ADDITIONS TO THE WORKS OF ALEXANDER POPE, ESQ.
☞ Entered in the HALL BOOK of the Company of STATIONERS.
ADDITIONS TO THE WORKS OF ALEXANDER POPE, ESQ.
TOGETHER WITH MANY ORIGINAL POEMS AND LETTERS, OF COTEMPORARY WRITERS, NEVER BEFORE PUBLISHED.
IN TWO VOLUMES.
VOL. I.
LONDON: PRINTED FOR H. BALDWIN, T. LONGMAN, R. BALDWIN, G. ROBINSON, T. CASLON, G. KEARSLY, AND J. RIDLEY. 1776.
PREFACE.
HOWEVER sparing modern Authors are in giving due praise to their Cotemporaries, they seem to be more united in acknowledging the merit of those who, to use the language of the Psalmist, ‘"have ceased from their labours."’ Writers, whose works have stood the test of years, have acquired a kind of prescriptive title to celebrity, not on account of that superior wisdom which is often attributed to times we have survived, or the supposed degeneracy of the present, but because, what has been long known has been more reflected upon, and what undergoes this examination is better understood.
In the catalogue of Authors, whose writings have met with public reception, none have been more justly celebrated than those of POPE, and his Cotemporaries; insomuch, [Page ii] that their names have not only been honourably recorded, but the period in which they lived has been pre-eminently distinguished by the title of the Augustan Age. Other points of time have here and there given birth to a great genius, who, like a leading star, has enlightened the horizon of literature, but no particular aera, at least of our history, has produced so general, and collected a light as this; a light which, at once, shone upon every part of science, at the same time that it illuminated the circle of morality.
What could have been the cause why such a cluster of great men flourished at the same period of time, and why we have had no similar succession ever since? Whether the first arose from the emulation of authorship, which, like the collision of hard bodies, struck a fire from each other, or that the latter was occasioned by the number of finished pieces they gave to the world, which has ever since occasioned a kind of literary satiety, is a question, perhaps, not so readily decided. This however [Page iii] is as generally known, as assented to, that from the very few eminent geniuses who have arisen since the flourishing days of this illustrious Junto, nature seems to have indulged herself in a temporary repose.
When Authors, therefore, have thus long engaged the public attention, when their works are read with avidity, and universally receive a classical stamp, those who can add any thing to their illustration, and recover by time what has eluded former diligence, bring an acceptable present to the public. It is with good Authors as with good men; the nearer, and more intimately they are viewed, the more we are able to set a proper value upon their characters, and look up to them as more enforcing examples of imitation and instruction.
Under this idea, the Editor thinks he need make no apology in presenting the public with two additional volumes to the Works of Mr. POPE, which contain such of that celebrated Bard's pieces, in prose and verse, together with [Page iv] many of his Cotemporaries, as for particular and local reasons were then suppressed, might have been mislaid, or perhaps got into too remote hands to be collected with ease. He is aware, at the same time, that the public rage for the remains of celebrated men, has occasioned many spurious productions being fathered on them, under the well-known titles of second parts, and posthumous works. Our best Authors, and principally our best, have been subject to such impositions, which, tho' they have been in time detected, have yet answered the illiberal purposes of such a temporary publication. The Editor of the present Work, to get clear of the shadow of an imputation in this line, is the first to remind the public, that several of the pieces here exhibited originally appeared in The St. James's Chronicle.
The favourable reception they met with in that fugitive mode of publication, first suggested to him a wish to give them a more durable form; he accordingly communicated [Page v] this wish to his friends, who assisted him in his design, so much beyond his expectation, that instead of one volume (his original intention) he has, by their favour, been able to make out two; composed of such materials, as he flatters himself will acquit him of the charge of an hasty, or self-interested compiler.
Many of the Letters and Poems, of which this publication consists, were transcribed with accuracy from the originals, in the collections of the late Lords Oxford and Bolingbroke, who are well known to have lived in the strictest intimacy with Mr. POPE, as well as his literary friends and associates. Some of the latter will be found no way inferior to other productions of the same Authors. All of the fragments, more or less, carry the marks of a master. Others of the Letters are taken from pamphlets printed some years ago, which, in the detached manner they then appeared, will, it is to be hoped, fully justify their present mode of publication. They, for the most part, treat of critical, [Page vi] friendly, humorous, and literary subjects, and abstracted from these, throw new lights upon the character of Mr. POPE, as a man.
His Letters to his favourite Miss Blount lead to the support of a charge often urged against him — his want of original invention; for tho' the extent of his erudition, and his elegant turn of thinking, gave him a superiority to all his Cotemporaries in polishing, to a degree of originality, other people's sentiments; yet here, whether from the carelessness arising from intimate friendship, idleness, or the supposition of his not being detected by his fair correspondent, he has committed a plagiarism on Voiture, which would be unworthy a much less celebrated pen than his.
His Letter to Jabez Hughes, Esq. brother to the author of the Siege of Damascus, with that of his to Mr. Dennis, the critic, are melancholy proofs that the greatest genius cannot always shield men from duplicity of conduct in their literary characters, and bring [Page vii] another corroboration to the testimony of Gay's assertion, that
But if these Letters shew the weaknesses, perhaps the inseparable weaknesses from human nature, others will shew some of its fairest, and brightest sides; they will exhibit the strongest traits of his humanity and friendship, his wit, his learning, and his morals; they will confirm his more than Roman affection to his parents, and particularly to his aged mother, whose life he watched over with such soothing solicitude and exemplary reverence, as force us for a while to turn from the lustre of his talents to admire the superiority of his silial character.
A few Poems and Letters will be found in this collection, which appeared only in some of the editions of his works, in none of them quite perfect, which are particularly distinguished in the latter, by the additional paragraphs being printed in Italics. This will [Page viii] justify their republication here, more particularly as many of them are written in that unreserved, open manner, which his original Editor might have a wish to conceal for many reasons, that now no longer remain; at present, the restoration of them can neither indulge vanity, nor gratify spleen: they may be read without any other reason than the desire of pleasure, and are therefore only to be praised as that object is obtained.
To many, in an age like this, where hypocrisy in morals is much practised, (as is shewn by our dramatic, and other writers,) perhaps a few of the Poems may appear too loose and descriptive, particularly "The Farewel to London," the conclusion of the "Address to Miss Blount on leaving Town," and some passages in "The Sober Advice from Horace, &c." by Mr. POPE; together with the Poem called "Virtue in Danger," and others by Lady Mary Wortley Montague: but on a proper examination this charge of indecency will be found to lie more in the readers turn of thinking, than the defects of [Page ix] the writer. A poet who wants to give his subject due force, should comply with the rules of his profession, by using ‘"proper words in proper places,"’ and provided he keeps a steady eye on the moral of his piece, the more he colours from nature, the more he assists his design, whilst the hint and double entendrez, those mock draperies of delicacy, often create a more indecent meaning than the circumstance will allow, and urge the young and inexperienced reader more to the exercise of his passions than his reason.
Swift's delicacy has been often arraigned on the same principle; and his "Lady's Dressing Room," and others of his Poems of a similar stamp, are ever sure to be adduced as convincing proofs of this charge. But where is the woman of real sense and cleanliness offended at it? Conscious she deserves no such reprehension in her own conduct, she sees the general force of the satire only directed to the slatterns of her sex, and is pleased with the hope of a consequent reformation. In short, the Editor is entirely [Page x] of opinion, that the same rule respecting decency, which a modern artist has laid down in painting, will equally hold good in poetry.
‘"It is not in shewing, or concealing the naked, that modesty or lewdness depend. They arise entirely from the choice and intentions of the artist himself. A great mind can raise great, or pleasing ideas, though he shews all the parts of the body in their natural way, whilst the Cheapside prints of the Buck and Quaker Girl, the charms of the Garter and High-wind, are proofs that very lewd ideas might be produced, though little or nothing of the naked be discovered; and there is no doubt, but that the Venus De Medicis might be converted into a very lewd figure by dressing her out for that purpose *."’
The letters which passed between Mr. POPE, and his booksellers, which are to be found in the second of these volumes, may appear to those who are to be no otherwise [Page xi] pleased with human genius than seeing it eternally on the stretch, rather too trisling; and as the public voice is not a little raised upon like occasions, the Editor thinks it may be necessary to say something on this subject.
It is objected, that most of our great writers no sooner establish a reputation for their works, but there are never wanting interested people, who preferring a private lucre either to the fame of the author, or national honour, busy themselves in gleaning up their most uninteresting thoughts on the most uninteresting subjects; such as letters to tradesmen, &c. and that kind of domestic correspondence, which, to use the language of a modern author, ‘"a wise man should be ashamed to remember."’
Was a collection of this kind purposely made for the filling up a volume without the least regard to amusement, curiosity, or instruction, it must soon defeat its own purposes; for, however common readers may for [Page xii] a while be pleased with the novelty, the reprobation it must receive from men of sense, would soon distinguish it as the mortal part of an author, and in this state consign it to oblivion. But trifling as these Letters appear to be, many of them referring to literary business, help to settle dates, and explain references, which perhaps before were not quite so intelligible, and like those well digested questions on a legal examination, which however simple they may appear in respect to their immediate enquiries are yet important, as they strengthen, or elucidate a fact in their connections. Others will serve to shew the degree of intimacy between the poet and bookseller of that time, the process of publication, and many other little anecdotes of parties and places, too trifling to be otherwise recorded, but by this mode of preservation, and yet too curious (at least to literary enquirers) to fall down the stream of obscurity.
The Editor having now made those apologies which he thought necessary for offering these volumes to the public, he will no longer [Page xiii] detain them from the exercise of their own judgement. He cannot, however, conclude without assuring them that his design in this compilation was no more than to collect in one view, such pieces of our celebrated English Bard, and his Cotemporaries, as may be lost to the world from a fugitive mode of publication, and others which might be equally lost from their being only open to the inspection of the few. In this, as he has spared no industry, or expence himself, and stands much indebted to the researches and interest of many of his friends, he hopes to have the merit of a faithful and useful Compiler, and that these volumes may not be thought improper appendages to the present edition of POPE'S WORKS.
CONTENTS OF THE POEMS IN VOL. I.
- A Farewell to London, in the year 1715 Page 1
- Lines added to the Address to Miss Martha Blount on her leaving Town 4
- Lines sung by Durastanti on leaving the English Stage 6
- A Burlesque of the same Lines, by Dr. Arbuthnot 7
- A Fragment of Stanza's, taken from Mr. Pope's own hand-writing 8
- Mr. Gay's Epitaph ibid
- Lord Coningshy's Epitaph 9
- The beginning Lines of Homer's Iliad, as originally translated by Mr. Pope ibid
- A Dialogue 10
- Verses to Mrs. Martha Blount on her Birth-Day, 1724 11
- Epigram engraved on the Collar of a Dog, which Mr. Pope gave to his Royal Highness ibid
- Epigrams occasioned by an Invitation to Court 12
- On Butler's Monument 13
- Verses to be prefixed before Bernard Lintot's New Miscellany 14
- On the Duke of Marlborough's House at Woodstock 15
- To Lady Mary Wortley Montague 16
- A Version of the First Psalm, for the Use of a young Lady 18
- [Page] To Mr. Moore, Author of the celebrated Worm-Powder 19
- A modern Imitation of the Fourth Epistle of the First Book of Horace's Epistles 21
- A Fragment, attributed by some to Mr. Pope, and by others to Mr. Congreve 23
- Verses left by Mr. Pope, on his lying in the same Bed which Wilmot the celebrated Earl of Rochester slept in at Adderbury, then belonging to the Duke of Argyle, July 9, 1739 24
- Sober Advice from Horace, to the young Gentlemen about Town, as delivered in his second Sermon, imitated in the Manner of Mr. Pope; together with the original Text, as restored by the Rev. Richard Bentley, D. D. and some Remarks on the Version 25, 29
- An Epistle to Henry Cromwell, Esq. 44
- The Translator 49
- Roxana, or the Drawing-Room ibid
- The Looking-Glass 52
- The Challenge: A Court Ballad 53
- The Three Gentle Shepherds 55
- Lines copied from Mr. Pope's Hand-writing, on a Scrap of Paper 56
- An Essay on Human Life 57
- To the Prince of Orange, 1677. By Edmund Waller, of Beaconsfield 86
- A true and faithful Inventory of the Goods belonging to the Dean of St. Patrick's. By Dr. Swift 89
- Lines written under the Print of Tom Britton, the Small-Coal-Man, painted by Mr. Woolaston. By Mr. Prior 90
- By the same ibid
- A Letter to Lady Margaret Cavendish Harley when a Child. By Mr. Prior 91
- To Lord Oxford; written extempore by Mr. Prior, in Lady Oxford's Study ibid
- [Page] Verses written in Lady Howe's Ovid's Epistles. By Mr. Prior 92
- By Mr. Prior, 1716 ibid
- By the same ibid
- True's Epitaph. By Mr. Prior 93
- Mr. Pope's Welcome from Greece. By Mr. Gay, upon Mr. Pope's having finished his Translation of Homer's Iliad 94
- Motto for the Opera of Mutius Scaevola. By Mr. Gay 104
- Mr. Gay's Epigrammatical Petition to the Earl of Oxford, Lord High Treasurer ibid
- The Duchess of Queensberry's Reply to King George II. when she was forbid to appear at Court 105
- Copies of Verses written on the above subject 106, &c.
- A Ballad on the same subject, to the tune of Lillibullero 109
- Written in Mr. Gay's Works, presented to a Lady in very splendid binding. To the Book 112
- On the forbiddance of Gay's second part of the Beggar's Opera, and the damnation of Cibber's Love in a Riddle ibid
- On Lady Pembroke's promoting the Cat-Calling of Faustina, 1727 113
- The Character of Lady Henrietta Cavendish Holles. By Mr. Hughes. ibid
- To the same, on her choice of Truth, Honour, and Honesty for her Motto. By Mr. Hughes 114
- The humble Petition of a beautiful young Lady to the Rev. Dr. Berkley, Dean of Londonderry, which he quits to go and settle a College at Bermudas 115
- Prologue to Music. By Dr. Garth 116
- Butler's Complaint against his pretended Monument in Westminster Abbey 117
- [Page] Lines written with charcoal upon Butler's Monument 118
- Epigram on the Miracles wrought by Cuzzoni ibid
- Epigram in behalf of Tom Southern, to the Duke of Argyle ibid
- A Description of Dr. Delany's Villa. By Dr. Sheridan 119
- Verses written in the Earl of Oxford's Library at Wimpole, 1729. By Soame Jenyns 121
- Ragg's Verses to J. Philips 123
- The Duke of Buckingham's Epitaph. Written by Himself 125
- — translated by George Sewell, M. D. ibid
- Epitaph on Mr. Craggs 126
- On Sir Abraham Elt being knighted, and taking the name of Elton 127
- A Westminster Exercise 128
- Epitaph on Mr. Thynne 129
- A Parson's Resolution ibid
- Verses to a Lady ibid
- Epitaph on Dr. John Friend 131
- Epitaph intended by Mr. Dryden for his Wife ibid
- Epitaph on Mr. Molesworth, who erected a Monument, and placed an Inscription upon it in honour of his favourite Dog 132
- Verses on Dr. Evans, Bursar, cutting down the trees in St. John's College Grove. By Dr. Tadlow ibid
- Dr. Evans upon Dr. Tadlow ibid
- Verses to be published in the next edition of Dryden's Virgil 133
- To a Lady more cruel than fair. By Sir John Vanbrugh ibid
- Verses on the Royston Bargain, or Ale-house Wedding 135
- To Mrs. B. to invite her from Virginia to Bermudas 138
- [Page] A Bermudan Ode 140
- Sir Charles Hanbury to Sir Hans Sloane 145
- Mr. Hanbury to Sir Harry Ashurst 148
- Lord Harvey on the Duchess of Richmond 149
- On a Collar presented for Happy Gill. By Mr. Hughes 150
- Lord Middlesex to Mr. Pope, on reading Mr. Addison's Account of the English Poets 151
- The 21st Ode of the Third Book of Horace translated. By Lord Middlesex 153
- Verses on a Goose. By Lord Middlesex 154
- On Lady A. 155
- Dr. Winter's Questions to Dr. Cheney 156
- Dr. Cheney's Answer 157
- Verses on the Art of Politics. By the Rev. Mr. Bramston 158
- A Ballad found in a cottage in Lancashire, and sent up to Lord Oxford 160
- Verses on Oxford Geniuses 163
- Knight versus Parson. By the Rev. Mr. Bramston ibid
- An Epistle to Lord Cobham. By Mr. Congreve 165
- To Lady Irwin. By Lady Mary Wortley Montague 168
- Lady Irwin's Answer 170
- An Elegy on Mrs. Bowes. By Lady Mary Wortley Montague 171
- Verses on the above Elegy 172
- The Answer to the above Elegy ibid
- On a Lady mistaking a dying Trader for a dying Lover. By Lady Mary Wortley Montague 173
- Virtue in Danger: A lamentable story how a virtuous Lady had like to have been ravished by her sister's footman. By Lady Mary Wortley Montague 176
- [Page] Epistle from Arthur Grey, the footman, after his condemnation for attempting a Rape. By Lady Mary Wortley Montague 182
- Mr. John Philips's designed Dedication to his Poem called the Splendid Shilling 188
LETTERS, &c. IN VOL. I.
- MR. PITT, the Translator of Virgil, to Mr. Spence 192
- Original Letter from Mr. George Vertue to Mr. Charles Christian 195
- Mr. Prior to Mr. Wanley 198, 199
- Mr. E. Settle to Lord Oxford 200
- Mr. Pope to a Lady 201, 204, 208, 209, 211, 214, 218, 221, 224, 225, 228, 231
- Extract of a Letter from Lord Bolingbroke to Monsieur Pouilly de Champeaux 235
[Page]ADDITIONS TO THE WORKS OF POPE, &c.
A FAREWELL TO LONDON IN THE YEAR 1715.
These Lines were added by Mr. POPE after the present Conclusion of his Address to Miss MARTHA BLOUNT on her leaving Town, &c. " As some fond Virgin, &c."
The following Lines were sung by DURASTANTI * when she took her Leave of the ENGLISH STAGE. The Words were in Haste put together by Mr. POPE, at the Request of the Earl of PETERBOROW.
A BURLESQUE of the same Lines.
A FRAGMENT of STANZAS, taken from Mr. POPE's own Hand-writing.
Mr. GAY's EPITAPH.
Lord CONINGSBY's EPITAPH *.
The beginning Lines of HOMER's ILIAD as originally translated by Mr. POPE.
A DIALOGUE.
To Mrs. MARTHA BLOUNT, on her Birth-Day, 1724.
EPIGRAM
Engraved on the Collar of a Dog, which I gave to his Royal Highness.
EPIGRAMS,
Occasioned by an Invitation to Court.
On BUTLER's MONUMENT.
Perhaps by Mr. POPE
*.
VERSES to be prefixed before BERNARD LINTOT's NEW MISCELLANY.
Upon the Duke of MARLBOROUGH's House at Woodstock.
To Lady MARY WORTLEY MONTAGUE *.
A Version of the FIRST PSALM. For the Use of a young Lady,
To the ingenious Mr. MOORE, Author of the celebrated Worm-Powder.
The
Fourth Epistle of the
First Book of HORACE'S
Epistles
*.
A modern Imitation. By Mr. POPE.
A FRAGMENT, attributed by some to Mr. POPE, and by others to Mr. CONGREVE. It has however been seen in the Hand-writing of the former.
VERSES left by Mr. POPE, on his lying in the same Bed which WILMOT the celebrated Earl of Rochester slept in, at Adderbury, then belonging to the Duke of Argyle, July 9th, 1739.
SOBER ADVICE FROM HORACE
*, TO THE YOUNG GENTLEMEN ABOUT TOWN.
As delivered in his SECOND SERMON. IMITATED
† in the Manner of Mr. POPE.
Together with the Original Text, as restored by The Rev. RICHARD BENTLEY, D. D.
And some REMARKS on the VERSION.
TO ALEXANDER POPE, ESQ *.
I HAVE so great a trust in your indulgence towards me, as to believe you cannot but patronize this Imitation, so much in your own manner, and whose birth I may truly say is owing to you †. In that confidence, I would not suppress the criticisms made upon it by the Reverend Doctor; the rather, since he has promised to mend the faults in the next edition, with the same goodness he has practised to Milton. I hope you will believe that while I express my regard for you, it is only out of modesty I conceal my name; since, tho' perhaps I may not profess myself your admirer so much as some others, I cannot but be, with as much inward respect, good-will, and zeal, as any man,
HORATII FLACCI, S. II. L. I.
TEXTUM RECENSUIT V. R. RICARDUS BENTLEIUS, S. T. P.
SOBER ADVICE FROM HORACE.
An Epistle to HENRY CROMWELL, Esq *.
The TRANSLATOR.
ROXANA, or the DRAWING-ROOM.
The LOOKING-GLASS *
The CHALLENGE. A Court Ballad.
The THREE GENTLE SHEPHERDS *.
LINES copied from Mr. POPE's Hand-writing, on a Scrap of Paper.
AN ESSAY ON HUMAN LIFE.
THE PREFACE.
OF all kinds of poetry the Didascalic is the most valuable, if aiming at the good of mankind be what justly entitles any thing to that character. The descriptive kind is like a fine landskip, where you meet with two or three principal figures; the rest is all rocks, rivulets, hanging woods and verdant lawns, amusing to the eye, shewing the taste of the painter, but carrying little instruction along with it. But the Didascalic is like a curious piece of history painting, where every figure must be highly wrought, every passion strongly represented, all contributing in their several degrees to express the main design; in short, it must be a finished piece.
That this is a very difficult work may be collected from the small number of those poets who have ever attempted it. In the early ages of the Grecians, I remember none who have wrote any thing in this way but old Hesiod, Aratus, and Nicander; for Dionysius, the Periegetic, and * Oppian, liv'd not 'till the [Page 60] time of the Roman Emperors. Hesiod's works and days is the only piece remaining that is allow'd to be genuine without dispute; but by Virgil's, and especially Manilius's compliments to him, 'tis highly probable he wrote others, and perhaps more valuable ones, tho' Quintilian allows him the Palma in illo medio genere dicendi only, and Le Fevre is much more hard upon him when he makes him little better than an almanack-maker, and his work a mean performance. Paterculus and Plutarch set him next to Homer, as well in the value of his works, as in the period of his age, says Mr. Kennet; but perhaps that may be the other extreme. Aratus wrote a poem, in two books, which he calls the Phaenomena, and Diosemeia, the one astronomical, giving an account of the situation and the affection of the heavenly bodies, the other astrological, shewing the particular influences arising from their various dispositions and relations †. Tully commends him for his versification, [Page 61] and Quintilian says, he has fully answer'd his argument, which put together, should make up a pretty good character. As to Nicander, Vossius places him amongst his Greek historians, but allows him to have been egregius grammaticus, poeta, & medicus. His surviving works are, however, only poetry upon poisons, and the methods of cure for them. Of the two latter Greek poets, Dionysius and Oppian, the one wrote a survey of the world, and the other Cynegetics and Halieutics, in both which 'tis certain there are very fine parts, however judgments may differ about them.
Amongst the Romans, Lucretius and Manilius may justly be said to be the chief of the Didascalic poets. They both wrote with all the fire of their youth about 'em; for neither of them liv'd to be old. I have always fancy'd Manilius imitated Lucretius in his manner, the beginning of his books being pretty much in the same way, besides, that he loses no occasion of launching out into descriptions, and is florid to a fault. He has likewise some reflections * on the follies of men, so very much of a piece with what you meet with in the 5th book of Lucretius, that one would almost think them taken from thence. In general it may be said, they are both very noble poems, tho' that of Manilius is far from being finish'd, as it might have been, if the author had liv'd. What errors are to be found in the philosophy of the one, [Page 62] and the astronomy of the other, are owing, perhaps, as much to the age of the world at that time, as their own, and their beauties may, in some measure, atone for their faults.
Virgil's Georgics are in the same kind, tho' the subjects are of less dignity; and I don't know whether I might not likewise add Ovid, on the account of his Fasti, the most correct of all his works: Gratius too, about the same time, wrote his Cynegetics, which are very justly esteem'd.
Amongst the moderns, Fracastorius's Syphilis, Quillet's Callipaedia, and Vida's Art of Poetry, are the best poems of this sort; Rapin of gardens, and Vanier's Praedium Rusticum, are not without their merit, but much inferior to the others. In our own language too we have some poems of this instructive kind: The Essays on Poetry, Translated Verse, and Criticism, are fine instances of the worth and excellency of this manner of writing, to which may be very truly apply'd what Dr. Young says of Satyr,
The strength of just observations, convey'd in smooth and flowing numbers, has a prevailing influence, insinuates itself into the mind almost imperceptibly, and makes a more lasting impression there than one would easily imagine. 'Tis true these subjects are purely critical, and so of less consequence to mankind [Page 63] in general; but yet, polishing the understanding, improving the judgment, and regulating the taste, are far from being things indifferent to the world, since they tend not a little to the shaming out of it that rusticity and barbarism, those follies and affectations, in one word, all that littleness of mind which is so effectual a bar in the way of generous and noble undertakings. But we have had of late an undeniable proof that the finest and most useful sort of philosophy, which consists in the knowledge of ourselves, may be convey'd in such clear, strong, easy, and affecting strains, at the same time convincing and captivating the understanding, that there remains no doubt but that poetry in the hands of a great genius, may be made as beneficial as ever it has been entertaining to mankind. The latter effect is indeed what has been generally most aim'd at, as it is compass'd with less difficulty to the writer, and meets with a more universal reception amongst the common sort of readers. * Imagery, fine colouring, and bright antitheses, often disguise the want of justness and force, and by pleasing the imagination, do, as it were, steal away from the judgment, or sometimes impose upon it, as shadows pass for substances with weak, distemper'd or fanciful men.
The Os magna sonaturum of Horace would make one almost think the muse must never appear without [Page 64] her buskins, and that all simplicity of expression were to be totally banish'd out of poetical writings. 'Tis true, the Epic Poem, the Ode, and the Tragedy very often require, and consequently justify the use of elevated language, as it may be more suitable to the greatness of the subjects, and better fitted to raise the several passions they are design'd to work upon. But where the appeal lies only to the understanding, selfevident truths, naturally and beautifully express'd, can never fail of the approbation of a sound head and a good taste: And even Horace himself, as elevated and great a poet as he must be allow'd in his Odes, appears to much more advantage in his Sermones and Epistles, where, as my Lord Roscommon observes on another occasion,
Sir John Denham's Cooper's Hill has met with universal applause, tho' its subject seems rather descriptive than instructing; but 'tis not the hill, the river, nor the stag chace; 'tis the good sense and the fine reflections so frequently interspers'd, and as it were interwoven with the rest, that gives it the value, and will make it, as was said of true wit, everlasting like the sun.
The late Mr. Prior's Solomon seems to have cost him much time and pains, and was, I believe, his favourite performance: He is in some doubt whether to call it a Didascalic or Heroic poem. It has, [Page 65] indeed, something of both, and yet strictly speaking, is perfectly neither: It has not fable, machinery, nor variety enough to be an Heroic poem, and it is too diffusive and luxuriant in the style, too florid and full of descriptions to be of the Didascalic sort. In general, it may be justly said to be a very fine piece; though I must confess I cannot help giving the preference to his Alma, in which the design is more closely pursued, carried on with more spirit, and never loses your attention.
Upon the whole, what Mr. Dryden has said in the preface to his Religio Laici, is, I think, very true. ‘"The expressions of a poem, design'd purely for instruction, ought to be plain and natural, and yet majestic: for here the poet is presum'd to be a kind of lawgiver, and those three qualities which I have named, are proper to the legislative style. The florid, elevated and figurative way, is for the passions; for love and hatred, fear and anger are begotten in the soul by shewing their objects out of their true proportion; either greater than the life or less; but instruction is to be given by shewing them what they naturally are. A man is to be cheated into passion, but to be reasoned into truth."’
The following short piece may be perhaps a little too pompously introduced by the foregoing observations; all I shall say for it is, I endeavoured to [Page 66] follow Mr. Dryden's rules: how far I have succeeded, I can be no proper judge myself. But whatever may be said of the poetry, and about that I am very indifferent, the sentiments must surely be allowed to be just and good; and I am entirely of Mr. Prior's opinion: ‘"I had rather be thought a good Englishman, (which is but another word for an honest man) than the best poet, or greatest scholar that ever wrote."’
To the Prince of ORANGE, 1677.
A true and faithful Inventory of the Goods belonging to the Dean of ST. PATRICK'S.
LINES written under the Print of TOM BRITTON the Small-coal-man, painted by Mr. WOOLASTON.
A LETTER to the Hon. Lady MARGARET CAVENDISH HARLEY, when a Child.
To Lord OXFORD.
Written extempore by Mr. PRIOR In Lady
Oxford's Study, 1717.
VERSES written in Lady HOWE's Ovid's Epistles.
TRUE's EPITAPH.
MR. POPE's WELCOME FROM GREECE.
A Copy of VERSES
* written by Mr. GAY, Upon Mr. POPE's having finished his Translation of HOMER's ILIAD.
A MOTTO for the Opera of Mutius Scaevola.
To the most Honourable the Earl of OXFORD, The Lord High Treasurer.
The epigrammatical Petition of your Lordship's most humble Servant, JOHN GAY.
The Duchess of QUEENS BERRY's Reply to King GEORGE II. when she was forbid to appear at Court.
THAT the Duchess of Queensberry is surpriz'd and well pleas'd that the King hath given her so agreeable a command as to stay from Court, where she never came for diversion, but to bestow a great civility upon the King and Queen. She hopes by such an unprecedented order as this, that the King will see as few as he wishes at his court (particularly such as dare think or speak the truth.) I dare not do otherwise, and ought not; nor could I have imagined that it would not have been the highest compliment that I could possibly pay the King, to endeavour to support truth and innocence in his house.
Particularly when the King and Queen had both told me that they had not read Mr. Gay's play. I have certainly done right then to stand to my own word, rather than his Grace of Grafton's, who hath neither made use of truth, judgment or honour through this whole affair, either for himself or his friends.
[Page 106] What follows was written by her Grace at the bottom of the copies of the above answer, which she gave to her particular friends:
‘"This is the answer I gave in writing to the Vice Chamberlain to read to the King, in answer to the message he brought me from the King to refrain coming to court."’
All the seven following Copies of VERSES were written on the foregoing Subject.
On the forbidding Command to the Duchess of QUEENSBERRY.
BOILEAU, Sat. IX.
The same paraphrased.
To the Duchess of QUEENSBERRY.
To JOHNNY GAY.
A BALLAD.
Written in Mr. GAY's WORKS.
Presented to a Lady in very splendid Binding.
To the BOOK.
On the Forbiddance of GAY's Second Part of the Beggar's Opera, and the Damnation of CIBBER's Love in a Riddle.
Upon Lady PEMBROKE's promoting the Catcalling of FAUSTINA, 1727.
The Character of the Lady HENRIETTA CAVENDISH HOLLES.
To Lady HENRIETTA CAVENDISH HOLLES, On her Choice of Truth, Honour, and Honesty for her Motto.
The humble Petition of a beautiful young LADY, To the Rev. Dr. BERKLEY, Dean of Londonderry *, which he quits to go and settle a College at Bermudas.
PROLOGUE * to MUSIC.
BUTLER's COMPLAINT against his pretended MONUMENT in Westminster Abbey.
Two LINES written with Charcoal upon BUTLER's MONUMENT.
EPIGRAM On the Miracles wrought by CUZZONI.
EPIGRAM In Behalf of TOM SOUTHERN, To the Duke of ARGYLE.
A Description of Dr. DELANY's Villa.
Written in the Right Honourable the Earl of OXFORD'S Library at Wimpole, 1729.
RAGG's * VERSES to J. PHILIPS.
The Duke of BUCKINGHAM's EPITAPH, Written by Himself, And left in his Will to be fixed on his Monument.
Thus translated by GEORGE SEWELL *, M. D. Author of the Tragedy of Sir Walter Raleigh.
On Sir ABRAHAM ELT being knighted, and taking the name of ELTON.
EPITAPH On Mr. CRAGGS.
A WESTMINSTER EXERCISE.
EPITAPH on Mr. THYNNE, Who was shot by CONINGSMARK's Direction.
A PARSON's RESOLUTION.
To a LADY.
An EPITAPH on Dr. JOHN FRIEND, the Physician, who died in 1728.
EPITAPH Intended by Mr. DRYDEN for his Wife.
EPITAPH on Mr. MOLESWORTH, Who erected a Monument, and placed an Inscription upon it in Honour of his favourite DOG.
Upon Dr. EVANS, Bursar, cutting down the Trees in ST. JOHN's COLLEGE GROVE.
Dr. EVANS upon Dr. TADLOW.
To be published in the next Edition of DRYDEN's VIRGIL.
To a LADY more cruel than fair.
Upon the ROYSTON BARGAIN, or ALEHOUSE WEDDING; i. e. the Marriage of Mr. CHARLES CAESAR to Miss LONG, October 1729.
To Mrs. B. to invite her from Virginia to Bermudas.
A BERMUDAN ODE.
Sir CHARLES HANBURY to Sir HANS SLOANE, Who saved his Life, and desired him to send over all the Rarities he could find in his Travels.
To Sir HENRY ASHURST, at Bath; From Mr. HANBURY.
Lord HARVEY on the Dutchess of RICHMOND.
On a COLLAR Presented for HAPPY GILL.
Lord MIDDLESEX to Mr. POPE, On reading Mr. ADDISON's Account of the English Poets.
The Twenty-First ODE of the Third Book of HORACE, translated.
Upon a GOOSE.
On Lady A.
Dr. WINTER's QUESTIONS to Dr. CHENEY.
Dr. CHENEY's ANSWER.
VERSES on The ART of POLITICKS *.
A BALLAD Found in a Cottage in Lancashire, and sent up to Lord OXFORD.
TRAPP, YOUNG, BUBB, STUBB, COBB, CRAB, CARY, TICKEL, EVANS.
KNIGHT versus PARSON; Or a Dialogue between Sir HENRY PEACHY of Sussex, and Mr. BRAMSTON, a Clergyman of the same County.
An EPISTLE to Lord COBHAM,
Being one of the last Copies of Verses he wrote before his Death.
To Lady IRWIN *.
The ANSWER.
An ELEGY on Mrs. BOWES *.
On Lady MARY WORTLEY MONTAGUE's VERSES on the Death of Mrs. BOWES.
The ANSWER to Lady MARY's VERSES on Mrs. BOWES.
On a LADY mistaking a DYING TRADER for a DYING LOVER.
on Mrs. LOWTHER, Lord LONSDALE's Sister.
VIRTUE IN DANGER. A lamentable STORY how a virtuous LADY had like to have been ravished by her Sister's Footman.
Epistle from ARTHUR GREY, the Footman, after his Condemnation for attempting a RAPE *.
Mr. JOHN PHILIPS's designed Dedication to his Poem called THE SPLENDID SHILLING.
To W. BROME, Esq. of
Ewithington, in the County of
Hereford.
IT would be too tedious an undertaking at this time to examine the rise and progress of Dedications. The use of them is certainly ancient, as appears both from Greek and Latin authors; and we have reason to believe that it was continued without any interruption till the beginning of this century, at which time, mottos, anagrams, and frontispieces being introduced, Dedications were mightily discouraged, and at last abdicated. But to discover precisely when they were restored, and by whom they were first usher'd in, is a work that far transcends my knowledge; a work that can justly be expected from no other pen but that of your operose Doctor Bentley. Let us therefore at present acquiesce in the dubiousness of their antiquity, and think the authority of the past and present times a [Page 189] sufficient plea for your patronizing, and my dedicating this poem. Especially since in this age Dedications are not only fashionable, but almost necessary; and indeed they are now so much in vogue, that a book without one, is as seldom seen as a bawdy-house without a Practice of Piety, or a poet with money. Upon this account, Sir, those who have no friends, dedicate to all good christians; some to their booksellers; some for want of a sublunary patron to the manes of a departed one. There are, that have dedicated to their whores: God help those hen-peck'd writers that have been forced to dedicate to their own wives! but while I talk so much of other mens patrons, I have forgot my own; and seem rather to make an essay on Dedications, than to write one. However, Sir, I presume you will pardon me for that fault; and perhaps like me the better for saying nothing to the purpose. You, Sir, are a person more tender of other mens reputation than your own; and would hear every body commended but yourself. Should I but mention your skill in turning, and the compassion you shew'd to my fingers ends when you [Page 190] gave me a tobacco stopper, you would blush and be confounded with your just praises. How much more would you, should I tell you what a progress you have made in that abstruse and useful language, the Saxon? Since, therefore, the recital of your excellencies would prove so troublesome, I shall offend your modesty no longer. Give me leave to speak a word or two concerning the poem, and I have done. This poem, Sir, if we consider the moral, the newness of the subject, the variety of images, and the exactness of the similitudes that compose it, must be allowed a piece that was never equalled by the moderns or ancients. The subject of the poem is myself, a subject never yet handled by any poets. How it to be handled by all, we may learn by those few divine commendatory verses written by the admirable Monsieur le Bog. Yet since I am the subject, and the poet too, I shall say no more of it, lest I should seem vain-glorious. As for the moral, I have took particular care that it should lie incognito, not like the ancients who let you know at first sight they design something by their verses. But [Page 191] here you may look a good while, and perhaps, after all, find that the poet has no aim or design, which must needs be a diverting surprize to the reader. What shall I say of the similes that are so full of geography, that you must get a Welshman to understand them? that so raise our ideas of the things they are apply'd to? that are so extraordinarily quaint and well chosen that there's nothing like them? So that I think I may, without vanity, say Avia Pieridum peragro loca, &c. Yet however excellent this poem is, in the reading of it you will find a vast difference between some parts and others; which proceeds not from your humble servant's negligence, but diet. This poem was begun when he had little victuals, and no moneys, and was finished when he had the misfortune at a virtuous lady's house to meet with both. But I hope, in time, Sir, when hunger and poverty shall once more be my companions, to make amends for the defaults of this poem, by an essay on Minced Pies, which shall be devoted to you with all submission, by,
Copy of a Letter from Mr. PITT, the Translator of VIRGIL,
To Mr. SPENCE.
I Am entering into proposals with a bookseller for printing a little miscellany of my own performances, consisting of some originals and select Translations. I beg you to be altogether silent in the matter. Mr. Pope has used so little of the 23d Odyssey that I gave Dr. Younge, that if I put it in among the rest I shall hardly incur any danger of the penalty concerning the patent. However, I will not presume to publish a single line of it after Mr. Pope's Translation, if you advise me (as I desire you to do sincerely) to the contrary. I shall send you a small specimen of my Translation, which if you approve of, I can assure you the remainder of the book is not inferior to it.
This is enough in conscience for this time; besides I am desired by Mr. Pope or Mr. Lintot, I don't know which, to write to Mr. Pope on a certain, affair.
Original Letter from Mr. GEORGE VERTUE
*,
To Mr. CHARLES CHRISTIAN.
PRAY inform my Lord Harley that I have on Thursday last seen the daughter of Milton the poet. I carry'd with me two or three different [Page 196] prints of Milton's picture, which she immediately knew to be like her father; and told me her mother-in-law (if living in Cheshire) had two pictures of him, one when he was a school boy, and the other when he was about twenty. She knows of no other picture of him, because she was several years in Ireland, both before and after his death. She was the youngest of Milton's daughters by his first wife, and was taught to read to her father several languages.
Mr. Addison was desirous to see her once, and desired she would bring with her testimonials of being Milton's daughter, but as soon as she came into the room he told her she needed none, her face having much of the likeness of the pictures he had seen of him.
For my part, I find the features of her face very much like the prints. I showed her the painting I have to engrave, which she believes not to be her father's picture, it being of a brown complexion, and black hair, and curled locks. On the contrary, he was of a fair complexion, a little red in his cheeks, and light brown lank hair.
[Page 197] I desire you would acquaint Mr. Prior I was so unfortunate to wait on him on Thursday morning last, just after he was gone out of town. It was with the intent to enquire of him if he remembers a picture of Milton in the late Lord Dorset's collection, as I am told this was; or if he can inform me how I shall enquire or know the truth of this affair, I should be much obliged to him, being very willing to have all the certainty on that account before I begin to engrave the plate, that it may be the more satisfactory to the publick, as well as to myself.
The sooner you communicate this the better, because I want to resolve, which I can't do till I have an answer, which will much oblige
Mr. PRIOR to Mr. WANLEY.
I Send you these sheets as look'd over first by Mr. Bedford, and then by myself. I have made great letters at ye, me, and emphatical words, that this may answer to the tenor of the other poems; but if in the old it be otherwise printed, or you please to alter any thing, you know and may use your dictatorial power. In a book called the Customes of London, a folio, printed, I think, in Harry the Eight's time, which I gave our wellbeloved Lord Harley, you will find this poem *. I hope I am to see you at dinner at Mr. Black's, and am always,
Mr. PRIOR to Mr. WANLEY.
I Must beg the continuance of your care in the names of the subscribers, as you have given it to me in the printing of the books. I send you my phiz. Pray give my service to Mrs. Wanley, desiring her to accept it, and assuring her that no man loves or esteems her husband and my friend more, than
Mr. E. SETTLE to Lord OXFORD.
HAVING laid at your Lordship's feet a divine poem on the Holy Eucharist, I humbly pay my duty to your Lordship to know how you are pleased to accept of it, being,
LETTERS by Mr. POPE.
To a LADY.
WE are indebted to Heaven for all things, and above all for our sense and genius (in whatever degree we have it); but to fancy yourself indebted to any thing else, moves my anger at your modesty. The regard I must bear you, seriously proceeds from myself alone; and I will not suffer even one I like so much as Mrs. H. to have a share in causing it. I challenge a kind of relation to you on the soul's side, which I take to be better than either on a father's or mother's; and if you can overlook an ugly body (that stands much in the way of any friendship, when it is between different sexes) I shall hope to find you a true and constant kinswoman in Apollo. Not that I would place all my pretensions upon that poetical foot, much less confine them to it; I am far more desirous to be admitted [Page 202] as yours, on the more meritorious title of friendship. I have ever believed this as a sacred maxim, that the most ingenious natures were the most sincere; and the most knowing and sensible minds made the best friends. Of all those that I have thought it the felicity of my life to know, I have ever found the most distinguished in capacity, the most distinguished in morality: and those the most to be depended on, whom one esteemed so much as to desire they should be so. I beg you to make me no more compliments. I could make you a great many, but I know you neither need them, nor can like them: be so good as to think I do not. In one word, your writings are very good, and very entertaining; but not so good, nor so entertaining, as your life and conversation. One is but the effect and emanation of the other. It will always be a greater pleasure to me, to know you are well, than that you write well, though every time you tell me the one, I must know the other. I am willing to spare your modesty; and therefore, as to your writing, may perhaps never say more (directly to yourself) than the few verses I send here; which (as a [Page 203] proof of my own modesty too) I made so long ago as the day you sate for your picture, and yet never till now durst confess to you.
The brightest wit in the world, without the better qualities of the heart, must meet with this fate; and tends only to endear such a character as I take yours to be. In the better discovery, and fuller conviction of which, I have a strong opinion, I shall grow more and more happy, the longer I live your acquaintance, and (if you will indulge me in so much pleasure)
To the same.
THOUGH I am extremely obliged by your agreeable letter, I will avoid all mention of the pleasure you give me, that we may have no more words about compliments; which I have often observed people talk themselves into, while they endeavour to talk themselves out of. It is not more the diet of friendship and esteem, than a few thin wafers and marmalade were of so hearty a stomach as Sancho's. In a word, I am very proud of my new relation, and like Parnassus much the better, since I found I had so good a neighbour there. Mrs. H [...], who lives at court, shall teach two country-folks sincerity; and when I am so happy as to meet you, she shall settle the proportions of that regard, or good-nature, which she can allow you to spare me, from a heart, which is so much her own as yours is.
That lady is the most trusty of friends, if the imitation of Shakespear be yours; for she made me [Page 205] give my opinion of it with assurance it was none of Mrs. [...]. I honestly liked and praised it, whosesoever it was; there is in it a sensible melancholy, and too true a picture of human life; so true an one, that I can scarce wish the verses yours at the expence of your thinking that way, so early. I rather wish you may love the town (which the author of those lines cannot immoderately do) these many years. It is time enough to like, or affect to like, the country, when one is out of love with all but one's-self, and therefore studies to become agreeable or easy to one's-self. Retiring into one's-self is generally the pis-aller of mankind. Would you have me describe my solitude and grotto to you? What if, after a long and painted description of them in verse (which the writer I have just been speaking of could better make, if I can guess by that line,
what if it ended thus?
If these lines want poetry, they do not want sense. God Almighty long preserve you from a feeling of them! The book you mention, Bruyere's Characters, will make any one know the world; and I believe at the same time despise it (which is a sign it will make one know it thoroughly). It is certainly the proof of a master-hand, that can give such striking likenesses, in such slight sketches, and in so sew strokes on each subject. In answer to your question about Shakespear, the book is about a quarter printed, and the number of emendations very great. I have never indulged my own conjectures, but kept meerly to such amendments as are authorized by old editions, in the author's life-time: but I think it will be a year at least before the whole work can be finished. In reply to your very handsome (I wish it were a very [Page 207] true) compliment upon this head, I only desire you to observe, by what natural, gentle degrees I have sunk to the humble thing I now am: first from a pretending poet to a critick, then to a low translator, lastly to a meer publisher. I am apprehensive I shall be nothing that's of any value long, except,
I long for your return to town, a place I am unfit for, but shall not be long out of, as soon as I know I may be permitted to wait on you there.
To the same.
IT was an agreeable surprize to me, to hear of your settlement in town. I lie at my Lord Peterborow's in Bolton-street, where any commands of yours will reach me to-morrow, only on Saturday evening I am pre-engaged. If Mrs. H [...] be to be engaged (and if she is by any creature, it is by you) I hope she will join us. I am, with great truth,
To the same.
I Could not play the impertinent so far as to write to you, till I was encouraged to it by a piece of news Mrs. H [...] tells me, which ought to be the most agreeable in the world to any author, That you are determined to write no more—It is now the time then, not for me only, but for every body, to write without fear, or wit: and I shall give you the first example here. But for this assurance, it would be every way too dangerous to correspond with a lady, whose very first sight and very first writings had such an effect, upon a man used to what they call fine sights, and what they call fine writings. Yet he has been dull enough to sleep quietly, after all he has seen, and all he has read; till yours broke in upon his stupidity and indolence, and totally destroyed it. But, God be thanked, you will write no more; so I am in no danger of increasing my admiration of you one way; and as to the other, you will never (I have too much reason to fear) open these eyes again with one glimpse of you.
[Page 210] I am told, you named lately in a letter a place called Twitenham, with particular distinction. That you may not be mis-construed and have your meaning mistaken for the future, I must acquaint you, Madam, that the name of the place where Mrs. H [...] is, is not Twitenham, but Richmond; which your ignorance in the geography of these parts has made you confound together. You will unthinkingly do honour to a paltry hermitage (while you speak of Twitenham) where lives a creature altogether unworthy your memory or notice, because he really wishes he had never beheld you, nor yours. You have spoiled him for a solitaire, and a book, all the days of his life; and put him into such a condition, that he thinks of nothing, and enquires of nothing but after a person who has nothing to say to him, and has left him for ever without hope of ever again regarding, or pleasing, or entertaining him, much less of seeing him. He has been so mad with the idea of her, as to steal her picture, and passes whole days in sitting before it, talking to himself, and (as some people imagine) making verses; [Page 211] but it is no such matter, for as long as he can get any of hers, he can never turn his head to his own, it is so much better entertained.
To the same.
I Am touched with shame when I look on the date of your letter. I have answered it a hundred times in my own mind, which I assure you has few thoughts, either so frequent or so lively, as those relating to you. I am sensibly obliged by you, in the comfort you endeavour to give me upon the loss of a friend. It is like the shower we have had this morning, that just makes the drooping trees hold up their heads, but they remain checked and withered at the root: the benediction is but a short relief, though it comes from Heaven itself. The loss of a friend is the loss of life; after that is gone from us, it is all but a gentler decay, and wasting and lingering a little longer. I was the other day [Page 212] forming a wish for a lady's happiness, upon her birth-day: and thinking of the greatest climax of felicity I could raise, step by step, to end in this—a Friend. I fancy I have succeeded in the gradation, and send you the whole copy to ask your opinion, or (which is much the better reason) to desire you to alter it to your own wish: for I believe you are a woman that can wish for yourself more reasonably, than I can for you. Mrs. H [...] made me promise her a copy; and to the end she may value it, I beg it may be transcribed, and sent her by you.
Pray, Madam, let me see this mended in your copy to Mrs. H [...];and let it be an exact scheme of happiness drawn, and I hope enjoyed, by yourself. To whom I assure you I wish it all, as much as you wish it her. I am always, with true respect,
To the same.
YOUR last letter tells me, that if I do not write in less than a month, you will fancy the length of yours frighted me. A consciousness that I had upon me of omitting too long to answer it, made me look (not without some fear and trembling) for the date of it: but there happened to be none; and I hope, either that you have forgot how long it is, or at least that you cannot think it so long as I do, since I writ to you. Indeed a multitude of things (which singly seem trifles, and yet all together make a vast deal of business, and wholly take up that time which we ought to value above all such things) have from day to day made me wanting, as well to my own greatest pleasure in this, as to my own greatest concerns in other points. If I seem to neglect any friend I have, I do more than seem to neglect myself, as I find daily by the increasing ill constitution of my body and mind. I still resolve this course shall not, nay I see it cannot, be long; [Page 215] and I determine to retreat within myself to the only business I was born for, and which I am only good for (if I am entitled to use that phrase for any thing). It is great folly to sacrifice one's self, one's time, one's quiet (the very life of life itself), to forms, complaisances, and amusements, which do not inwardly please me, and only please a sort of people who regard me no farther than a meer instrument of their present idleness, or vanity. To say truth, the lives of those we call great and happy are divided between those two states; and in each of them, we poetical fiddlers make but part of their pleasure, or of their equipage. And the misery is, we, in our turns, are so vain (at least I have been so) as to chuse to pipe without being paid, and so silly to be pleased with piping to those who understand musick less than ourselves. They have put me of late upon a task before I was aware, which I am sick and sore of: and yet engaged in honour to some persons whom I must neither disobey nor disappoint (I mean two or three in the world only) to go on with it. They make me do as mean a thing as the greatest [Page 216] man of them could do; seem to depend, and to solicit, when I do not want; and make a kind of court to those above my rank, just as they do to those above theirs, when we might much more wisely and agreeably live of ourselves, and to ourselves. You will easily find I am talking of my translating the Odyssey by subscription: which looks, it must needs look, to all the world as a design of mine both upon fame and money, when in truth I believe I shall get neither; for one I go about without any stomach, and the other I shall not go about at all.
This freedom of opening my mind upon my own situation, will be a proof of trust, and of an opinion your goodness of nature has made me entertain, that you never profess any degree of good-will without being pretty warm in it. So I tell you my grievances; I hope in God you have none, wherewith to make me any return of this kind. I hope that was the only one which you communicated in your last, about Mrs. H [...] silence; for which she wanted not reproaches from me; and has since, she says, amply atoned for. I saw a few lines of yours to her, [Page 217] which are more obliging to me than I could have imagined: if you put my welfare into the small number of things which you heartily wish (for a sensible person, of either sex, will never wish for many), I ought to be a happier man than I ever yet deserved to be.
Upon a review of your papers, I have repented of some of the trivial alterations I had thought of, which were very few. I would rather keep them till I have the satisfaction to meet you in the winter, which I must beg earnestly to do; for hitherto methinks you are to me like a spirit of another world, a being I admire, but have no commerce with: I cannot tell but I am writing to a Fairy, who has left me some favours, which I secretly enjoy, and shall think it unlucky, if not fatal, to part with. So pray do not expect your verses till farther acquaintance.
To the same.
NO confidence is so great, as that one receives from persons one knows may be believed, and in things one is willing to believe. I have (at last) acquired this; by Mrs. H [...] repeated assurances of a thing I am unfeignedly so desirous of, as your allowing me to correspond with you. In good earnest, there is sometimes in men as well as in women, a great deal of unaffected modesty: and I was sincere all along, when I told her personally, and told you by my silence, that I feared only to seem impertinent, while perhaps I seemed negligent, to you. To tell Mrs. [...] any thing like what I really thought of her, would have looked so like the common traffick of compliment, that pays only to receive; and to have told it her in distant or bashful terms, would have appeared so like coldness in my sense of good qualities (which I cannot find out in any one, without feeling, from my nature, at the same time a great warmth for them) that I was quite at a loss [Page 219] what to write, or in what stile, to you. But I am resolved, plainly to get over all objections, and faithfully to assure you, if you will help a bashful man to be past all preliminaries, and forms, I am ready to treat with you for your friendship. I know (without more ado) you have a valuable soul; and wit, sense, and worth enough, to make me reckon it (provided you will permit it) one of the happinesses of my life to have been made acquainted with you.
I do not know, on the other hand, what you can think of me; but this, for a beginning, I will venture to engage, that whoever takes me for a poet, or a wit (as they call it), takes me for a creature of less value than I am: and that where-ever I profess it, you shall find me a much better man, that is, a much better friend, or at least a much less faulty one, than I am a poet. That whatever zeal I may have, or whatever regard I may shew, for things I truly am so pleased with as your entertaining writings; yet I shall still have more for your person, and for your health, and for your happiness. I [Page 220] would, with as much readiness, play the apothecary or the nurse, to mend your head-akes, as I would play the critick to improve your verses. I have seriously looked over and over those you intrusted me with; and assure you, Madam, I would as soon cheat in any other trust, as in this. I sincerely tell you, I can mend them very little, and only in trifles, not worth writing about; but will tell you every tittle when I have the happiness to see you.
I am more concerned than you can reasonably believe, for the ill state of health you are at present under: but I will appeal to time, to shew you how sincerely I am (if I live long enough to prove myself what I truly am)
I am very sick all the while I write this letter, which I hope will be an excuse for its being so scribbled.
To the same.
IT happened that when I determined to answer yours, by the post that followed my receipt of it, I was prevented from the first proof I have had the happiness to give you of my warmth and readiness, in returning the epitaph, with my sincere condolements with you on that melancholy subject. But nevertheless I resolved to send you the one, though unattended by the other: I begged Mrs. H [...] to inclose it, that you might at least see I had not the power to delay a moment the doing what you bid me; especially when the occasion of obeying your commands was such, as must affect every admirer and well-wisher of honour and virtue in the nation.
You had it in the very blots, the better to compare the places; and I can only say it was done to the best of my judgement, and to the extent of my sincerity.
[Page 222] I do not wonder that you decline the poetical amusement I proposed to you, at this time. I know (from what little I know of your heart) enough at least to convince me, it must be too deeply concerned at the loss, not only of so great, and so near a relation; but of a good man (a loss this age can hardly ever afford to bear, and not often can sustain). Yet perhaps it is one of the best things that can be said of poetry, that it helps us to pass over the toils and troubles of this tiresome journey, our life; as horses are encouraged and spirited up, the better to bear their labour, by the jingling of bells about their heads. Indeed, as to myself, I have been used to this odd cordial, so long, that it has no effect upon me: but you, Madam, are in your honeymoon of poetry; you have seen only the smiles, and enjoyed the caresses, of Apollo. Nothing is so pleasant to a Muse as the first children of the Imagination; but when once she comes to find it meer conjugal duty, and the care of her numerous progeny daily grows upon her, it is all a sour tax for past pleasure. As the Psalmist says on another occasion, the age of a Muse is scarce above five and twenty: [Page 223] all the rest is labour and sorrow. I find by experience that his own fiddle is no great pleasure to a common fiddler, after once the first good conceit of himself is lost.
I long at last to be acquainted with you; and Mrs. H [...] tells me you shall soon be in town, and I blest with the vision I have so long desired. Pray believe I worship you as much, and send my addresses to you as often, as to any female Saint in Heaven: it is certain I see you as little, unless it be in my sleep; and that way too, holy hermits are visited by the Saints themselves.
I am, without figures and metaphors, yours: and hope you will think, I have spent all my fiction in my poetry; so that I have nothing but plain truth left for my prose; with which I am ever,
To the same.
I Think it a full proof of that unlucky star, which upon too many occasions I have experienced, that this first, this only day that I should have owned happy beyond expectation (for I did not till yesterday hope to have seen you so soon) I must be forced not to do it. I am too sick (indeed very ill) to go out so far, and lie on a bed at my doctor's house, as a kind of force upon him to get me better with all haste.
I am scarce able to see these few lines I write; to wish you health and pleasure enough not to miss me to-day, and myself patience to bear being absent from you as well as I can being ill.
To the same.
AFTER a very long expectation and daily hopes of the satisfaction of seeing and conversing with you, I am still deprived of it in a manner that is the most afflicting, because it is occasioned by your illness and your misfortune. I can bear my own, I assure you, much better: and thus to find you lost to me, at the time that I hoped to have regained you, doubles the concern I should naturally feel in being deprived of any pleasure whatever.
Mrs. H [...] can best express to you the concern of a friend, who esteems and pities: for she has the liberty to express it in her actions, and the satisfaction of attending on you in your indisposition.
I wish sincerely your condition were not such as to debar me from telling you in person how truly I am yours. I wish I could do you any little offices of friendship, or give you any amusements, or help you to what people in your present state most want, better spirits. If reading to you, or writing to you, [Page 226] could contribute to entertain your hours, or to raise you to a livelier relish of life, how well should I think my time employed! indeed I should, and think it a much better end of my poor studies, than all the vanities of fame, or views of a character that way, which engage most men of my fraternity.
If you thoroughly knew the zeal with which I am your servant, you would take some notice of the advice I would give you, and suffer it to have a weight with you proportionable to the sincerity with which it is given.
I beg you to do your utmost to call to you all the succours, which your own good sense and natural reflexion can suggest, to avoid a melancholy way of thinking, and to throw up your spirits by intervals of moderate company; not to let your distemper fix itself upon your mind at least, though it will not entirely quit your body. Do not indulge too much solitariness. Though most company be not proper or supportable during your illness, force yourself to enter into such as is good and reasonable, where you may have your liberty, and be under no restraint.
[Page 227] Why will you not come to your friend Mrs. H [...], since you are able to go out, and since motion is certainly good for your health? Why will you not make any little sets of such as you are easiest with, to sit with you sometimes?
Do not think I have any interested aim in this advice: though I long to see you, and to try to amuse you, I would not for the world be considered as one that would ever require for my own gratification, any thing that might be improper or hurtful to you.
Pray let me know, by our friend Mrs. H [...], if there can be anything in my power to serve, or to amuse you. But use me so kindly, as not to think ever of writing to me till you are so well as that I may see you, and then it will be needless. Do not even read this, if it be the least trouble to your eyes or head.
Believe me, with great respect, and the warmest good wishes for your speedy recovery,
To the same.
IT was an inexpressible pleasure to me to see your letter, as I assure you it had long been a great trouble, to reflect on the melancholy reason of your silence and absence. It was that only which hindered my writing, not only again, but often, to you; for fear your good-nature should have been prompted to oblige me too much at your own expence, by answering. Indeed I never expressed (and never shall be able to express) more concern and good wishes for you, than I shall ever feel for one of your merit.
I am sorry, the moment you grow better, to have you snatcht from those, who I may say deserve the pleasure of seeing you in health, for having so long lamented and felt your illness.
Mrs. H [...], I hope, will find it not impossible to draw you to Richmond: and if not, I dare say will not be long out of Hertfordshire. I want [Page 229] nothing but the same happy pretence she has, of a title through your friendship, and the privilege of her sex, to be there immediately. I cannot but wonder you have not heard from her, though I should wonder if any body else had; for I am told by her family she has had much of the head-ake at Bath, besides the excuse of a great giddiness occasioned naturally by the waters. I writ to her at the first going, and have not had a word from her; and now you tell me the same thing, I conclude she has been worse than I imagine. I hear she returns on Wednesday, when I shall have the satisfaction (I doubt not) to talk and hear a great deal of Mrs. [...].
I wish I could say any thing, either to comfort you when ill, or entertain you when well. Though nothing could, in the proper proportion of friendship, more affect me than your condition; I have not wanted other occasions of great melancholy, of which the least is the loss of part of my fortune by a late Act of Parliament.
[Page 230] I am at present in the afflicting circumstance of taking my last leave of one of the * truest friends I ever had, and one of the greatest men in all polite learning, as well as the most agreeable companion, this nation ever had.
I really do not love life so dearly, or so weakly, as to value it on any other score, than for that portion of happiness which a friend only can bestow upon it: or, if I must want that myself, for the pleasure which is next it, of seeing deserving and virtuous people happy. So that indeed I want comfort; and the greatest I can receive from you (at least unless I were so happy as to deserve what I never can) will be to hear you grow better till you grow perfectly well, perfectly easy, and perfectly happy, which no one more sincerely wishes than,
To the same.
IT would be a vanity in me to tell you why I trouble you so soon again: I cannot imagine myself of the number of those correspondents whom you call favourite ones; yet I know it is thought, that industry may make a man what merit cannot: and if an old maxim of my Lord Oxford's be true, That in England if a man resolve to be any thing, and constantly stick to it, he may (even a Lord Treasurer): if so, I say, it shall not be want of resolution that shall hinder me from being a favourite. In good earnest, I am more ambitious of being so to you, Madam, than I ever was, or ever shall be, of being one to any Prince, or (which is more) any Prince's minister, in Christendom.
I wish I could tell you any agreeable news of what your heart is concerned in; but I have a sort of quarrel to Mrs. H [...] for not loving herself so well as she does her friends: for those she makes happy, but not herself.
[Page 232] There is an air of sadness about her which grieves me, and which, I have learnt by experience, will increase upon an indolent (I will not say an affected) resignation to it. It will do so in men, and much more in women, who have a natural softness that sinks them even when reason does not. This I tell you in confidence; and pray give our friend such hints as may put her out of humour with melancholy: your censure, or even your raillery, may have more weight with her than mine: a man cannot either so decently, or so delicately, take upon him to be a physician in these concealed distempers.
You see, Madam, I proceed in trusting you with things that nearly concern me. In my last letter I spoke but of a trifle, myself: in this I advance farther, and speak of what touches me more, a friend.
This beautiful season will raise up so many rural images and descriptions in a poetical mind, that I expect, you, and all such as you (if there be any such), at least all who are not downright dull translators, [Page 233] like your servant, must necessarily be productive of verses.
I lately saw a sketch this way on the bower of * BEDINGTON: I could wish you tried something in the descriptive way on any subject you please, mixed with vision and moral; like pieces of the old provençal poets, which abound with fancy, and are the most amusing scenes in nature. There are three or four of this kind in Chaucer admirable: "The Flower and the Leaf" every body has been delighted with.
I have long had an inclination to tell a Fairy tale, the more wild and exotic the better; therefore a [Page 234] vision, which is confined to no rules of probability, will take in all the variety and luxuriancy of description you will; provided there be an apparent moral to it. I think, one or two of the Persian Tales would give one hints for such an invention: and perhaps if the scenes were taken from real places that are known, in order to compliment particular gardens and buildings of a fine taste (as I believe several of Chaucer's descriptions do, though it is what nobody has observed), it would add great beauty to the whole.
I wish you found such an amusement pleasing to you: if you did but, at leisure, form descriptions from objects in nature itself, which struck you most livelily, I would undertake to find a tale that should bring them all together: which you will think an odd undertaking, but in a piece of this fanciful and imaginary nature I am sure is practicable. Excuse this long letter; and think no man is more
☞ IN the Preface to an edition of Monsieur POUILLY DE CHAMPEAUX's Works very lately published, is the Extract of a Letter from Lord BOLINGBROKE to that Gentleman. The original and translation are inserted here. The comment is left to the reader.
It may be necessary to add, That Monsieur POUILLY DE CHAMPEAUX is a writer much esteemed on account of the elegance and spirit of humanity that breathe throughout his literary productions. The chief of these is his Theory of Agreeable Sensations. As to his political powers, they have never yet been celebrated by his countrymen in such a strain as to authorize the following compliment to him on the part of Lord BOLINGBROKE.
EXTRACT.
‘"ENFIN, mon cher Pouilly, dans cette foule d'hommes que j'ai pu connoitre, et dont j'ai cherché à étudier l'esprit et le charactère, je n'en ai vu que TROIS qui m'aient paru dignes qu'on leur confiât le soin de gouverner des nations. Nôtre amitié est trop etroite, elle est, ainsi que le diroit Montaigne, trop libre et trop franche dans ses allures, pour que je m'enveloppe avec vous [Page 236] de cette fausse modestie, dont il faut quelquefois se faire un bouclier contre l'envie. Je vous dirai donc hardiment que ces trois hommes sont vous, MOI, et POPE."’
TRANSLATION.
‘"MY dear friend, among the croud of men whom it may have fallen in my way to know, and whose understandings and characters I have endeavoured to study, I have not yet marked out above THREE that appeared to me worthy of being trusted with the care of governing nations. Our friendship is too intimate, and, as Montaigne would perhaps choose to express himself, too frank and free in its paces for me to need, with you, the wrapping myself up in that false modesty, of which there is sometimes a necessity for making a shield against envy. I shall then tell you boldly that these three men are YOU, MYSELF, and POPE."’