
Round sire and sons the scaly monsters roll'd,
Ring above ring, in many a tangled fold,
Close and more close their writhing limbs surround,
And fix with foamy teeth the envenom'd wound.
—With brow upturn'd to heaven, the holy Sage
In silent agony sustains their rage;
While each fond youth, in vain, with piercing cries,
Bends on the tortured Sire his dying eyes.
[Page 85]
" Drink deep, sweet youths," seductive VITIS 76 cries,
The maudlin tear-drop glittering in her eyes;
Green leaves and purple clusters crown her head,
And the tall Thyrsus stays her tottering tread.
Five hapless swains, with soft assuasive smiles,
The harlot meshes in her deathful toils;
" Drink deep," she carols, as she waves in air
The mantling goblet, "and forget your care."—
O'er the dread feast malignant Chemia scowls,
And mingles poison in the nectar'd bowls;
Fell Gout peeps, grinning, through the flimsy scene,
And bloated Dropsy pants behind unseen;
Wrapp'd in his robe white Lepra hides his stains,
And silent Frenzy, writhing, bites his chains.
So when PROMETHEUS 77 brav'd the Thunderer's ire,
Stole from his blazing throne ethereal fire,
And, lantern'd in his breast, from realms of day
Bore the bright treasure to his Man of clay;—
[Page 86] High on cold Caucasus by VULCAN bound,
The lean impatient Vulture fluttering round,
His writhing limbs in vain he twists and strains
To break or loose the adamantine chains.
The gluttonous bird, exulting in his pangs,
Tears his swo [...]n liver with remorseless fangs.
The gentle CYCLAMEN, 78 with dewy eye,
Breathes o'er her lifeless babe the parting sigh;
And, bending low to earth, with pious hands
Inhumes her dear departed in the sands.
" Sweet Nursling! withering in thy tender hour,
" Oh, sleep," she cries, " and rise a fairer flower!"
—So when the Plague o'er London's gasping crowds
Shook her dank wing, and steer'd her murky clouds;
When o'er the friendless bier no rites were read,
No dirge slow-chaunted, and no pall out-spread;
While Death and Night piled up the naked throng,
And Silence drove their ebon cars along;
Six lovely daughters, and their father, swept
To the throng'd grave CLEONE saw, and wept;
Her tender mind, with meek Religion fraught,
Drank, all-resigned, Affliction's bitter draught;
Alive, and listening to the whisper'd groan
Of others' woes, unconscious of her own!—
One smiling boy, her last sweet hope, she warms,
Hush'd on her bosom, circled in her arms.—
[Page 87] Daughter of woe! ere morn, in vain caress'd,
[...] the cold babe upon thy milkless breast,
With feeble cries thy last sad aid required,
Stretch'd its stiff limbs, and on thy lap expired!—
—Long, with wide eye-lids, on her child she gazed,
And long to Heaven their tearless orbs she raised;
Then with quick foot and throbbing heart she found
Where Chartreuse 79 open'd deep his holy ground;
Bore her last treasure through the midnight gloom,
And, kneeling, dropp'd it in the mighty tomb;
" I follow next!" the frantic mourner said,
And, living, plunged amid the festering dead.
Where vast Ontario rolls his brineless tides, 80
And feeds the trackless forests on his sides,
Fair CASSIA, 81 trembling, hears the howling woods,
And trusts her tawny children to the floods.—
[Page 88] Cinctured with gold, while ten fond brothers stand,
And guard the beauty on her native land;
Soft breathes the gale, the current gently moves,
And bears to Norway's coasts her infant-loves.
[Page 89] —So the sad mother, at the moon of night,
From bloody Memphis stole her silent flight;
Wrapp'd her dear babe beneath her folded vest,
And clasp'd the treasure to her throbbing breast,
With soothing whispers hush'd its feeble cry,
Press'd the soft kiss, and breath'd the secret sigh.—
—With dauntless step she seeks the winding shore,
Hears unappall'd the glimmering torrents roar;
With Paper-flags a floating cradle weaves,
And hides the smiling boy in Lotus-leaves;
Gives her white bosom to his eager lips,
The salt-tears mingling with the milk he sips;
Waits on the reed-crown'd brink with pious guile,
And trusts the scaly monsters of the Nile.—
—Erewhile majestic from his lone abode,
Embassador of Heaven, the Prophet trod;
Wrench'd the red scourge from proud Oppression's hands,
And broke, curst Slavery! thy iron bands.
Hark! heard ye not that piercing cry,
Which shook the waves and rent the sky?—
E'en now, e'en now, on yonder Western shores
Weeps pale Despair, and writhing Anguish roars:
E'en now in Afric's groves with hideous yell
Fierce SLAVERY stalks, and slips the dogs of hell;
From vale to vale the gathering cries rebound,
And sable nations tremble at the sound!—
—YE BANDS OF SENATORS! whose suffrage sways
Britannia's realms, whom either Ind obeys;
Who right the injured, and reward the brave,
Stretch your strong arm, for ye have power to save!
Throned in the vaulted heart, his dread resort,
Inexorable CONSCIENCE holds his court;
With still small voice the plots of Guilt alarms.
Bares his mask'd brow, his lifted hand disarms;
But, wrapp'd in night with terrors all his own,
He speaks in thunder, when the deed is done.
[Page 90] Hear him, ye Senates! hear this truth sublime,
" He, who allows Oppression, shares the crime."
No radiant pearl, which crested Fortune wears,
No gem, that twinkling hangs from Beauty's ears,
Not the bright stars, which Night's blue arch adorn,
Nor rising suns that gild the vernal morn,
Shine with such lustre as the tear that flows
Down Virtue's manly cheek for others' woes."
Here ceased the MUSE, and dropp'd her tuneful shell,
Tumultuous woes her panting bosom swell;
O'er her flush'd cheek her gauzy veil she throws,
Folds her white arms, and bends her laurel'd brows;
For human guilt awhile the Goddess sighs,
And human sorrows dim celestial eyes.
[Page]

INTERLUDE III.

Bookseller.

POETRY has been called a sister-art both to Paint­ing and to Music: I wish to know what are the particulars of their relationship?

Poet.

It has been already observed, that the principal part of the language of poetry consists of those words, which are expres­sive of the ideas, which we originally receive by the organ of sight; and, in this, it nearly indeed resembles painting; which can express itself in no other way, but by exciting the ideas or sensa­tions belonging to the sense of vision. But besides this essential similitude in the language of the poetic pen and pencil, these two sisters resemble each other, if I may so say, in many of their habits and manners. The painter, to produce a strong ef­fect, makes a few parts of his picture large, distinct, and luminous, and keeps the remainder in shadow, or even beneath its natural size and colour, to give eminence to the principal figure. This is similar to the common manner of poetic composition, where the subordinate characters are kept down, to elevate and give [...] to the hero or heroine of the piece.

In the [...]outh aile of the cathedral church at Lichfield, there is an ancient monument of a recumbent figure; the head and neck of which lie on a roll of matting, in a kind of niche or cavern in the wall; and about five feet distant horizontally, in another opening or cavern in the wall, are seen the feet and ankles, with some folds of garment, lying also on a matt; and though the in­termediate space is a solid stone-wall, yet the imagination supplies the deficiency, and the whole figure seems to exist before our eyes. Does not this resemble one of the arts both of the painter and the poet? The former often shews a muscular arm amidst a group of figures, or an impassioned face; and, hiding the re­mainder of the body behind other objects, leaves the imagination to complete it. The latter, describing a single feature or attitude in picturesque words, produces before the mind an image of the whole.

[Page 92] I remember seeing a print, in which was represented a shrivel­led hand, stretched through an iron grate, in the stone floor of a prison-yard, to reach at a mess of porrage, which affected me with more horrid ideas of the distress of the prisoner in the dun­geon below, than could have been, perhaps, produced by an ex­hibition of the whole person. And, in the following beautiful scenery from the Midsummer-night's Dream, (in which I have taken the liberty to alter the place of a comma,) the description of the swimming step and prominent belly bring the whole figure before our eyes with the distinctness of reality.

When we have laugh'd to see the sails conceive,
And grow big-bellied with the wanton wind;
Which she with pretty and with swimming gate,
Following her womb, (then rich with my young squire,)
Would imitate, and sail upon the land.

There is a third sister-feature, which belongs both to the picto­rial and poetic art; and that is, the making sentiments and pas­sions visible, as it were, to the spectator: this is done in both arts by describing or pourtraying the effects or changes which those sentiments or passions produce upon the body. At the end of the unaltered play of Lear, there is a beautiful example of poetic painting: the old King is introduced as dying from grief for the loss of Cordelia: at this crisis, Shakespeare, conceiving the robe of the King to be held together by a clasp, represents him as only saying to an attendant courtier, in a faint voice, "Pray, Sir, undo this button,—thank you, Sir," and dies. Thus, by the art of the poet, the oppression at the bosom of the dying King is made visible, not described in words.

B.

What are the features in which these sister-arts do not re­semble each other?

P.

The ingenious Bishop Berkeley, in his Treatise on Vision, a work of great ability, has evinced, that the colours which we see, are only a language suggesting to our minds the ideas of so­lidity and extension, which we had before received by the sense of touch. Thus, when we view the trunk of a tree, our eye can only acquaint us with the colours or shades; and from the previous experience of the sense of touch, these suggest to us the cylindrical form, with the prominent or depressed wrinkles on it. From hence it appears, that there is the strictest analogy between [Page 93] colours and sounds; as they are both but languages, which do not represent their correspondent ideas, but only suggest them to the mind, from the habits or associations of previous experience. It is, therefore, reasonable to conclude, that the more artificial ar­rangements of these two languages, by the poet and the painter, bear a similar analogy.

But, in one circumstance, the pen and the pencil differ widely from each other; and that is, the quantity of time which they can include in their respective representations. The former can un­ravel a long series of events, which may constitute the history of days or years; while the latter can exhibit only the actions of a moment. The poet is happier in describing successive scenes; the painter in representing stationary ones: both have their ad­vantages.

Where the passions are introduced, as the poet, on one hand, has the power gradually to prepare the mind of his reader by pre­vious climacteric circumstances, the painter, on the other hand, can throw stronger illumination and distinctness on the principal moment or catastrophe of the action; besides the advantage he has in using an universal language, which can be read in an in­stant of time. Thus, where a great number of figures are all seen together, supporting or contrasting each other, and contribut­ing to explain or aggrandize the principal effect, we view a pic­ture with agreeable surprize, and contemplate it with unceasing admiration. In the representation of the sacrifice of Jephtha's daughter, a print done from a painting of Ant. Coypel, at one glance of the eye we read all the interesting passages of the last act of a well-written tragedy; so much poetry is there condensed into a moment of time.

B.

Will you now oblige me with an account of the relation­ship between Poetry, and her other sister, Music?

P.

In the poetry of our language I don't think we are to look for any thing analogous to the notes of the gamut: for, except, perhaps, in a few exclamations or interrogations, we are at liberty to raise or sink our voice an octave or two at pleasure, without altering the sense of the words. Hence, if either poetry or prose be read in melodious tones of voice, as is done in recitativo, or in chaunting, it must depend on the speaker, not on the writer: for though words may be selected which are less harsh than others, that is, which have fewer sudden stops, or abrupt consonants amongst the vowels, or with fewer sibilant letters, yet this does [Page 94] not constitute melody, which consists of agreeable successions of notes referable to the gamut; or harmony, which consists of agreeable combinations of them. If the Chinese language has many words of similar articulation, which yet signify different ideas, when spoken in a higher or lower musical note, as some travellers affirm, it must be capable of much finer effect, in re­spect to the audible part of poetry, than any language we are ac­quainted with.

There is, however, another affinity in which poetry and music more nearly resemble each other than has generally been under­stood, and that is in their measure or time. There are but two kinds of time acknowledged in modern music, which are called triple time and common time. The former of these is divided by bars, each bar containing three crotchets, or a proportional num­ber of their subdivisions into quavers and semiquavers. This kind of time is analogous to the measure of our heroic or iambic verse. Thus the two following couplets are each of them divided into five bars of triple time, each bar consisting of two crotchets and two quavers; nor can they be divided into bars analogous to common time, without the bars interfering with some of the crotchets, so as to divide them.

3/4 Soft warbling beaks | in each bright blos | som move,
And vo | cal rosebuds thrill | the inchanted grove. |

In these lines there is a quaver and a crotchet alternately in every bar, except in the last, in which the in make two semiqua­vers; the e is supposed, by Grammarians, to be cut off, which any one's ear will readily determine not to be true.

3/4 Life buds or breathes | from Indus to | the poles,
And the | vast surface kind | les, as it rolls. |

In these lines there is a quaver and a crotchet alternately in the first bar; a quaver, two crotchets, and a quaver, make the second bar. In the third bar there is a quaver, a crotchet, and a rest after the crotchet, that is, after the word poles, and two quavers begin the next line. The fourth bar consists of quavers and crotchets alternately. In the last bar there is a quaver, and a rest after it, viz. after the word kindles; and then two quavers and a crotchet. You will clearly perceive the truth of this, if you prick the musical characters above-mentioned under the verses.

[Page 95] The common time of musicians is divided into bars, each of which contains four crotchets, or a proportional number of their subdivision into quavers and semiquavers. This kind of musi­cal time is analogous to the dactyle verses of our language, the most popular instances of which are in Mr. Anstie's Bath-Guide. In this kind of verse the bar does not begin till after the first or second syllable; and where the verse is quite complete, and writ­ten by a good ear, these first syllables, added to the last, complete the bar, exactly, in this also, corresponding with many pieces of music:

2/4 Yet | if one may guess by the | size of his calf, Sir,
He | weighs above twenty-three | stone and a half, Sir.

2/4 Master | Mamozet's head was not | finished so soon,
For it | took up the barber a | whole afternoon.

In these lines each bar consists of a crotchet, two quavers, an­other crotchet, and two more quavers; which are equal to four crotchets, and, like many bars of common time in music, may be subdivided into two, in beating time without disturbing the mea­sure.

The following verses from Shenstone belong likewise to com­mon time:

2/4 A | river or a sea |
Was to him a dish | of tea,
And a king | dom bread and butter.

The first and second bars consist each of a crotchet, a quaver, a crotchet, a quaver, a crotchet. The third bar consists of a qua­ver, two crotchets, a quaver, a crotchet. The last bar is not complete without adding the letter A, which begins the first line, and then it consists of a quaver, a crotchet, a quaver, a crotchet, two quavers.

It must be observed, that the crotchets in triple time are, in ge­neral, played by musicians slower than those of common time, and hence minuets are generally pricked in triple time, and coun­try dances generally in common time. So the verses above related, which are analogous to triple time, are generally read slower than those analogous to common time; and are thence generally used for [Page 96] graver compositions. I suppose all the different kinds of verses to be found in our odes, which have any measure at all, might be arranged under one or other of these two musical times; allowing a note or two sometimes to precede the commencement of the bar, and occasional rests, as in musical compositions: if this was at­tended to by those who set poetry to music, it is probable the sound and sense would oftener coincide. Whether these musical times can be applied to the lyric and heroic verses of the Greek and Latin poets, I do not pretend to determine; certain it is, that the dactyle verse of our language, when it is ended with a double rhime, much resembles the measure of Homer and Vir­gil, except in the length of the lines.

B.

Then there is no relationship between the other two of these sister-ladies, Painting and Music?

P.

There is at least a mathematical relationship, or, perhaps, I ought rather to have said, a metaphysical relationship, between them. Sir Isaac Newton has observed, that the breadths of the seven primary colours in the Sun's image, refracted by a prism, are proportional to the seven musical notes of the gamut, or to the intervals of the eight sounds contained in an octave, that is, proportional to the following numbers:

Sol. La. Fa. Sol. La. Mi. Fa. Sol.
Red. Orange. Yellow. Green. Blue. Indigo. Violet.  
1/9 1/16 1/10 1/9 1/16 1/16 1/9  

Newton's Optics, Book I. part 2. prop. 3 and 6. Dr. Smith, in his Harmonics, has an explanatory note upon this happy disco­very, as he terms it, of Newton. Sect. 4. Art. 7.

From this curious coincidence, it has been proposed to produce a luminous music, consisting of successions or combinations of co­lours, analogous to a tune in respect to the proportions above-men­tioned. This might be performed by a strong light, made by means of Mr. Argand's lamps, passing through coloured glasses, and falling on a defined part of a wall, with moveable blinds before them, which might communicate with the keys of a harpsichord, and thus produce, at the same time, visible and audible music in uni­son with each other.

The execution of this idea is said, by Mr. Guyot, to have been attempted by Father Caffel, without much success.

[Page 97] If this should be again attempted, there is another curious co­incidence between sounds and colours, discovered by Dr. Darwin, of Shrewsbury, and explained in a paper on what he calls Ocular Spectra, in the Philosophical Transactions, vol. lxxvi. which might much facilitate the execution of it. In this treatise the Doctor has demonstrated, that we see certain colours, not only with greater ease and distinctness, but with relief and pleasure, after having for some time contemplated other certain colours; as green after red, or red after green; orange after blue, or blue after orange; yellow after violet, or violet after yellow. This, he shews, arises from the ocular spectrum of the colour last viewed coinciding with the irritation of the colour now under contemplation. Now, as the pleasure we receive from the sensation of melodious notes, independent of the previous associations of agreeable ideas with them, must arise from our hearing some proportions of sounds after others more easily, distinctly, or agreeably; and as there is a coincidence between the proportions of the primary colours, and the primary sounds, if they may be so called; he argues, that the same laws must govern the sensations of both. In this circum­stance, therefore, consists the sisterhood of Music and Painting; and hence they claim a right to borrow metaphors from each other; musicians to speak of the brilliancy of sounds, and the light and shade of a concerto; and painters of the harmony of colours, and the tone of a picture. Thus it is not quite so absurd as was ima­gined, when the blind man asked if the colour scarlet was like the sound of a trumpet. As the coincidence or opposition of these ocular spectra (or colours which remain in the eye after we have, for some time, contemplated a luminous object), are more easily and more accurately ascertained, now their laws have been investigated by Dr. Darwin, than the relicts of evanescent sounds upon the ear, it is to be wished that some ingenious musi­cian would further cultivate this curious field of science: for if visible music can be agreeably produced, it would be more easy to add sentiment to it, by representations of groves and Cupids, and sleeping Nymphs amid the changing colours, than is com­monly done by the words of audible music.

B.

You mentioned the greater length of the verses of Homer and Virgil. Had not these poets great advantage in the superi­ority of their languages compared to our own?

P.

It is probable, that the introduction of philosophy into a country must gradually affect the language of it; as philosophy [Page 98] converses in more appropriated and abstracted terms; and thus by degrees, eradicates the abundance of metaphor, which is used in the more early ages of society. Otherwise, though the Greek compound words have more vowels, in proportion to their con­sonants, than the English ones, yet the modes of compounding them are less general, as may be seen by variety of instances given in the preface of the translators, prefixed to the SYSTEM OF VE­GETABLES by the Lichfield Society; which happy property of our own language rendered that translation of Linnaeus as expres­sive and as concise, perhaps more so than the original.

And, in one respect, I believe the English language serves the purpose of poetry better than the ancient ones; I mean in the greater ease of producing personifications; for as our nouns have, in general, no genders affixed to them in prose-compositions, and in the habits of conversation, they become easily personified only by the addition of a masculine or feminine pronoun, as,

Pale Melancholy sits, and round her throws
A death-like silence, and a dread repose.
Pope's Abelard.

And, secondly, as most of our nouns have the article a or the prefixed to them in prose-writing and in conversation, they, in ge­neral, become personified even by the omission of these articles; as in the bold figure of Shipwreck in Miss Seward's Elegy on Capt. Cook:

But round the steepy rocks and dangerous strand
Rolls the white surf, and SHIPWRECK guards the land.

Add to this, that if the verses in our heroic poetry be shorter than those of the ancients, our words likewise are shorter; and, in respect to their measure or time, which has erroneously been called melody and harmony, I doubt, from what has been said above, whether we are so much inferior as is generally believed; since many passages, which have been stolen from ancient poets, have been translated into our language without losing any thing of the beauty of the versification. The following line, translated from Juvenal by Dr. Johnson, is much superior to the original:

Slow rises Worth by Poverty depress'd.

[Page 99] The original is as follows:

Difficile emergunt, quorum virtutibus obstat
Res angusta domi.
B.

I am glad to hear you acknowledge the thefts of the modern poets from the ancient ones, whose works, I suppose, have been reckoned lawful plunder in all ages. But have not you borrowed epithets, phrases, and even half a line occasionally, from modern poets?

P.

It may be difficult to mark the exact boundary of what should be termed plagiarism: where the sentiment and expression are both borrowed without due acknowledgment, there can be no doubt;—single words, on the contrary, taken from other au­thors, cannot convict a writer of plagiarism: they are lawful game, wild by nature, the property of all who can capture them;—and, perhaps, a few common flowers of speech may be gathered, as we pass over our neighbour's inclosure, without stigmatising us with the title of thieves; but we must not, therefore, plunder his culti­vated fruit.

The four lines at the end of the plant Upas are imitated from Dr. Young's Night Thoughts. The line in the episode adjoined to Cassia, "The salt tear mingling with the milk he sips," is from an interesting and humane passage in Langhorne's Justice of Peace. There are probably many others, which, if I could re­collect them, should here be acknowledged. As it is, like exo­tic plants, their mixture with the native ones, I hope, adds beauty to my Botanic Garden: and such as it is, Mr. Bookseller, I now leave it to you to desire the Ladies and Gentlemen to walk in; but, please to apprize them, that, like the spectators at an un­skilful exhibition in some village-barn, I hope they will make Good-humour one of their party; and thus theirselves supply the defects of the representation.

[Page]

THE BOTANIC GARDEN. LOVES OF THE PLANTS. CANTO IV.

NOW the broad Sun his golden orb unshrouds,
Flames in the west, and paints the parted clouds;
O'er Heaven's wide arch refracted lustres flow,
And bend in air the many-colour'd bow.—
—The tuneful Goddess on the glowing sky
Fix'd in mute ecstasy her glistening eye;
And then her lute to sweeter tones she strung,
And swell'd with softer chords the Paphian song.
Long ailes of Oaks return'd the silver sound,
And amorous Echoes talk'd along the ground;
Pleased Lichfield 82 listen'd from her sacred bowers,
Bow'd her tall groves, and shook her stately towers.
" Nymph! not for thee the radiant day returns,
Nymph! not for thee the golden solstice burns,
Refulgent CEREA!—at 83 the dusky hour
She seeks with pensive step the mountain-bower,
[Page 102] Bright as the blush of rising morn, and warms
The dull cold eve of Midnight with her charms.
There to the skies she lifts her pencil'd brows,
Opes her fair lips, and breathes her virgin vows;
Eyes the white zenyth; counts the suns that roll
Their distant fires, and blaze around the Pole;
Or marks where Jove directs his glittering car
O'er Heaven's blue vault,—Herself a brighter star.
—There as soft Zephvrs sweep with pausing airs
Thy snowy neck, and part thy shadowy hairs,
Sweet Maid of Night! to Cynthia's sober beams
Glows thy warm cheek, thy polish'd bosom gleams.
In crowds around thee gaze the admiring swains,
And guard in silence the enchanted plains;
Drop the still tear, or breathe the impassion'd sigh,
And drink inebriate rapture from thine eye.
Thus, when old Needwood's hoary scenes the Night
Paints with blue shadow, and with milky light;
Where MUNDY 84 pour'd, the listening nymphs among,
Loud to the echoing vales his parting song;
With measured step the Fairy Sovereign treads,
Shakes her high plume, and glitters o'er the meads;
Round each green holly leads her sportive train,
And little footsteps mark the circled plain;
[Page 103] Each haunted rill with silver voices rings,
And Night's sweet bird in livelier accents sings.
Ere the bright star, which leads the morning sky,
Hangs o'er the blushing east his diamond eye,
The chaste TROPAEO 85 leaves her secret bed;
A saint-like glory trembles round her head;
Eight watchful swains, along the lawns of night,
With amorous steps pursue the virgin light;
O'er her fair form the electric lustre plays,
And cold she moves amid the lambent blaze.
So shines the glow-fly, 86 when the sun retires,
And gems the night-air with phosphoric fires;
Thus o'er the marsh aerial lights betray,
And charm the unwary wanderer from his way.
[Page 104] So when thy King, Assyria, fierce and proud,
Three human victims to his idol vow'd;
Rear'd a vast pyre before the golden shrine
Of sulphurous coal, and pitch-exsuding pine;—
—Loud roar the flames, the iron nostrils breathe,
And the huge bellows pant and heave beneath;
Bright and more bright the blazing deluge flows,
And, white with sevenfold heat, the furnace glows.
And now the Monarch fix'd with dread surprise
Deep in the burning vault his dazzled eyes.
" Lo! three unbound amid the frightful glare,
" Unscorch'd their sandals, and unsing'd their hair!
" And now a fourth with seraph-beauty bright
" Descends, accosts them, and outshines the light!
" Fierce flames innocuous, as they step, retire!
" And slow they move amid a world of fire!"
He spoke,—to Heaven his arms repentant spread,
And, kneeling, bow'd his gem-incircled head.
Two Sister-Nymphs, the fair AVENAS, 87 lead
Their fleecy squadrons on the lawns of Tweed;
Pass with light step his wave-worn banks along,
And wake his Echoes with their silver tongue;
[Page 105] Or touch the reed, as gentle Love inspires,
In notes accordant to their chaste desires.
I
" Sweet ECHO! sleeps thy vocal shell,
" Where this high arch o'erhangs the dell;
" While Tweed with sun-reflecting streams
" Chequers thy rocks with dancing beams?—
II
" Here may no clamours harsh intrude,
" No brawling hound or clarion rude;
" Here no fell beast of midnight prowl,
" And teach thy tortured cliffs to howl!
III
" Be thine to pour these vales along
" Some artless Shepherd's evening song;
" While Night's sweet bird, from yon high spray
" Responsive, listens to his lay.
IV
" And if, like me, some love-lorn maid
" Should sing her sorrows to thy shade,
" Oh, sooth her breast, ye rocks around!
" With softest sympathy of sound."
From ozier bowers the brooding Halcyons peep,
The Swans pursuing cleave the glassy deep,
On hovering wings the wondering Reed-larks play,
And silent Bitterns listen to the lay.—
Three shepherd-swains beneath the beechen shades
Twine rival garlands for the tuneful maids;
On each smooth bark the mystic love-knot frame,
Or on white sands inscribe the favour'd name.
Green swells the beech, the widening knots improve,
So spread the tender growths of living love;
Wave follows wave, the letter'd lines decay,
So Love's soft forms uncultured melt away.
From Time's remotest dawn where China brings
In proud succession all her Patriot-Kings;
[Page 106] O'er desert-sands, deep gulphs, and hills sublime,
Extends her massy wall from clime to clime;
With bells and dragons crests her Pagod-bowers,
Her silken palaces and porcelain towers;
With long canals a thousand nations laves;
Plants all her wilds, and peoples all her waves;
Slow treads fair CANNABIS 88 the breezy strand,
The distaff streams dishevell'd in her hand;
Now to the left her ivory neck inclines,
And leads in Paphian curves 89 its azure lines;
Dark waves the fringed lid, the warm cheek glows,
And the fair ear the parting locks disclose;
Now to the right with airy sweep she bends,
Quick join the threads, the dancing spole depends.
Five Swains attracted guard the Nymph, by turns
Her grace inchants them, and her beauty burns;
To each she bows with sweet assuasive smile,
Hears his soft vows, and turns her spole the while.
So when with light and shade, concordant strife!
Stern CLOTHO weaves the chequer'd thread of life;
Hour after hour the growing line extends,
The cradle and the coffin bound its ends;
Soft cords of silk the whirling spoles reveal,
If smiling Fortune turn the giddy wheel;
But if sweet Love with baby-singers twines,
And wets with dewy lips the lengthening lines,
[Page 107] Skein after skein celestial tints unfold,
And all the silken tissue shines with gold.
Warm with sweet blushes bright GALANTHA 90 glows,
And prints with frolic step the melting snows:
O'er silent floods, white hills, and glittering meads,
Six rival swains the playful beauty leads,
Chides with her dulcet voice the tardy Spring,
Bids slumbering Zephyr stretch his folded wing,
Wakes the hoarse Cuckoo in his gloomy cave,
And calls the wondering Dormouse from his grave,
Bids the mute Redbreast cheer the budding grove,
And plaintive Ringdove tune her notes to love.
Spring! with thy own sweet smile and tuneful tongue,
Delighted BELLIS 91 calls her infant throng.
[Page 108] Each on his reed astride, the Cherub-train
Watch her kind looks, and circle o'er the plain;
Now with young wonder touch the sliding snail,
Admire his eye-tipp'd horns, and painted mail;
Chase with quick step, and eager arms outspread,
The pausing Butterfly from mead to mead;
Or twine green oziers with the fragrant Gale, 92
The azure harebel, and the primrose pale,
Join hand in hand, and in procession gay
Adorn with votive wreaths the shrine of May.
—So moves the Goddess to the Idalian groves,
And leads her gold-hair'd family of Loves.
These, from the flaming furnace, strong and bold,
Pour the red steel in many a sandy mould;
On tinkling anvils (with Vulcanian art)
Turn with hot tongs, and forge the dreadful dart;
The barbed head on whirling jaspers grind,
And dip the point in poison for the mind;
Each polish'd shaft with snow-white plumage wing,
Or strain the bow reluctant to its string.
Those on light pinion twine with busy hands,
Or stretch from bough to bough the flowery bands;
Scare the dark beetle, as he wheels on high,
Or catch in silken nets the gilded fly;
Call the young Zephyrs to their fragrant bowers,
And stay with kisses sweet the Vernal Hours.
Where, as proud Masson rises rude and bleak,
And with mishapen turrets crests the Peak,
[Page 109] Old Matlock gapes with marble jaws, beneath,
And o'er scar'd Derwent bends his flinty teeth;
Deep in wide caves 93 below the dangerous soil
Blue sulphurs flame, imprison'd waters boil.
Impetuous steams in spiral columns rise
Through rifted rocks, impatient for the skies;
Or o'er bright seas of bubbling lavas blow,
As heave and toss the billowy fires below;
Condensed on high, in wandering rills they glide
From Masson's dome, and burst his sparry side;
Round his grey towers, and down his fringed walls,
From cliff to cliff, the liquid treasure falls;
In beds of stalactite, bright ores among,
O'er corals, shells, and crystals, winds along;
Crusts the green mosses, and the tangled wood,
And sparkling plunges to its parent flood.
—O'er the warm wave a smiling youth presides,
Attunes its murmurs, its meanders guides,
[Page 110] (The blooming FUCUS) 94 in her sparry coves
To amorous Echo sings his secret loves,
Bathes his fair forehead in the misty stream,
And with sweet breath perfumes the rising steam.
—So, erst, an Angel o'er Bethesda's springs,
Each morn descending, shook his dewy wings;
And as his bright translucent form He laves
Salubrious powers enrich the troubled waves.
Amphibious Nymph, from Nile's prolific bed
Emerging TRAPA 95 lifts her pearly head;
[Page 111] Fair glows her virgin cheek and modest breast,
A panoply of scales deforms the rest;
Her quivering fins and panting gills she hides,
But spreads her silver arms upon the tides;
Slow as she sails, her ivory neck she laves,
And shakes her golden tresses o'er the waves.
Charm'd round the Nymph, in circling gambols glide
Four Nereid-forms, or shoot along the tide;
Now all as one they rise with frolic spring,
And beat the wondering air on humid wing;
Now all descending plunge beneath the main,
And lash the foam with undulating train;
Above, below, they wheel, retreat, advance,
In air and ocean weave the mazy dance;
Bow their quick heads, and point their diamond eyes,
And twinkle to the sun with ever-changing dyes.
Where Andes, crested with volcanic beams,
Sheds a long line of light on Plata's streams;
Opes all his springs, unlocks his golden caves,
And feeds and freights the immeasurable waves;
[Page 112] Delighted OCYMA 96 at twilight hours
Calls her light car, and leaves the sultry bowers;
Love's rising ray, and Youth's seductive dye,
Bloom'd on her cheek, and brighten'd in her eye;
Chaste, pure, and white, a zone of silver graced
Her tender breast, as white, as pure, as chaste;—
By four fond swains in playful circles drawn,
On glowing wheels she tracks the moon-bright lawn,
Mounts the rude cliff, unveils her blushing charms,
And calls the panting zephyrs to her arms.
Emerged from ocean springs the vaporous air,
Bathes her light limbs, uncurls her amber hair,
Incrusts her beamy form with films saline,
And Beauty blazes through the crystal shrine.—
So with pellucid studs the ice-flower gems
Her rimy foliage, and her candied stems.
[Page 113] So from his glassy horns, and pearly eyes,
The diamond-beetle darts a thousand dyes;
Mounts with enamel'd wings the vesper gale,
And wheeling shines in adamantine mail.
Thus when loud thunders o'er Gomorrah burst,
And heaving earthquakes shook his realms accurst,
An Angel-guest led forth the trembling Fair
With shadowy hand, and warn'd the guiltless pair;
" Haste from these lands of sin, ye Righteous! fly,
" Speed the quick step, nor turn the lingering eye!"—
—Such the command, as fabling Bards recite,
When Orpheus charm'd the grisly King or Night;
Sooth'd the pale phantoms with his plaintive lay,
And led the fair Assurgent into day.—
Wide yawn'd the earth, the fiery tempest flash'd,
And towns and towers in one vast ruin crash'd;—
Onward they move,—loud horror roars behind,
And shrieks of Anguish bellow in the wind.
With many a sob, amid a thousand fears,
The beauteous wanderer pours her gushing tears;
Each soft connection rends her troubled breast,
—She turns, unconscious of the stern behest!—
" I faint!—I fall!—ah, me!—sensations chill
" Shoot through my bones, my shuddering bosom thrill!
" I freeze! I freeze! just Heaven regards my fault,
" Numbs my cold limbs, and hardens into salt!—
" Not yet, not yet, your dying love resign!—
" This last, last kiss receive!—no longer thine!"—
She said, and ceased,—her stiffen'd form He press'd,
And strain'd the briny column to his breast;
Printed with quivering lips the lifeless snow,
And wept, and gazed the monument of woe.
So when AEneas through the flames of Troy
Bore his pale fire, and led his lovely boy,
With loitering step the fair Creusa stay'd,
And Death involved her in eternal shade.—
—Oft the lone Pilgrim, that his road forsakes,
Marks the wide ruins, and the sulphur'd lakes;
[Page 114] On mouldering piles amid asphaltic mud
Hears the hoarse bittern, where Gomorrah stood;
Recals the unhappy Pair with lifted eye,
Leans on the crystal tomb, and breathes the silent sigh.
With net-wove sash and glittering gorget dress'd,
And scarlet robe lapell'd upon her breast,
Stern ARA 97 frowns, the measured march assumes,
Trails her long lance, and nods her shadowy plumes;
While Love's soft beams illume her treacherous eyes,
And Beauty lightens through the thin disguise.
So erst, when HERCULES, untamed by toil,
Own'd the soft power of DEJAN [...]A'S smile;—
His lion-spoils the laughing Fair demands,
And gives the distaff to his awkward hands;
O'er her white neck the bristly mane she throws,
And binds the gaping whiskers on her brows;
Plaits round her slender waist the shaggy vest,
And clasps the velvet paws across her breast.
[Page 115] Next with soft hands the knotted club she rears,
Heaves up from earth, and on her shoulder bears.
Onward with loftier step the Beauty treads,
And trails the brinded ermine o'er the meads;
Wolves, bears, and pards, forsake the affrighted groves,
And grinning Satyrs tremble, as she moves.
CARYO'S sweet smile DIANTHUS 98 proud admires,
And gazing burns with unallow'd desires;
With sighs and sorrows her compassion moves,
And wins the damsel to illicit loves.
The Monster-offspring heirs the father's pride,
Mask'd in the damask beauties of the bride.
So, when the Nightingale in eastern bowers
On quivering pinion woos the Queen of Flowers;
[Page 115] Inhales her fragrance, as he hangs in air,
And melts with melody the blushing fair;
Half-rose, half-bird, a beauteous Monster springs,
Waves his thin leaves, and claps his glossy wings;
Long horrent thorns his mossy legs surround,
And tendril-talons root him to the ground;
Green films of rind his wrinkled neck o'erspread,
And crimson petals crest his curled head;
Soft-warbling beaks in each bright blossom move,
And vocal Rosebuds thrill the enchanted grove!—
Admiring Evening stays her beamy star,
And still Night listens from his ebon car;
While on white wings descending Houries throng,
And drink the floods of odour and of song.
When from his golden urn the Solstice pours
O'er Afric's sable sons the sultry hours;
When not a gale flits o'er her tawny hills,
Save where the dry Harmattan 99 breathes and kills;

[Page]

Hedysarum [...]
Tanner sc.
[Page 117] When stretch'd in dust her gasping panthers lie,
And writh'd in foamy folds her serpents die;
Indignant Atlas mourns his leafless woods,
And Gambia trembles for his sinking floods;
Contagion stalks along the briny sand,
And Ocean rolls his sickening shoals 100 to land.
—Fair CHUNDA 101 smiles amid the burning waste, 335
Her brow unturban'd, and her zone unbraced;
Ten brother-youths with light umbrella's shade,
Or fan with busy hands the panting maid;
[Page 118] Loose wave her locks, disclosing as they break,
The rising bosom and averted cheek;
Clasp'd round her ivory neck with studs of gold
Flows her thin vest in many a gauzy fold;
O'er her light limbs the dim transparence plays,
And the fair form, it seems to hide, betrays.
Cold from a thousand rocks, where Ganges leads
The gushing waters to his sultry meads;
By moon-crown'd mosques with gay reflections glides,
And vast pagodas trembling on his sides;
With sweet loquacity NELUMBO 102 sails,
Shouts to his shores, and parleys with his gales;
Invokes his echoes, as she moves along,
And thrills his ripling surges with her song.
—As round the Nymph her listening lovers play,
And guard the Beauty on her watery way;
Charm'd on the brink relenting tygers gaze,
And pausing buffaloes forget to graze;
Admiring elephants forsake their woods,
Stretch their wide ears, and wade into the floods;
In silent herds the wondering sea-calves lave,
Or nod their slimy foreheads o'er the wave;
Poised on still wing attentive vultures sweep,
And winking crocodiles are lull'd to sleep
Where leads the northern Star his lucid train
High o'er the snow-clad earth, and icy main,
With milky light the white horizon streams,
And to the moon each sparkling mountain gleams.—
[Page 119] Slow o'er the printed snows with silent walk
Huge shaggy forms across the twilight stalk;
And ever and anon with hideous sound
Burst the thick ribs of ice, 103 and thunder round.—
There, as old Winter flaps his hoary wing,
And lingering leaves his empire to the Spring,
Pierced with quick shafts of silver-shooting light
Fly in dark troops the dazzled imps of night.—
"Awake, my Love!" enamour'd MUSCHUS 104 cries, 375
"Stretch thy fair limbs, refulgent Maid! arise;
"Ope thy sweet eye-lids to the rising ray,
"And hail with ruby lips returning day.
"Down the white hills dissolving torrents pour,
"Green springs the turf, and purple blows the flower;
"His torpid wing the Rail exulting tries,
"Mounts the soft gale, and wantons in the skies;
"Rise, let us mark how bloom the awaken'd groves,
"And 'mid the banks of roses hide our loves."
Night's tinsel beams on smooth Lock-lomond dance,
Impatient AEGA 105 views the bright expanse;
[Page 120] In vain her eyes the passing floods explore,
Wave after wave rolls freightless to the shore.
—Now dim amid the distant foam she spies
A rising speck,—"'tis he! 'tis he!" she cries;
As with firm arms he beats the streams aside,
And cleaves with rising chest the tossing tide,
With bended knee she prints the humid sands,
Up-turns her glistening eyes, and spreads her hands;
—"'Tis he, 'tis he!—My Lord, my life, my love!
"Slumber, ye winds; ye billows, cease to move!
"Beneath his arms your buoyant plumage spread,
"Ye Swans! ye Halcyons! hover round his head!"—
—With eager step the boiling surf she braves,
And meets her refluent lover in the waves;
Loose o'er the flood her azure mantle swims,
And the clear stream betrays her snowy limbs.
So on her sea-girt tower fair HERO stood
At parting day, and mark'd the dashing flood;
While high in air, the glimmering rocks above,
Shone the bright lamp, the pilot-star of love.
—With robe outspread the wavering flame behind
She kneels, and guards it from the shifting wind;
Breathes to her Goddess all her vows, and guides
Her bold LEANDER o'er the dusky tides;
Wrings his wet hair, his briny bosom warms,
And clasps her panting lover in her arms.
Deep, in wide caverns and their shadowy ailes,
Daughter of Earth, the chaste TRUFFELIA 106 smiles;
[Page 121] On silvery beds, of soft asbestus wove, 415
Meets her Gnome-husband, and avows her love.
High o'er her couch impending diamonds blaze,
And branching gold the crystal roof inlays;
With verdant light the modest emeralds glow,
Blue sapphires glare, and rubies blush, below;
Light piers of lazuli the dome surround,
And pictured mochoes tesselate the ground;
In glittering threads along reflective walls
The warm rill murmuring twinkles, as it falls;
Now sink the Eolian strings, and now they swell,
And Echoes woo in every vaulted cell;
While on white wings delighted Cupids play,
Shake their bright lamps, and shed celestial day.
Closed in an azure fig by fairy spells,
Bosom'd in down, fair CAPRI-FICA 107 dwells;—430
[Page 122] So steeps in silence the Curculio, shut
In the dark chambers of the cavern'd nut,
Erodes with ivory beak the vaulted shell,
And quits, on filmy wings, its narrow cell.
So the pleased Linnet, in the moss-wove nest,
Waked into life beneath its parent's breast,
Chirps in the gaping shell, bursts forth erelong,
Shakes its new plumes, and tries its tender song.—
—And now the talisman she strikes, that charms
Her husband-Sylph,—and calls him to her arms.—
Quick, the light Gnat her airy Lord bestrides,
With cobweb reins the flying courser guides,
From crystal steeps of viewless ether springs,
Cleaves the soft air on still expanded wings;
Darts like a sunbeam o'er the boundless wave,
And seeks the beauty in her secret cave.
So with quick impulse through all Nature's frame
Shoots the electric air its subtle flame.
So turns the impatient needle to the pole,
Tho' mountains rise between, and oceans roll.
Where round the Orcades white torrents roar,
Scooping with ceaseless rage the incumbent shore,
Wide o'er the deep a dusky cavern bends
Its marble arms, and high in air impends;
[Page 123] Basaltic piers 108 the ponderous roof sustain,
And steep their massy sandals in the main;
Round the dim walls, and through the whispering ailes,
Hoarse breathes the wind, the glittering water boils.
Here the charm'd BYSSUS, 109 with his blooming bride,
Spreads his green sails, and braves the foaming tide;
The star of Venus gilds the twilight wave,
And lights her votaries to the secret cave;
Light Cupids flutter round the nuptial bed,
And each coy Sea-mind hides her blushing head.
Where cool'd by rills, and curtain'd round by woods,
Slopes the green dell to meet the briny floods,
The sparkling noon-beams trembling on the tide,
The PROTEUS-LOVER 110 woos his playful bride,
To win the fair he tries a thousand forms,
Basks on the sands, or gambols in the stroms.
[Page 214] A Dolphin now, his scaly sides he laves,
And bears the sportive Damsel on the waves;
She strikes the cymbal as he moves along,
And wondering Ocean listens to the song.
—And now a spotted Pard the lover stalks,
Plays round her steps, and guards her favour'd walks;
As with white teeth he prints her hand, caress'd,
And lays his velvet paw upon her breast,
O'er his round face her snowy fingers strain
The silken knots, and fit the ribbon-rein.
—And now a Swan, he spreads his plumy sails,
And proudly glides before the fanning gales;
Pleased on the flowery brink, with graceful hand,
She waves her floating lover to the land;
Bright shines his sinuous neck, with crimson beak
He prints fond kisses on her glowing cheek,
Spreads his broad wings, elates his ebon crest,
And clasps the beauty to his downy brest.
A hundred virgins join a hundred swains,
And fond ADONIS 111 leads the sprightly trains;
Pair after pair, along his sacred groves
To Hymen's fane the bright procession moves;
Each smiling youth a myrtle garland shades,
And wreaths of roses veil the blushing maids;
Light Joys on twinkling feet attend the throng,
Weave the gay dance, or raise the frolic song;
[Page 125] —Thick, as they pass, exulting Cupids fling
Promiscuous arrows from the sounding string;
On wings of gossamer soft Whispers fly,
And the fly Glance steals side-long from the eye.
—As round his shrine the gaudy circles bow,
And seal with muttering lips the faithless vow,
Licentious Hymen joins their mingled hands,
And loosely twines the meretricious bands.—
Thus where pleased VENUS, in the southern main,
Sheds all her smiles on Otaheite's plain,
Wide o'er the isle her silken net she draws,
And the Loves laugh at all but Nature's laws."
Here ceased the Goddess,—o'er the silent strings
Applauding Zephyrs swept their fluttering wings;
Enraptured Sylphs arose in murmuring crowds
To air-wove canopies and pillowy clouds;
Each Gnome reluctant sought his earthy cell,
And each chill Floret clos'd her velvet bell.
Then, on soft tiptoe, NIGHT approaching near
Hung o'er the tuneless lyre his sable ear;
Gem'd with bright stars the still ethereal plain,
And bade his Nightingales repeat the strain.

[Page]

Apocynum androsaemifolium.
Tanner sc.
[Page]

THE BOTANIC GARDEN. ADDITIONAL NOTES.

P. 14. Additional note to Curcuma. THESE antherless filaments seem to be an endeavour of the plant to produce more stamens, as would appear from some experiments of M. Reynier, instituted for another purpose; he cut away the stamens of many flowers, with design to prevent their fecundity, and in many instances the flower threw out new filaments from the wounded part, of different lengths, but did not produce new anthers. The experi­ments were made on the geum rivale, different kinds of mallows, and the aechinops citro. Critical Review for March, 1788.

P. 15. Addition to the note on Iris. In the Persian Iris the end of the lower petal is purple, with white edges and orange streaks, creeping, as it were, into the mouth of the flower like an insect; by which deception in its native climate it probably prevents a similar insect from plundering it of its honey; the edges of the lower petal lap over those of the upper one, which pre­vents it from opening too wide on fine days, and facilities its return at night; whence the rain is excluded, and the air admitted. See Polymor­pha, Rubia, and Cypripedia, in Part I.

P. 17. Additional note on Chondrilla. In the natural state of the expanded flower of the barberry, the stamens lie on the petals; under the concave summits of which the anthers shelter themselves, and in this situation re­main perfectly rigid; but on touching the inside of the filament near its base with a fine bristle, or blunt needle, the stamen instantly bends up­wards, and the anther, embracing the stigma, sheds its dust. Observations on the Irritation of Vegetables, by T. E. Smith, M. D.

P. 19. Addition to the note on Silene. I saw a plant of the Dionaea Mus­cipula, Fly-trap of Venus, this day, in the collection of Sir B. Boothby, at Ashburn-Hall, Derbyshire, Aug. 20th, 1788; and on drawing a straw along the middle of the rib of the leaves as they lay upon the ground round the stem, each of them, in about a second of time, closed and doubled itself up, crossing the thorns over the opposite edge of the leaf, like the teeth of a spring rat-trap: of this plant I was favoured with an elegant coloured draw­ing, by Miss Maria Jackson, of Tarporly, in Cheshire, a Lady who adds much botanical knowledge to many other elegant acquirements.

In the Apocynum Androsaemifolium, one kind of Dog's bane, the anthers converge over the nectaries, which consist of five glandular oval corpuscles surrounding the germ; and, at the same time, admit air to the nectaries [Page 128] at the interstice between each anther. But when a fly inserts its proboscis between these anthers to plunder the honey, they converge closer, and with such violence as to detain the fly, which thus generally perishes. This ac­count was related to me by R. W. Darwin, Esq. of Elston, in Nottingham­shire, who showed me the plant in flower, July 2d, 1788, with a fly thus held fast by the end of its proboscis, and was well seen by a magnifying lens, and which, in vain, repeatedly struggled to disengage itself, till the converg­ing anthers were separated by means of a pin: on some days he had ob­served that almost every flower of this elegant plant had a fly in it thus en­tangled; and, a few weeks afterwards, favoured me with his further ob­servations on this subject.

‘My Apocynum is not yet out of flower. I have often visited it, and have frequently found four or five flies, some alive, and some dead, in its flowers; they are generally caught by the trunk or proboscis, sometimes by the trunk and a leg: there is one at present only caught by a leg. I don't know that this plant sleeps, as the flowers remain open in the night; yet the flies frequently make their escape. In a plant of Mr. Or­doyno's, an ingenious gardener at Newark, who is possessed of a great col­lection of plants, I saw many flowers of an Apocynum with three dead flies in each: they are a thin-bodied fly, and rather less than the common house-fly; but I have seen two or three other sorts of flies thus arrested by the plant. Aug. 12, 1788.’

P. 2l. Additional note on Ilex. The efficient cause which renders the hol­lies prickly, in Needwood Forest, only as high as the animals can reach them, may arise from the lower branches being constantly cropped by them, and thus shoot forth more luxuriant foliage: it is probable the shears in garden­hollies may produce the same effect, which is equally curious, as prickles are not thus produced on other plants.

P. 35. Additional note on Ulva. M. Hubert made some observations on the air contained in the cavities of the bambou. The stems of these canes were from 40 to 50 feet in height, and 4 or 5 inches in diameter, and might contain about 30 pints of elastic air. He cut a bambou, and introduced a lighted candle into the cavity, which was extinguished immediately on its entrance. He tried this about 60 times in a cavity of the bambou, containing about two pints. He introduced mice at different times into these cavities, which seemed to be somewhat affected, but soon recovered their agility. The stem of the bambou is not hollow till it rises more than one soot from the earth; the divisions between the cavities are convex downwards. Ob­serv. sur la Physìque, par M. Rozier, l. 33, p. 130.

P. 103. Addition to the note on Tropoeolum. In Sweden a very curious phenomenon has been observed on certain flowers, by M. Haggren, Lec­turer in Natural History. One evening he perceived a saint flash of light repeatedly dart from a Marigold: surprized at such an uncommon appear­ance, he resolved to examine it with attention; and, to be assured that it was no deception of the eye, he placed a man near him, with orders to make a signal at the moment when he observed the light. They both saw it constantly at the same moment.

[Page 129] The light was most brilliant on Marigolds, of an orange or flame colour; but scarcely visible on pale ones.

The flash was frequently seen on the same flower two or three times in quick succession, but more commonly at intervals of several minutes; and when several flowers in the same place emitted their light together, it could be observed at a considerable distance.

This phenomenon was remarked in the months of July and August, at sun-set, and for half an hour after, when the atmosphere was clear; but after a rainy day, or when the air was loaded with vapours, nothing of it was seen.

The following flowers emitted flashes more or less vivid, in this order:

  • l. The Marigold, (Calendula Officinalis).
  • 2. Garden Nasturtion, (Tropoeolum majus).
  • 3. Orange Lily, (Lilium bulbiferum).
  • 4. African Marigold, (Tagetes patula et erecta).

Sometimes it was also observed on the Sun-flowers. (Helianthus annuus). But bright yellow, or flame colour, seemed in general necessary for the pro­duction of this light; for it was never seen on the flowers of any other colour.

To discover whether some little insects, or phosphoric worms, might not be the cause of it, the flowers were carefully examined even with a micros­cope, without any such being found.

From the rapidity of the flash, and other circumstances, it might be conjec­tured, that there is something of electricity in this phenomenon. It is well known, that when the pistil of a flower is impregnated, the pollen bursts away by its elasticity, with which electricity may be combined. But M. Haggren, after having observed the flash from the Orange-lily, the anthers of which are a considerable space distant from the petals, found that the light proceeded from the petals only; whence he concludes that this electric light is caused by the pollen, which, in flying off, is scattered upon the petals—Obser. Physìque par M. Rozier, vol. xxxiii. p. III.

Description of the Poison-Tree in the Island of JAVA. Translated from the ori­ginal Dutch of N. P. Foersch.

THIS destructive tree is called, in the Malayan language, Bohon-Upas, and has been described by naturalists; but their accounts have been so tine­tured with the marvellous, that the whole narration has been supposed to be an ingenious fiction by the generality of readers. Nor is this in the least degree surprising, when the circumstances, which we shall faithfully relate in this description, are considered.

I must acknowledge, that I long doubted the existence of this tree, un­til a stricter inquiry convinced me of my error. I shall now only relate simple unadorned facts, of which I have been an eye-witness. My readers may depend upon the fidelity of this account. In the year 1774, I was sta­tioned at Batavia, as a surgeon, in the service of the Dutch East-India com­pany. [Page 130] During my residence there, I received several different accounts of the Bohon-Upas, and the violent effects of its poison. They all then seemed incredible to me, but raised my curiosity in so high a degree, that I resolved to investigate this subject thoroughly, and to trust only to my own observations. In consequence of this resolution, I applied to be Governor­General, Mr. Petrus Albertus van der Parra, for a pass to travel through the country: my request was granted; and, having procured every informa­tion, I set out on my expedition. I had procured a recommendation from an old Malayan priest to another priest, who lives on the nearest inhabita­ble spot to the tree, which is about fifteen or sixteen miles distant. The letter proved of great service to me so my undertaking, as that priest is ap­pointed by the Emperor to reside there, in order to prepare for eternity the souls of those who, for different crimes, are sentenced to approach the tree, and to procure the poison.

The Bohon-Upas is situated in the island of Java, about twenty-seven leagues from Batavia, fourteen from Soura-Charta, the seat of the Emperor, and between eighteen and twenty leagues from Tinkjoe, the present residence of the Sultan of Java. It is surrounded on all sides by a circle of high hills and mountains; and the country round it, to the distance of ten or twelve miles from the tree, is entirely barren. Not a tree, nor a shrub, nor even the least plant or grass, is to be seen. I have made the tour all around this dangerous spot, at about eighteen miles distant from the centre, and I found the aspect of the country on all sides equally dreary. The easiest as­cent of the hills is from that part where the old ecclesiastic dwells. From his house the criminals are sent for the poison, into which the points of all warlike instruments are dipped. It is of high value, and produces a consi­derable revenue to the Emperor.

Account of the manner in which the Poison is procured.

The poison which is procured from this tree, is a gum that issues out be­tween the bark and the tree itself, like the camphor. Malefactors who, for their crimes, are sentenced to die, are the only persons who fetch the poison; and this is the only chance they have of saving their lives. After sentence is pronounced upon them by the judge, they are asked in court, whether they will die by the hands of the executioner, or whether they will go to the Upas tree for a box of poison? They commonly prefer the latter proposal, as there is not only some chance of preserving their lives, but also a cer­tainty, in case of their safe return, that a provision will be made for them in future by the Emperor. They are also permitted to ask a favour from the Emperor, which is generally of a trifling nature, and commonly granted. They are then provided with a silver or tortoiseshell box, in which they are to put the poisonous gum, and are properly instructed how to proceed while they are upon their dangerous expedition. Among other particulars, they are always told to attend to the direction of the winds; as they are to go to­wards the tree before the wind, so that the effluvia from the tree are al­ways blown from them. They are told, likewise, to travel with the utmost dispatch, as that is the only method of insuring a safe return. They are af­terwards [Page 131] sent to the house of the old priest, to which place they are com­monly attended by their friends and relations. Here they generally remain some days, in expectation of a favourable breeze. During that time the ecclesiastic prepares them for their future fate by prayers and admonitions.

When the hour of their departure arrives, the priest puts on them a long leather-cap, with two glasses before their eyes, which comes down as far as their breast; and also provides them with a pair of leather gloves. They are then conducted by the priest, and their friends and relations, about two miles on their journey. Here the priest repeats his instructions, and tells them where they are to look for the tree. He shews them a hill, which they are told to ascend, and that on the other side they will find a rivulet which they are to follow, and which will conduct them directly to the Upas. They now take leave of each other; and, amidst prayers for their success, the delinquents hasten away.

The worthy old ecclesiastic has assured me, that during his residence there, for upwards of thirty years, he had dismissed above seven hundred crimi­nals in the manner which I have described; and that scarcely two out of twenty have returned. He shewed me a catalogue of all the unhappy suf­ferers, with the date of their departure from his house annexed; and a list of the offences for which they had been condemned: to which was added, a list of those who had returned in safety. I afterwards saw another list of these culprits, at the jail-keeper's, at Soura-Charta, and found that they perfectly corresponded with each other, and with the different informations which I afterwards obtained.

I was present at some of these melancholy ceremonies, and desired different delinquents to bring with them some pieces of the wood, or a small branch, or some leaves, of this wonderful tree. I have also given them silk cords, desiring them to measure its thickness. I never could procure more than two dry leaves that were picked up by one of them on his return; and all I could learn from him, concerning the tree itself, was, that it stood on the border of a rivulet, as described by the old priest; that it was of a middling size; that five or six young trees of the same kind stood close by it; but that no other shrub or plant could be seen near it; and that the ground was of a brownish sand, full of stones, almost impracticable for travelling, and covered with dead bodies. After many conversations with the old Malayan priest, I questioned him about the first discovery, and asked his opinion of this dangerous tree; upon which he gave me the following answer:

‘We are told in our new Alcoran, that, above an hundred years ago, the country around the tree was inhabited by a people strongly addicted to the sins of Sodom and Gomorrha; when the great Prophet Mahomet deter­mined not to suffer them to lead such detestable lives any longer, he applied to God to punish them: upon which God caused this tree to grow out of the earth, which destroyed them all, and rendered the country for ever uninhabitable.’

Such was the Malayan opinion. I shall not attempt to comment; but must observe, that all the Malayans consider this tree as an holy instru­ment of the great prophet to punish the sins of mankind; and, therefore, [Page 132] to die of the poison of the Upas is generally considered among them as an honourable death. For that reason I also observed, that the delinquents who were going to the tree, were generally dressed in their best apparel.

This, however, is certain, though it may appear incredible, that from fifteen to eighteen miles round this tree, not only no human creature can exist, but that, in that space of ground, no living animal of any kind has ever been discovered. I have also been assured by several persons of vera­city, that there are no fish in the waters, nor has any rat, mouse, or any other vermin, been seen there; and when any birds fly so near this tree, that the effluvia reaches them, they fall a sacrifice to the effects of the poi­son. This circumstance has been ascertained by different delinquents, who, in their return, have seen the birds drop down, and have picked them up dead, and brought them to the old ecclesiastic.

I will here mention an instance, which proves the fact beyond all doubt, and which happened during my stay at Java.

In the year 1775, a rebellion broke out among the subjects of the Mas­say, a sovereign prince, whose dignity is nearly equal to that of the Em­peror. They refused to pay a duty imposed upon them by their sovereign, whom they openly opposed. The Massay sent a body of a thousand troops to disperse the rebels, and to drive them, with their families, out of his dominions. Thus four hundred families, consisting of above six­teen hundred souls, were obliged to leave their native country. Neither the Emperor nor the Sultan would give them protection, not only because they were rebels, but also through fear of displeasing their neighbour, the Massay. In this distressful situation, they had no other resource than to repair to the uncultivated parts round the Upas, and requested permission of the Emperor to settle there. Their request was granted, on condition of their fixing their abode not more than twelve or fourteen miles from the tree, in order not to deprive the inhabitants already settled there, at a greater distance, of their cultivated lands. With this they were obliged to comply; but the consequence was, that in less than two months their number was reduced to about three hundred. The chiefs of those who re­mained returned to the Massay, informed him of their losses, and intreated his pardon, which induced him to receive them again as subjects, thinking them sufficiently punished for their misconduct. I have seen and conversed with several of those who survived, soon after their return. They all had the appearance of persons tainted with an infectious disorder; they looked pale and weak, and, from the account which they gave of the loss of their comrades, and of the symptoms and circumstances which attended their dis­solution, such as convulsions, and other signs of a violent death, I was fully convinced that they sell victims to the poison.

This violent effect of the poison at so great a distance from the tree certainly appears surprising, and almost incredible; and especially, when we consider that it is possible for delinquents who approach the tree to return alive. My wonder, however, in a great measure, ceased, after I had made the following observations:

I have said before, that malefactors are instructed to go to the tree with [Page 133] the wind, and to return against the wind. When the wind continues to blow from the same quarter while the delinquent travels thirty, or six and thirty miles, if he be of a good constitution, he certainly survives. But what proves the most destructive is, that there is no dependence on the wind in that part of the world for any length of time.—There are no regular land­winds; and the sea-wind is not perceived there at all, the situation of the tree being at too great a distance, and surrounded by high mountains and uncultivated forests. Besides, the wind there never blows a fresh regular gale, but is commonly merely a current of light, soft breezes, which pass through the different openings of the adjoining mountains. It is also fre­quently difficult to determine from what part of the globe the wind really comes, as it is divided by various obstructions in its passage, which easily change the direction of the wind, and often totally destroy its effects.

I, therefore, impute the distant effects of the poison, in a great measure, to the constant gentle winds in those parts, which have not power enough to disperse the poisonous particles. If high winds were more frequent and durable there, they would certainly weaken very much, and even destroy the obnoxious effluvia of the poison; but without them, the air remains in­fected and pregnant with these poisonous vapours.

I am the more convinced of this, as the worthy ecclesiastic assured me, that a dead calm is always attended with the greatest danger, as there is a continual perspiration issuing from the tree, which is seen to rise and spread in the air, like the putrid steam of a marshy cavern.

Experiments made with the Gum of the UPAS-TREE.

In the year 1776, in the month of February, I was present at the exe­cution of thirteen of the Emperor's concubines, at Soura-Charta, who were convicted of infidelity to the Emperor's bed. It was in the forenoon, about eleven o'clock, when the fair criminals were led into an open space, within the walls of the Emperor's palace. There the judge passed sentence upon them, by which they were doomed to suffer death by a lancet, poisoned with Upas. After this the Alcoran was presented to them, and they were, ac­cording to the law of their great prophet Mahomet, to acknowledge and to affirm by oath, that the charges brought against them, together with the sentence and their punishment, were fair and equitable. This they did, by laying their right hand upon the Alcoran, their left hand upon their breast, and their eyes lifted towards heaven; the judge then held the Alcoran to their lips, and they kissed it.

These ceremonies over, the executioner proceeded on his business in the following manner:—Thirteen posts, each about five feet high, had been previously erected. To these the delinquents were fastened, and their breasts stripped naked. In this situation they remained a short time in continual prayers, attended by several priests, until a signal was given by the judge to the executioner; on which the latter produced an instrument, much like the spring lancet used by farriers for bleeding horses. With this instrument, it being poisoned with the gum of the Upas, the unhappy wretches were lanc­ed in the middle of their breasts, and the operation was performed upon them all in less than two minutes.

[Page 134] My astonishment was raised to the highest degree, when I beheld the sud­den effects of that poison; for in about five minutes after they were lanced they were taken with a tremor, attended with a subsultus tendinum, after which they died in the greatest agonies, crying out to God and Mahomet for mercy. In sixteen minutes by my watch, which I held in my hand, all the criminals were no more. Some hours after their death, I observed their bodies full of livid spots, much like those of the Petechioe, their faces swelled, their colour changed to a kind of blue, their eyes looked yellow, &c. &c.

About a fortnight after this I had an opportunity of seeing such another execution at Samarang. Seven Malays were executed there with the same instrument, and in the same manner; and I found the operation in the poison, and the spots in their bodies, exactly the same.

These circumstances made me desirous to try an experiment with some animals, in order to be convinced of the real effects of this poison; and as I had then two young puppies, I thought them the fittest objects for my purpose. I accordingly procured, with great difficulty, some grains of Upas. I dissolved half a grain of that gum in a small quantity of arrack, and dip­ped a lancet into it. With this poisoned instrument I made an incision in the lower muscular part of the belly in one of the puppies. Three minutes after it received the wound the animal began to cry out most piteously, and ran as fast as possible from one corner of the room to the other. So it con­tinued during six minutes, when all its strength being exhausted, it fell upon, the ground, was taken with convulsions, and died in the eleventh minute. I repeated this experiment with two other puppies, with a cat and a fowl, and found the operation of the poison in all of them the same: none of these animals survived above thirteen minutes.

I thought it necessary to try also the effect of the poison given inwardly, which I did in the following manner. I dissolved a quarter of a grain of the gum in half an ounce of arrack, and made a dog of seven months old drink it. In seven minutes a retching ensued, and I observed, at the same time, that the animal was delicious, as it ran up and down the room, fell on the ground, and tumbled about; then it rose again, cried out very loud, and in about half an hour after was seized with convulsions, and died. I opened the body, and found the stomach very much inflamed, as the intes­tines were in some parts, but not so much as the stomach. There was a small quantity of coagulated blood in the stomach; but I could discover no orifice from which it could have issued; and therefore supposed it to have been squeezed out of the lungs, by the animal's straining while it was vo­miting.

From these experiments I have been convinced that the gum of the Upas is the most dangerous and most violent of all vegetable poisons; and I am apt to believe that it greatly contributes to the unhealthiness of that island. Nor is this the only evil attending it: hundreds of the natives of Java, as well as Europeans, are yearly destroyed and treacherously murdered by that poison, either internally or externally. Every man of quality or fashion has his dagger or other arms poisoned with it; and in times of war the Malayans poison the springs and other waters with it. By this treacherous practice [Page 135] the Dutch suffered greatly during the last war, as it occasioned the loss of half their army. For this reason they have ever since kept fish in the springs of which they drink the water, and sentinels are placed near them, who inspect the waters every hour, to see whether the fish are alive. If they march with an army or body of troops into an enemy's country, they always carry live fish with them, which they throw into the water some hours before they venture to drink it; by which means they have been able to prevent their total destruction.

This account, I flatter myself, will satisfy the curiosity of my readers, and the few facts which I have related will be considered as a certain proof of the existence of this pernicious tree, and its penetrating effects.

If it be asked why we have not yet any more satisfactory accounts of this tree, I can only answer, that the object of most travellers to that part of the world consists more in commercial pursuits than in the study of Natural History and the advancement of Sciences. Besides, Java is so universally reputed an unhealthy island, that rich travellers seldom make any long stay in it; and others want money, and generally are too ignorant of the lan­guage to travel, in order to make inquiries. In future, those who visit this island will now probably be induced to make it an object of their researches, and will furnish us with a fuller description of this tree.

I will therefore only add, that there exists also a sort of Cajoe-Upas on the coast of Macasser, the poison of which operates nearly in the same man­ner, but is not half so violent or malignant as that of Java, and of which I shall likewise give a more circumstantial account in a description of that island.— London Magazine.

Another Account of the Boa Upas, or Poison-Tree of Macasser, from an inau­gural Dissertation published by Christ. Aejmelaeus, and approved by Professor Thunberg, at Upsal.

DOCTOR Aejmelaeus first speaks of poisons in general, enumerating many virulent ones from the mineral and animal, as well as from the vegetable kingdoms of Nature. Of the first he mentions arsenical, mercurial, and antimonial preparations; amongst the second he mentions the poisons of se­veral serpents, fishes, and insects; and amongst the last the Curara on the bank of the Oronoko, and the Woorara on the banks of the Amazones, and many others. But he thinks the strongest is that of a tree hitherto unde­scribed, known by the name of Boa Upas, which grows in many of the warmer parts of India, principally in the islands of Java, Sumatra, Borneo, Bali, Macasser, and Celebes.

Rumphius testifies concerning this Indian poison, that it was more terri­ble to the Dutch then any warlike instrument; it is by him styled Arbor toxicaria, and he mentions two species of it, which he terms male and female; and describes the tree as having a thick trunk, with spreading branches, co­vered with a rough dark bark. The wood, he adds, is very solid, of a pale [Page 136] yellow, and variegated with black spots; but the fructification is yet un­known.

Professor Thunberg supposes the Boa Upas to be a Cestrum, or a tree of the same natural family; and describes a Cestrum of the Cape of Good­Hope, the juice of which the Hottentots mix with the venom of a certain serpent, which is said to increase the deleterious quality of them both.

The Boa Upas tree is easily recognised at a distance, being always solita­ry, the soil around it being barren, and, as it were, burnt up; the dried juice is dark brown, liquifying by heat, like other resins. It is collected with the greatest caution, the person having his head, hands, and feet care­fully covered with linen, that his whole body may be protected from the vapour as well as from the droppings of the tree. No one can approach so near as to gather the juice, hence they supply bamboos, pointed like a spear, which they thrust obliquely, with great force, into the trunk; the juice ooz­ing out gradually fills the upper joint; and the nearer the root the wound is made, the more virulent the poison is supposed to be. Sometimes up­wards of twenty reeds are left fixed in the tree for three or four days, that the juice may collect and harden in the cavities; the upper joint of the reed is then cut off from the remaining part, the concreted juice is formed into globules or sticks, and is kept in hollow reeds, carefully closed, and warp­ped in tenfold linen. It is every week taken out to prevent its becoming mouldy, which spoils it. The deleterious quality appears to be volatile, since it loses much of its power in the time of one year, and in a few years becomes totally effete.

The vapour of the tree produces numbness and spasms of the limbs, and if any one stands under it bare-headed, he loses his hair; and if a drop falls on him, violent inflammation ensues. Birds which sit on the branches a short time, drop down dead, and can even with difficulty fly over it; and not only no vegetables grow under it, but the ground is barren a stone's cast around it.

A person wounded by a dart poisoned with this juice feels immediately a sense of heat over his whole body, with great vertigo, to which death soon succeeds. A person wounded with the Java poison was affected with tre­mor of the limbs, and starting of the tendons in five minutes, and died in less than sixteen minutes, with marks of great anxiety; the corpse, in a few hours, was covered with petechial spots, the face became tumid and lead­coloured, and the white part of the eye became yellow.

The natives try the strength of their poison by a singular test; some of the expressed juice of the root of Amomum Zerumbet is mixed with a little water, and a bit of the poisonous gum or resin is dropped into it; an effer­vescence instantly takes place, by the violence of which they judge of the strength of the poison.—What air can be extricated during this effervescence?—This experiment is said to be dangerous to the operator.

As the juice is capable of being dissolved in arrack, and is thence supposed to be principally of resinous nature, the Professor does not credit that foun­tains have been poisoned with it.

This poison has been employed as a punishment for capital crimes in [Page 137] Macasser and other islands; in those cases some experiments have been made, and when a finger only had been wounded with a dart, the immediate am­putation of it did not save the criminal from death.

The poison from what has been termed the female tree, is less deleterious than the other, and has been used chiefly in hunting; the carcases of animals thus destroyed are eaten with impunity. The poison-juice is said to be used externally as a remedy against other poisons, in the form of a plaster; also to be used internally for the same purpose; and is believed to alleviate the pain, and extract the poison of venomous insects sooner than any other ap­plicaion. The author concludes that these accounts have been exaggerated by Mahomedan priests, who have persuaded their followers that the Prophet Mahomet planted this noxious tree as a punishment for the sins of mankind.

An abstract of this Dissertation of C. Aejmelxus is given in Dr. Dun­can's Medical Commentaries for the year 1790, Decad. 2d. vol. v.

FAIRY-SCENE

HERE, seen of old, the elfin race
With sprightly vigils mark'd the place;
Their gay processions charm'd the sight,
Gilding the lucid noon of night;
Or, when obscure the midnight hour,
With glow-worm lautherns hung the bower.
—Hark!—the soft lute!—along the green
Moves with majestic step the QUEEN!
Attendant Fays around her throng,
And trace the dance or raise the song;
Or touch the shrill reed, as they trip,
With finger light and ruby lip
High, on her brow sublime, is borne
One scarlet woodbine's tremulous horn;
A gaudy Bee-bird's * triple plume
Sheds on her neck its waving gloom;
With silvery gossamer entwin'd
Stream the luxuriant locks behind.
Thin folds of tangled network break
In airy waves adown her neck;—
Warp'd in his loom, the spider spread
The far-diverging rays of thread,
Then round and round with shuttle fine
Inwrought the undulating line;—
[Page 38] Scarce hides the woof her bosom's snow,
One pearly nipple peeps below.
One rose-leaf forms her crimson vest,
The loose edge crosses o'er her breast;
And one translucent fold, that fell
From the tall lily's ample bell,
Forms with sweet grace her snow-white train,
Flows, as she steps, and sweep the plain.
Silence and Night enchanted gaze,
And Hesper hides his vanquish'd rays!—
Now the waked reed-finch swells his throat,
And night-larks trill their mingled note;
Yet hush'd in moss with writhed neck
The blackbird hides his golden beak;
Charm'd from his dream of love he wakes,
Opes his gay eye, his plumage shakes,
And, stretching wide each ebon wing,
First in low whispers tries to sing;
Then sounds his clarion loud, and thrills
The moon-bright lawns, and shadowy hills.
Silent the choral Fays attend,
And then their silver voices blend,
Each shining thread of sound prolong,
And weave the magic woof of song.
Pleased Philomela takes her stand
On high, and leads the Fairy band,
Pours sweet at intervals her strain,
And guides with beating wing the train
Whilst interrupted Zephyrs bear
Hoarse murmurs from the distant wear;
And at each pause is heard the swell
Of Echo's soft symphonious shell.
[Page]

THE BOTANIC GARDEN. CATALOGUE OF THE POETIC EXHIBITION.

CANTO I.
  • GROUP of insects Page. 12
  • Tender husband Page. 12
  • Self-admirer Page. 12
  • Rival lovers Page. 13
  • Coquet Page. 13
  • Platonic wife Page. 14
  • Monster-husband Page. 16
  • Rural happiness Page. 17
  • Clandestine marriage Page. 17
  • Sympathetic lovers Page. 17
  • Ninon d'Enclos Page. 19
  • Harlots Page. 19
  • Giants Page. 21
  • Mr. Wright's paintings Page. 22
  • Thalestris Page. 23
  • Autumnal scene Page. 23
  • Dervise procession Page. 24
  • Lady in full dress Page. 25
  • Lady on a precipice Page. 26
  • Palace in the sea Page. 27
  • Vegetable lamb Page. 29
  • Whale Page. 29
  • Sensibility Page. 29
  • Mountain-scene by night Page. 32
  • Lady drinking water Page. 33
  • Lady and cauldron Page. 33
  • Medea and AEson Page. 34
  • Forlorn nymph Page. 34
  • Galatea on the sea Page. 36
  • Lady frozen to a statue Page. 36
CANTO II.
  • Air-balloon of Montgolsier Page. 46
  • Arts of weaving and spinning Page. 47
  • Arkwright's cotton mills Page. 48
  • Invention of letters, figures, and crotchets Page. 49
  • Mrs. Delany's paper-garden Page. 51
  • Mechanism of a watch, and de­sign for its case Page. 52
  • Time, hours, moments Page. 52
  • Transformation of Nebuchadnezzar Page. 53
  • St. Anthony preaching to fish Page. 55
  • Sorceress Page. 56
  • Miss Crewe's drawings Page. 56
  • Song to May Page. 57
  • Frost scene Page. 58
  • Discovery of the bark Page. 58
  • Moses striking the rock Page. 60
  • Dropsy Page. 60
  • Mr. Howard and prisons Page. 62
CANTO III.
  • Witch and imps in a church Page. 69
  • Inspired Priestess Page. 70
  • Fuseli's night-mare Page. 71
  • Cave of Thor and subterranean Naiads Page. 73
  • Medea and children Page. 75
  • Palmira weeping Page. 78
  • Group of wild creatures drinking Page. 79
  • Poison-tree of Java Page. 79
  • [Page 140] Time and hours Page. 80
  • Wounded deer Page. 81
  • Lady shot in battle Page. 82
  • Harlots Page. 83
  • Laocoon and his sons Page. 84
  • Drunkards and diseases Page. 85
  • Prometheus and the vulture Page. 85
  • Lady burying her child in the plague Page. 86
  • Moses concealed on the Nile Page. 89
  • Slavery of the Africans Page. 89
  • Weeping muse Page. 90
CANTO IV.
  • Maid of night Page. 101
  • Fairies Page. 102
  • Electric lady Page. 103
  • Shadrec, Meshec and Abednego, in the fiery furnace Page. 104
  • Shepherdesses Page. 104
  • Song to Echo Page. 105
  • Kingdom of China Page. 105
  • Lady and distaff Page. 106
  • Cupid spinning Page. 106
  • Lady walking in snow Page. 107
  • Children at play Page. 107
  • Venus and Loves Page. 108
  • Matlock Bath Page. 109
  • Angel bathing Page. 110
  • Mermaid and Nereids Page. 111
  • Lady in salt Page. 112
  • Lot's wife Page. 113
  • Lady in regimentals Page. 114
  • Dejanita in a lion's skin Page. 114
  • Offspring from the marriage of the Rose and the Nightingale Page. 115
  • Parched deserts in Africa Page. 116
  • Turkish lady in an undress Page. 117
  • Ice-scene in Lapland Page. 118
  • Lock-lomond by moon-light Page. 119
  • Hero and Leander Page. 120
  • Gnome-husband and palace under ground Page. 121
  • Lady inclosed in a fig Page. 121
  • Sylph-husband Page. 122
  • Marine cave Page. 122
  • Proteus lover Page. 123
  • Lady on a Dolphin Page. 124
  • Lady bridling a Pard Page. 124
  • Lady saluted by a Swan Page. 124
  • Hymeneal procession Page. 124
  • Night Page. 125
[Page]

THE BOTANIC GARDEN. CONTENTS OF THE NOTES.

  • SEEDS of Canna used sorpray­er-beads 12
  • Stems and leaves of Callitriche so matted together, as they float on the water, as to bear a person walking on them 12
  • The female in Collinsonia ap­proaches first to one of the males, and then to the other 13
  • Females in Nigella and Epilobium bend towards the males for some days, and then leave them 13
  • The stigma, or head of the fe­male, in Spartium (common broom) is produced amongst the higher set of males; but when the keel-leaf opens, the pistil suddenly twists round like a French-horn, and places the stigma amidst the lower set of males 13
  • The two lower males in Ballota become mature before the two higher; and, when their dust is shed, turn outwards from the female 13
  • The plants of the class Two Pow­ers, with naked seeds, are all aromatic 14
  • Of these, Marum and Nepeta are delightful to cats 14
  • The filaments in Meadia, Borago, Cyclamen, Solanum, &c. shewn by reasoning to be the most un­changeable parts of those flowers 14
  • Rudiments of two hinder wings are seen in the class Diptera, or two-winged insects 14
  • Teats of male animals 15
  • Filaments without anthers in Cur­cuma, Linum, &c. and styles without stigmas in many plants, shew the advance of the works of nature towards great­er perfection 15
  • Double flowers, or vegetable mon­sters, how produced 15, 16
  • The calyx and lower series of petals not changed in double flowers 15
  • Dispersion of the dust in nettles and other plants 16
  • Cedar and Cypress unperishable 16
  • Anthoxanthum gives the fragrant scent to hay 17
  • Viviparous plants: the Aphis is viviparous in summer, and ovi­parous in autumn 17
  • Irritability of the stamen of the plants of the class Syngenesia, or Confederate males 17
  • Some of the males in Lychnis, and other flowers, arrive soon­er at their maturity 18
  • Males approach the female in Gloriosa, Fritillaria, and Kal­mia 18
  • Contrivances to destroy insects in Silene, Dionaea muscipula, Arum muscivorum, Dypsacus, &c. 19
  • Some bell-flowers close at night; others hang the mouths down­wards; others nod and turn from the wind; stamens bound down to the pistil in Amaryllis formosiffima; pistil is crooked in Hemerocallis flava, yellow day-lily 20
  • [Page 42] Thorns and prickles designed for the defence of the plant; tall Hollies have no prickles above the reach of cattle 21
  • Bird-lime from the bark of Hol­lies like elastic gum 21
  • Adansonia the largest tree known; its dimensions 22
  • Bulbous roots contain the embry­on flower, seen by dissecting a tulip-root 23
  • Flowers of Colchicum and Ha­mamelis appear in autumn, and ripen their seed in the spring following 24
  • Sun-flower turns to the sun by nutation, not by gyration 24
  • Dispersion of seeds 24
  • Drosera catches flies 25
  • Of the nectary, its structure to preserve the honey from infects 26
  • Curious proboscis of the Sphinx Convolvuli 26
  • Final cause of the resemblance of some flowers to insects, as the Bee-orchis 26
  • In some plants of the class Tetra­dynamia, or Four Powers, the two shorter stamens, when at maturity, rise as high as the others 26
  • Ice in the caves on Tenerif, which were formerly hallowed by volcanic fires 27
  • Some parasites do not injure trees, as Tillandsia and Epidendrum 27
  • Mosses growing on trees injure them 27
  • Marriages of plants necessary to be celebrated in the air 28
  • Insects with legs on their backs 28
  • Scarcity of grain in wet seasons 28
  • Tartarian lamb; use of down on vegetables; air, glass, wax, and fat, are bad conductors of heat; snow does not moisten the liv­ing animals buried in it, illus­trated by burning camphor in snow 28
  • Of the collapse of the sensitive plant 29
  • Birds of passage 30
  • The acquired habits of plants 31
  • Irritability of plants increased by previous exposure to cold 31
  • Lichen produces the first vegeta­tion on rocks 32
  • Plants holding water 33
  • Madder colours the bones of young animals 33
  • Colours of animals serve to con­ceal them 33
  • Warm bathing retards old age 34
  • Male flowers of Valisneria de­tach themselves from the plant, and float to the female ones 34
  • Air in the cells of plants, its va­rious uses 35
  • How Mr. Day probably lost his life in his diving-ship 36
  • Air-bladders of fish 36
  • Star-jelly is voided by Herons 37
  • Intoxicating mushrooms 37
  • Mushrooms grow without light, and approach to animal nature 37
  • Seeds of Tillandsia fly on long threads, like spiders on the gossamer 45
  • Account of cotton mills 48
  • Invention of letters, figures, crotches 49
  • Mrs. Delany's and Mrs. North's paper-gardens 51
  • The horologe of Flora 51
  • The white petals of Helleborus niger become first red, and then change into a green calyx 53
  • Berries of Menispernum intoxi­cate fish 54
  • Effects of opium 55
  • Paintings by Miss Crewe 56
  • Petals of Cistus and CEnothera continue but a few hours 57
  • Method of collecting the gum from Cistus by leathern thongs 57
  • Discovery of the bark 58
  • Foxglove, how used in dropsies 60
  • Bishop of Marseilles and Lord Mayor of London 61
  • Superstitious uses of plants, the divining rod, animal magnetism 69
  • Intoxication of the Pythian priest­ess, poison from Lauvel leaves, and from cherry kernels 70
  • Sleep consists in the abolition of voluntary power; night-mare explained 72
  • Indian fig emits slender cords from its summit 72
  • [Page 143] Cave of Thor in Derbyshire, and subterraneous rivers explained 73
  • The capsule of the Geranium makes as hygrometer; Barley creeps out of a barn 74
  • Mr. Edgworth's creeping hy­grometer 75
  • Flower of Fraxirsella flashes on the approach of a candle 76
  • Essential oils narcotic, poisonous, deleterious to insects 76
  • Dew-drops from Mancinella blis­ter the skin 77
  • Uses of poisonous juices in the vegetable economy 77
  • The fragrance of plants a part of their defence 77
  • The sting and poison of a nettle 77
  • Vapour from Lobelia suffocative; unwholesomeness of perfumed hair-powder 78
  • Ruins of Palmira 78
  • The poison-tree of Java 79, 129
  • Tulip roots die annually 80
  • Hyacinth and Ranunculus roots 81
  • Vegetable contest for air and light 83
  • Some voluble stems turn E.S.W. and others W.S.E. 83
  • Tops of white Bryony as grate­ful as Asparagus 84
  • Fermentation converts sugar into spirit, food into poison 85
  • Fable of Prometheus applied to dram-drinkers 85
  • Cyclamen buries its seeds and tri­folium subterraneum 86
  • Pits dug to receive the dead in the plague 87
  • Lakes of America consists of fresh water 87
  • The seeds of Cassia & some others are carried from America, and thrown on the coasts of Nor­way and Scotland 87
  • Of the Gulph-stream 88
  • Wonderful change predicted in the gulph of Mexico 88
  • In the flowers of Cactus grandi­florus, and Cistus, some of the stamens are perpetually bent to the pistil 101
  • Nyctanthes and others are only fragrant in the night; Cucur­bita lagenaria closes when the sun shines on it 102
  • Tropo [...]lum, nasturtion, emits sparks in the twilight 103
  • Nectary on its calyx 103
  • Phosphorescent lights in the e­vening 103
  • Hot embers eaten by bull-frogs 103
  • Long filaments of grosses, the cause of bad seed-wheat 104
  • Chinese hemp grew in England above 14 feet in five months 106
  • Roots of snow-drop and hyacinth insipid, like orchis 107
  • Orchis will ripen its seeds if the new bulb be cut off 107
  • Proliferous flowers 107
  • The wax on the candle-berry myr­tle said to be made by insects 108
  • The warm springs of Matlock produced by the condensation of steam raised from great depths by subterraneous fires 109
  • Air separated from water by the attraction of points to water being less than that of the par­ticles of water to each other 110
  • Minute division of sub-aquatic leaves 110
  • Water-cress, and other aquatic plants, inhabit all climates 111
  • Butomus esculent; Lotus of E­gypt; Nymphaea 111
  • Ocymum covered with salt every night 112
  • Salt a remote cause of scrophula, and immediate cause of sea­scurvy 112
  • Coloured spatha of Arum, and blotched leaves, if they serve the purpose of a coloured petal 114
  • Tulip roots with a red cuticle produce red flowers 114
  • Of vegetable mules the internal parts, as those of fructification, resemble the female parent; and the external parts, the male one 115
  • The same occurs in animal mules, as the common mule and the hinnus, and in sheep 115
  • The wind called Harniattan from volcanic eruptions; some epi­demic coughs or influenza have the same origin 116
  • Fish killed in the sea, by dry sum­mers, in Asia 117
  • [Page 144] Hedysarum gyrans perpetually moves its leaves like the respi­ration of animals 117
  • Plants possess voluntary power of motion 117
  • Loud cracks from ice-mountains explained 119
  • Muschus corallinus vegetates be­low the snow, where the heat is always about40. 119
  • Quick growth of vegetables in northern latitudes, after the solution of the snows, ex­plained 119
  • The Rail sleeps in the snow 119
  • Conferva aegagropila rolls about the bottom of lakes 119
  • Lycoperdon tuber, truffle, re­quires no light 120
  • Account of caprification 121
  • Figs wounded with a straw, and pears and plumbs wounded by insects, ripen sooner, and be­come sweeter 122
  • Female figs closed on all sides, supposed to be monsters 122
  • Basaltic columns produced by vol­canos, shewn by their form 123
  • Byssus floats on the sea in the day, and sinks in the night 123
  • Conferva polymorpha twice changes its colour and its form 123
  • Some seed-vessels and seeds resem­ble insescts 123
  • Individuality of flowers not de­stroyed by the number of males or females which they contain 124
  • Trees are swarms of buds, which are individuals. 124
[Page]

THE BOTANIC GARDEN INDEX OF THE NAMES OF THE PLANTS.

  • ADONIS 124
  • AEgagrópila 119
  • Álcea 15
  • Amarýllis 20
  • Anemone 30
  • Anthoxánthum 17
  • Arum 114
  • Avéna 104
  • Bárometz 28
  • Béllis 107
  • Byssus 123
  • Cáctus 101
  • Caléndula 51
  • Callítriche 12
  • Cánna 12
  • Cánnabis 106
  • Cápri-ficus 121
  • Carlína 45
  • Caryophýllus 115
  • Cássia 87
  • Céreus 101
  • Chondrílla 17
  • Chunda 117
  • Cinchóna 58
  • Circaea 69
  • Cístus 57
  • Cócculus 54
  • Cólchicum 24
  • Collinsónia 13
  • Conférva 119, 123
  • Cupréssus 15
  • Curcúma 14
  • Cuscúta 83
  • Cýclamen 86
  • Cypérus 49
  • Diánthus; 115
  • Dictamnus 76
  • Digitális 60
  • Dodecátheon 14
  • Drába 26
  • Drósera 25
  • Dýpsacus 33
  • Fícus 72
  • Fúcus 110
  • Fraxinélla 76
  • Galánthus 107
  • Genísta 13
  • Gloriósa 18
  • Gossýpium 48
  • Hedýsarum 117
  • Heliánthus 24
  • Helléborus 53
  • Hippómane 77
  • [Page 146] Ilex 21
  • Impátiens 74
  • Iris 15
  • Kleinhóvia 22
  • Lápsana 51
  • Láuro-cérasus 70
  • Líchen 32
  • Línum 47
  • Lobélia 78
  • Lonicéra 26
  • Lychnis 18
  • Lycopérdon 120
  • Máncinélla 77
  • Méadia 14
  • Melíssa 13
  • Menispérmum 54
  • Mimósa 29
  • Múschus 119
  • Nymphaea 51
  • Nelumbo 118
  • Ócymum 112
  • Orchis 80
  • Osmúnda 17
  • Osýris 16
  • Papáver 55
  • Papýrus 49
  • plantágo 16
  • Polymórpha 123
  • Polypódium 28
  • Prúnus 70
  • Rúbia 33
  • Siléne 19
  • Trápa 110
  • Tremélla 36
  • Tropaéolum 103
  • Truffélia 120
  • Túlipa 23
  • Ulva 35
  • Upas 79
  • Urtíca 77
  • Vallisnéria 34
  • Viscum 27
  • Vitis 85
  • Zostéra 27
THE END
[Page]

ERRATA.

PART I.

In the Argument of the fourth Canto, page 96, line 8, for '165,' read 177, and add 12 to each succeeding number of the lines throughout the page.

Page 185, l. 8 from the bottom, for 'proportion,' read proportion.

186, l. 2 of the note, for 'Porland,' read Portland.

198, l. 17, for 'ceystallization,' read crystallization.

PART II.

Page 112, the following note should have been inserted at the bottom of the page.

Ice-flower. l. 239. Mesembryanthemum crystallinum.

Directions to the Binder for placing the Engravings.

PART I.

  • Mr. Wedgwood's Cameos to face page 54
  • Cyprepedium 122
  • Erythrina Corallodendron 124
  • Portland Vase 186
  • —first Compartment 187
  • —second Compartment 188
  • —Handles and Bottom 191
  • Section of the Earth 199

PART II.

  • The two plates of Plants to come in between pages 10 and 11
  • Meadia to face page 14
  • Gloriosa Superba 18
  • Dionaea Muscipula 19
  • Amaryllis formosissima 20
  • Vallisneria Spiralis 34
  • Hedysarum gyrans 117
  • Apocynum androsaemifolium 127
[Page]

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