THE VVriting School-Master: OR, The Anatomy of Fair WRITING.

Wherein is exactly expressed each several Character; Together With other Rules and Documents coincident to the Art of Fair and Speedy WRITING.

By JOHN DAVIES of HEREFORD.

Vivit post Funera Virtus.

Prov. Teach a Child in the way he should go, and when he is old, he will not depart from it. Apply thine heart to Instruction, and thine ears to the words of Knowledge, that it may be well with, thee in thy latter end.

LONDON, Printed by S. Griffin for John Overton, and sold by him at his Hou [...] at the Sign of the White-Horse in Little Britain, next the Gate. 1667. Wh [...] you may have two famous Maps of the City of London, Before, and Since the Fire.

DIRECTIONS.

WHat measure of knowledg and practice it hath pleased God to lend me upon the accompt of Improvement, I have in the discharge of my Dutie, extended to the benefit of all whom it may concern, as well as to mine own Interest alone: chieflie to those who dwell in remote places, who want the help of Teachers; yea, and for the benefi of such Teachers also, as be anie wise defective in Abilities.

Hold your Head so strait up and evenlie, as that the Book or Paper whereon you write, may be right before your Face; and your Bodie so orderlie, as that you lean not your Breast to the Table; as also your Elbows so close to your sides, as that your Arms may be kept strait forth; and the middle part of your Book or Paper so direct­lie against the midst of your Bodie, and so equallie near at both ends, to that side or part of the Table next you, as the strait holding forth of your Arms will permit.

Hold your Pen lightlie on the point of your Thumb, almost touching the Nail thereof, the Fore-finger on the top, and the Middle-finger longest, at the upper part of the mouth; as also your Thumb, and all your Fingers extended to their full length; lest both the Hand depend not on the points of the third and fourth Fingers as it ought, and the Thumb crook or bow in the midst, the rest of the Fingers be subject to the like, and hinder the well-doing of the work. Likewise, take Ink with the mouth of the Pen downwards, and shake the Pen over the Ink horn every time, lest you either make an uncleanlie Letter, or blot the Paper, or both.

These things being thus carefullie done, then draw two Rules (otherwise called double Rule) and write the bodies of all Letters between those two Rules, and both [Page 4] [...]he heads of all that have heads over the high Rule, and the feet of all that have feet under the low Rule, as far as the bodies are in length from the high Rule to the low, according to the measure used in Printing; which though it be not the tenth part so old as Writing, yet it hath come to a far greater perfection, according to the Rules of Art grounded upon Reason.

Then for your better apprehending both of verbal Instruction, and literal De­monstration, it will be needful for you to understand those terms of Art which di­stinguish the divers passages of the Pen in Writing, which be Twelve in Number, according to the varietie of the Letters, strait down, and strait up; strait forwards, and strait backwards; sloping up to the right hand, and sloping down to the left hand; sloping up to the left hand, and sloping down to the right hand; com­passing down to the right hand, and compassing down to the left hand; com­passing up to the left hand, and compassing up to the right hand.

Having thus far proceeded, it is next to be considered, That there must be equal distance alwaies kept between Letters in Words, between Words and Words, and between Lines and Lines, whiles the generalitie of the Writing continueth in an equal proportion, which being carefullie observed, it will be fit time for you to be­gin, and form disjoined Letters severallie, upon the aforementioned Rules, u [...]til you can write them skilfullie, if your Capacitie cannot reach the writing of them without Rule jointlie; and according as you come short in framing of them ac­cording to your Copie, and have [...]ot a Teacher to instruct you, it will be verie re­quisite for you to examine and compare them with your pat [...]ern as you p [...]oceed, and then at your writing of them thenceforth, to avoid all such Errors as escaped in your first endeavors.

Whether you be a new Beginner, or have made some progress before y [...]u are to write verie slowlie, until you can write skilfullie, and then you may endeavour by d [...]grees to such speed thereafter, as you may still keep both the same form and suf­ficiencie [Page 5]of Letter; but having attained some measure of perfection, when upon anie occasion you are driven to such haste of businesses, as that you must needs write fast, then you may serve your present need with all convenient expedition, and practise again with more care and deliberation, when you can spare more time; lest otherwise upon neglecting that needful task, you get such a habit of writing too speedilie, as you will quite forget to write more exactlie.

For, Writing carefullie and slowlie, is to be used in all kind of Affairs, which re­quireth to be written perfectlie, though it be onlie in the same form of Letter, which you write in other things speedilie; and yet in being so written, it will be better in regard of its speed, than a set form of Writing: so you will in short time know by your own experience, that both those ways of writing one form of Letter, are far more fit in their respective places, than to be so addicted to anie one way of doing thereof, as that the other way should not be also used when there is need.

And they may be so much the easier written, either slowlie or speedilie, in that they differ not in Letter, being one and the same, but onlie in length or shortness of time, whiles they are in doing, chieflie when the Letters are so framed, that anie word without exception (according to my custom) may be written, before the removing of the Pen: Whereas the usual set form of Writing is much slower to be done, than the slowest way of this form, because it is of such a slow different Character, as requireth the Pen to be taken off the Paper, almost in framing of everie Letter. Therefore, if the changing of such a slow set form into another, which in all these re­spects is better, both because it is as good a Letter, and much speedier and readier, is so good a Noveltie, that in such a necessarie respect, it surpasseth that which is of Antiquitie.

Now concerning the necessaries belonging to Writing, choose the clearest second, hardest third, and greatest first of a Goose-wing; which when you make, first scrape and rub, then out off about an Inch long from the Nib of the Quill, slit it up quick­lie, [Page 6]that it may write cleanlie, and not too far, lest too much thereof be spent idelie: Then cut off so much of the point verie carefullie, as there may remain sufficient length of the Slit, for the size of the Letter, which you intend to write, and make the upper part or mouth, to begin at the upper end of the slit, of such measure higher than the point, as that neither too much length should make it weak, or not give Ink, nor too much shortness cause it to blot: and it is requisite for the greater strength, that the mouth exceed not twice the length of the point: So much by lite­ral instruction for the Pen.

And if you desire to make Ink for your own use, and to pleasure others, take 12 Ounces of Nut Galls broken small, and put into a Quart of stale Beer, White-wine, or the half thereof Vineger; and when it hath been stirred about twice a day the space of a Week at least, strain out the Liquor from the Galls, and put 9 Ounces of Copras therein, 6 Ounces of Gum-Arabick broken small, 3 Ounces of White Su­gar, and 2 Ounces of Roch-allum: Among the Galls, you may put fullie as much Liquor, and but the half of the Ingredients you did before: and if within a Mo [...]th thereafter, it be as good as the former, you may use it in the same manner, otherwise a little more stuff and longer standing, will make it to your desire: But if you will have it readie in haste, boyle it in an earthen Vessel half an hour on a slow Fire, that you may have the whole substance of the Galls by that means so much the sooner; for all the rest melts in the Liquor; then you may throw out the husks of the Galls, and nothing will remain but clear Ink.

Thus at the request of a worthie Friend, I have endeavoured to comprehend in these few pages, the substance of those two printed Sheets which are usuallie in Copie-Books, intituled, THE WRITING SCHOOLMASTER, whereof some particulars are contrarie to mine own practice, to wit, The teaching of disjoined Letters, and writing on ruled Lines; others I have added, which are disagreeable to the common practice: But (I hope) upon good grounds of Reason, agreeable to [Page 7]mine own experience, namelie, the limiting of heads and feet of written Letters, ac­cording to the length of printed Letters of the like size; and have not onlie recti­fied the Consusedness both of matter and order in those printed Sheets, and inter­mixed both necessarie Rules, and pertinent words, where there was need: but like­wise, instead both of some envious Discours [...]s against other Teachers, and other frivolous in high phrases (used by some) above the Capacitie of Learners, have added in verie easie terms divers needful Directions for the use of Learners, over and above what was inserted in the printed Sheets. All which, in order to the improvement of mi [...]e own Talent, I wish may be profitable unto all who use the same for their need, hoping to publish manie better things both of this, and other kinds, to the Glorie of God.

DAVID BROWN.

A particular Catalogue of Copper-Plates, Printed by and for John Overton, at the White Horse in Little Brittain, London. 1667.

1. a New Map of the World. 2. Excel­lent Maps of the City of London, before and since the Fire, in Prospect and Ground plot. 3. A Map of England. 4. Scot­land. 5. Ireland. 6. France, in single sheets, large paper. 7. Great Brittain and Ireland in four large sheets, with the Isles adjacent unto them; also the Battels fought in each King­dom, expressed by Tents. 8. Kent in two sheets, with the High-ways from town to town, &c. not done before, &c. 2 Essex. 3. Surrey. 4. Warwickshire. 5. Hartforsshire, not any the like Map extant. 6. Suffolk. 7. Nor­folk. 8. Northamptonshire. 9. Staffordshire. 10. Leicestershire and Rutland. 11. VVorcestershire. 12. Cheshire. 13. Lancashire. 14. Barkshire. 15. Somersetshire, with the scales of each Map, and the Distinctions of each Hundred, &c. 16. A new Map of Virginia, Mary-Land, &c. 17. The Arms, Brests, Supporters and Motto's of all the several Companies and Corporati­ons of the famous City of London, as they [Page]now bear them described, by the Letters of their proper Clours, with the Arms of all the other Cities in the Nation. A Collection of sundry Signs and Badges, for Inns, Taverns, or Victualling-houses, to distinguish each Room by its name: in Colors, and otherways.

Large Sheets of Effigies and Stories in Colours and otherways.

1. Orpheus playing to the Beasts. 2. The 4 Seasons of the year. 3. All the Kings of Eng­land, from VVilliam the Conqueror, to King Charles, in Heads. 4. X Commandments in 2 Tables. 5. Death his Anatomy, with the me­mory of the Righteous, and oblivion of the wicked, in sentences of Scripture. 6. The River of Tyne from the Sea to Newcastle, with the Soundings, places of Lading of Sea Callus and the minus, &c. 7. The Book of Flowers, Fruits, Beasts, Birds and Flyes, exactly drawn, Printed and sold by John Overton. [The Five Senses. 4 Elements. 7 Liberal Arts. P. Lom­bards 4 parts of the World. 4 Winds. 4 Com­plexions. 4 Times of the day. 3 Graces. 9 Modern Worthies. 4 Vertues.] 8. Large pie­ces, being rare Knots of Mr. E. Cocker, Master in Writing. 9. Originals and Copies of Sir Anth. Vandikes 4 of many sorts. 10. A rare Book of Folding, by Edward Pierce, for Paint­ers, Carvers, Gentlemen, &c.

These are Copy-Books.

The Writing Schoolmaster, or the Anatomy of Fair Writing, wherein is expressed each several Character, together with other Rules coincident to the Art of fair and speedy VVri­ting, by John Davies of Hereford. 2. A Copy-Book containing variety of Examples of all the most curious Hands written, with the Breaks of each letter, with the 3 usual and most necessary hands of our Nation, by Mar­tin Billingsley Master in VVriting. 3. Billing­sley in small. 4. The Penmans Recreation, con­taining Examples of fair and speedy VVriting, of excellent use for all such as aim at perfecti­on therein, by James Hodar. 5. A Copy-Book of the usual Hands written in England, by Mr. Johnson. 6. Arts Glory, or the Penmans Trea­sury, containing various Examples of Secreta­ry, Text, Roman and Italian Hands, adorned with curious Knots and Flourishes; also a Receipt for Ink, and to write in Gold, by Ed­ward Cocker. 7. The Pens Treasury, containing several Directions very useful, both for the Art of writing of true English, with choise ex­periments for such as practise Pen or Pensil, by J. Fisher. 8. A Copy-Book containing plain and easie directions to Fair VVriting, by Lewis Hughs. 9. A Copy-Book, or Fair VVriting of several Hands used, Published by P. S. 10. A Copy-Book of the usual Hands written, with easie Rules, by which one may learn to write of himself.

The posture of the Musket and Pike, use­ful for the Practitioners thereof, as also for Officers.

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